Paintings For Sale - Price Range: $1000 - $1999

Page 1 of 209
Discover 6,037 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Denise Dalzell, Paulo Medina, Caren Keyser, Vladimir Volosov, Stefan Fiedorowicz, Dave Martsolf, Pol Ledent, Marsha Bowers, David Larkins, Peter Seminck, Igor Shulman, Becky Soria are exhibiting their affordable original art. You can buy artwork online and browse 209 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Denise Dalzell: 'escalator', 2020 Acrylic Painting, Figurative. An illustration from an adventure in London. ...
, 2020
Figurative - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Paulo Medina: 'shakespeares portrait', 2006 Acrylic Painting, Abstract Figurative. Genio de la literatura ...
Abstract Figurative - Painting
60 x 70 cm (23.6 x 27.6 inches)
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Caren Keyser: 'regatta', 2020 Acrylic Painting, Abstract. This abstract painting may remind the viewer of a large group of sailboats perhaps at a sailing regatta. It also resembles the plant mother- in- law tongue. Actually it is a colorful abstract that includes metallic paints in turquoise and gold. The pink is a coral shade of pink. There ...
, 2020
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Vladimir Volosov: 'anxiety', 2020 Oil Painting, Abstract. This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Palette knife. Original Artist Style aEUR
, 2020
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Vladimir Volosov: 'black and yellow', 2019 Oil Painting, Abstract. This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Palette knife. Original Artist Style aEUR
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Vladimir Volosov: 'black and blue', 2019 Oil Painting, Abstract. This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Palette knife. Original Artist Style aEUR
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Vladimir Volosov: 'black and blue', 2019 Oil Painting, Abstract. This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Palette knife. Original Artist Style aEUR
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Paulo Medina: 'moises y la zarza ardiente', 2020 Acrylic Painting, Religious. Burning bush...
Religious - Painting
80 x 90 cm (31.5 x 35.4 inches)
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Stefan Fiedorowicz: 'messing up the roses', 2018 Oil Painting, Abstract. I offer my work so that people can perhaps see some parts of themselves reflected in the work. ...
Abstract - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Dave Martsolf: 'dance 35', 2020 Oil Painting, Abstract. This artwork is painted on gallery wrapped canvas with sides painted a darker blue.  It requires no frame.  If purchased, it will ship unframed, wired and ready to hang. ...
, 2020
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Pol Ledent: 'spring 77', 2020 Oil Painting, Impressionism. oil on canvas stretched on a wooden frame...
, 2020
Impressionism - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Marsha Bowers: 'hope', 2020 Oil Painting, Floral. Painted during Covid 19. Flowers symbolize growth, renewing and hope and I wanted to express this through this piece. Painted in oil on canvas. ...
, 2020
Floral - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Dave Martsolf: 'dance thirteen i presume', 2020 Oil Painting, Abstract. This artwork was painted on gallery wrapped canvas with sides painted a light red- orange color. The artwork requires no framing.  If purchased, the work will be shipped unframed, wired, and ready to hang. ...
Abstract - Painting
48 x 24 inches (121.9 x 61.0 cm)
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David Larkins: 'lake michigan cold front', 2020 Oil Painting, Seascape. Snow squalls pass and the brisk cold air advances from the northwest across thr big lake.Capturing the cold clean atmosphere was my goal when I painted this amazing scene in Elberta, Michigan. ...
Seascape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Peter Seminck: 'late afternoon on the beach', 2020 Oil Painting, People. Elderly couple enjoying the late afternoon sun on the beach...
People - Painting
39 x 39 inches (99.1 x 99.1 cm)
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Dave Martsolf: 'dance 26 ice storm', 2020 Oil Painting, Abstract. This piece is painted on gallery wrapped canvas and requires no frame.  If purchased it will be shipped wired and ready to hang. ...
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Igor Shulman: 'half light', 2020 Oil Painting, Erotic. It seems to you that this work is about a naked woman. It is not right. This is a work about light. About twilight incomplete light. About how this light affects the body. About what happens in a space filled with this light. Mystical interpretation of obvious things is not ...
, 2020
Erotic - Painting
27 x 27 inches (68.6 x 68.6 cm)
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Peter Seminck: 'forever waiting for bonnie', 2020 Oil Painting, People. Third painting of the  Waiting for Bonnie  series...
People - Painting
32 x 39 inches (81.3 x 99.1 cm)
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Dave Martsolf: 'dance 22', 2020 Oil Painting, Abstract. This painting was created on gallery wrapped canvas with sides painted a dark brown.  It requires no frame.  The work will be shipped wired and ready to hang with no frame. ...
, 2020
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Peter Seminck: 'doubt', 2020 Oil Painting, People. Will he come   Anxious expectation . . . ...
, 2020
People - Painting
28 x 39 inches (71.1 x 99.1 cm)
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Becky Soria: 'aura gracilis', 2020 Acrylic Painting, Abstract Figurative. from the collection of Muses and Goddesses...
Abstract Figurative - Painting
20 x 37 inches (50.8 x 94.0 cm)
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Peter Seminck: 'courtesy is not dead', 2020 Oil Painting, People. oil on canvas...
People - Painting
28 x 47 inches (71.1 x 119.4 cm)
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Denise Dalzell: 'approaching', 2020 Acrylic Painting, People. A view from within  an approaching march, London 2019...
People - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Pol Ledent: 'spring in normandy', 2020 Oil Painting, Landscape. Original oil on canvas stretched on a wooden frame...
Landscape - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Pol Ledent: 'wild blue flowers in provence', 2020 Oil Painting, Abstract Landscape. South of France    Original oil on canvas stretched on a wooden frame...
Abstract Landscape - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Paulo Medina: 'last supper', 2020 Acrylic Painting, Religious. A circular last supper ...
Religious - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Stefan Fiedorowicz: 'subliminal suggestion', 2020 Oil Painting, Abstract. We tend to see what we want to see.  We judge according to who were are and not who they are. ...
Abstract - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Stefan Fiedorowicz: 'texture of memory', 2020 Oil Painting, Abstract. ontinuation of my previous series called Pure Memory. Back to basics. Tabula Rasa: theory developed by John Locke, philosopher that individuals are born without built- in mental content and that therefore all knowledge comes from experience or perception. Your heart is schackled to memory. ...
Abstract - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Caren Keyser: 'softly in the mountains', 2020 Acrylic Painting, Abstract Landscape. Captured in soft pastel shapes and textures is the abstract suggestion of snowcapped mountains. ...
Abstract Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Judith Fritchman: 'end of day october', 2018 Oil Painting, Landscape. An October sunset illuminates a Bucks County barn. ...
Landscape - Painting
24 x 12 inches (61.0 x 30.5 cm)
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(Page 1 of 209) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Denise Dalzell - I recently settled on some keywords for my work, so I will begin this edition of my statement with the following Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. And while grumbling about writing my statement again, I have had an insight regarding my work. So here we goaEUR| How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How do our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. Stories can come from anywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Dave Martsolf - Dave Martsolf Dave Martsolf was born in 1949 in Kansas, moved to Western Pennsylvania in early childhood and at age 12 moved to New Hampshire where he resides today. MartsolfaEURtms father and grandfather were architects and his mother a professional photographer. Martsolf attended MIT and later UNH where he earned a degree in Fine Arts. His early work was influenced by the great masters and others such as the post-impressionists Miro, Matisse, Kandinsky, Klee, Picasso, and the surrealist Salvador Dali. Architectural instincts developed due to his close association with architecture in his youth. DaveaEURtms focus has been in visual arts his entire life. His style extends from realism to surrealistic to fantasy and abstraction. His work uses the mediums of oils, watercolors, inks and pencils, to the more technically-oriented media of computer-based art. Beginning in the late 80aEURtms Martsolf spent productive time with the tools of Bryce, Poser, KaiaEURtms Power Tools, and similar photo editing and photo manipulation products. He was creator, owner and artistic director of Damsel Software Group in the 1990aEUR2s as a producer and manufacturer of original content screen savers. Today, Dave has returned to handmade art. He continues ...

    Pol Ledent - I am a self-taught artist. I was born in Belgium o, 23rd October 1952. I started painting in 1995 . I took some drawing lessons in the art academy in Dinant. I try to paint the landscapes of the countryside where I am living : the southern part of Belgium. Firts I took part in many collective exhibitions . Than, I had personal exhibitions in Rochehaut (Galerie La Potele), in Dinant (Galerie L'impression), in Paris (Rive Gauche Galerie Artimus) in Brussels (Galerie G-Loft).In 2004, I had three exhibitions, again In Rochehaut, galerie La Potele in May. Then, in September Exhibition Libr'art in Libramont. In November, Galerie Impression in Dinant. What people like most in my paintings are the colours. My art doesn't speak to the intellect but to the soul and to the feelings. Talink the risk to seem old fashioned , I would say it is rather romantic. I wish you much pleasure looking at my paintings. Pol Ledent ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...