Paintings For Sale - Price Range: $1000 - $1999

Page 1 of 193
Discover 5,587 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Denise Dalzell, David Larkins, Vladimir Volosov, Stefan Fiedorowicz, John Gamache, Becky Soria, Mac Worthington, Igor Shulman, Paulo Medina, Ben Hotchkiss, Philip Taylor are exhibiting their affordable original art. You can buy artwork online and browse 193 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Denise Dalzell: 'embankment', 2021 Acrylic Painting, People. an illustration of imagining being back in London again. ...
, 2021
People - Painting
30 x 24 inches (76.2 x 61.0 cm)
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David Larkins: 'the joy of summer', 2021 Oil Painting, Boating. Leland or Fishtown is one of favorite places in Michigan The fish tug  Joy  docked after another days catch with Lake Michigan visible in the background.I loved painting the play of green and blue hues, it all helps to say that summer is here ...
Boating - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Denise Dalzell: 'audience', 2021 Acrylic Painting, People. An audience waits for their summer concert to begin. ...
, 2021
People - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Vladimir Volosov: 'appeasement', 2019 Oil Painting, Abstract.   There is no doubt that visual art is a powerful medium. It has the ability to inspire and to move us deeply.Abstract art represents itself as a series of colorful spots, which do not illustrate reality, but show the unconscious artistic process. The author s goal is to engage...
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Vladimir Volosov: 'red and black', 2017 Oil Painting, Abstract.       There is no doubt that visual art is a powerful medium. It has the ability to inspire and to move us deeply.The author s goal is to engage the viewer in the creative process. He invites the viewer to go their own way and become a co- author, to...
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Vladimir Volosov: 'the wave', 2021 Oil Painting, Marine.     This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Painted with a palette knife. Original Artist Style aEUR
, 2021
Marine - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Vladimir Volosov: 'autumn extravaganza', 2021 Oil Painting, Abstract. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden underframe.  Palette knife. Original Artist Style aEUR
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Stefan Fiedorowicz: 'lend me your palette', 2018 Oil Painting, Abstract. This world has only one sweet moment, and that is the thing that dreamsare made of. The world can also be regarded as a rich tapestry of colour. ...
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Stefan Fiedorowicz: 'part lies part heart part truth', 2021 Oil Painting, Abstract.  All Go Back to Where We Belong.  I was inspired by a Canadian group called Collective Soul.  Music has an ability to exude magic from within us and within me.  The bold spirit usually comes my way when I stand before a blank canvas. ...
Abstract - Painting
100 x 70 cm (39.4 x 27.6 inches)
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John Gamache: 'Snowy Fields and Mustard Skies', 2017 Oil Painting, Representational. Stark winter corn field, colorfull sky gives it to life. ...
Representational - Painting
20 x 16 ( x )
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John Gamache: 'Lucifers Creek', 2018 Oil Painting, Representational. insperation of colorfull sunset, reflecting on the landscape. ...
Representational - Painting
20 x 16 ( x )
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Becky Soria: 'prelude to a dream', 2021 Acrylic Painting, Abstract Figurative. from the Collection   Consequential Journey ...
Abstract Figurative - Painting
40 x 20 inches (101.6 x 50.8 cm)
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Becky Soria: 'corona', 2020 Acrylic Painting, Abstract Figurative. from the collection  Consequential Journeys ...
, 2020
Abstract Figurative - Painting
41 x 20 inches (104.1 x 50.8 cm)
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Becky Soria: 'sitting the pandemic', 2020 Acrylic Painting, Abstract Figurative. from the collection   Consequential Journeys ...
Abstract Figurative - Painting
37 x 23 inches (94.0 x 58.4 cm)
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John Gamache: 'after an early morning shower', 2020 Oil Painting, Representational. Series: Ancesters, since 800 AD settled in Normandy France from Norweigen viking stock. Love the History. ...
Representational - Painting
24 x 12 ( x )
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Becky Soria: 'evolving samsara', 2021 Acrylic Painting, Abstract Figurative. From the new collection that Opened April 2021   Consequential Journeys ...
Abstract Figurative - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Stefan Fiedorowicz: 'breath of a phrygian sky', 2019 Oil Painting, Abstract. Let s go out and feel the earth. It will keep us alive. We all need to become friends of the Mother Earth.  In view of the current trend of climate warming, I was inspired to paint this particular work.  Our planet has been wounded big time and she needs ...
Abstract - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Mac Worthington: 'misplaced stranger', 2021 Acrylic Painting, Abstract. Acrylic on stretched canvas. - May be hung vertically or horizontallyAvailable. Signed   dated. Certificate of Authenticity.Delivery, installation   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract - Painting
72 x 23 inches (182.9 x 58.4 cm)
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Igor Shulman: 'let off', 2021 Oil Painting, Atmosphere. There are situations where forgiveness is not possible. This process is very stressful and unpleasant for everyone.But in most cases, we are willing to forgive. It s very nice to forgive. Especially a loved one. And the point here is not even the severity of the offense. And in ...
, 2021
Atmosphere - Painting
20 x 27 inches (50.8 x 68.6 cm)
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Paulo Medina: 'emmaus', 2021 Acrylic Painting, Religious. This is the time to go back to Emmaus...
, 2021
Religious - Painting
77 x 97 cm (30.3 x 38.2 inches)
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Igor Shulman: 'the alleged portrait', 2021 Oil Painting, People. Another middle- aged painting from the storeroom.It so happened that I do not have a single photograph of my grandfathers.They were killed many years before I was born. In the 30s in the Soviet Union. In different parts of the country, at about the same time.I know ...
People - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Ben Hotchkiss: 'Composition 2268', 2011 Oil Painting, Abstract. It is a painting that is a part of a 2 foot by 2 foot series of abstract oils that I painted about ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Ben Hotchkiss: 'Composition 2267', 2011 Oil Painting, Abstract. It is a painting that is a part of a 2 foot by 2 foot series that i paintedabout ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Ben Hotchkiss: 'Composition 2266', 2011 Oil Painting, Abstract. It is a painting that is part of a 2 foot by two foot series that I painted about ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Ben Hotchkiss: 'Composition 2259', 2011 Oil Painting, Abstract. It is a painting that is part of a series of 2 foot by 2 footabstract oils that I painted about ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Igor Shulman: 'freelance', 2014 Oil Painting, Atmosphere. The era of freelancing is long overdue. And some all think that this is some kind of misunderstanding. Global changes have improved my life. But I ve been freelancing all my life. And for many, this is a novelty.Fear nothing, much less freedom. Freedom is never too much Where ...
, 2014
Atmosphere - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Denise Dalzell: 'union square', 2021 Acrylic Painting, Impressionism. An illustration of a memory and looking forward to being out together. ...
Impressionism - Painting
30 x 24 inches (76.2 x 61.0 cm)
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David Larkins: 'a trippen of goats', 2021 Oil Painting, Farm. One of our frequent places to visit and purchase our dairy is Calder Dairy Farm s.A leisurely groupTrippenof goats and a donkey enjoy a sunny afternoon.The blue sky reflection tells us the weather without seeing the sky.  ...
Farm - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Philip Taylor: 'every thing plus 26 secs', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You can ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'mason dixon line', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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(Page 1 of 193) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Mac Worthington - Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Ben Hotchkiss - My name is Ben Hotchkiss. I am 75 years old and have been painting abstract paintings for over 40 years. My interest in art germinated in my fathers studio when I was very young. I used to watch him paint. Often, while watching him paint I would thumb thru his bools on earlier painters of the 20th Century. I especially liked those of the Expressionists,Imressionists,Cubists and Abstract Painters. I was expecially intrigued by the color plates of abstract artists. They did not depect anythingwhat did they mean. But I didnt really begin painting for another 20 years when I was down and out in a rooming house in San Francisco. I actually started doing abstract water colors . In 1980 I moved to Northampton, Ma. and discovered an Art Supply store near by. At this point I had an inspiration to switch from water colors to oils. i started on a shoe string with canvas boards, Duro oil paints and small brushes. I am still painting to this day but on masonite now. I have always been a student of visual expression. I especially like compositions of thingsi.e. many visual en entities working together to create a composite ...

    Philip Taylor - Statement By applying abstraction, Taylor creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. His paintings do not reference recognizable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. Through experimentation, he finds that movement reveals an inherent awkwardness and echoes our own vulnerabilities. His works feature coincidental, accidental and unexpected connections. By questioning the concept of movement, he formalizes the coincidental and emphasizes the conscious process of composition that is behind the seemingly random works. The thought processes, which are supposedly private, highly subjective, and unfiltered, are frequently revealing. aEURoeThe process of making art for me is emotionally charging and spiritual.aEUR Bio Taylor grew up in the Mississippi river valley along the legendary highway 61 corridor in southern Minnesota as well as summering along the east cost. In the mid 1990s Taylor first became interested in abstract painting after being confronted with a Jackson Pollock work during a pivotal visit to the National Gallery of Art in Washington D.C. He has a B.A. in Studio Art and attended classes at the Arts Students League of ...