Paintings For Sale - Price Range: $5000 - $10000 (2,262)

Artists Describing Their Art:

Ivan Pili - Following in the footsteps of the great masters of the past, the tradition of classical and romantic nineteenth-century painting that evolves into a figurative language relives in the beautiful works of art of master Ivan Pili , whilst the segno runs fast and decisive in the graphic ability from suffused values aEUR
Fernando Javier Cantera - MY NAME IS FERNANDO JAVIER CANTERA, I HAVE BORN IN BUENOS AIRES, ARGENTINA, THE JULY 161978,MY WORK IS INSPIRED IN THE WORKS OF PABLO PICASSO MAINLY... BUT I LIKE VINCENT VAN GOGH AND SALVADOR DALI. I PAINT AND I INTERPREAT THEIR WORKS AND THEIR MEANINGS IN MY WAY. I PAINT MY OWN VISION OF THEIR WORKS. I DONT HAVE ARTISTIC DEGREES OR STUDIES. I A SELF-TAUGHT ARTIST. I CONSIDER MYSELF AS AN ARTIST... NOT A PAINTER. PLEASE BE WELLCOME TO MY GALLERY. ...

Richard Young - I am a self-taught professional Artist, born in Yorkshire, in 1961, and now based in Reading, UK where I have my office and studio. Though I have always had a flair for pencil and chalk drawing, I graduated in engineering in 1983 and with a passion to travel, I initially pursued a career as a design consultant in various managerial roles with international design consulting companies, residing primarily in the Middle East. Nevertheless, an artisan at heart, I returned to Commercial Art in 2003, initially as a semi-professional artist and have extensively developed my own personal style and technique. I create all oil paintings entirely using a knife, often in a limited colour palette and mixing only on the canvas. The style of my artwork is modern, yet classical traditional and occasionally contemporary. The compositions are influenced and inspired by the realism and romanticism of my favourite post renaissance classical Masters and their timeless, romantic masterpieces. My artwork compositions mostly entail dramatic lighting and shading, in a high contrast. I simply adore light and am fascinated with its arguably undue influence on any subject. Predominantly figurative, I aim to capture a carefully composed aloof anonymity, mood, atmosphere, drama, ...

Andre Nod - Born 1962 in Alma-Ata now aEUR" Almaty, Kazakhstan, graduated in 1988 from the Alma-Ata State Theatrical and Artistic Institute in 1988 BMF MFA. Over the course of 30 years of active creative work has authored thousands of works of art, including paintings, sculpture, drawings, etchings, photographs, ceramics and contemporary art. Has participated in more than 200 group exhibitions and held more than 30 solo shows. Has published poetry in periodicals, participated in literary seminars and also acted in films. His works have been shown at such major international forums as ArtExpo New York International, AFA Rosemalen, Art Manege Moscow, Accessible de Arte Brussels, Asia Art Tashkent, Art Market Budapest, Art Expo SPb International, Saint. aEUR"Petersburg, Art Shanghai, at Kolner Liste Discovery Art Faire, Cologne, Germany, at the Central ArtistsaEURtm House in Moscow, at UNESCO, Paris, France and also at Sothebys and Christies. His works can be seen in permanent exhibitions at the Kasteyev State Museum of Fine Arts in Almaty, Kazakhstan, at the Museum of Modern Art in Astana, Kazakhstan, at the Museum of Art in Karaganda, Kazakhstan, at the Nevzorov Art Museum in Semipalatinsk, Kazakhstan, at the Pavlodar Art Museum, Pavlodar, Kazakhstan, at the Regional Museum of Art ...

Freydoon Rassouli - Creation is the product of synchronizing our energy with the universe. Once we experience the whole and recognize it, we become aware that we are nothing but the Divine Creative Force. I do not start a painting with sketches, I do not paint on location and I do not work from photos. Instead, many mornings, before the dawn, I climb a mountain to its peak. There , sitting in solitude, I observe rising of the sun. I watch plants open their leaves, buds tear up their dresses and the birds sing to the arrival of their creator. There is an interconnected serenity that allows all creatures to experience the divine unity. Having felt that creative energy, I rush to my studio, dip my brush into paint, and let it move freely on canvas. My paintings are inspirational for they allow the observer to experience infinite viewpoints and perceptions. They are not abstract for they represent what is actually more real than what our eyes are able to see. They allow the viewers to be inspired by taking their own perception beyond their senses and their surroundings. "Relationship" is the most important aspect of my work. I believe that dream and reality ...