Linoleum Cut Prints (153)

Artists Describing Their Art:

Andre Nod - Born 1962 in Alma-Ata now aEUR" Almaty, Kazakhstan, graduated in 1988 from the Alma-Ata State Theatrical and Artistic Institute in 1988 BMF MFA. Over the course of 30 years of active creative work has authored thousands of works of art, including paintings, sculpture, drawings, etchings, photographs, ceramics and contemporary art. Has participated in more than 200 group exhibitions and held more than 30 solo shows. Has published poetry in periodicals, participated in literary seminars and also acted in films. His works have been shown at such major international forums as ArtExpo New York International, AFA Rosemalen, Art Manege Moscow, Accessible de Arte Brussels, Asia Art Tashkent, Art Market Budapest, Art Expo SPb International, Saint. aEUR"Petersburg, Art Shanghai, at Kolner Liste Discovery Art Faire, Cologne, Germany, at the Central ArtistsaEURtm House in Moscow, at UNESCO, Paris, France and also at Sothebys and Christies. His works can be seen in permanent exhibitions at the Kasteyev State Museum of Fine Arts in Almaty, Kazakhstan, at the Museum of Modern Art in Astana, Kazakhstan, at the Museum of Art in Karaganda, Kazakhstan, at the Nevzorov Art Museum in Semipalatinsk, Kazakhstan, at the Pavlodar Art Museum, Pavlodar, Kazakhstan, at the Regional Museum of Art ...

Jose De La Barra - Jose De la Barra was born on 6th August 1956 in Peru. He has created a dream-like world through his expressing the internal and external fantasies of his imagination with his precise talents in painting and drawing. The expressions and the sensual movements that appear in each piece, create mystic allegorias about the universe. By combining his interest in the human form with his desire for symbolic content, he has engendered a language that explains the human condition through a unique perspective. There is a methodthrough whith he develops his art replying on material andcomposition to develop his personal, magical universe....

Amanda Coakley - As an atheist I have always looked at religion from the position of an observer rather than a practitioner. When I was younger, I grew up in a predominantly religious area and had felt out of place. My friends would try to get me to join bible school, received sideways looks for purchasing the newest fantasy book series, and needless to say I didnt know the words to prayers when I joined summer camp. My family was mostly atheist and growing up, I didnt know much else. The push towards religion was something I didnt understand as a child. However despite my experiences with religion, my hope is to not denigrate religion but draw light upon the chaos of consumption. Advertisements and the rush to Black Friday events at malls feel similar to me. I havent felt the need to run out and buy the latest I-phone or I-pod, or the latest in fashion trends. Nor have I wanted to find myself in large crowds of people waiting outside malls to get a plethora of stuff at fraction of the cost. Aside from the occasional indulgence into a few well loved book series, I didnt feel like I ...

Vanilia Majoros - I love to explore my own self and image; this is the culmination of the fusion of science and art for me. I try to see things in my own way, shaped by my life and my experiences. For each viewer this experience an entry into this personal world through visual or mental images, can be uniquely his own. ...

Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

Mark Kimberlin - Expression is an act of emotion that is indicative of one's feeling or response. Throughout my body of work is a response to things that interest, intrigue, and disgust me. I am aiming to create a fresh energetic response to questions and worries of social dilemmas, religion, and politics of our time. Motive in my work is often derived as a sum of other forms of communications such as music and film that parallel themselves with these questions and how it manifests in our subconscious. The way that music is perceived and moves through us as well as the way that cinematography creates comfort and discomfort is how I intend my paintings to take hold of my audience. Within each piece I create elaborate fictional scenes that are figurative or sometimes non-representational forms of vivid color to create visual translations of a certain idea of feeling to present to my viewer. As I produce these works I am aware of the balance of formal qualities to create a world of space governed through illusionary depth with blended and flat regions. I am also aware that paint is just a tool of mine and I have no interest in ...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...