Paintings For Sale - Price Range: $1000 - $1999

Page 2 of 194
Discover 5,619 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Bob Dornberg, Everet Lucero, Jim Lively, Teri Paquette, Caren Keyser, Sandra Bryant, Marsha Bowers, Jinsheng You, Igor Shulman, Paulo Medina, Denise Dalzell, Stefan Fiedorowicz, David Larkins, Becky Soria, Judith Fritchman are exhibiting their affordable original art. You can buy artwork online and browse 194 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Bob Dornberg: 'thicket', 2020 Oil Painting, Abstract. THICKET AT VILLA...
, 2020
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Everet Lucero: 'the body is gentle', 2019 Oil Painting, Beauty. The Body Is Gentle The Breath Is SweetPart of a small series I did last year, which became the main focus for most of the oil paintings from 2019. An eroticism based not around an idea of glamor or really, consumerism. I wanted to look at skin, at flesh ...
Beauty - Painting
29 x 40 inches (73.7 x 101.6 cm)
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Jim Lively: 'industrial moon', 2020 Acrylic Painting, Abstract. Acrylic on Gallery Wrapped Canvas...
Abstract - Painting
30 x 48 inches (76.2 x 121.9 cm)
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Teri Paquette: 'early morning fishing', 2020 Oil Painting, Landscape. DRIVING EARLY ONE MORNING- WE CAME UPON THIS SIGHT OF MEN FISHING- THE MORNING DEW WAS STILL ON AL THE FOLIAGE- IT WAS GLISTENING AND STRIKING TO SEE- FRAMED- PAINTED ON STRETCHED CANVAS- SIGNED...
Landscape - Painting
22 x 14 inches (55.9 x 35.6 cm)
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Teri Paquette: 'herons roosting', 2020 Oil Painting, Seascape. WHILE IN FLORIDA- THIS WAS A USUAL EVENING SCENE- HERONS READY FOR NIGHT TIME- PAINTED ON STRETCHED CANVAS...
Seascape - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Everet Lucero: 'holding rose sitting by table', 2019 Oil Painting, Abstract Figurative. This is one of the best from my 2019 paintings, one i was almost going to keep.  Forlorn love, holding a rose, by a table.  One of the more wildest color and form wise, form vanishes, becomes color, becomes form, an island between physical so called reality and the landscape ...
Abstract Figurative - Painting
38 x 43 inches (96.5 x 109.2 cm)
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Caren Keyser: 'dragon storm', 2020 Acrylic Painting, Abstract. Too often storms are like dragons breathing white lightening in the sky.  Tornados are pulling down from the clouds.  Rain and snow are falling down.  This abstract painting expresses all of the fury of such a storm.  Or it is just an abstract expression of the folk lore and fantasy ...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Sandra Bryant: 'amboise', 2020 Oil Painting, Cityscape. A visit to Amboise in the Loire Valley of France. ...
, 2020
Cityscape - Painting
36 x 30 inches (91.4 x 76.2 cm)
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Marsha Bowers: 'cactus extravaganza', 2020 Oil Painting, Garden. This painting was inspired by my own garden. I have always loved cactus and succulents and the beautiful textures, colors and varieties they have. I wanted to do a large scale painting to showcase their beauty. ...
Garden - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Bob Dornberg: 'beach sleep', 2020 Oil Painting, Abstract Figurative. KIDS ASLEEP ON SAND...
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bob Dornberg: 'red shirt', 2020 Oil Painting, Abstract Figurative. BOY PUSHING CART...
, 2020
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jinsheng You: 'colorful sky 640', 2020 Oil Painting, Abstract Landscape. I d like to express my emotion with vibrant colors and unique brush. This is an original abstract oil painting on canvas, it is one- of- kind, i have got it done recently.Due to long distance, the painting will be rolled in a tube for shipping, without framing or ...
Abstract Landscape - Painting
64 x 32 inches (162.6 x 81.3 cm)
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Jinsheng You: 'emotion 678', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an original abstract oil painting on canvas, it is one- of- kind, i have got it done recently.Due to long distance, the painting will be rolled in a tube for shipping, without framing or ...
Abstract - Painting
64 x 32 inches (162.6 x 81.3 cm)
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Igor Shulman: 'pause', 2020 Oil Painting, Life. Attention sale  2 + 1. If you buy 2 of my paintings during this month, you will receive a third from me as a gift. Cost and size do not matter.The promotion applies to all work  The campaign began on 06 03 2020.It happens often. It is necessary to ...
, 2020
Life - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Paulo Medina: 'martyrdom of saint sebastian', 2020 Acrylic Painting, Religious. Abstract painting ...
Religious - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Teri Paquette: 'the bluebird', 2019 Oil Painting, Children. THIS IS AN OIL PAINTING FEATURES LITTLE GIRL ENJOYING THE BUEBIRD ABOVE HER- I PAINTED THIS BECAUSE OF THE BEAUTIFUL SETTING WHICH TELLS A STORY, I WANT MY ART TO PROJECT FEELINGS WHEN FIRDT OBSERVED- IT IS PAINTED ON STRETCHED CANVAS- IN A HIGH QUALITY CUSTOM MADE FRAME, SIGNED IN ...
Children - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Caren Keyser: 'birch trees', 2020 Acrylic Painting, Nature. This forest of birch trees in the autumn is painted with metallic acrylics.  The glossy surface glistens in the light giving life to the inanimate image.  It was painted from the artist s imagination. ...
Nature - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Caren Keyser: 'fantasy palm', 2020 Acrylic Painting, Nature. This palm tree trunk began as an abstract that became more and more realistic as it progressed.  The overall neutral color is actually made up of a variety of metallic paints and textures that will draw you in to see more.  It is more than what it seems. ...
Nature - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Denise Dalzell: 'escalator', 2020 Acrylic Painting, Figurative. An illustration from an adventure in London. ...
, 2020
Figurative - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Paulo Medina: 'shakespeares portrait', 2006 Acrylic Painting, Abstract Figurative. Genio de la literatura ...
Abstract Figurative - Painting
60 x 70 cm (23.6 x 27.6 inches)
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Jinsheng You: 'party 538', 2019 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an original abstract oil painting on canvas, it is one- of- kind, i have got it done recently.Due to long distance, the painting will be rolled in a tube for shipping, without framing or ...
, 2019
Abstract - Painting
60 x 120 inches (152.4 x 304.8 cm)
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Paulo Medina: 'moises y la zarza ardiente', 2020 Acrylic Painting, Religious. Burning bush...
Religious - Painting
80 x 90 cm (31.5 x 35.4 inches)
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Stefan Fiedorowicz: 'messing up the roses', 2018 Oil Painting, Abstract. I offer my work so that people can perhaps see some parts of themselves reflected in the work. ...
Abstract - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Marsha Bowers: 'hope', 2020 Oil Painting, Floral. Painted during Covid 19. Flowers symbolize growth, renewing and hope and I wanted to express this through this piece. Painted in oil on canvas. ...
, 2020
Floral - Painting
48 x 36 inches (121.9 x 91.4 cm)
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David Larkins: 'lake michigan cold front', 2020 Oil Painting, Seascape. Snow squalls pass and the brisk cold air advances from the northwest across thr big lake.Capturing the cold clean atmosphere was my goal when I painted this amazing scene in Elberta, Michigan. ...
Seascape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Becky Soria: 'aura gracilis', 2020 Acrylic Painting, Abstract Figurative. from the collection of Muses and Goddesses...
Abstract Figurative - Painting
20 x 37 inches (50.8 x 94.0 cm)
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Denise Dalzell: 'approaching', 2020 Acrylic Painting, People. A view from within  an approaching march, London 2019...
People - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Caren Keyser: 'softly in the mountains', 2020 Acrylic Painting, Abstract Landscape. Captured in soft pastel shapes and textures is the abstract suggestion of snowcapped mountains. ...
Abstract Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Judith Fritchman: 'end of day october', 2018 Oil Painting, Landscape. An October sunset illuminates a Bucks County barn. ...
Landscape - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Judith Fritchman: 'january sunrise', 2018 Oil Painting, Landscape. A January sunrise in Bucks County gilds the neighbors  farm with gold. ...
Landscape - Painting
30 x 20 inches (76.2 x 50.8 cm)
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(Page 2 of 194) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

    Sandra Bryant - For us, mosaic is a form of magic. The process of breaking down large sheets of glass, finding that perfect glass for each small piece, that just right hue, level of transparency and surface texture that will speak to what IaEURtmm trying to say with this glass aEURoebrush stroke.aEUR The medium is always a joy and a challenge, cutting the perfect shape and size tesserae to create that feeling. The overall theme of our artwork is a resolute celebration of this life of our world, both our own creations and of natural things. Mosaic carries a message of wonder, not only in the monuments and architecture of our surroundings, but also of the hope intrinsic in this celebration...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...