Lithographs

Page 1 of 5
Tamara Sorkin, William Christopherson, John Powell, Shin-hye Park, Bessie Papazafiriou, Wayne Wilcox, Hyacinthe Kuller-baron, David Larkins, Hilary Pollock, Mimma Umeton, Rachel E Heberling, Tinko Dimov offering original Lithograph Prints artworks.


Contemporary Art / Lithograph Prints / Previous / Next
Tamara Sorkin: 'lithograph with chine colle', 2015 Lithograph, Figurative.    a series of works in different techniques- from drawing to several types of printmakig, and mixed media                                            ...
Figurative - Lithograph
41 x 33 cm (16.1 x 13.0 inches)
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Tamara Sorkin: 'flower litho 4', 2011 Lithograph, Abstract Figurative.      lithograph on recycled handmade paper     ...
Abstract Figurative - Lithograph
30 x 30 cm (11.8 x 11.8 inches)
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Tamara Sorkin: 'flower litho 3', 2011 Lithograph, Abstract Figurative.     lithograph on recycled handmade paper    ...
Abstract Figurative - Lithograph
30 x 30 cm (11.8 x 11.8 inches)
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Tamara Sorkin: 'flower litho 2', 2011 Lithograph, Abstract Figurative.    lithograph on recycled handmade paper   ...
Abstract Figurative - Lithograph
30 x 30 cm (11.8 x 11.8 inches)
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William Christopherson: 'Boldt Castle Saint Lawrence Romance ', 1998 Lithograph, Romance.  The Captain of Her Heart. 14 x 18 limited edition print of penink original. The lady of the castle awaits as her love rows his Saint Lawrence skiff to shore. Impressionistic rendering of famous castle on Heart Island in the Thousand Islands by New York artist William Christopherson. Shipped flat...
Romance - Lithograph
18 x 14 inches (45.7 x 35.6 cm)
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William Christopherson: 'Keewaydin Mansion', 1994 Lithograph, History.  Full sized print of artist's recreation in pencil, of this beautiful Victirian style summer home which once stood on the granit ledges overlooking the St. Lawrence River in the Thousand Islands. Artist' s very first award winning artwork. Shipped on 3/ 8
History - Lithograph
22 x 17 inches (55.9 x 43.2 cm)
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John Powell: 'Detail 2', 2007 Lithograph, Figurative. Order print size: 10x9$75, PRICE includes shipping, via FedEx   From market series. . . This print is among the most popular requested for purchase, to put in Kitchens of clients worldwide; Come with Certificate of authenticity and ship same day depending of time of order;     ...
, 2007
Figurative - Lithograph
10 x 9 inches (25.4 x 22.9 cm)
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Shin-hye Park: 'landscape', 2005 Lithograph, nature.
, 2005
nature - Lithograph
40 x 40 cm (15.7 x 15.7 inches)
Shin-hye Park: 'landscape', 2005 Lithograph, nature.
, 2005
nature - Lithograph
40 x 40 cm (15.7 x 15.7 inches)
Bessie Papazafiriou: 'Two Trees in Metsovo', 2003 Lithograph, Landscape. Metsovo is a wonderful mountain village in Greece.  While exploring the surrounding woods just before sunset, I discovered these amazing tees nestled together like an old couple.Comments:  Framed...
Landscape - Lithograph
18 x 20 inches (45.7 x 50.8 cm)
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Bessie Papazafiriou: 'Two Trees In Metsovo', 2003 Lithograph, Landscape.       Metsovo is a wonderful mountain village in Greece.  While exploring the surrounding woods just before sunset, I discovered these amazing trees nestled together like an old couple.Comments:  Unframed...
Landscape - Lithograph
10 x 12 inches (25.4 x 30.5 cm)
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Wayne Wilcox: 'Split in the Mother', 1975 Lithograph, Abstract.
Abstract - Lithograph
12 x 12 inches (30.5 x 30.5 cm)
Hyacinthe Kuller-baron: 'HYACINTHE GIRL', 2003 Lithograph, Figurative. The HYACINTHE Girl. Original oil painting. Considered by Helen Gurley Brown to be the COSMO GIRL.All that is available now are 24x36
Figurative - Lithograph
24 x 36 inches (61.0 x 91.4 cm)
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Hyacinthe Kuller-baron: 'Come Be My Love', 2003 Lithograph, Love. COME BE MY LOVE!Give the Gift of Love.Lithograph limited editions signed in pencil by Hyacinthe Kuller continue to increase in value. Original Artist' s Proofs are unique and from the artist' s own collection are especially important pieces by Hyacinthe Kuller Baron.  Art Collectors world wide love their ...
Love - Lithograph
22 x 28 inches (55.9 x 71.1 cm)
David Larkins: 'Monroe Lotus Beds', 1991 Lithograph, Landscape. Lotus Beds is a study of the lotus marshes which are plentiful in my lake side community. The painting depicts the life cycle of the American Lotus from birth to death and also the creatures that inhabit the marshes.The size noted is the size of the original which is ...
Landscape - Lithograph
28 x 20 inches (71.1 x 50.8 cm)
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Hyacinthe Kuller-baron: 'MOTHERHOOD', 1969 Lithograph, Love. THE PERFECT GIFT!  FREE SHIPPING!Do not miss this opportunity to own an original Hyacinthe Kuller Baron original Lithograph Artist' s Proof.Original signed and numbered edition pieces continue to rise in value.Hyacinthe Kuller Baron' s lithographs become beloved family heirlooms.Order now. Or contact www. barongalleries. com. or ...
, 1969
Love - Lithograph
20 x 26 inches (50.8 x 66.0 cm)
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Hilary Pollock: 'untitled lithograph 3', 2015 Lithograph, Figurative.
Figurative - Lithograph
30 x 30 cm (11.8 x 11.8 inches)
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Hilary Pollock: 'untitled lothograph 2', 2015 Lithograph, Figurative.
Figurative - Lithograph
30 x 30 cm (11.8 x 11.8 inches)
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Hilary Pollock: 'untitled lithograph 1', 2015 Lithograph, Figurative.
Figurative - Lithograph
30 x 30 cm (11.8 x 11.8 inches)
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Mimma Umeton: 'la Diretta in Tivvu', 2000 Lithograph, Impressionism.  Prints by private collection of Mimma Umeton       ...
Impressionism - Lithograph
32 x 48 cm (12.6 x 18.9 inches)
Mimma Umeton: 'da Ada', 2000 Lithograph, Impressionism.  Prints by private collection of Mimma Umeton      ...
, 2000
Impressionism - Lithograph
32 x 48 cm (12.6 x 18.9 inches)
Mimma Umeton: 'Capannelle', 1978 Lithograph, Impressionism.  Prints by private collection of Mimma Umeton     ...
, 1978
Impressionism - Lithograph
32 x 48 cm (12.6 x 18.9 inches)
Mimma Umeton: 'sor Capanna', 1975 Lithograph, Impressionism.  Prints by private collection of Mimma Umeton    ...
Impressionism - Lithograph
48 x 32 cm (18.9 x 12.6 inches)
Mimma Umeton: 'Noantri', 1975 Lithograph, Impressionism.  Prints by private collection of Mimma Umeton   ...
, 1975
Impressionism - Lithograph
32 x 48 cm (12.6 x 18.9 inches)
Mimma Umeton: 'Concertino', 1972 Lithograph, Impressionism.  Prints by private collection of Mimma Umeton  ...
, 1972
Impressionism - Lithograph
48 x 32 cm (18.9 x 12.6 inches)
Mimma Umeton: 'I Fagottari', 1972 Lithograph, Impressionism. Prints by private collection of Mimma Umeton ...
Impressionism - Lithograph
48 x 32 cm (18.9 x 12.6 inches)
Mimma Umeton: 'da Gomito', 1972 Lithograph, Impressionism.  Prints from the private collection of Mimma Umeton   ...
, 1972
Impressionism - Lithograph
32 x 48 cm (12.6 x 18.9 inches)
Rachel E Heberling: 'Full Circle', 2013 Lithograph, Animals.  Stone lithograph of deer skeleton   ...
Animals - Lithograph
11 x 8 inches (27.9 x 20.3 cm)
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Tinko Dimov: 'meditation', 2013 Lithograph, undecided.
, 2013
undecided - Lithograph
50 x 70 cm (19.7 x 27.6 inches)
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Tinko Dimov: 'Jazz', 2013 Lithograph, undecided.
, 2013
undecided - Lithograph
50 x 70 cm (19.7 x 27.6 inches)
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(Page 1 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

Shin-Hye Park - Park, Shin-Hye Born in Daegu, Korea Master of Fine Arts, Graduate School of Hong-lk Univ., Seoul, Korea Freie Kunst, Gesamthochschule Kassel, Univ., des Landes Hessen, Germany Present Lecturer at Hankyong National Univ., Korea An Attempt to Perceive:Nature, Life and Humanity An Artistic expression is for me an act of confirming what I have perceived, namely what I have to know while seeing, hearing, smelling, tasting, feeling endlessly in the midst of daily life. What is especially important in my work is how I have progressed to know nature. Nature is a starting point of understanding about life, humanity, and somthing called living as one experiances. It is also a place for an empirical, not ideological, understanding of God. Equilibrium is a divine state. Thus, God must have created the universe in his attributes. Now we conceive equilibrium as broken and are feeling a pain from the wound. Then an artistic act is, at least for me, a reflection upon such a reality and embodies a meaning for healing. prolog I feel a deep compassion for Ahnsan, which is suffering from a serious pathological symptom called !(r)development,!- and in turn often affirm in my mind that I will ...

Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...

Wayne Wilcox - David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

Hilary Pollock - When contemplating creativity, I admit to being impressed by the draftsmanship of Gustav Klimt,the audacity and creativity of Picasso and the fortitude of Artemisia Gentileschi and many other female artists. The "Lady and the Unicorn" tapestries in Paris move me greatly for their colour and their detail in particular. I have my own style and language which has developed over the years from experimentation with a variety of mediums and different approaches to my subject matter. Some things become favourites, contributing to a personal language and the sheer pleasure of creating. The process is the important thing. Creativity for the visual artist is all about struggle,excitement and energy....

Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...