Mixed Media Sculptures / Multi Media Sculptures

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Ted Schaal, James Johnson, Eric Jacobson, Emilio Merlina, Youri Messen-jaschin, Micha Nussinov, Depasquale Sculptures, Richard Lazzara, Terry Mollo, Andrew Wielawski offering original Mixed Media Sculptures artworks.


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Ted Schaal: 'accretion', 2020 Mixed Media Sculpture, Abstract. This piece is steel, copper, wood and gold leaf. The disk is suspended 3 4  above the wood which is stained black. The gold in the center is on the wood and the hammered copper wires are suspended. the frame is 1 1 2  steel angle. ...
, 2020
Abstract - Sculpture
24 x 24 inches (61.0 x 61.0 cm)
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James Johnson: 'EMPATH 2nd Edition', 2019 Mixed Media Sculpture, Nudes. The burden of entering a room and knowing others thoughts and feelings.  Signed and dated, Edition of 150.  First, I created an armature from PLA, then used bronze metal epoxy to define the form, and finished with bronze filled acrylic.  The patina is created from liver- of- sulfur. ...
Nudes - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
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Eric Jacobson: 'vine totem ii', 2019 Mixed Media Sculpture, Abstract. Simple elegant abstract totemic sculpture...
Abstract - Sculpture
8 x 19 inches (20.3 x 48.3 cm)
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Eric Jacobson: 'vine totem I', 2019 Mixed Media Sculpture, Abstract. This totem was inspired by growing flowering vines. ...
Abstract - Sculpture
13 x 15 inches (33.0 x 38.1 cm)
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Eric Jacobson: 'Vine Totem III', 2019 Mixed Media Sculpture, Abstract. This simple organic construct was inspired by growing plants and flowers. ...
Abstract - Sculpture
11 x 23 inches (27.9 x 58.4 cm)
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Eric Jacobson: 'vine totem IV', 2019 Mixed Media Sculpture, Abstract. This organic constructed sculpture was inspired by growing plants and totemic sculptures ...
Abstract - Sculpture
8 x 24 inches (20.3 x 61.0 cm)
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Emilio Merlina: 'knocking on heaven s door', 2017 Mixed Media Sculpture, Fantasy.
Fantasy - Sculpture
34 x 25 cm (13.4 x 9.8 inches)
Youri Messen-jaschin: 'attractor', 2017 Mixed Media Sculpture, Optical. Op art sculpture | Plexiglas | Glass | screen printing |A(c) photographyGiorgio SkoryA(c) Youri Messen- JaschinA(r) Prolierris CH 8033 ZA1/4rich...
, 2017
Optical - Sculpture
49 x 40 cm (19.3 x 15.7 inches)
Youri Messen-jaschin: 'harmonia mundi', 2017 Mixed Media Sculpture, Optical. Op art sculptureGlass + Plexiglas + LEDA(c) 2017 photography Giorgio SkoryA(c) Youri Messen- JaschinA(r) 2016 Prolitteris Zurich...
Optical - Sculpture
61.5 x 139 cm (24.2 x 54.7 inches)
Ted Schaal: 'small dropsy', 2016 Mixed Media Sculpture, Abstract. Cast bronze and hand polished stainless steel contemporary abstract sculpture...
Abstract - Sculpture
13 x 21 inches (33.0 x 53.3 cm)
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Ted Schaal: 'Desert Mirage', 2016 Mixed Media Sculpture, Abstract.  Desert Mirage is inspired by driving across the desert and seeing a mountain hovering over the horizon with what appears to be sky between the road and mountains.  This is the fourth attempt at capturing this phenomena in a three dimensional, permanent medium ...
Abstract - Sculpture
41 x 15 inches (104.1 x 38.1 cm)
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Youri Messen-jaschin: 'Circle III', 2016 Mixed Media Sculpture, Optical.  Sculpture Op artGlass + PlexiglasA(c) Youri Messen- Jaschin ...
, 2016
Optical - Sculpture
49 x 39 cm (19.3 x 15.4 inches)
Ted Schaal: 'Dropsy', 2015 Mixed Media Sculpture, Abstract.  Dropsy is the common term for edema which is a medical condition where fluid moves from inside cells to the space between cells.  The one I have is currently on loan to the City of Broomfield.  I can cast another one in the edition but it will take 8- 12...
, 2015
Abstract - Sculpture
30 x 51 inches (76.2 x 129.5 cm)
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Emilio Merlina: 'keys in hand', 2015 Mixed Media Sculpture, Fantasy.
Fantasy - Sculpture
21 x 49 cm (8.3 x 19.3 inches)
Emilio Merlina: 'the swing', 2015 Mixed Media Sculpture, Fantasy.
, 2015
Fantasy - Sculpture
38 x 63 cm (15.0 x 24.8 inches)
Emilio Merlina: 'dance', 2014 Mixed Media Sculpture, Fantasy.
, 2014
Fantasy - Sculpture
12 x 20 cm (4.7 x 7.9 inches)
Micha Nussinov: 'Scarecrow', 2010 Mixed Media Sculpture, Farm.   A double face with opposing spheres rotating on a pole. Made from recycled matters, wood, aluminume tube, plastic ricota draining dishes, colour mixing palate, wooden sticks, paint tube, acrylic spheres, epoxy, oil paint, screw, wires and. . . ...
, 2010
Farm - Sculpture
51 x 61 cm (20.1 x 24.0 inches)
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Depasquale Sculptures: 'Island Girl', 2018 Mixed Media Sculpture, Figurative. This sculpture represents the Island Girl, Wahine woman petite.  The top of the torso is sculpted into rose like petals. . .  She emerges from blue marbleindicative of the deep blue Hawaii oceansleaves, representing a tropical birthing. .  California cedar is utilized for the torso.  This is a dePasquale original sculpture , a one ...
Figurative - Sculpture
16 x 17 inches (40.6 x 43.2 cm)
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Youri Messen-jaschin: 'Maurice Bejart', 2009 Mixed Media Sculpture, Optical.  Maurice Bejart European Contest Lausanne SubwayGlass - steel 	This work did not win a prize, it can be installed in another country and city. (r) 2009 by ProLitteris Zurich...
Optical - Sculpture
1000 x 600 cm (393.7 x 236.2 inches)
Micha Nussinov: 'Flying machine', 2007 Mixed Media Sculpture, Flight.
Flight - Sculpture
220 x 89 cm (86.6 x 35.0 inches)
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Micha Nussinov: 'Contraption', 2007 Mixed Media Sculpture, Conceptual.  The work expresses the flow of energy between outside and inside. Using recycled material of vacume cleaner and water container suggest suction of air and its storage.   ...
Conceptual - Sculpture
48 x 98 cm (18.9 x 38.6 inches)
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Richard Lazzara: 'ribbons of glory pin ornament', 1989 Mixed Media Sculpture, Fashion. ribbons of glory pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
2 x 4 inches (5.1 x 10.2 cm)
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Richard Lazzara: 'remember this time pin ornament', 1989 Mixed Media Sculpture, Fashion. remember this time pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
2 x 4 inches (5.1 x 10.2 cm)
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Richard Lazzara: 'dolphins tails told pin ornament', 1989 Mixed Media Sculpture, Fashion. dolphins tails told pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 2 inches (7.6 x 5.1 cm)
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Richard Lazzara: 'deep soul diving pin ornament', 1989 Mixed Media Sculpture, Fashion. deep soul diving pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
4 x 3 inches (10.2 x 7.6 cm)
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Micha Nussinov: 'Trapeze', 2002 Mixed Media Sculpture, Other. Piano hammers and other recycled materials are combined with screws, nuts, springs, wires, canvas and carved sandstone to form figurative sculpture. ...
, 2002
Other - Sculpture
450 x 450 mm ( x )
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Terry Mollo: 'Couple on a Rock', 2001 Mixed Media Sculpture, Abstract Figurative. A somewhat abstracted couple lie together on a rock. The form and shape of their rock is the same as the form they create in their union upon it. The figures are stoneware, milk- sealed; the rock is semi- polished translucent white alabaster. This is a unique piece....
Abstract Figurative - Sculpture
13 x 4 inches (33.0 x 10.2 cm)
Andrew Wielawski: 'Ecce Omo', 2002 Mixed Media Sculpture, Mythology. Ecce Omo. . . Behold Man. The harlequin looks at you as you do at him. . . forming grand opinions on the basis of very little knowledge. He knows little about you, yet his expression is of the confidence born of ignorance. How quick will you be to invent his story to satisfy ...
, 2002
Mythology - Sculpture
1 x 5 feet (0.30 x 1.52 m)
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Terry Mollo: 'Dancing Boy', 2003 Mixed Media Sculpture, Dance. A young dancer enjoys an extended  moment of balance. This original ( NFS) is stoneware with a bronze patina mounted on a green granite base. Available in bonded bronze or cast stone. ...
Dance - Sculpture
8 x 22 inches (20.3 x 55.9 cm)
Andrew Wielawski: 'View through a Window 2', 2001 Mixed Media Sculpture, nudes. What do you see when you put your face into the mask? Just her face, like the other sculpture on this theme. Voyeurism. The real voyeur is the one who doesn' t wear the mask....
nudes - Sculpture
2 x 2 feet (0.61 x 0.61 m)
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(Page 1 of 36) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Micha Nussinov - Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...