Lithographs (135)

Page 4 of 5
Keith Thrash, Bob Filbey, Laurie Ihlenfield, John Entrekin, Yasser Mongy, Jay Braden, Ellen Safra, E.c. Corbitt, Stephen Fusco, Gary Paul, Michael Semsch, Nadia Lotz, Stephanie Hayden, Rachel E Heberling, Andrew Cain offering original Lithograph Prints artworks.


Contemporary Art / Lithograph Prints / Previous / Next
Keith Thrash: 'Pines', 1998 Lithograph, Landscape. Artist Description:  My favorite work, pines on a hilltop west of Demopolis. ...
, 1998
Landscape - Lithograph
9 x 12 inches (22.9 x 30.5 cm)
Keith Thrash: 'Turkey Creek', 1989 Lithograph, Landscape. Artist Description:  Print enhanced with pencil. ...
Landscape - Lithograph
7 x 5 inches (17.8 x 12.7 cm)
Keith Thrash: 'Sunlit Trees', 1998 Lithograph, Landscape. Artist Description:  Early spring along Foscue Creek just north of Highway 80 east of Demopolis. Watercolor and color pencil on lithograph. ...
Landscape - Lithograph
16 x 16 inches (40.6 x 40.6 cm)
Bob Filbey: 'The Kiss', 1989 Lithograph, Figurative. Artist Description:  Also available as a black and white lithograph ( $175) and lithograph tinted by watercolor ( $375) .  ...
, 1989
Figurative - Lithograph
22 x 15 inches (55.9 x 38.1 cm)
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Bob Filbey: 'Terminal', 1989 Lithograph, Transportation. Artist Description:  Also available tinted by watercolor ( $375) . ...
, 1989
Transportation - Lithograph
22 x 15 inches (55.9 x 38.1 cm)
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Bob Filbey: 'Whirlpool E', 1989 Lithograph, Seascape. Artist Description:  Handpulled lithograph. There are various other color versions available at the same price. ...
Seascape - Lithograph
15 x 22 inches (38.1 x 55.9 cm)
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Bob Filbey: 'Smokestacks', 1989 Lithograph, Landscape. Artist Description:  Also available as a black and white lithograph ( $175) . ...
Landscape - Lithograph
22 x 15 inches (55.9 x 38.1 cm)
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Bob Filbey: 'Storybook Moon', 1989 Lithograph, Space. Artist Description:  Also available as a handpulled lithograph in black and white ( $175) . ...
Space - Lithograph
15 x 22 inches (38.1 x 55.9 cm)
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Bob Filbey: 'Night Moves', 1990 Lithograph, Abstract Figurative. Artist Description:  Also available as a lithograph tinted by watercolor ( $475) . ...
Abstract Figurative - Lithograph
22 x 30 inches (55.9 x 76.2 cm)
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Laurie Ihlenfield: 'Corkscrew Swamp Trees', 2008 Lithograph, nature. Artist Description:  Stone lithography 5/ 13, black frame with UV protective, anti- glare glass and cream matt...
nature - Lithograph
11 x 16.5 inches (27.9 x 41.9 cm)
John Entrekin: 'Seascape', 2007 Lithograph, Seascape. Artist Description: This is an offset lithograph print of the oil painting that was sold some time ago.  This is in what I call my Swirly style. To learn more or see other prints and paintings please go to: www. johnentrekin. com...
, 2007
Seascape - Lithograph
20 x 9 inches (50.8 x 22.9 cm)
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John Entrekin: 'The Couch', 2007 Lithograph, Abstract Figurative. Artist Description: The Couch is one of my earliest paintings in what has become known as my Swirly style.  The original was sold some time ago but the prints are now for sale.  You can also see my work and more about me at www. johnentrekin. com ...
, 2007
Abstract Figurative - Lithograph
20 x 11 inches (50.8 x 27.9 cm)
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Yasser Mongy: 'Temptation', 2006 Lithograph, Mystical. Artist Description:  Inspirated by the very complicated contineous heritage of Da Vinci, Vitruvius & Marsilio Ficino. ...
, 2006
Mystical - Lithograph
50 x 70 cm (19.7 x 27.6 inches)
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Yasser Mongy: 'Temptation2', 2006 Lithograph, nudes. Artist Description:  Inspirated by the mystic code of Da Vinci. ...
nudes - Lithograph
50 x 70 cm (19.7 x 27.6 inches)
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Jay Braden: 'Satellite Hatchback in Piedras Negras', 2006 Lithograph, Life. Artist Description: Two- color ( Blue and Yellow) Lithograph...
Life - Lithograph
9 x 5 inches (22.9 x 12.7 cm)
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Ellen Safra: 'Sister Grace', 2001 Lithograph, Fantasy.
Fantasy - Lithograph
15 x 18 inches (38.1 x 45.7 cm)
Ellen Safra: 'lover of the Sea', 2001 Lithograph, Fantasy.
Fantasy - Lithograph
20 x 28 inches (50.8 x 71.1 cm)
Ellen Safra: 'Maxime', 2001 Lithograph, Fantasy.
, 2001
Fantasy - Lithograph
19 x 15 inches (48.3 x 38.1 cm)
E.c. Corbitt: 'Old Friends', 1997 Lithograph, Fantasy. Artist Description:  11 colour hand finished 150 limited editionlithograph...
Fantasy - Lithograph
14 x 21 inches (35.6 x 53.3 cm)
E.c. Corbitt: 'The Waiting', 1997 Lithograph, Fantasy. Artist Description: Hand finished in gouache 11 colour hand colour finished limited edition 150 lithograph...
Fantasy - Lithograph
14 x 23 inches (35.6 x 58.4 cm)
E.c. Corbitt: 'Good Morning', 1994 Lithograph, Fantasy. Artist Description: Hand finished in gouache Linited edition 9 color lithograph printed on Arches paper 250 Grm. ...
Fantasy - Lithograph
26 x 30 inches (66.0 x 76.2 cm)
Stephen Fusco: 'The Escort', 2000 Lithograph, Religious. Artist Description: Original oil painting depicts St. Michael, the Archangel, escorting a fallen deputy/ police officer into Heaven. Available in limited, 18
, 2000
Religious - Lithograph
18 x 24 inches (45.7 x 61.0 cm)
Gary Paul: 'Raging Waters', 2012 Lithograph, Seascape. Artist Description:  Water crashing between 2 rocks.This image of raging water is created by a multitude of discrete abstract shapes that combine to form a realistic image. This 4 color lithograph print on paper is taken from the original acrylic on canvas painting by Gary Paul.Each print is ...
Seascape - Lithograph
32 x 25 inches (81.3 x 63.5 cm)
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Michael Semsch: 'Sky Shadows', 2012 Lithograph, Abstract. Artist Description:  Sky Shadows is a lithography print depicting the two towers across the street from my home, where balloons sometimes fill the sky.   ...
Abstract - Lithograph
15 x 22 inches (38.1 x 55.9 cm)
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Nadia Lotz: 'Heavenhouse pop rock', 2009 Lithograph, People. Artist Description:  Michael Jackson, Elvis Presley, performance, heaven, angels, concert, ...
People - Lithograph
36 x 24 inches (91.4 x 61.0 cm)
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Stephanie Hayden: 'Violet Woman', 2002 Lithograph, nudes. Artist Description: # 12 of 15...
nudes - Lithograph
16 x 9 inches (40.6 x 22.9 cm)
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Stephanie Hayden: 'Dreaming of a Colourful Spring', 2002 Lithograph, Portrait. Artist Description: # 1 of 3...
Portrait - Lithograph
6 x 7 inches (15.2 x 17.8 cm)
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Rachel E Heberling: 'Full Circle', 2013 Lithograph, Animals. Artist Description:  Stone lithograph of deer skeleton   ...
Animals - Lithograph
11 x 8 inches (27.9 x 20.3 cm)
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Andrew Cain: 'Regrets', 2009 Lithograph, Abstract Figurative. Artist Description:  narative    ...
, 2009
Abstract Figurative - Lithograph
100 x 70 cm (39.4 x 27.6 inches)
Andrew Cain: 'Salvation', 2009 Lithograph, Abstract Figurative. Artist Description:   narative     ...
, 2009
Abstract Figurative - Lithograph
70 x 100 cm (27.6 x 39.4 inches)
(Page 4 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Keith Thrash - ABOUT THE ARTIST: CLICK ON FURTHER INFO BELOW ARTISTS STATEMENT, LEFT, FOR FULL INFO, My pictures come from direct contact with nature, rather than from imagination or preoccupation with graphic design, and scenes are depicted approximately as they are, with an economy of effort and scant technical virtuosity. I record the landscape of West-Central Alabama with a loose, expressionist drawing style, using Chinese ink-and-brush techniques developed through contact with sumi-e master Koho in New York in 1997 and study of the "Mustard Seed Garden Manual of Chinese Painting" ("The Tao of Painting," Bollingen Books, also available as an out-of-print paperback titled "The Way of Chinese Painting"). My tonal range is based on photography's Zone System, and I learned fine-art photographic printing in 1976 from George Tice at Parsons School of Design in New York. A master photographic printer chosen to print archival negatives in the Museum of Modern Art's collection, his best work is collected in "Urban Landscapes" (1976), which he designed himself while taking a course in book design at the same school. I am greatly influenced by American watercolorist Charles Burchfield and by the Barbizon painters of mid-19th...

Laurie Ihlenfield - As an artist I find fascination in even the most ordinary things. I enjoy studying the complexity that light can lend to a grouping of objects. Dappled light shining through the back of leaves, or illuminating a group of reflective objects, or creating shadows in the bark of a tree creates complex patterns. The addition of light evokes mood. I am interested in portraying mood through close up views of objects and scenes. I sometimes am interested in inferring deeper meaning. At other times, I prefer to let the image speak for itself. It is my hope the viewer will find in my painting the feeling the original image stirred in me. ...

John Entrekin - I have been a professional painter most of my life. This listing shows a brief sample of my current works. I am a portrait and figure painter as well as doing abstracts in a style i have developed over the past several years. If you like what you see here and would like to see more please go to my site at www.johnentrekin.com ...

Jay Braden - Art is a thread connecting the many passions I value in life. Painting and illustration are two of my favorite modes for pulling together the vast array of subjects that fascinate me, people I've met, and places and events I've experienced, into an evolving series of statements and reflections of the world. The creation of art is one form of visual story-telling. What each viewer brings to their experience of an image is as important as the image they're observing. When this is realized, both the viewer and the image are liberated, and the image truly speaks to the individual in a unique way. ...

Ellen Safra - Safra suffuses her work with a loving and caressing texture-pigment swept across formica or canvas giving a silken sheen to the surfaces. Her large images were brought about by early influnces surfacing from her subconcious and instrumental to a great creative output. Her art reflects her response to others and her feelings for humanity. ...

E.c. Corbitt - E.C. Corbitt - The Comedian of Horror If one accepts the current Postmodernist perspective on the development of "modernism" in painting, several faulty assumptions about its history become evident. The popular view that painting passed through a series representational phases - Impressionism, Post-Impressionism, Fauvism, Cubism, etc., only to triumph in the achievements of pure abstraction, now appears historically naive and dominated by a Western European bias. Very few artists, whether in their vision or their work, have so successfully challenged the simplicity of this view as E.C. Corbitt. A few international painters - Francis Bacon, Paul Cadmus, Lucien Freud - while deeply influenced by trends in twentieth-century art, have also remained committed to representation of the human figure. Corbitt, who spent the last twenty-five years working in Europe, also retains the centrality of the figure, while incorporating aspects of the American art scene - the various forms of Pop, Op, and Conceptual Art - that consolidate his American experience and give his work a unique vision. His technical ability, use of colour, and refreshing sense of wit - combined with a healthy dose of sarcasm (derived, it appears, from an early exposure to Mad Magazine) - involve the viewer in a stimulating journey. ...

Stephen Fusco - Welcome, I am a full-time police artist, or forensic artist, for the Orange County Sheriff's Office in Orlando, Florida. I've actually been a police officer since March of 1980. My background as an investigator has been an important part of my success as a police artist but, my passion for art is the key ingrediant. I feel blessed that my artistic skills make a difference in peoples lives, as well as the contribution to sucessful prosecutions in major case investigations throughout Central Florida. I used to do most my police art in pencil, however now I use a Wacom pad and the computer to "airbrush" my work such as suspect composite drawings, age progression drawings, skull reconstructions, and post mortem drawings. There are numerous examples on this site that illustrate what computer art looks like. It is still done by hand except it's within the computer. I also do commercial art for the Sheriff, which I get to use my own creative freedom. I call it "artistic support." Artistic support comes in the form of illustrations, unit logos, t-shirt designs, memorial portraits, and police related paintings and renderings. When I do artistic support, I like ...

Stephanie Hayden - My work varies in style, i try to capture moments of my life on different canvases, from watercolours, acrylics, to montages, sculpture and my photography. Much of my work is dark & disturbing and i can attribute it to the fact that until recently i was registered blind, legally, having been born with dislocated lenses. The more vibrant & colourful works are from my later period after i had surgery to implant interocular lenses, thus i now see the world in a totally different way. This can be seen across my portfolio....

Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...

Andrew Cain - My work deals with the human condition, emotions and narratives. I find comfort in the figure, as it represents emotions through its movement and shape that explain stories words cannot tell. Each movement and line becomes something abstract, expressive and beautiful. By the juxtaposition of abstract and expressive mark making I narrate my own anxieties in social situations, and turn stories into pieces. I narrate these tales using lines, colour and the figure, explaining everyday situations. I am inspired by perception and how it creates a new narrative within each piece, how every work of art is a conversation between the viewer and the art work....