Acrylic Paintings

Page 10 of 548
Lucille Rella, William Christopherson, Jerry Di Falco, Hyacinthe Kuller-baron, Sarah Longlands, Eve Co, Margaret Stone, Hope Brooks, Wayne Wilcox, Andree Lisette Herz, Stephen Mead, Carlos Pardo, Ulrich Osterloh, Michal Ashkenasi, Michael Pickett, Paul Freeman, Jose Luis Lazaro Ferre, Pilar Pérez-prado offering original Acrylic Paintings artworks.


Contemporary Art / Painting Categories / Acrylic Paintings / Previous / Next
Lucille Rella: 'Ocean Beach', 2010 Acrylic Painting, Figurative.
Figurative - Painting
40 x 30 inches (101.6 x 76.2 cm)
William Christopherson: '20th Century Ice Fisherman', 2009 Acrylic Painting, Landscape. This award winning major oil artwork of the artist captures ice fishing on an expansive frozen ice cover of New Yorks North Country. Eel Bay, among the Thousand Islands of the Saint Lawrence. Breathtaking in its winter remoteness, and natural beauty of the coldness. This fisherman is in his element. ...
Landscape - Painting
47 x 35 inches (119.4 x 88.9 cm)
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William Christopherson: 'Saint Lawrence River Skiff Christopherson', 2010 Acrylic Painting, Seascape.  This is a large original acrylic on canvas panel.Title: Skiff At Rest. Beautifully framed in a gold- leaf 2- 1/ 2 margin deep frame. Completed in Golden Co. brand professional acrylics. Artwork shipped USPS Priority, fully protected and securely packaged. ...
Seascape - Painting
35 x 25 inches (88.9 x 63.5 cm)
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Jerry  Di Falco: 'House of The Blood Drinker', 2011 Acrylic Painting, Abstract. This abstract, geometric acrylic painting on canvas is related to Anne Rices novel, Blood and Gold, a story about Marius the Vampire. The work also relates to Shakespeares play Henry IV, Part 1, ACT III, SCENE I. My abstracted narrative examines the existence of real magic and liturgical magic. The ...
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Hyacinthe Kuller-baron: 'BLUE WHALE from ANIMAL NATURE EXHIBIT', 2010 Acrylic Painting, Animals.  BLUE WHALE IS 4'X5' OIL ON CANVAS AND IS AVAILABLE AS A FINE ART GICLEE ...
Animals - Painting
4 x 5 feet (1.22 x 1.52 m)
Sarah Longlands: 'Undecided Tulip by Full Moon', 2006 Acrylic Painting, Philosophy.   Which Way Now?                 ...
Philosophy - Painting
85 x 130 cm (33.5 x 51.2 inches)
William Christopherson: 'Syracuse Strathmore Belleview Reservoir', 2009 Acrylic Painting, Landscape.  Original 24 x 30 inch acrylic on canvas by New York artist William Christopherson. Title: 2009 Strathmore Series # 1 - The Res. The Woodland Reservoir, in the Strathmore area of Syracuses, the artists'boyhood home. A place of solitude and exercise, where one can escape the neighborhood bustle and the noise...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Eve Co: 'Lift Off Challenger', 1992 Acrylic Painting, Space.  Lift Off ChallengerAcrylic on Canvas 48
Space - Painting
48 x 36 inches (121.9 x 91.4 cm)
Eve Co: 'Horsehead Nebula', 1989 Acrylic Painting, Astronomy. Please request a commission on this piece - The original was my fathers favorite painting and I can not sell it because its a memory I want to keep with me to touch and feel since my father was taken away from us. . .Horsehead Nebula16 x 20The Horsehead Nebula is ...
Astronomy - Painting
16 x 20 inches (40.6 x 50.8 cm)
Margaret Stone: 'A Thousand Doorways', 2012 Acrylic Painting, Archetypal.  Much to ponder and connect to in ones psyche.  A dyptich, acrylic and ink on masonite, each painting is 16 12 inches by 60 inches and totals 33 inches by 60 inches.  Can be hung together or spaced as pleased.  Strip- framed with dark stained wood. ...
Archetypal - Painting
33 x 60 inches (83.8 x 152.4 cm)
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Hope Brooks: 'Where There is no Light', 2008 Acrylic Painting, Abstract Landscape.  Formerly titled
Abstract Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Hope Brooks: 'The Sargasso Sea', 2008 Acrylic Painting, Abstract Landscape.  16 panels each 15 inches square painted in acrylic and depicting the mysterious area between the Caribbean, Europe and AFrica known as the Sargasso Sea.  It is important in slave cultures because it represents the unknown the world into which the slaves were taken and from which they would never...
Abstract Landscape - Painting
60 x 60 inches (152.4 x 152.4 cm)
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Wayne Wilcox: 'River Runs Through It', 2009 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
55 x 64 inches (139.7 x 162.6 cm)
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Wayne Wilcox: 'Restless Horizon', 2009 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Andree Lisette Herz: 'purpledayz', 2009 Acrylic Painting, Landscape.  snowey stream on canvas with wrapped sides. ...
, 2009
Landscape - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Stephen Mead: 'StruggleCenterPanel', 1992 Acrylic Painting, Life.  A Chalkboard Drawing done in acrylics, part of the DVD
Life - Painting
24 x 38 inches (61.0 x 96.5 cm)
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Carlos Pardo: 'Harbour Dawn', 1999 Acrylic Painting, Cityscape.   Harbour Dawn. 1999  Acrl. On board  19 5/ 8 x 13 3/ 4 inches. 50x35 cmsIn the far away harbours in the South the houses of workers switch on the lights before the sun rises. The image is a remenbrance of a travel to Buenos Aires.  ...
Cityscape - Painting
19 x 13 inches (48.3 x 33.0 cm)
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Ulrich  Osterloh: 'Ispahan', 2013 Acrylic Painting, Visionary.  Ispahan ( 2008 B. C. ) . . . the present time as seen in a vision 4016 years ago...
, 2013
Visionary - Painting
60 x 80 cm (23.6 x 31.5 inches)
Ulrich  Osterloh: 'Messenger ', 2014 Acrylic Painting, Abstract.  Messenger ( Shoryo Tombo) , 2008 ...
, 2014
Abstract - Painting
60 x 80 cm (23.6 x 31.5 inches)
Ulrich  Osterloh: 'Continuation', 2008 Acrylic Painting, Spiritual.  Continuation ( Imagined into Being) , 2008 ...
Spiritual - Painting
80 x 60 cm (31.5 x 23.6 inches)
Ulrich  Osterloh: 'Fields', 1997 Acrylic Painting, Inspirational.  . . . It does come. But it comes only to the patient ones, who are there as though eternity lay before them, so unconcernedly still and wide. . . - Rilke-  ...
, 1997
Inspirational - Painting
180 x 130 cm (70.9 x 51.2 inches)
Michal Ashkenasi: 'Settlement', 2007 Acrylic Painting, Minimalism.  A minimalistic work about the continuous fights for space in the world . ...
, 2007
Minimalism - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Michal Ashkenasi: 'Twilight', 2007 Acrylic Painting, Minimalism.  A impending feeling of evening and restful painting . It is a minimalistic work but still a landscape . ...
, 2007
Minimalism - Painting
110 x 80 cm (43.3 x 31.5 inches)
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Michael Pickett: 'Ugly Mutt ', 2008 Acrylic Painting, Dogs.  This Dog is so ugly he's cute ...
, 2008
Dogs - Painting
8 x 10 inches (20.3 x 25.4 cm)
Paul Freeman: 'Wild Cattle Creek', 2008 Acrylic Painting, Undecided.
Undecided - Painting
102 x 76 cm (40.2 x 29.9 inches)
Michael Pickett: 'Snowcap Mountain', 2008 Acrylic Painting, Landscape.
Landscape - Painting
11 x 14 inches (27.9 x 35.6 cm)
Jose Luis Lazaro Ferre: 'The joy of living', 2008 Acrylic Painting, Still Life.
Still Life - Painting
73 x 50 mm ( x )
Jose Luis Lazaro Ferre: 'Breakfast at Sea', 2008 Acrylic Painting, Still Life.
Still Life - Painting
50 x 73 cm (19.7 x 28.7 inches)
Pilar Pérez-prado: 'At the end everything matches', 2013 Acrylic Painting, Geometric.
Geometric - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Michael Pickett: 'Lightning', 2008 Acrylic Painting, Abstract.
, 2008
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
(Page 10 of 548) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jerry Di Falco - Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA (hons) and completed my post-graduate studies at University College London (Slade School of Art). In the words of one of my collectors: "Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational: it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that." Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants "Onderneming & Kunst" to do six oil paintings for the penthouses on board the new "Queen Mary 2", launched in ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...

    Ulrich Osterloh - Born in Germany in 1969, I am an artist with a BA hons degree in Fine Art from the University of London, Goldsmiths College. I lived in London for many years 1988-2005, and am nowadays based in the Cologne Dusseldorf region of Germany. Originally a painter, for the last four years I have been focusing mainly on photography and digital experimentation. Ulrich Osterloh ...

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Paul Freeman - I am an artist working in ceramic and metal on a small scale of size. The works are lyrical and convey an interest in the benevolent character of human beings. The morality of the represented people conveys a feeling of pleasant engagement. I am inspired by people's everyday interactions, the good attitude that keeps society running. There is nothing that people of goodwill cannot resolve. I also paint and do computer art and have a degree in Master of Studio Art from Sydney College of the Arts (University of Sydney)....

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...