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Linoleum Cut Prints (155)

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Jose De La Barra, Amanda Coakley, Lilly Ames, Mile Albijanic, Tomoe Nakamura, Vanilia Majoros, Stuart Parker, Tamar Sorkin, Wieslaw Haladaj, Mark Kimberlin, Geo Sipp, Pim Van Der Wel, Kelly Parker offering original Linoleum Cuts artworks.


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Jose De La Barra: 'mujer y paloma', 2017 Linoleum Cut, Figurative. Artist Description: Limited edition print on linocut. paper 220 grams, fermale drawing, nude art, bird line...
Figurative - Linoleum Cut
18 x 12 cm (7.1 x 4.7 inches)
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Jose De La Barra: 'capullos', 2017 Linoleum Cut, Figurative. Artist Description: Limited edition serie original, ...
, 2017
Figurative - Linoleum Cut
5 x 5 inches (12.7 x 12.7 cm)
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Amanda Coakley: 'bar 2', 2017 Linoleum Cut, Conceptual.
, 2017
Conceptual - Linoleum Cut
16 x 19 inches (40.6 x 48.3 cm)
Lilly Ames: 'childhood', 2016 Linoleum Cut, Other.
, 2016
Other - Linoleum Cut
10 x 8 inches (25.4 x 20.3 cm)
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Mile Albijanic: 'unicorn', 2007 Linoleum Cut, Fantasy.
, 2007
Fantasy - Linoleum Cut
50 x 70 cm (19.7 x 27.6 inches)
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Tomoe Nakamura: 'A Hat in Autumn', 2007 Linoleum Cut, Still Life. Artist Description: A Hat in Autumn, linoleum printing, 200720. 4 by 15. 2 cm ( mat size 38 by 29 cm) Shipping from Osaka Japan. Including a mat....
Still Life - Linoleum Cut
20.4 x 15.2 cm (8.0 x 6.0 inches)
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Vanilia Majoros: 'Way to Peace', 2014 Linoleum Cut, undecided.
undecided - Linoleum Cut
18 x 24 inches (45.7 x 61.0 cm)
Stuart Parker: 'Mustachio in red', 2015 Linoleum Cut, Figurative. Artist Description:   2 colour Lino print        ...
Figurative - Linoleum Cut
15 x 20 cm (5.9 x 7.9 inches)
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Stuart Parker: 'Morris man in hat', 2015 Linoleum Cut, Figurative. Artist Description:  2 colour Lino print       ...
Figurative - Linoleum Cut
15 x 20 cm (5.9 x 7.9 inches)
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Tamar Sorkin: 'linocut with chine colle', 2015 Linoleum Cut, Figurative. Artist Description:   a series of works in different techniques- from drawing to several types of printmakig, and mixed media                                           ...
Figurative - Linoleum Cut
32 x 25 cm (12.6 x 9.8 inches)
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Wieslaw Haladaj: 'APPEARANCE23', 2013 Linoleum Cut, Abstract Figurative. Artist Description:           BLACK AND WHITE          ...
Abstract Figurative - Linoleum Cut
70 x 100 cm (27.6 x 39.4 inches)
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Wieslaw Haladaj: 'UNTITLED3', 2013 Linoleum Cut, Abstract Figurative. Artist Description:            BLACK AND WHITE           ...
, 2013
Abstract Figurative - Linoleum Cut
150 x 100 cm (59.1 x 39.4 inches)
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Wieslaw Haladaj: 'UNTITLED4', 2013 Linoleum Cut, Abstract Figurative. Artist Description:             BLACK AND WHITE            ...
, 2013
Abstract Figurative - Linoleum Cut
150 x 100 cm (59.1 x 39.4 inches)
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Wieslaw Haladaj: 'APPEARANCE5', 2004 Linoleum Cut, Abstract Figurative. Artist Description:    BLACK AND WHITE   ...
Abstract Figurative - Linoleum Cut
70 x 100 cm (27.6 x 39.4 inches)
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Wieslaw Haladaj: 'APPEARANCE24', 2013 Linoleum Cut, Abstract Figurative. Artist Description:     BLACK AND WHITE    ...
Abstract Figurative - Linoleum Cut
70 x 100 cm (27.6 x 39.4 inches)
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Wieslaw Haladaj: 'APPEARANCES1', 2013 Linoleum Cut, Abstract Figurative. Artist Description:      BLACK AND WHITE     ...
Abstract Figurative - Linoleum Cut
100 x 70 cm (39.4 x 27.6 inches)
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Wieslaw Haladaj: 'APPEARANCES2', 2013 Linoleum Cut, Abstract Figurative. Artist Description:       BLACK AND WHITE      ...
Abstract Figurative - Linoleum Cut
100 x 70 cm (39.4 x 27.6 inches)
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Wieslaw Haladaj: 'APPEARANCES3', 2013 Linoleum Cut, Abstract Figurative. Artist Description:        BLACK AND WHITE       ...
Abstract Figurative - Linoleum Cut
100 x 70 cm (39.4 x 27.6 inches)
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Wieslaw Haladaj: 'APPEARANCE1', 2003 Linoleum Cut, Abstract Figurative. Artist Description:  BLACK AND WHITE ...
Abstract Figurative - Linoleum Cut
70 x 100 cm (27.6 x 39.4 inches)
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Wieslaw Haladaj: 'APPEARANCE4', 2004 Linoleum Cut, Abstract Figurative. Artist Description:   BLACK AND WHITE  ...
Abstract Figurative - Linoleum Cut
70 x 100 cm (27.6 x 39.4 inches)
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Mark Kimberlin: 'Breeze', 2013 Linoleum Cut, Nudes.
, 2013
Nudes - Linoleum Cut
6 x 6 inches (15.2 x 15.2 cm)
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Mark Kimberlin: 'Frauline', 2013 Linoleum Cut, Nudes.
, 2013
Nudes - Linoleum Cut
6 x 6 inches (15.2 x 15.2 cm)
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Geo Sipp: 'Evening in Algiers', 2008 Linoleum Cut, Islamic. Artist Description:  Evening in Algiers is a linocut, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                  ...
Islamic - Linoleum Cut
10 x 6.5 inches (25.4 x 16.5 cm)
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Pim Van Der Wel: 'Heisei5', 2012 Linoleum Cut, Portrait. Artist Description:   A portrait based on a 18th century Japanese woodcut of a actor.     ...
, 2012
Portrait - Linoleum Cut
50.5 x 65 cm (19.9 x 25.6 inches)
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Pim Van Der Wel: 'Wilma 3', 2011 Linoleum Cut, Animals. Artist Description:  A portrait of a beautiful black and white cow.    ...
, 2011
Animals - Linoleum Cut
50.5 x 60 cm (19.9 x 23.6 inches)
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Kelly Parker: 'Poppies', 2010 Linoleum Cut, Floral. Artist Description:  print, printmaking, poppies, black and white, prints,  ...
, 2010
Floral - Linoleum Cut
12 x 13 inches (30.5 x 33.0 cm)
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Kelly Parker: 'Calla Lily', 2010 Linoleum Cut, Floral. Artist Description:  print, printmaking, calla lily, black and white, prints, flowers, floral, botanical  ...
, 2010
Floral - Linoleum Cut
14 x 16 inches (35.6 x 40.6 cm)
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Tamar Sorkin: 'linocut on newspaper 1', 2010 Linoleum Cut, Abstract.
Abstract - Linoleum Cut
10 x 10 cm (3.9 x 3.9 inches)
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Tamar Sorkin: 'linocut on newspaper 2', 2010 Linoleum Cut, Abstract.
Abstract - Linoleum Cut
8 x 10 cm (3.1 x 3.9 inches)
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Monia Sogni: 'Destroying beauty 10', 2011 Linoleum Cut, undecided. Artist Description:
undecided - Linoleum Cut
40 x 17 cm (15.7 x 6.7 inches)
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Artists Describing Their Art:

Jose De La Barra - Jose De la Barra was born on 6th August 1956 in Peru. He has created a dream-like world through his expressing the internal and external fantasies of his imagination with his precise talents in painting and drawing. The expressions and the sensual movements that appear in each piece, create mystic allegorias about the universe. By combining his interest in the human form with his desire for symbolic content, he has engendered a language that explains the human condition through a unique perspective. There is a methodthrough whith he develops his art replying on material andcomposition to develop his personal, magical universe....

Amanda Coakley - As an atheist I have always looked at religion from the position of an observer rather than a practitioner. When I was younger, I grew up in a predominantly religious area and had felt out of place. My friends would try to get me to join bible school, received sideways looks for purchasing the newest fantasy book series, and needless to say I didnt know the words to prayers when I joined summer camp. My family was mostly atheist and growing up, I didnt know much else. The push towards religion was something I didnt understand as a child. However despite my experiences with religion, my hope is to not denigrate religion but draw light upon the chaos of consumption. Advertisements and the rush to Black Friday events at malls feel similar to me. I havent felt the need to run out and buy the latest I-phone or I-pod, or the latest in fashion trends. Nor have I wanted to find myself in large crowds of people waiting outside malls to get a plethora of stuff at fraction of the cost. Aside from the occasional indulgence into a few well loved book series, I didnt feel like I ...

Vanilia Majoros - I love to explore my own self and image; this is the culmination of the fusion of science and art for me. I try to see things in my own way, shaped by my life and my experiences. For each viewer this experience an entry into this personal world through visual or mental images, can be uniquely his own. ...

Tamar Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

Mark Kimberlin - Expression is an act of emotion that is indicative of one's feeling or response. Throughout my body of work is a response to things that interest, intrigue, and disgust me. I am aiming to create a fresh energetic response to questions and worries of social dilemmas, religion, and politics of our time. Motive in my work is often derived as a sum of other forms of communications such as music and film that parallel themselves with these questions and how it manifests in our subconscious. The way that music is perceived and moves through us as well as the way that cinematography creates comfort and discomfort is how I intend my paintings to take hold of my audience. Within each piece I create elaborate fictional scenes that are figurative or sometimes non-representational forms of vivid color to create visual translations of a certain idea of feeling to present to my viewer. As I produce these works I am aware of the balance of formal qualities to create a world of space governed through illusionary depth with blended and flat regions. I am also aware that paint is just a tool of mine and I have no interest in ...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Pim Van Der Wel - Pim van der Wel (1950) combines the art of making watercolours with his work as a business economist. After lessons in all the basic drawing techniques by two Dutch painters in the periods 1980/1987 and 1994/1996 he specialised himself in watercolours. Watercolour offers hardly any limitations, so he can show what he likes and that is light and shadow in dents, creases and gloss etc. His objects are sports (mainly football), cans, torsos, animals (cows, sheep, dogs and chicken). In the last 10 years his work has been shown at (group-)exhibitions in the Netherlands. Some galleries have his works permanently in stock. ...

Kelly Parker - Kelly Parker is a contemporary mixed media artist working with a varied mix of items, some of which include paper, oils, acrylics, clay, and other natural and man-made materials. Currently, Kelly is working in oils creating colorful, abstract landscapes and black and white handpulled prints. You can see more of her work www.kparkerdesigns.blogspot.com Kelly also takes paypal please email her directly for available work, payment on a work of art or to inquire about a commission. ...