Monoprints

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Jerry Di Falco, Donna Gallant, William Christopherson, Tamara Sorkin, Engelina Zandstra, Kathryn Arnold, Robert Arnold, John Tooma, Dale Wilhite, Suzanne Benton, Michael Weatherly, Vanilia Majoros offering original Monoprints artworks.


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Jerry  Di Falco: 'Sofi at the Beach', 2019 Monoprint, Beach. This monoprint began as an etched image on plexiglass, and was finished with gouache and watercolor.  It is a one of a kind work and was inspired by an oil- painting on canvas that I created in 1979 entitled, SOFI.  The image of a zoftig sunbather bending over the surf ...
Beach - Monoprint
16 x 20 inches (40.6 x 50.8 cm)
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Jerry  Di Falco: 'mary magdalene dream one', 2019 Monoprint, Mystical. This monoprint by Jerry Di Falco is entitled MARY MAGDALENEaEURtmS DREAM NUMBER ONE.  The media include RivesBFK white printmaking paper, water base wood block printing ink, and silk screen ink.  It comes with a frame and archival mat.  Size given below is for frame, 11x14. ...
Mystical - Monoprint
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'planets number three', 2019 Monoprint, Abstract. This strong yet delicate one of a kind monoprint on paper measures 11 and 7 8 inches high by 12 inches wide.  The mixed media print includes watercolor and water base etching ink, on RivesBFK white etching paper and mounted on multiple pieces of Stonehenge black colored printmaking paper with ...
Abstract - Monoprint
16 x 16 inches (40.6 x 40.6 cm)
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Jerry  Di Falco: 'portal number nine', 2019 Monoprint, Abstract. This intimate, one of a kind work on paper, size is 10 inches high by 11 inches wide, was hand created and printed by the artist, Jerry Di Falco, within The Open Studio in Printmaking at Fleisher Art School, in Philadelphia, Pennsylvania, USA. The included frame size is about 11 ...
Abstract - Monoprint
14 x 11 inches (35.6 x 27.9 cm)
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Donna Gallant: 'Pelican', 2015 Monoprint, Animals.            First impression are the most important and this little guy shows us exactly what I mean. ...
, 2015
Animals - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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William Christopherson: 'Keewaydin Mansion Framed', 2010 Monoprint, Landscape.
Landscape - Monoprint
26 x 22 inches (66.0 x 55.9 cm)
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Donna Gallant: 'Fragmented Bouquet', 2009 Monoprint, Abstract.         An abstract floral filled with color and shapes. ...
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Envy Rage Passion', 2009 Monoprint, Abstract.   Collaged pieces untop of a mono print creats this piece. ...
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Spring Coulee', 2009 Monoprint, Abstract Landscape.   An abstract landscape taken from my FRAGMENTATION series, mixed with some pastel but very green.  Reminds you of springtime. ...
Abstract Landscape - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Tamara Sorkin: 'monoprint no title', 2010 Monoprint, Abstract.
Abstract - Monoprint
15 x 18 cm (5.9 x 7.1 inches)
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Engelina Zandstra: 'Composition in black 2', 1998 Monoprint, Abstract.   abstract composition monoprint landscape modern contemporary     ...
Abstract - Monoprint
35 x 25 cm (13.8 x 9.8 inches)
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Kathryn Arnold: 'it all comes down to this', 2010 Monoprint, Figurative.                        kathryn arnold, monprint, on paper, paper size 22 x 30         ...
Figurative - Monoprint
14 x 18 inches (35.6 x 45.7 cm)
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Kathryn Arnold: 'i can only think about this number 3', 2010 Monoprint, Figurative.                 kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size  ...
Figurative - Monoprint
13.5 x 10 inches (34.3 x 25.4 cm)
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Kathryn Arnold: 'i can only think about this number 2', 2010 Monoprint, Figurative.                kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size  ...
Figurative - Monoprint
13.5 x 10 inches (34.3 x 25.4 cm)
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Kathryn Arnold: 'i can only think about this', 2010 Monoprint, Figurative.               kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size ...
Figurative - Monoprint
13.5 x 10.5 inches (34.3 x 26.7 cm)
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Robert Arnold: ' A House on Wahl Court', 2009 Monoprint, undecided.   Ink on paper  ...
undecided - Monoprint
7 x 5 inches (17.8 x 12.7 cm)
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Tamara Sorkin: 'human imprint 2', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'human imprint 1', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'abstract monoprint 2009', 2009 Monoprint, Abstract.
Abstract - Monoprint
20 x 15 cm (7.9 x 5.9 inches)
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Robert Arnold: 'On Being an Artist in America in 2008 2', 2008 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
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Robert Arnold: 'On Being an Artist in America in 2008 1', 2008 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
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Robert Arnold: 'Il papa ha nuova pattini rossi di Prada', 2005 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8.5 x 10 inches (21.6 x 25.4 cm)
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John Tooma: 'Five Puppies', 2000 Monoprint, Dogs.  These were done for an old Employer who used to breed this particular breed, Bull Terrier, but these are the Australian type, there are American and Australian as far as I know. ...
Dogs - Monoprint
30 x 23 cm (11.8 x 9.1 inches)
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Dale Wilhite: 'Molecules In Motion Series', 2016 Monoprint, Abstract Landscape.   abstract painting  ...
Abstract Landscape - Monoprint
7 x 7 inches (17.8 x 17.8 cm)
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Suzanne Benton: 'Balance', 2013 Monoprint, History.  Balance monoprint with Chine collA(c)           ...
, 2013
History - Monoprint
17.8 x 13.5 inches (45.2 x 34.3 cm)
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Suzanne Benton: 'Maiden and the Night Sky', 2013 Monoprint, History.  Maiden and the Night from Paintings in Proust series, monoprint with Chine collA(c)           ...
History - Monoprint
13.5 x 17.8 inches (34.3 x 45.2 cm)
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Michael Weatherly: 'Old Man in Hat', 2014 Monoprint, Figurative.  Linoleum cut  ...
Figurative - Monoprint
24 x 32 inches (61.0 x 81.3 cm)
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Michael Weatherly: 'Woman II', 2015 Monoprint, Figurative.  Linoleum cut with Chine Colle  ...
, 2015
Figurative - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Vanilia Majoros: 'Vase of Flowers', 2014 Monoprint, undecided.
undecided - Monoprint
20 x 20 inches (50.8 x 50.8 cm)
Edelweiss Calcagno: 'City Crime', 2015 Monoprint, Abstract.  Mono- print, etching and screen print, mixed media, one of a kind, abstract that you will love to have in your collection. ...
, 2015
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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(Page 1 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

Engelina Zandstra - 'In the labyrinth of my thoughts there are many roads leading to the unknown' LANDSCAPES OF THE MIND Engelina Zandstra is a Dutch artist living in Amsterdam, Netherlands. My way of working is spontaneous. It starts with a concept, an idea in my mind, which is in most cases not well-defined. It can have its origin in the images that are stored in my imagination, or in the impressions of daily life. The paintings made in this way can be considered as'Landscapes of the mind', because they are reproductions of the ideas that are formed in my head. The style of the paintings can best be described as lyrical-abstract. Sometimes they are more figurative, at other times fully abstract. Colour is very important for me : the alchemy of colour. This defines for me the atmosphere of a painting. Usually I work in many thin layers of paint on top of each other. I let myself be guided by the forms and colours that develop during the process of painting. Each new layer gives inspiration for the following one, with new ideas. Because of the different layers and colours, the acrylic paint gets depth and character. Sometimes the...

Kathryn Arnold - Artist Statement Kathryn Arnold c2018 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

Robert Arnold - For a long time now, I have been interested in squares with five sides. Most people call these pentagons, but I don't because of the obvious political implications. Let's just say that a square with five sides is far more interesting than a square with four sides. My work is often about things involving five; five letters to Filippo Lippi, as well as a variation on the painting that Filippo might have painted after receiving those five letters, five new red Prada pope shoes. Some of those works are here. I am also interested in things that don't involve five, and some of those are also here. Ever since I was a child, I have been very interested in Italy. Although I am not Italian, I grew up in an Italian neighborhood in Buffalo, was heavily influenced by my Italian friends and their parents and worked for a number of years in a restaurant in Buffalo that was owned by an Italian gentleman and frequented by the mafia. I also like to travel to Italy, and very much like the way the Italian people live their lives. Someday I may live there. Although I don't understand ...

John Tooma - This site is only a guide to my artworks, you will appreciate them alot more when they are seen in real life. As a Painter and Graphic Designer/Illustrator, art is everything to me. It's wonderful to have the ability to draw and paint what the eye can see. As an observer, I love to sketch in my pads and photograph most subjects transferring the visual information onto paper, canvas or the computer. I use both film and digital photographic equipment. I draw and paint virtually everything but my passion lies with the human body. I use most mediums such as pencil, pastel, charcoal, ink, watercolour, gouache, acrylic and oil paints. I am for ever experimenting. I also work with traditional airbrushing methods, as well as using the computer airbrushing technique. It is an absolute pleasure to share my passion with you and to speak about it through art. I enjoy sketching people whilst sitting in cafes. I am forever mesmerised with the colours of birds, the pigments of flowers and the reflection of light onto surfaces. I am influenced by many painters, from Raphael to Matisse, Dufy to Klimt and many others. So sit back, grab a coffee ...

Michael Weatherly - Art speaks to anyone. It can lift your spirits, provoke your thoughts and calm your emotions. A continuing desire to grow and express has driven my creation of original works - The past and the present connect. Creating a work of art is, having traveled various roads through experimentation until reaching the culmination of an organic art form implementing abstract-figurative elements that emphasize textures and non-conventional forms. It is through experimentation and the search of new techniques that I imprint my work with imagery that reminds us of the natural world. For me, creating is a liberating experience - I am always in a happy state even during the times when I struggle with the process. The creative journey starts with a concept - it's just me and the blank canvas, paper or object...my senses awaken...the process is a thrill ...I progress through stages...it becomes. Michael J Weatherly ...

Vanilia Majoros - I love to explore my own self and image; this is the culmination of the fusion of science and art for me. I try to see things in my own way, shaped by my life and my experiences. For each viewer this experience an entry into this personal world through visual or mental images, can be uniquely his own. ...