Paintings For Sale - Price Range: $1000 - $1999

Page 2 of 194
Discover 5,614 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Stefan Fiedorowicz, Mac Worthington, Igor Shulman, Paulo Medina, Ben Hotchkiss, David Larkins, Philip Taylor, Peter Seminck, William Christopherson, William B Hogan, Larysa Uvarova are exhibiting their affordable original art. You can buy artwork online and browse 194 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Mac Worthington: 'misplaced stranger', 2021 Acrylic Painting, Abstract. Acrylic on stretched canvas. - May be hung vertically or horizontallyAvailable. Signed   dated. Certificate of Authenticity.Delivery, installation   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract - Painting
72 x 23 inches (182.9 x 58.4 cm)
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Igor Shulman: 'let off', 2021 Oil Painting, Atmosphere. There are situations where forgiveness is not possible. This process is very stressful and unpleasant for everyone.But in most cases, we are willing to forgive. It s very nice to forgive. Especially a loved one. And the point here is not even the severity of the offense. And in ...
, 2021
Atmosphere - Painting
20 x 27 inches (50.8 x 68.6 cm)
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Paulo Medina: 'emmaus', 2021 Acrylic Painting, Religious. This is the time to go back to Emmaus...
, 2021
Religious - Painting
77 x 97 cm (30.3 x 38.2 inches)
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Igor Shulman: 'the alleged portrait', 2021 Oil Painting, People. Another middle- aged painting from the storeroom.It so happened that I do not have a single photograph of my grandfathers.They were killed many years before I was born. In the 30s in the Soviet Union. In different parts of the country, at about the same time.I know ...
People - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Ben Hotchkiss: 'Composition 2268', 2011 Oil Painting, Abstract. It is a painting that is a part of a 2 foot by 2 foot series of abstract oils that I painted about ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Ben Hotchkiss: 'Composition 2267', 2011 Oil Painting, Abstract. It is a painting that is a part of a 2 foot by 2 foot series that i paintedabout ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Ben Hotchkiss: 'Composition 2266', 2011 Oil Painting, Abstract. It is a painting that is part of a 2 foot by two foot series that I painted about ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Ben Hotchkiss: 'Composition 2259', 2011 Oil Painting, Abstract. It is a painting that is part of a series of 2 foot by 2 footabstract oils that I painted about ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Igor Shulman: 'freelance', 2014 Oil Painting, Atmosphere. The era of freelancing is long overdue. And some all think that this is some kind of misunderstanding. Global changes have improved my life. But I ve been freelancing all my life. And for many, this is a novelty.Fear nothing, much less freedom. Freedom is never too much Where ...
, 2014
Atmosphere - Painting
24 x 18 inches (61.0 x 45.7 cm)
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David Larkins: 'a trippen of goats', 2021 Oil Painting, Farm. One of our frequent places to visit and purchase our dairy is Calder Dairy Farm s.A leisurely groupTrippenof goats and a donkey enjoy a sunny afternoon.The blue sky reflection tells us the weather without seeing the sky.  ...
Farm - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Philip Taylor: 'every thing plus 26 secs', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You can ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'mason dixon line', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'downstairs blues upstairs', 2021 Acrylic Painting, Abstract. Painting Acrylic, Conte on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'quail hunting', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Mac Worthington: 'dream inside a dream', 2021 Other Painting, Abstract. Metal painted acrylic enamel shadowbox framed.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Mac Worthington: 'confetti', 2020 Other Painting, Abstract. S O L DMetal painted acrylic enamel floating in a pearl white shadowbox frameAvailable.  Signed dated.  Certificate of Authenticity.Delivery, hanging shipping availableStudio 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or ...
, 2020
Abstract - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Peter Seminck: 'mediterranean kiss', 2020 Acrylic Painting, People. Always nice to be surprised by a spontaneous sign of affection...
People - Painting
47 x 32 inches (119.4 x 81.3 cm)
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Peter Seminck: 'kiss from a rose', 2020 Acrylic Painting, Love. Paris is not the only city of love . . . ...
Love - Painting
32 x 39 inches (81.3 x 99.1 cm)
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William Christopherson: 'Melissa Desgagnes 2020', 2020 Oil Painting, Seascape.  This artwork completed forthe Un Masked - Impressions of a Pandemicartist s exhibit at the River Muse Art Gallery Studio in Clayton NY.  This special event invited artist s creations inspired by and during the 2020 Covid- 19 pandemic period.  Here, the journey of the Melissa Desgagnes symbolicly represents the challenging...
Seascape - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Peter Seminck: 'private kiss', 2020 Oil Painting, People. Come rain or shine, an umbrella can be useful...
People - Painting
39 x 39 inches (99.1 x 99.1 cm)
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William B Hogan: 'self with friends', 2020 Acrylic Painting, Animals. self portrait with friends...
Animals - Painting
23 x 34 inches (58.4 x 86.4 cm)
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William B Hogan: 'magrittes pipe dreams', 2020 Acrylic Painting, Fantasy. Magrittes Pipe dreams of other images...
Fantasy - Painting
30 x 30 inches (76.2 x 76.2 cm)
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William B Hogan: 'wound up in lala land', 2020 Acrylic Painting, Surrealism. I find LA to be surreal, colorful, majestic, warm, crazy, absurd, ceative, fast with the rhythms of highways and busy angelenos. An exciting city.  ...
Surrealism - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Peter Seminck: 'la vie en rose', 2020 Acrylic Painting, People. Covid19 will not stay forever . . . ...
People - Painting
32 x 47 inches (81.3 x 119.4 cm)
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Stefan Fiedorowicz: 'daylight kissing the sky', 2020 Oil Painting, Abstract. Daylight Kissing The SkyBetween reality on the one hand, and the point where the mind strikes reality, thereaEURtms a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blue to provide what life does not: and this is the space ...
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Igor Shulman: 'dangerous meeting', 2020 Oil Painting, Atmosphere. Agree, such a meeting can only be seen in the movies. Well, also in my pictures. This picture is about the collision of energies, the clash of destinations, the clash of civilizations and cultures. A painting about the collision of life and death.You and I do not know how ...
Atmosphere - Painting
27 x 27 inches (68.6 x 68.6 cm)
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Larysa Uvarova: 'deep nature', 2018 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Larysa Uvarova: 'purple deep', 2018 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Larysa Uvarova: 'infinite memories', 2017 Oil Painting, Abstract. A series of artworks about feelings and sensations that arise when love lives inside you. After all, everything in life is tied to love. I think that love is a kind of super- feeling, which includes many different feelings. Love is a certain point to which everyone aspires and without ...
Abstract - Painting
60 x 60 cm (23.6 x 23.6 inches)
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Larysa Uvarova: 'fog remembers your embrace', 2017 Oil Painting, Abstract. A series of artworks about feelings and sensations that arise when love lives inside you. After all, everything in life is tied to love. I think that love is a kind of super- feeling, which includes many different feelings. Love is a certain point to which everyone aspires and without ...
Abstract - Painting
60 x 70 inches (152.4 x 177.8 cm)
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(Page 2 of 194) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Mac Worthington - Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Ben Hotchkiss - My name is Ben Hotchkiss. I am 75 years old and have been painting abstract paintings for over 40 years. My interest in art germinated in my fathers studio when I was very young. I used to watch him paint. Often, while watching him paint I would thumb thru his bools on earlier painters of the 20th Century. I especially liked those of the Expressionists,Imressionists,Cubists and Abstract Painters. I was expecially intrigued by the color plates of abstract artists. They did not depect anythingwhat did they mean. But I didnt really begin painting for another 20 years when I was down and out in a rooming house in San Francisco. I actually started doing abstract water colors . In 1980 I moved to Northampton, Ma. and discovered an Art Supply store near by. At this point I had an inspiration to switch from water colors to oils. i started on a shoe string with canvas boards, Duro oil paints and small brushes. I am still painting to this day but on masonite now. I have always been a student of visual expression. I especially like compositions of thingsi.e. many visual en entities working together to create a composite ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Philip Taylor - Statement By applying abstraction, Taylor creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. His paintings do not reference recognizable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. Through experimentation, he finds that movement reveals an inherent awkwardness and echoes our own vulnerabilities. His works feature coincidental, accidental and unexpected connections. By questioning the concept of movement, he formalizes the coincidental and emphasizes the conscious process of composition that is behind the seemingly random works. The thought processes, which are supposedly private, highly subjective, and unfiltered, are frequently revealing. aEURoeThe process of making art for me is emotionally charging and spiritual.aEUR Bio Taylor grew up in the Mississippi river valley along the legendary highway 61 corridor in southern Minnesota as well as summering along the east cost. In the mid 1990s Taylor first became interested in abstract painting after being confronted with a Jackson Pollock work during a pivotal visit to the National Gallery of Art in Washington D.C. He has a B.A. in Studio Art and attended classes at the Arts Students League of ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    William B Hogan - Statement My paintings are inventions form my imagination and start where my mind, eyes, conscious and unconscious meet. I start by sketching ideas that inspire my imagination and design them into a composition of my unusual visual reality. With pen and ink on 8x11 paper I sketch my ideas until I reach a satisfactory visual compositional solution. Transforming a blank canvas has always been a magic, challenging and exciting journey. My images in composition always seems to be in some state of magic and discovery. The magic begins by taking a visual idea and creating a composition that embraces my ideas on a blank surface and the creative discovery is building the painting with color one brush stroke after another until my idea meets my visual reality. The last brush stroke of my finished painting is the stimulus to begin the journey of another. Biography When I was in 6th grade I won a competition to do the cover for the Christmas pageant. The size was 5 12 x 8- 12, vertical. I drew the driver sitting in a sleigh wearing a cap with ear flaps, not ear muffs. It was snowing of course. I thought the flaps looked neat. ...