Woodcut Prints

Page 1 of 6
Bonie Bolen, L. Kelen, Tamara Sorkin, Geo Sipp, Youri Messen-jaschin, Edelweiss Calcagno, Vanilia Majoros, Avinash Manekar, Ken Hillberry, Debra Lennox, Scott Mohr, Sheyne Tuffery offering original Woodcut Prints artworks.


Contemporary Art / Woodcut Prints / Previous / Next
Bonie Bolen: 'forest scene', 2017 Woodcut, nature. small wood burning and paint on wood...
nature - Woodcut
6 x 6 inches (15.2 x 15.2 cm)
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L. Kelen: 'early man', 2017 Woodcut, Representational. Landscape, Driftless Area, Garden of Eden, river, hills, trees, beast, hunting, fish, river...
, 2017
Representational - Woodcut
18.7 x 15.3 inches (47.5 x 38.9 cm)
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L. Kelen: 'betty s nightclub', 2017 Woodcut, Animals. Shes out, wild and dangerousMore than just a Protector Cat, and Cricket Killer, my 7 Pound Betty alias Assassin Cat has an Alternative Life which I have finally discovered, cut INTO wood and now have prints which prove her whereabouts at night, while the rest of us sleep. nightclub, ...
Animals - Woodcut
10 x 11 inches (25.4 x 27.9 cm)
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Tamara Sorkin: 'whiteline woodcut', 2015 Woodcut, Figurative.     a series of works in different techniques- from drawing to several types of printmaking                                              ...
Figurative - Woodcut
22.5 x 19 cm (8.9 x 7.5 inches)
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L. Kelen: 'a real nice guy', 2014 Woodcut, Sea Life.  Catching a DogFish in the moat around Pirate Island. A whiteline woodprint in poplar. . . printed onto Nishinochi. ...
Sea Life - Woodcut
12 x 19 inches (30.5 x 48.3 cm)
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Tamara Sorkin: 'mother and child 1', 2013 Woodcut, Figurative.            whiteline woodcut on japanese paper         ...
Figurative - Woodcut
10 x 10 cm (3.9 x 3.9 inches)
Tamara Sorkin: 'mother and child', 2013 Woodcut, Figurative.           whiteline woodcut on japanese paper        ...
Figurative - Woodcut
10 x 10 cm (3.9 x 3.9 inches)
Geo Sipp: 'A Woman on a Balcony in Algiers', 2013 Woodcut, Figurative.  A woodcut depicting a nude woman in a city environment. ...
Figurative - Woodcut
20 x 27 inches (50.8 x 68.6 cm)
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Geo Sipp: 'Mekong Patrol', 2011 Woodcut, Military.  Mekong Patrol is a woodcut, illustrating a scene from a graphic novel entitled Wolves in the City, which I am currently illustrating.   ...
Military - Woodcut
14 x 23.5 inches (35.6 x 59.7 cm)
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Geo Sipp: 'Citroen', 2012 Woodcut, Automotive.  Citroen is a woodcut, illustrating a scene of Algiers during the French- Algerian War. The image is part of a graphic novel entitled Wolves in the City, which I am currently illustrating.  ...
, 2012
Automotive - Woodcut
13.5 x 18.5 inches (34.3 x 47.0 cm)
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Geo Sipp: 'Trams in Algiers', 2012 Woodcut, World Conflict.  Trams in Algiers is a woodcut, illustrating an abstracted view of the city of Algiers during the French- Algerian War. The image is part of a graphic novel entitled Wolves in the City, which I am currently illustrating. ...
World Conflict - Woodcut
18.5 x 18.5 inches (47.0 x 47.0 cm)
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Tamara Sorkin: 'A strong wind', 2010 Woodcut, Figurative.  woodcut on recycled homemade paper with chine colee ...
Figurative - Woodcut
15 x 18 cm (5.9 x 7.1 inches)
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Youri Messen-jaschin: 'Danse', 1974 Woodcut, Undecided. 1/ 15 Xylography (r) by 1966 Prolitteris Postfach CH. - 8033 Zurich (c) by 1966 Youri Messen- Jaschin Switzerland...
, 1974
Undecided - Woodcut
10 x 24 cm (3.9 x 9.4 inches)
Youri Messen-jaschin: 'Danse III', 1976 Woodcut, Undecided. Xylography 1/ 15(r) 1976 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1976 by Youri Messen- Jaschin Switzerland...
, 1976
Undecided - Woodcut
22 x 15 cm (8.7 x 5.9 inches)
Youri Messen-jaschin: 'Recherche du mouvement II', 1976 Woodcut, Undecided. Xylography 1/ 15(r) 1976 by Prolitteris Po. Box CH. - 80330 Zurich(c) 1976 by Youri Messen- Jaschin Switzerland...
Undecided - Woodcut
13 x 25 cm (5.1 x 9.8 inches)
Youri Messen-jaschin: 'Danse', 1976 Woodcut, Undecided. Xylography 1/ 15(r) 1976 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1976 by Youri Messen- Jaschin Switzerland...
, 1976
Undecided - Woodcut
26 x 21 cm (10.2 x 8.3 inches)
L. Kelen: 'DevilsAndDolls', 2004 Woodcut, Other. From the GardenOfEden. . ....
Other - Woodcut
10 x 9 inches (25.4 x 22.9 cm)
Edelweiss Calcagno: 'What Is Time', 2015 Woodcut, Abstract.  Music, abstract, cubist ...
Abstract - Woodcut
16 x 24 inches (40.6 x 61.0 cm)
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Vanilia Majoros: 'Beethoven Chello Sonata', 2015 Woodcut, undecided.
undecided - Woodcut
11 x 11 inches (27.9 x 27.9 cm)
Avinash Manekar: 'Horse1', 2015 Woodcut, Americana.  Animal's ...
, 2015
Americana - Woodcut
18 x 18 inches (45.7 x 45.7 cm)
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Ken Hillberry: 'Seethingheart', 2014 Woodcut, Wildlife.      an impressionistic capture of a snow leopard, another on the endangered list.         ...
Wildlife - Woodcut
8.2 x 5.1 inches (20.8 x 13.0 cm)
Ken Hillberry: 'Winterbarn', 2014 Woodcut, Landscape.     an impressionistic capture of a winter country setting. . .       ...
, 2014
Landscape - Woodcut
6.5 x 8.6 inches (16.5 x 21.8 cm)
Ken Hillberry: 'Billie', 2014 Woodcut, Music.    an impressionistic capture of a brief view of the Jazz Icon.      ...
, 2014
Music - Woodcut
6.3 x 8.3 inches (16.0 x 21.1 cm)
Debra Lennox: 'Lilies', 2014 Woodcut, Floral.  Calla lilies grow below the redwood stump along the trail to the spring. Japanese mokuhanga technique uses 6 different woodblocks hand pressed to overlap colors. ...
, 2014
Floral - Woodcut
10 x 12 inches (25.4 x 30.5 cm)
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Scott Mohr: 'Taos Pueblo', 1976 Woodcut, Abstract Landscape.  A visit to Taos Pueblo in New Mexico brought out this cubist interpretation that makes me think of the chilren's board game
Abstract Landscape - Woodcut
16 x 33 inches (40.6 x 83.8 cm)
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Sheyne Tuffery: 'zmp', 2010 Woodcut, undecided.
, 2010
undecided - Woodcut
21 x 31 cm (8.3 x 12.2 inches)
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Sheyne Tuffery: 'high density pacific', 2010 Woodcut, undecided.
undecided - Woodcut
65 x 50 cm (25.6 x 19.7 inches)
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Sheyne Tuffery: 'post jurassic expedition', 2010 Woodcut, undecided.
undecided - Woodcut
65 x 50 cm (25.6 x 19.7 inches)
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Sheyne Tuffery: 'waimanu and tuatara', 2010 Woodcut, undecided.
undecided - Woodcut
50 x 70 cm (19.7 x 27.6 inches)
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Conor Maguire: 'Belfast Life', 2009 Woodcut, Scenic.
Scenic - Woodcut
30 x 30 cm (11.8 x 11.8 inches)
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(Page 1 of 6) - MORE ARTWORKS

Artists Describing Their Art:

L. Kelen - I will be getting large files made of the art work I did while on some of the islands that suffered the Hurricanes. The originals will be available for sale believe it or not and there will be fine art prints available. Self-supporting bi-product of the School of the Art Institute of Chicago, Haystack Mountain School of Crafts, and trial and error. Current activities lindakelen-artings.blogspot.com ...link found somewhere below. ...

Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

Edelweiss Calcagno - www.edelweisscalcagno.com +1-240-701-9100 Using different techniques, some of them mixed together to create new unique techniques. My art is formed by adding layer after layer, producing extraordinary illusions making the mind get involved in the labyrinth of colors and materials. Viewers never stop discovering new things - there is something fresh each time they look at my pieces. My source of inspiration is that a picture can speak a thousand words. I have seen many times how my art can touch people. I believe in the freedom of rights and equality for all, and these beliefs impact my artwork and my message. My art does not judge, but it is honest, even when this means stating what I see there is a strong message. I trust my art because the word that comes out from it is a positive word. I discovered the beauty of creating sculptures and prints in addition to doing paintings, etching and restoring art and now they have become part of who I am. There are the infinite possibilities hidden in sculpture. Between mixed media, aluminum casting, and more I love to touch any type of material and find new ways to use ...

Vanilia Majoros - I love to explore my own self and image; this is the culmination of the fusion of science and art for me. I try to see things in my own way, shaped by my life and my experiences. For each viewer this experience an entry into this personal world through visual or mental images, can be uniquely his own. ...

Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

Debra Lennox - My latest work explores the vibrant use of pure colors & composition to express an intangible, surreal quality of a place. Light, color and form combine to push the figurative subject into the realm of dreams, capturing a moment in between the frenzied pace of modern life, when time slows and we become open to other, magical and spiritual influences on our lives. I am a painter in many mediums * watercolor, acrylic, & oils, and collage. I live in Comptche, California, and travel often for inspiration. I use my architectural degree as a designer and draftsman on the Mendocino Coast. I am a member at the Artists' Co-op of Mendocino, where I sell original works, laser prints and art cards. My work can be viewed at dblennox.com or artgallerymendocino.com...

Sheyne Tuffery - My art blossomed in a confusion of cultural identity from my my mixed cultural background of New Zealand /Samoaness. My work celebrates the afakasi, the halfcast, that confusion of not fitting into either side, so inventing your own culture in art. I see my art as being visual symphonies of a futuristic Polynesia, the combination of human and machine in a primitive enviroment. Everything I see, feel,and hear, has an impact on my compositions, especially architecture and music. I use elongated figures to create an energy of movement, strength, and sound. I want the audience to hear the images as well as see them. The lines that I carve, are for the dynamic of my work, these come from the veins of banana leaves and the strappings in polynesian fale's (houses). The shimmer in this dynamic, trap's light in a way to form (to me) : an etherial frequency. This frequency is me. P.S I will be posting a new link on here soon which will feature my latest woodblock prints. post-grad exhibition...