Monoprints

Page 1 of 7
Donna Gallant, Engelina Zandstra, William Christopherson, Tamara Sorkin, Kathryn Arnold, Robert Arnold, Claire Vines, Suzanne Benton, Michael Weatherly, Vanilia Majoros, Edelweiss Calcagno offering original Monoprints artworks.


Contemporary Art / Monoprints / Previous / Next
Donna Gallant: 'snowdrops 2', 2009 Monoprint, Floral. Red tulips with little white snowdrops. Big and little, light and dark are a play with the composition. ...
Floral - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'white lily 1', 2009 Monoprint, Floral. A white lily than looks like itaEURtms singing. ItaEURtms joyful and light. ...
Floral - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'skull in my garden 11', 1994 Monoprint, Still Life. This piece looks like the skull is lying in a bed of red roses. ...
Still Life - Monoprint
18 x 24 inches (45.7 x 61.0 cm)
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Donna Gallant: 'skull in my garden 9', 1994 Monoprint, Still Life. The strong contrast of this piece has a nice balance and composition. ...
Still Life - Monoprint
18 x 24 inches (45.7 x 61.0 cm)
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Engelina Zandstra: 'composition 1819', 1998 Monoprint, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube....
Abstract - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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Engelina Zandstra: 'composition 1730', 1998 Monoprint, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube. ...
Abstract - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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Engelina Zandstra: 'composition 1786', 1998 Monoprint, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube. ...
Abstract - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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Engelina Zandstra: 'composition 1753', 1998 Monoprint, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube. ...
Abstract - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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William Christopherson: 'Keewaydin Mansion Framed', 2010 Monoprint, Landscape.
Landscape - Monoprint
26 x 22 inches (66.0 x 55.9 cm)
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Tamara Sorkin: 'monoprint no title', 2010 Monoprint, Abstract.
Abstract - Monoprint
15 x 18 cm (5.9 x 7.1 inches)
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Kathryn Arnold: 'it all comes down to this', 2020 Monoprint, Figurative.  kathryn arnold, monprint, on paper, paper size 22 x 30...
Figurative - Monoprint
14 x 18 inches (35.6 x 45.7 cm)
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Kathryn Arnold: 'i can only think about this number 3', 2020 Monoprint, Figurative. kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size...
Figurative - Monoprint
13.5 x 10 inches (34.3 x 25.4 cm)
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Kathryn Arnold: 'i can only think about this number 2', 2020 Monoprint, Figurative.  kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size...
Figurative - Monoprint
13.5 x 10 inches (34.3 x 25.4 cm)
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Kathryn Arnold: 'i can only think about this', 2020 Monoprint, Figurative. kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size...
Figurative - Monoprint
13.5 x 10.5 inches (34.3 x 26.7 cm)
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Robert Arnold: ' A House on Wahl Court', 2009 Monoprint, undecided.   Ink on paper  ...
undecided - Monoprint
7 x 5 inches (17.8 x 12.7 cm)
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Tamara Sorkin: 'human imprint 2', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'human imprint 1', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'human imprint', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Robert Arnold: 'On Being an Artist in America in 2008 2', 2008 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
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Robert Arnold: 'On Being an Artist in America in 2008 1', 2008 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
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Robert Arnold: 'Il papa ha nuova pattini rossi di Prada', 2005 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8.5 x 10 inches (21.6 x 25.4 cm)
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 Claire Vines: 'lovers', 2019 Monoprint, Abstract Landscape. Lovers walking outdoors near trees...
, 2019
Abstract Landscape - Monoprint
28 x 29 inches (71.1 x 73.7 cm)
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 Claire Vines: 'the dance', 2015 Monoprint, Beauty. The Dancer...
, 2015
Beauty - Monoprint
16.9 x 20 inches (42.9 x 50.8 cm)
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Suzanne Benton: 'Balance', 2013 Monoprint, History.  Balance monoprint with Chine collA(c)           ...
, 2013
History - Monoprint
17.8 x 13.5 inches (45.2 x 34.3 cm)
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Suzanne Benton: 'Maiden and the Night Sky', 2013 Monoprint, History.  Maiden and the Night from Paintings in Proust series, monoprint with Chine collA(c)           ...
History - Monoprint
13.5 x 17.8 inches (34.3 x 45.2 cm)
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Michael Weatherly: 'Old Man in Hat', 2014 Monoprint, Figurative.  Linoleum cut  ...
Figurative - Monoprint
24 x 32 inches (61.0 x 81.3 cm)
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Michael Weatherly: 'Woman II', 2015 Monoprint, Figurative.  Linoleum cut with Chine Colle  ...
, 2015
Figurative - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Vanilia Majoros: 'Vase of Flowers', 2014 Monoprint, undecided.
undecided - Monoprint
20 x 20 inches (50.8 x 50.8 cm)
Edelweiss Calcagno: 'City Crime', 2015 Monoprint, Abstract.  Mono- print, etching and screen print, mixed media, one of a kind, abstract that you will love to have in your collection. ...
, 2015
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Gary Richard D.: 'The Joy Of Rum', 2013 Monoprint, Other.  family                               ...
Other - Monoprint
12 x 9 inches (30.5 x 22.9 cm)
(Page 1 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

Engelina Zandstra - In the labyrinth of my thoughts there are many roads that are leading to the unknown. many roads are leading to the unknown - around every corner a surprise - fata morganas unprecedented views - paintings designed according to laws of their own. ...

William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

Robert Arnold - For a long time now, I have been interested in squares with five sides. Most people call these pentagons, but I don't because of the obvious political implications. Let's just say that a square with five sides is far more interesting than a square with four sides. My work is often about things involving five; five letters to Filippo Lippi, as well as a variation on the painting that Filippo might have painted after receiving those five letters, five new red Prada pope shoes. Some of those works are here. I am also interested in things that don't involve five, and some of those are also here. Ever since I was a child, I have been very interested in Italy. Although I am not Italian, I grew up in an Italian neighborhood in Buffalo, was heavily influenced by my Italian friends and their parents and worked for a number of years in a restaurant in Buffalo that was owned by an Italian gentleman and frequented by the mafia. I also like to travel to Italy, and very much like the way the Italian people live their lives. Someday I may live there. Although I don't understand ...

Michael Weatherly - Art speaks to anyone. It can lift your spirits, provoke your thoughts and calm your emotions. A continuing desire to grow and express has driven my creation of original works - The past and the present connect. Creating a work of art is, having traveled various roads through experimentation until reaching the culmination of an organic art form implementing abstract-figurative elements that emphasize textures and non-conventional forms. It is through experimentation and the search of new techniques that I imprint my work with imagery that reminds us of the natural world. For me, creating is a liberating experience - I am always in a happy state even during the times when I struggle with the process. The creative journey starts with a concept - it's just me and the blank canvas, paper or object...my senses awaken...the process is a thrill ...I progress through stages...it becomes. Michael J Weatherly ...

Vanilia Majoros - I love to explore my own self and image; this is the culmination of the fusion of science and art for me. I try to see things in my own way, shaped by my life and my experiences. For each viewer this experience an entry into this personal world through visual or mental images, can be uniquely his own. ...

Edelweiss Calcagno - www.edelweisscalcagno.com +1-240-701-9100 Using different techniques, some of them mixed together to create new unique techniques. My art is formed by adding layer after layer, producing extraordinary illusions making the mind get involved in the labyrinth of colors and materials. Viewers never stop discovering new things - there is something fresh each time they look at my pieces. My source of inspiration is that a picture can speak a thousand words. I have seen many times how my art can touch people. I believe in the freedom of rights and equality for all, and these beliefs impact my artwork and my message. My art does not judge, but it is honest, even when this means stating what I see there is a strong message. I trust my art because the word that comes out from it is a positive word. I discovered the beauty of creating sculptures and prints in addition to doing paintings, etching and restoring art and now they have become part of who I am. There are the infinite possibilities hidden in sculpture. Between mixed media, aluminum casting, and more I love to touch any type of material and find new ways to use ...