Artists Describing Their Art:
C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...
Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....
Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...
Josephine Roberte - My creative process is full of passion and discovery. I become totally absorbed and only myself and the subject exist for I am in a meditative state. I paint, however, I do prefer photography as a medium as it suits my spontaneous nature. The lens captures the moment with exquisite precision that cannot be easily recaptured again. I am more interested in the concept and the impact of the image which gives the image more integrity and close to the original. To manipulate and enhance the image after its been taken does not excite me as much as capturing that magical moment. When I set up and arrange the scene I am consumed with styling, decorating and embellishing the subject. I see the human form as sculpture which extends to packaging, interiors and architecture. I am fascinated by the eccentric the marginal the most glamorous and the neglected bringing out their inner beauty, dignity and their story. The collaborative process creates a comfortable environment which in turn makes my models feel at ease and supportive of their particular wishes and needs. My models often make comments that they feel relaxed, liberated and empowered....
Orville Robertson - Street photography possesses a wonderful energy. Passersby and their self-made worlds create dynamic relationships that are continuously changing before and after I have captured a part of this on film. How I photograph these scenes reflects who I am, where I have been, and where I am headed. I love wandering round and seeing all this serendipity....