Paintings For Sale - Price Range: $1000 - $1999

Artists Describing Their Art:

Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

Pol Ledent - I am a self-taught artist. I was born in Belgium o, 23rd October 1952. I started painting in 1995 . I took some drawing lessons in the art academy in Dinant. I try to paint the landscapes of the countryside where I am living : the southern part of Belgium. Firts I took part in many collective exhibitions . Than, I had personal exhibitions in Rochehaut (Galerie La Potele), in Dinant (Galerie L'impression), in Paris (Rive Gauche Galerie Artimus) in Brussels (Galerie G-Loft).In 2004, I had three exhibitions, again In Rochehaut, galerie La Potele in May. Then, in September Exhibition Libr'art in Libramont. In November, Galerie Impression in Dinant. What people like most in my paintings are the colours. My art doesn't speak to the intellect but to the soul and to the feelings. Talink the risk to seem old fashioned , I would say it is rather romantic. I wish you much pleasure looking at my paintings. Pol Ledent ...

Angel Piangelo Papangelou - ANGEL PIANGELO is my Artistic Name and I sign ALL my Artworks as ANGEL P. my ID Name is Angel Papangelou JOB PROFESSION Fine Arts PROFESSOR in a Private College and a Public School of Art in Thessaloniki Greece, where I work and live most of the time of the year, although my main residence is in Germany Mauerkircherstrasse 68A, 81925, Munich -- I also give Painting Sculpture PRIVATE LESSONS to students who want to enter Fine Arts Universities. ARTISTIC SKILLS SCULPTOR and PAINTER Paintings Drawings} Mostly Classical, Fantasy and Modern Artworks Also I am a SWORD MAKER, but I make 100 Original ARTWORKS SCULPTED HANDMADE SWORDS - Project A<> - UNIQUE in world ... ...

Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

Carmen Gonzalez - One of the roots of my inspiration can perhaps be found in Aristotles quote - The aim of art is to not represent the outward appearance of things, but their inward significance. I am attracted to painting simple everyday objects. My attraction is not only for the objectaEURtms beautiful shape, color, and texture but also its essence. Simple objects have the ability to triggers strong memories or emotions transporting the vieweraEURtms mind into the past. My compositions are happy, playful, and nostalgic with the use of color and patterns. I love incorporating patterns into my paintings. Patterned backgrounds take the vieweraEURtms eyes on a journey to all corners of the canvas. Different patterns stir up different feelings or emotions which adds to the character of each painting. I strive to create paintings that make everyone joyously smile. ...

Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

Dave Martsolf - Dave Martsolf Dave Martsolf was born in 1949 in Kansas, moved to Western Pennsylvania in early childhood and at age 12 moved to New Hampshire where he resides today. MartsolfaEURtms father and grandfather were architects and his mother a professional photographer. Martsolf attended MIT and later UNH where he earned a degree in Fine Arts. His early work was influenced by the great masters and others such as the post-impressionists Miro, Matisse, Kandinsky, Klee, Picasso, and the surrealist Salvador Dali. Architectural instincts developed due to his close association with architecture in his youth. DaveaEURtms focus has been in visual arts his entire life. His style extends from realism to surrealistic to fantasy and abstraction. His work uses the mediums of oils, watercolors, inks and pencils, to the more technically-oriented media of computer-based art. Beginning in the late 80aEURtms Martsolf spent productive time with the tools of Bryce, Poser, KaiaEURtms Power Tools, and similar photo editing and photo manipulation products. He was creator, owner and artistic director of Damsel Software Group in the 1990aEUR2s as a producer and manufacturer of original content screen savers. Today, Dave has returned to handmade art. He continues ...

Dave Martsolf - Denise Dalzell - ItaEURtms all about Interaction. Communication. Conveying a shared experience with color, light, shadow, and the framing of a scene. How do we, as people of differing backgrounds, cultures, and histories interact with each other How do we respond to one another Where do we fit in Will we know when we get there Will we realize, perhaps while in the middle of a crowd, where that will be Stories can come from anywhere, and thereaEURtms no predicting where theyaEURtmll be revealed. My paintings are illustrations, pictures waiting to be paired with text. Color, movement, body language, movement, the contrast of light and shadow, the encounters, settings, the people that I encounter who are also in the midst of being on their way. What does their body language say about them My future as an Illustrator was inevitable. I have been drawing, working with color, since I was three. As a child, one of my favorite school activities was writing a story, then illustrating it. In College, I avoided painting, preferring markers, and then colored pencil. Once I tried painting with Acrylics, I combined them with pencil and started painting seriously. At first, I painted old signs and...

Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

Engelina Zandstra - 'In the labyrinth of my thoughts there are many roads leading to the unknown' LANDSCAPES OF THE MIND Engelina Zandstra is a Dutch artist living in Amsterdam, Netherlands. My way of working is spontaneous. It starts with a concept, an idea in my mind, which is in most cases not well-defined. It can have its origin in the images that are stored in my imagination, or in the impressions of daily life. The paintings made in this way can be considered as'Landscapes of the mind', because they are reproductions of the ideas that are formed in my head. The style of the paintings can best be described as lyrical-abstract. Sometimes they are more figurative, at other times fully abstract. Colour is very important for me : the alchemy of colour. This defines for me the atmosphere of a painting. Usually I work in many thin layers of paint on top of each other. I let myself be guided by the forms and colours that develop during the process of painting. Each new layer gives inspiration for the following one, with new ideas. Because of the different layers and colours, the acrylic paint gets depth and character. Sometimes the...

Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...