Acrylic Paintings

Page 1 of 545
Mac Worthington, Denise Dalzell, Paulo Medina, Caren Keyser, Jerry Di Falco, Michal Ashkenasi, Austen Pinkerton, Andrea Mulcahy, Jennifer Bailey, Stefan Fiedorowicz, Michele Vargas, Harry Weisburd, Becky Soria offering original Acrylic Paintings artworks. Acrylic paint is a quick drying paint made of pigment that is suspended in an acrylic polymer emulsion. Although water soluble when wet they become water resistant when dry. Acrylic paints were first used as early as the 1930's but did not really become commercially available until the 1950's. These paints were also later sold as latex house paints. Many artists such as the abstract expressionists and famous artist Jackson Pollock used latex paint in his large "drip" canvases. The early inventors of Pop Art such as Roy Lichtenstein also used latex paint on their canvases. But, often latex paint has become so unstable in adhering to the canvas that the paint literally flakes off when moving the art object. Obviously not intended to do so, acrylic paints have been a cheaper alternative to oil based paints and often are much easier to use than having to mix your own. The main difference between acrylic and oil paints is the binder - linseed oil for oil paints and water for acrylic. Acrylic paints also dry a lot quicker than oil paints.


Contemporary Art / Painting Categories / Acrylic Paintings / Previous / Next
Mac Worthington: 'heartthrob', 2020 Acrylic Painting, Abstract Figurative. Acrylic on stretched canvas.Available. Signed   dated. Certificate of Authenticity. Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2020
Abstract Figurative - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Denise Dalzell: 'the three of us', 2020 Acrylic Painting, People. An expressionistic illustration of family, London 2019...
People - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Paulo Medina: 'manso y humilde', 2020 Acrylic Painting, Religious. A small painting for devotion ...
Religious - Painting
22.9 x 30.5 cm (9.0 x 12.0 inches)
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Caren Keyser: 'softly in the mountains', 2020 Acrylic Painting, Abstract Landscape. Captured in soft pastel shapes and textures is the abstract suggestion of snowcapped mountains. ...
Abstract Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Jerry  Di Falco: 'saints sergius and bacchus', 2020 Acrylic Painting, Mystical. This work is from a new series of mixed media paintings on canvas and paper that reflect a fresco- like style and texture.  I used acrylic, gesso, modeling paste, and pulverized mica and mother- of- pearl on an oval shaped stretched canvas on wood. The size measures 20 inches wide ...
Mystical - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Mac Worthington: 'fleeting passion', 2020 Acrylic Painting, Abstract. Acrylic on stretched canvas. Available. Signed   dated. Certificate of Authenticity. Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com	...
Abstract - Painting
57 x 57 inches (144.8 x 144.8 cm)
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Denise Dalzell: 'skate', 2020 Acrylic Painting, People. An illustrated scene of an outing at a holiday ice rink...
, 2020
People - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Mac Worthington: 'fresh cut flowers', 2020 Acrylic Painting, Floral. Palette knifed acrylic on stretched canvas.Available. Signed   dated. Certificate of Authenticity. Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com	...
Floral - Painting
20 x 30 inches (50.8 x 76.2 cm)
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Paulo Medina: 'in the night of faith', 2020 Acrylic Painting, Religious. He continues to enlighten us in the night of our faith...
Religious - Painting
22.9 x 30.5 cm (9.0 x 12.0 inches)
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Paulo Medina: 'command me to come to you', 2020 Acrylic Painting, Religious. Matthew 14: 28 A small painting for devotion...
Religious - Painting
40.6 x 30.5 cm (16.0 x 12.0 inches)
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Mac Worthington: 'broad street', 2019 Acrylic Painting, Abstract Landscape. Acrylic on stretched canvas. Signed   dated. Certificate of Authenticity. Ready to hang...
Abstract Landscape - Painting
96 x 36 inches (243.8 x 91.4 cm)
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Michal Ashkenasi: 'isles', 2019 Acrylic Painting, Seascape. A minimal artwork wherein I wanted to show the smallness of our beings in the  big universe. I took the example if the small isles in the big ocean . ...
, 2019
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Michal Ashkenasi: 'woman', 2019 Acrylic Painting, Beauty. A figure of a woman which holds serenity , beauty and love . She is the Mother figure and the colors enrich this impression . ...
, 2019
Beauty - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Austen Pinkerton: 'reclining nude', 2019 Acrylic Painting, Life. Not sure if this is worth posting, but it s an acrylic painting on canvas  40 x 50 cm , started at Narberth Life Drawing group and completed at home last week. ...
Life - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Austen Pinkerton: 'sally seated', 2019 Acrylic Painting, Portrait. New painting just finished   Sally seated . . . . . in what they call  en grisaille  , Acrylic on canvas, 40 x 50 cm. Started off as a painting from life but worked it up at home later  from memory . ...
Portrait - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Andrea Mulcahy: 'primordial pool', 2019 Acrylic Painting, Abstract. Abstract art...
Abstract - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Jennifer Bailey: 'dawn', 2019 Acrylic Painting, Abstract. Swimming in the ocean is and always will be my total calm and peace. I wanted to capture that peace and gift it to viewers. I m not sure I want to sell this because of the emotions it evokes. ...
, 2019
Abstract - Painting
72 x 24 inches (182.9 x 61.0 cm)
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Stefan Fiedorowicz: 'secrets make you lonely', 2019 Acrylic Painting, Abstract. We share more than words when we share a secret.  Revealing a deep one releases a tremendous burden. ...
Abstract - Painting
80 x 70 cm (31.5 x 27.6 inches)
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Paulo Medina: 'crucifixion', 2004 Acrylic Painting, Religious. Acrylic on Canvas...
Religious - Painting
70 x 80 cm (27.6 x 31.5 inches)
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Caren Keyser: 'banana trees', 2001 Acrylic Painting, Nature. Banana Trees often include dead or dying fronds of dry curling old leaves.  This group is no exception.  There are also clusters of green bananas and the broad swaying green branching leaves that the plants are so distinctive.  ...
Nature - Painting
48 x 62 inches (121.9 x 157.5 cm)
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Andrea Mulcahy: 'birth', 2019 Acrylic Painting, Abstract. Abstract acrylic painting ...
, 2019
Abstract - Painting
16.5 x 8 inches (41.9 x 20.3 cm)
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Michele Vargas: 'entropy', 2019 Acrylic Painting, Abstract. Entropy is a measure of the disorder or uncertainty of a system and its parts.  An interesting fact is that everything in nature tends to a maximum of entropy, and a person to a maximum of information. ...
, 2019
Abstract - Painting
74 x 84 cm (29.1 x 33.1 inches)
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Michele Vargas: 'entropy', 2019 Acrylic Painting, Abstract. Entropy is a measure of the disorder or uncertainty of a system and its parts.  An interesting fact is that everything in nature tends to a maximum of entropy, and a person to a maximum of information. ...
, 2019
Abstract - Painting
74 x 84 cm (29.1 x 33.1 inches)
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Michele Vargas: 'the believer', 2019 Acrylic Painting, Abstract Figurative. This is a new type of believer.  Believer of our time.  Believer in science, physics and math. ...
Abstract Figurative - Painting
86.5 x 67.5 cm (34.1 x 26.6 inches)
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Michele Vargas: 'the believer', 2019 Acrylic Painting, Abstract Figurative. This is a new type of believer.  Believer of our time.  Believer in science, physics and math. ...
Abstract Figurative - Painting
86.5 x 67.5 cm (34.1 x 26.6 inches)
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Harry Weisburd: 'carmel california', 2015 Acrylic Painting, Abstract Landscape. California Landscape in Northern California inspires me...
Abstract Landscape - Painting
32 x 40 inches (81.3 x 101.6 cm)
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Becky Soria: 'vasa pretiosa', 2019 Acrylic Painting, Abstract Figurative. Looking at the long tradition between humans and plants...
Abstract Figurative - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Becky Soria: 'fertiliti', 2019 Acrylic Painting, Abstract Figurative. Looking at the long tradition of the feminine and relation with flowers and plants...
, 2019
Abstract Figurative - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Becky Soria: 'arborescent', 2019 Acrylic Painting, Abstract Figurative. Looking at the long tradition of the feminine and relation with flowers and plants...
Abstract Figurative - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Becky Soria: 'calix', 2019 Acrylic Painting, Abstract Figurative. looking at a long tradition of the feminine, fertilization been symbolized through he ffloral, seeds, and plants...
, 2019
Abstract Figurative - Painting
36 x 36 inches (91.4 x 91.4 cm)
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(Page 1 of 545) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as "Little Chicago", Mac was privileged to be molded around a family of artists. His father John "Jack" Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60's era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Denise Dalzell - October 2019 I recently settled on some keywords for my work, so I will begin this edition of my statement with the following Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. And while grumbling about writing my statement again, I have had an insight regarding my work. So here we goaEUR| How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How do our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. Stories can come from anywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Michele Vargas - Born in Italy. My father was a painter in the classical tradition, who had several comissions in cathedrals, churches and private homes. I was introduced to this tradition at the early age of five, and worked as an assistant to my father until I was fourteen years old. Education 1969-73 Attended the Instituto dArte, Napoli. Obtaining Diploma di Maestro dArte Master degree in Fine Arts. During this period I became interested in surrealism, and the abstract concept, and Fauvism the use of bright colours. 1974-77 Attended the Accademia delle Belle Arti di Napoli. Field of study Painting. During this period I took special interest in the colour and light studies. 1978-82 Studied at the Liceo Artistico Caserta, MaturitA! Artistica Interior Design. Field of study Interior and architecture design. These studies led me to a rendezvous with my childhood experiences. He started experimenting with a mixture of classical and modern techniques...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...