Acrylic Paintings

Page 11 of 530
Micha Nussinov, Andree Lisette Herz, Marsha Bowers, Tary Socha, Jerry Di Falco, Franziska Turek, Kevin Knuckles, Paola Di Renzo, George Oommen, Adam Adamou, Wayne Wilcox, Harry Bayley, James Gwynne offering original Acrylic Paintings artworks.


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Micha Nussinov: 'Traveling through languge', 2006 Acrylic Painting, Abstract Figurative.  Layers upon layers of landscapes with transition, crossroads, convergence,   and scenarios. As if we are traveling through languistic markings that keep changing its references.  ...
Abstract Figurative - Painting
192 x 161 cm (75.6 x 63.4 inches)
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Andree Lisette Herz: 'gordon street', 2007 Acrylic Painting, Landscape.  Small town back yard in New Jersey, with old barn. Gallery wrapped canvas, edges painted so no fram needed. ...
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Marsha Bowers: 'Kitchen Mural', 2006 Acrylic Painting, Landscape. Canvas Mural pasted to clients wall.Canvas murals may be painted in my studio and shipped anywhere in the United States.  It is suggested that a professional paper hanger paste the mural.  If interested please contact me.  ...
Landscape - Painting
8 x 6 feet (2.44 x 1.83 m)
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Tary Socha: 'Patina Effect No 1', 2006 Acrylic Painting, Abstract. Fragmented Recall Series. Recollections fade like the changing patina on aging copper. Miked acrylic mediums on gallery wrapped canvas....
Abstract - Painting
3 x 16 inches (7.6 x 40.6 cm)
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Tary Socha: 'Pacific Recollections', 2006 Acrylic Painting, Abstract. Fragmented Recall series. This series is premised on the fact that we all have memories or thoughts just out of reach on the tip of our tounges. Like a painted image on an old barn or the patina wear on fragmented copper, layers of textures and subtle color variations are ...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Tary Socha: 'Growiing Things', 2006 Acrylic Painting, Abstract. An impression of crowded growth of plant life reaching skyward. Mixed acrylic mediums on gallery wrapped canvas....
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Tary Socha: 'Summer Growth', 2006 Acrylic Painting, Abstract. Impressions of growing plant forms amidtst the warmth of Summer. Mixed Acrylics mediums on gallery wrapped canvas....
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Jerry  Di Falco: 'Ritual on Europa', 2007 Acrylic Painting, Surrealism. Part of my GNOSTIC GOSPELS IN A JAR Series, which is a homage to the mysteries found at Nag Hammadi.  Sides of this six sided stretched canvas, on a heavy duty wood frame, are painted, therefore no frame is necessary.  Ships in a professional cardboard box wrapped in acid free ...
Surrealism - Painting
42 x 36 inches (106.7 x 91.4 cm)
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Franziska Turek: 'broken bridge', 2005 Acrylic Painting, Abstract.
Abstract - Painting
73 x 105 cm (28.7 x 41.3 inches)
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Franziska Turek: 'caged', 2005 Acrylic Painting, Abstract.
, 2005
Abstract - Painting
32 x 50 cm (12.6 x 19.7 inches)
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Kevin Knuckles: 'Soul Sister 5', 2005 Acrylic Painting, Figurative.
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Paola Di Renzo: 'rocky landscape', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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Paola Di Renzo: 'autumn leaves', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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George Oommen: 'kerala palms at sunset', 2004 Acrylic Painting, Landscape.
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
George Oommen: 'mankotta relections dyptic', 2004 Acrylic Painting, Landscape.
Landscape - Painting
24 x 60 inches (61.0 x 152.4 cm)
George Oommen: 'palm green', 2004 Acrylic Painting, Abstract.
, 2004
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
George Oommen: 'sacred palces 4', 2004 Acrylic Painting, Abstract.
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
Adam Adamou: 'I Like It', 2000 Acrylic Painting, Fantasy.
, 2000
Fantasy - Painting
610 x 508 mm ( x )
Adam Adamou: 'Palm', 2000 Acrylic Painting, Abstract.
, 2000
Abstract - Painting
610 x 508 mm ( x )
Adam Adamou: 'Holiday', 2000 Acrylic Painting, Humor.
, 2000
Humor - Painting
660 x 457 mm ( x )
Wayne Wilcox: 'Landscape', 2003 Acrylic Painting, Landscape.
, 2003
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
Wayne Wilcox: 'Division', 2003 Acrylic Painting, Abstract.
, 2003
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
Wayne Wilcox: 'Red Dress', 2003 Acrylic Painting, Still Life.
, 2003
Still Life - Painting
36 x 48 inches (91.4 x 121.9 cm)
Kevin Knuckles: 'Statue of Liberation', 2004 Acrylic Painting, Ethnic.
Ethnic - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Harry Bayley: 'Colour Bleed silver green', 2003 Acrylic Painting, Abstract. Painted in acrylics onto watercolour paper. This painting is abstract colour expression. ...
Abstract - Painting
11 x 15 inches (27.9 x 38.1 cm)
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Harry Bayley: 'Colour Bleed electric blue', 2003 Acrylic Painting, Abstract. Painted in acrylics onto a card panel. This painting is abstract colour expression. ...
Abstract - Painting
11 x 8 inches (27.9 x 20.3 cm)
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Harry Bayley: 'Colour Bleed gold silver blue', 2003 Acrylic Painting, Abstract. Painted in acrylics onto watercolour paper. This painting is astract colour expression. ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Harry Bayley: 'Red Blue White Colour Bleed 2', 2003 Acrylic Painting, Abstract. Painted in acrylics onto a box canvas. This painting is abstract colour expression. ...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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James Gwynne: 'Purple Thunder', 1998 Acrylic Painting, Landscape. Purple cloud formation hit with sunsetrays...
Landscape - Painting
45 x 65 inches (114.3 x 165.1 cm)
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Franziska Turek: 'samurai', 2002 Acrylic Painting, Abstract.
, 2002
Abstract - Painting
59 x 52 cm (23.2 x 20.5 inches)
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(Page 11 of 530) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    George Oommen - George Oommen: The Image as the key Born in Munnar, Kerala, India, and educated in India, Mexico, and the United States, George Oommen continues to derive artistic inspiration from the lush green landscapes of his homeland. Every winter, Oommen visits Mankotta, a small island in the inland waters of Kerala in southwestern India, ten miles from Oommen's ancestral home. The weeks spent there fuel his painting year round. What follows is a series of questions and answers by Oommen about his work. The conversation took place over a series of days but reflects a lifetime of thinking about the meaning of his art. Q: What is the goal of your art? What inspires and motivates you as an artist? A: My painting is fundamentally about communicating what I see in my mind's eye. While verbal expression is the predominant form of communication, from early childhood, I have had a facility with visual expression. Painting is my vehicle for this. The specific goal of my art changes with each series I embark upon, but the general objective is always to transfer the image in my mind to the canvas There are many sources of inspiration for me--it could ...

    George Oommen - Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Harry Bayley - My paintings are very much about expressing colour in different ways, which I incorporate into whatever painting that I am working on whether it be my own work or a commission. I think colour when used in a painting whether it be bold or subtle can make all the differnce. I would describe my paintings as absrtact, contemporary and full of colour expression....

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....