Acrylic Paintings

Page 11 of 548
Michael Pickett, Manuela Facchin Varalda, Pilar Pérez-prado, Asbjorn Lonvig, Hope Brooks, Paul Freeman, Monica Malbeck, Jerry Di Falco, C. A. Hoffman, Micha Nussinov, Andree Lisette Herz, Jack Earley, Bridget Busutil, Judith Fritchman, Marsha Bowers, Tary Socha offering original Acrylic Paintings artworks.


Contemporary Art / Painting Categories / Acrylic Paintings / Previous / Next
Manuela Facchin Varalda: 'the waiting', 2001 Acrylic Painting, Figurative.  original artwork unique pieceacrylic on faesite ( pressed cardboard)relief work  ...
Figurative - Painting
24 x 32 inches (61.0 x 81.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Pilar Pérez-prado: 'Reality and Memory V Memory', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Pilar Pérez-prado: 'Reality and Memory V Reality', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Pilar Pérez-prado: 'Reality and Memory II Reality', 2008 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Michael Pickett: 'Unicorn', 1997 Acrylic Painting, Fantasy.  This painting is at the Applegate Arts Guild in Veneta Oregon, ( USA) I don't remember the size. 0. 0 ...
, 1997
Fantasy - Painting
0 x 0 inches (0.0 x 0.0 cm)
Asbjorn Lonvig: '4 Bernhards', 2008 Acrylic Painting, Abstract.  From kids'clothing brand LONVIG by MINYMO. ...
Abstract - Painting
201 x 201 cm (79.1 x 79.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Asbjorn Lonvig: '9 Bernhards green', 2008 Acrylic Painting, Abstract.  From kids'clothing brand LONVIG by MINYMO. ...
Abstract - Painting
201 x 201 cm (79.1 x 79.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Asbjorn Lonvig: '9 Bernhards lila', 2008 Acrylic Painting, Undecided.  From kids'clothing brand LONVIG by MINYMO. ...
Undecided - Painting
201 x 201 cm (79.1 x 79.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hope Brooks: 'View of Kingston Harbour', 1970 Acrylic Painting, Abstract Landscape.  A view of Kingston Harbour from Irish Town a small district located in the Blue Mountains  above Kingston. ...
Abstract Landscape - Painting
36 x 20 inches (91.4 x 50.8 cm)
Paul Freeman: 'Jacaranda Tree', 2007 Acrylic Painting, Undecided.
Undecided - Painting
51 x 51 cm (20.1 x 20.1 inches)
Monica Malbeck: 'Ante Clara Italy', 2008 Acrylic Painting, Portrait.
Portrait - Painting
16 x 20 inches (40.6 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Monica Malbeck: 'IndianFijian Fish Taveuni FIJI', 2008 Acrylic Painting, Fish.
Fish - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Monica Malbeck: 'garden Island diving Taveunu FIJI', 2008 Acrylic Painting, Fish.
Fish - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Monica Malbeck: 'orange dove and parrotTaveuni Fiji', 2008 Acrylic Painting, Birds.
Birds - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Asbjorn Lonvig: 'The Tinderbox Logo', 2008 Acrylic Painting, Abstract.  Hans Christian Andersen Festival Plays 2008 - logo.The musical in the Funen Village, Odense in 2008 is based on the fairy tale
Abstract - Painting
139 x 201 cm (54.7 x 79.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Jerry  Di Falco: 'The Archangel Raphael with Magic Staff', 2007 Acrylic Painting, Mystical. This painting has been in my personal collection for twelve years, and I decided to put it on the market in the year 2018. I painted this icon of the Archangel Raphael as a personal prayer to the universe, and I would now like it to hang in a public ...
Mystical - Painting
30 x 48 inches (76.2 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
C. A. Hoffman: 'Saturday Night Rondevouz', 2007 Acrylic Painting, Still Life. This was actually a lot of fun to do.  Working from a photo, I tried to capture the subtle shadows on the wall and brilliant refections in the floor. The wall behind the tub was tricky but the photo was true in showing the aging in the paint.    ...
Still Life - Painting
28 x 36 inches (71.1 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Micha Nussinov: 'Bubbling Sensation', 1997 Acrylic Painting, Surrealism.  A game with figures playing with a transparent ballons surrounded by a sea scape environment   ...
Surrealism - Painting
3300 x 2100 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
Andree Lisette Herz: 'storm at sea', 2007 Acrylic Painting, Beach.  late day storm at sea , on gallert wrapped canvas all edges painted so no frame needed ...
Beach - Painting
40 x 30 inches (101.6 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jack Earley: 'Red Fox Leaps Back In', 2007 Acrylic Painting, Abstract Figurative.  A metaphysical view of at least two worlds through Native American eyes. ...
Abstract Figurative - Painting
31 x 32 inches (78.7 x 81.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jack Earley: 'Birds of a Feather', 2007 Acrylic Painting, Ecological.  This is one angry bird. . . but there are other bird and human images- - all of a feather.  The painting is a poetic  environmental statement. ...
Ecological - Painting
24 x 42 inches (61.0 x 106.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bridget Busutil: 'African mask 3', 2007 Acrylic Painting, Abstract Figurative.  the spirituality of African masks.pigments with binder on canvas ...
Abstract Figurative - Painting
75 x 150 cm (29.5 x 59.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Andree Lisette Herz: 'blue house with flowers', 2007 Acrylic Painting, Landscape.  acrylic painting of a house in our townthat is a vibrant color, and really caught my eye. ...
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Judith Fritchman: 'Winter at Lindsays Farm', 2007 Acrylic Painting, Landscape.  Snow blankets the farm at the end of the road. ...
Landscape - Painting
18 x 18 inches (45.7 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Micha Nussinov: 'Lightness of being', 2002 Acrylic Painting, Fantasy.
Fantasy - Painting
193 x 163 cm (76.0 x 64.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Micha Nussinov: 'Traveling through languge', 2006 Acrylic Painting, Abstract Figurative.  Layers upon layers of landscapes with transition, crossroads, convergence,   and scenarios. As if we are traveling through languistic markings that keep changing its references.  ...
Abstract Figurative - Painting
192 x 161 cm (75.6 x 63.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Andree Lisette Herz: 'gordon street', 2007 Acrylic Painting, Landscape.  Small town back yard in New Jersey, with old barn. Gallery wrapped canvas, edges painted so no fram needed. ...
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marsha Bowers: 'Kitchen Mural', 2006 Acrylic Painting, Landscape. Canvas Mural pasted to clients wall.Canvas murals may be painted in my studio and shipped anywhere in the United States.  It is suggested that a professional paper hanger paste the mural.  If interested please contact me.  ...
Landscape - Painting
8 x 6 feet (2.44 x 1.83 m)
Like It   indepth artwork information   Add To Shopping Cart
Tary Socha: 'Patina Effect No 2', 2006 Acrylic Painting, Abstract. Fragmented Recall Series. Recollections fade like the changing patina on aging copper. Miked acrylic mediums on gallery wrapped canvas....
Abstract - Painting
12 x 16 inches (30.5 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tary Socha: 'Pacific Recollections', 2006 Acrylic Painting, Abstract. Fragmented Recall series. This series is premised on the fact that we all have memories or thoughts just out of reach on the tip of our tounges. Like a painted image on an old barn or the patina wear on fragmented copper, layers of textures and subtle color variations are ...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 11 of 548) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Paul Freeman - I am an artist working in ceramic and metal on a small scale of size. The works are lyrical and convey an interest in the benevolent character of human beings. The morality of the represented people conveys a feeling of pleasant engagement. I am inspired by people's everyday interactions, the good attitude that keeps society running. There is nothing that people of goodwill cannot resolve. I also paint and do computer art and have a degree in Master of Studio Art from Sydney College of the Arts (University of Sydney)....

    Monica Malbeck - I was born and raised in Romania, attending art school there. I graduated in 1974 from a highly successful art pilot program at age 18. Where I was offered exposure to all facets of art from visual communications to industrial design. This was followed by a successful career in fashion design with clients throughout Europe, U.S., and Japan. In 1990 I moved to the United States, and in 1996 I was introduced to digital media falling in love instantly with its versatility. I have been exploring digital design since then, trying to mix digital color and the illusions of texture and shape to capture fleeting, momentary thoughts and my feelings. My style varies depending on the subject being captured, as I always try to let the subject dictate the style rather than try to impose a repetitive style format. I have retired to Hawaii very early from a career as a fashion consultant, and decided to focus on art. My very first submission of my artwork to an international competition in Italy, was chosen among the finalists. I am a self-taught digital artist, and I like to explore a broad range of subjects. In my gallery you will...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...