Linoleum Cut Prints

Artists Describing Their Art:

Joan Colbert - While recurring themes and motifs are ever present in both my print work and painting, they are central to the series block prints completed over the last several years. The poet, Wallace Stevens, has been a consistent source of inspiration, but in 2006 the music of Moussorgsky became my muse. The following statement and accompanying images are from this most current series. Pictures at an Exhibition: the print series Pictures at an Exhibition. . . the title says it all. . . and disregarding that, even the most casual exposure to the music of Moussorgsky's Pictures at an Exhibition can evoke an assortment of moods and images. For years I assumed that somewhere there existed the definitive collection of artwork that was Moussorgsky's inspiration. In reality, only six pieces of Victor Hartmann's work, consisting of architectural drawing and costume design and sketches and watercolors from his travels, can be positively identified. I found the subject matter intriguing, and just a bit odd. This series began as a way for me to visualize and interpret Moussorgsky's music through Hartmann's subject matter, but became an homage to the story itself: the musician and the artist and the artwork that lives on ...

Jack Mccarthy - I am basically a story-teller who uses prints as my vocabulary. My approach to printmaking is eclectic. On one hand, I use traditional relief printing methods either a baren or a 1947 Vandercook Press, named Ursula. On the other hand, I experiment using brayers, stencils, natural and found objects, anything that has texture. My work is influenced by life experience and, most importantly, my constant amazement of what human beings believe in and how they choose to live their lives! Many of my prints are allegorical in nature and almost all are visual stories. I am presently working on a variety of projects: One is a series of relief prints based on medieval stories, both secular and religious. One edition is comprised of prints depicting religious beliefs and stories of 8th to 14th century Europe, what is normally but erroneously called "The Dark Ages" and/or the Gothic Period. The stories are delightful and, at times, gruesome. Many are Christian stories based on non-Christian (pagan) myths. The second project is a small edition of handmade books with original prints based on the Old Testament. The third is a book which will be a pictorial depiction of the life ...

Hilary Pollock - When contemplating creativity, I admit to being impressed by the draftsmanship of Gustav Klimt,the audacity and creativity of Picasso and the fortitude of Artemisia Gentileschi and many other female artists. The "Lady and the Unicorn" tapestries in Paris move me greatly for their colour and their detail in particular. I have my own style and language which has developed over the years from experimentation with a variety of mediums and different approaches to my subject matter. Some things become favourites, contributing to a personal language and the sheer pleasure of creating. The process is the important thing. Creativity for the visual artist is all about struggle,excitement and energy....

Peter Lembrechts - As You may have noticed by looking at the examples of my work on the right, I like drawing and painting in a realistic way, but most of my paintings have that surreal touch to it (maybe that's some kind of a "Belgian gene" ?) I was born in 1960, and studied Latin, Mechanics and finally ended up in Art School, because drawing and dreaming was the main thing I was always doing during my school years... (hope my daughters never read this!) Since I do love machines also, I started to work in a garage as a panelbeater after leaving school, doing a lot of sculptural work... Having seen a lot of rusty oldtimers, I wanted to paint those beautiful colours that make a carwreck unattractive to most people. You can find some examples of these on my website (

Alice Chang - I was from Taipei, Taiwan. I graduated from the Department of Editorial Design in Tokyo Designer Gakuin College. After my graduation, I came to New York and went to School of Visual Arts for getting some credits. I graduated from Adelphi University and received a Bachelor of Arts Degree in graphic design in 2001. I have designed over hundreds of books and periodicals, as well as organizing and supervising many of Asian Culture and Art Programs of Tao's Culture, Inc. (nonprofit incorporation) also as a graphic designer in Zen Palate vegetarian restaurant in New York. ...

Riley Young - I started to work with ceramics because it was a medium that held me accountable. There are no shortcuts or cheats in ceramics, it takes time and patience. Ceramics was also a way for me to rethink the everyday, common objects in my life. This began as an obsession with bowls and has since spiraled into anything you can find in a kitchen. I enjoy the fact that everything is made to be touched, loved and eventually broken after years of use. Working primarily in stoneware using clean, simple glazes on functional pieces of pottery I bring into focus the beauty of everyday kitchen objects. Although the materials guide that first encounter, the form follows suit. I create works that fit in the hand perfectly, with an emphasis on touch and feel, enhancing our simple, everyday moments. We all have different relationships with objects that are handmade versus commercially produced. Handmade objects often have a personalized feel, almost as if to be communicating an emotion. This is a collection of various works that showcases a variety of different techniques and mediums. I bring the philosophy of touch and texture from my ceramic works into my two dimensional works such as ...

Delroy Russell - I create art as therapy for my self, and with a great hope that my creations will affect the viewer with total recall of the glory of the human being, and the breathtaking beauty of our planet. My ultimate goal is to awaken our inherent love of art and the power it has to create by itself something tangible yet spiritual. A force being able to create a paradigm shift towards a positive direction. My desire is to apply harmonious elements in a subtle proportionate degree so as to evoke or awaken from the viewer his or her inherent understanding and acknowledgement of the therapeutic beauty in art. I make informed decisions as to what I must paint, according to interaction with my social groups, becoming sensitive to needs of people, trends and social tensions, and the awakening of cultural ideology. I use certain materials like acrylic paint that is versatile, and can adapt to my painting style, also collage and graphite according to what I need to be expressed. With me there is no known formula, I work using materials that conform with the picture that is already painted in my mind. I am currently working on a series...

Pilar Martinez Pimart - Working with memories has been my way to embrace my Dominican identity while living in the United States as I continue to canalize, through mixed media, the convergence of cultures and recollected experiences. These recollections about childhood, family, relationships, food, melodies and transitions are the ones that have shaped my artistic sensibility and are constantly informing my work and its process. This artistic process is spontaneous and intuitive, yet deliberate with a sense of improvisation. The concept "Nothing is wasted, everything is transformed," was instilled in me by my father since my early years and it is a concept in which my art practice is still enveloped. This merging of the new with the old is present in the artwork in the way I collage fragments of scrap paint from my palette, as well as using old records and elements that I collect through the years. Re-using these elements that have a connection to the past, is also for me a way of returning, of going back. Fragmentation becomes an experience of reuniting different memories and elements on the same surface, in a choreographed composition where there's always going to be a suggestion of a continuation or a ...

Pilar Martinez Pimart - Andre Nod - Born 1962 in Alma-Ata now aEUR" Almaty, Kazakhstan, graduated in 1988 from the Alma-Ata State Theatrical and Artistic Institute in 1988 BMF MFA. Over the course of 30 years of active creative work has authored thousands of works of art, including paintings, sculpture, drawings, etchings, photographs, ceramics and contemporary art. Has participated in more than 200 group exhibitions and held more than 30 solo shows. Has published poetry in periodicals, participated in literary seminars and also acted in films. His works have been shown at such major international forums as ArtExpo New York International, AFA Rosemalen, Art Manege Moscow, Accessible de Arte Brussels, Asia Art Tashkent, Art Market Budapest, Art Expo SPb International, Saint. aEUR"Petersburg, Art Shanghai, at Kolner Liste Discovery Art Faire, Cologne, Germany, at the Central ArtistsaEURtm House in Moscow, at UNESCO, Paris, France and also at Sothebys and Christies. His works can be seen in permanent exhibitions at the Kasteyev State Museum of Fine Arts in Almaty, Kazakhstan, at the Museum of Modern Art in Astana, Kazakhstan, at the Museum of Art in Karaganda, Kazakhstan, at the Nevzorov Art Museum in Semipalatinsk, Kazakhstan, at the Pavlodar Art Museum, Pavlodar, Kazakhstan, at the Regional Museum of Art ...