Mixed Media Sculptures / Multi Media Sculptures

Page 2 of 37
Micha Nussinov, Richard Lazzara, Terry Mollo, Andrew Wielawski, Bob Hill, Max Tolentino, Elizabeth Frank, Gary Chris Christopherson, Jane Jaskevich, Manana N Saks , Sal Villano, Vladimiras Nikonovas, Gunnel Watkins offering original Mixed Media Sculptures artworks.


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Micha Nussinov: 'Contraption', 2007 Mixed Media Sculpture, Conceptual.  The work expresses the flow of energy between outside and inside. Using recycled material of vacume cleaner and water container suggest suction of air and its storage.   ...
Conceptual - Sculpture
48 x 98 cm (18.9 x 38.6 inches)
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Richard Lazzara: 'rabbit ears pin ornament', 1989 Mixed Media Sculpture, Fashion. rabbit ears pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 3 inches (7.6 x 7.6 cm)
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Richard Lazzara: 'pyramid of designs pin ornament', 1989 Mixed Media Sculpture, Fashion. pyramid of designs pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 3 inches (7.6 x 7.6 cm)
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Richard Lazzara: 'power drill pin ornament', 1989 Mixed Media Sculpture, Fashion. power drill pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
2 x 2 inches (5.1 x 5.1 cm)
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Richard Lazzara: 'perfect mouse trap pin ornament', 1989 Mixed Media Sculpture, Fashion. perfect mouse trap pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 3 inches (7.6 x 7.6 cm)
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Micha Nussinov: 'Trapeze', 2002 Mixed Media Sculpture, Other. Piano hammers and other recycled materials are combined with screws, nuts, springs, wires, canvas and carved sandstone to form figurative sculpture. ...
, 2002
Other - Sculpture
450 x 450 mm ( x )
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Terry Mollo: 'Couple on a Rock', 2001 Mixed Media Sculpture, Abstract Figurative. A somewhat abstracted couple lie together on a rock. The form and shape of their rock is the same as the form they create in their union upon it. The figures are stoneware, milk- sealed; the rock is semi- polished translucent white alabaster. This is a unique piece....
Abstract Figurative - Sculpture
13 x 4 inches (33.0 x 10.2 cm)
Andrew Wielawski: 'Ecce Omo', 2002 Mixed Media Sculpture, Mythology. Ecce Omo. . . Behold Man. The harlequin looks at you as you do at him. . . forming grand opinions on the basis of very little knowledge. He knows little about you, yet his expression is of the confidence born of ignorance. How quick will you be to invent his story to satisfy ...
, 2002
Mythology - Sculpture
1 x 5 feet (0.30 x 1.52 m)
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Terry Mollo: 'Dancing Boy', 2003 Mixed Media Sculpture, Dance. A young dancer enjoys an extended  moment of balance. This original ( NFS) is stoneware with a bronze patina mounted on a green granite base. Available in bonded bronze or cast stone. ...
Dance - Sculpture
8 x 22 inches (20.3 x 55.9 cm)
Andrew Wielawski: 'View through a Window 2', 2001 Mixed Media Sculpture, nudes. What do you see when you put your face into the mask? Just her face, like the other sculpture on this theme. Voyeurism. The real voyeur is the one who doesn' t wear the mask....
nudes - Sculpture
2 x 2 feet (0.61 x 0.61 m)
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Bob Hill: 'Blowing a Kiss', 2002 Mixed Media Sculpture, Figurative. This piece is cast in a resin mix with Carrara marble and has a beautiful marble glow....
Figurative - Sculpture
7 x 16 inches (17.8 x 40.6 cm)
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Max Tolentino: 'EQUILIBRIUM ', 2007 Mixed Media Sculpture, Abstract Figurative. Mixed sculpture composed of four elements - three wood pieces of brazilian origin anda stainless metal circle photo by  www. studiofotografos. com...
Abstract Figurative - Sculpture
26 x 43 cm (10.2 x 16.9 inches)
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Elizabeth Frank: 'illumination', 2019 Mixed Media Sculpture, Archetypal. This figure is carved from fallen aspen branches. It stands on a wall mounted carved wooden sconce. Atop the head is a crown made with carved and reclaimed wood, found objects and tiny carved flowers and leaves. There s an antique skeleton key nailed in the figure s body. Inlaid ...
Archetypal - Sculpture
15 x 30 inches (38.1 x 76.2 cm)
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Gary Chris Christopherson: 'envision earth embraced', 2018 Mixed Media Sculpture, Abstract. Envision earth and all its creatures embraced to achieve sustained thriving for all everywhere for all time.Acquire GChris sculpture and 100  of Chris  payment goes for Thrive  Scholarships at University of Wisconsin - Madison. ...
Abstract - Sculpture
3 x 3 feet (0.91 x 0.91 m)
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Jane Jaskevich: 'isa', 2018 Mixed Media Sculpture, Figurative. stone and wood figurative sculpture...
, 2018
Figurative - Sculpture
12 x 31 inches (30.5 x 78.7 cm)
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Jane Jaskevich: 'cia', 2018 Mixed Media Sculpture, Figurative.
, 2018
Figurative - Sculpture
11 x 31 inches (27.9 x 78.7 cm)
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Jane Jaskevich: 'reverie', 2017 Mixed Media Sculpture, Figurative. Calcite Alabaster oak dreamlike figurative sculpture, stone, abstract...
, 2017
Figurative - Sculpture
11 x 35 inches (27.9 x 88.9 cm)
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Manana N Saks : 'dancer 2', 2018 Mixed Media Sculpture, Undecided. Resin, acrylic, air- hardening clay on metal base...
, 2018
Undecided - Sculpture
6 x 16 inches (15.2 x 40.6 cm)
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Manana N Saks : 'dancer 1', 2018 Mixed Media Sculpture, Undecided. Resin, acrylic, air- hardening clay on metal base...
, 2018
Undecided - Sculpture
6 x 16 inches (15.2 x 40.6 cm)
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Sal Villano: 'beaded bonsai wire sculpture', 2017 Mixed Media Sculpture, Trees. Beaded Bonsai, Beaded Wire Tree Sculpture9 wide x 12 high x 7 deep. The tree is made of 18   26 solid copper wire. The branches and twigs contain hundreds of clear tiny glass fringe beads. Each glass bead is interwoven into wire giving the structure of the tree a ...
Trees - Sculpture
9 x 12 inches (22.9 x 30.5 cm)
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Sal Villano: 'beaded bonsai wire sculpture', 2017 Mixed Media Sculpture, Trees. Beaded Bonsai Wire Tree Sculpture9 wide x 12 high x 7 deep. The tree is made of 18   26 solid copper wire. The branches and twigs contain hundreds of clear tiny glass fringe beads. Each glass bead is interwoven into wire giving the structure of the tree a very ...
Trees - Sculpture
9 x 12 inches (22.9 x 30.5 cm)
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Vladimiras Nikonovas: 'Woodpecker', 2016 Mixed Media Sculpture, Figurative.  sculpture made from old metal parts on wood board ...
, 2016
Figurative - Sculpture
21 x 21 cm (8.3 x 8.3 inches)
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Vladimiras Nikonovas: 'Pokemon', 2016 Mixed Media Sculpture, Figurative.  sculpture made from old metal parts on wood board ...
, 2016
Figurative - Sculpture
24 x 24 cm (9.4 x 9.4 inches)
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Vladimiras Nikonovas: 'Rooster', 2016 Mixed Media Sculpture, Figurative.  sculpture made from old metal parts on wood board ...
, 2016
Figurative - Sculpture
50 x 50 cm (19.7 x 19.7 inches)
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Vladimiras Nikonovas: 'Beetle 2', 2016 Mixed Media Sculpture, Figurative.  sculpture made from old metal parts on wood board ...
, 2016
Figurative - Sculpture
50 x 50 cm (19.7 x 19.7 inches)
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Gunnel Watkins: 'understanding butterflies', 2015 Mixed Media Sculpture, Abstract. context: the creation of fluid sculpturesthis sculpture is included in my RAW series When I was a child a friendaEURtms father asked if I wanted to see his butterflies, to my surprise they were stuck on a board with pinsaEUR|. what is the fascination of human beings to ...
Abstract - Sculpture
30 x 15 cm (11.8 x 5.9 inches)
Gunnel Watkins: 'sliver', 2016 Mixed Media Sculpture, Abstract.  context: the creation of fluid sculpturesthis sculpture is included in my RAW series ...
, 2016
Abstract - Sculpture
35 x 30 cm (13.8 x 11.8 inches)
Gunnel Watkins: 'what you resist persists', 2016 Mixed Media Sculpture, Abstract. ontological distinctioncontext: the creation of fluid sculpturesthis sculpture is included in my RAW series ...
Abstract - Sculpture
35 x 20 cm (13.8 x 7.9 inches)
Gunnel Watkins: 'un ravel', 2016 Mixed Media Sculpture, Abstract.  un ravel...
, 2016
Abstract - Sculpture
40 x 20 cm (15.7 x 7.9 inches)
Gunnel Watkins: 'intent', 2016 Mixed Media Sculpture, Abstract.
, 2016
Abstract - Sculpture
35 x 15 cm (13.8 x 5.9 inches)
(Page 2 of 37) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Andrew Wielawski - Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

    Elizabeth Frank - My artworks begin with fallen aspen branches. I make at least one trip annually to the mountains of the southwestern United States to gather the aspen that I'll use over the course of the year. My visits to the forest are like a pilgrimage. Every time I return I'm inspired by the strength and the delicacy of the natural world. After the aspen is collected it's dried in a room on my studio roof. Once dry, I cut and shape the rough branches with a band saw. Next I make a puzzle of all the odd parts. I spread them out on the floor, stack them up on a table and move them around until everything fits. The pieces are carved in small components that are joined together with pegs and nails. The surface is painted with acrylic, metal leaf and wax. I combine my carvings with found objects. The carving style is simple, inspired by iconic images found in folk, tribal and primitive art. The themes I use are personal yet universal. My love of the natural world and my concern for the environment translate into works about the intricate relationship between man and nature. I ...

    Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...

    Jane Jaskevich - Jane Jaskevich Artist Statement Jaskevich is a carver of dreams in stone. Her mythical figures borrow elements from ancient cultures. Jane creates figures by combining various materials such as different stones, wood and found objects. She pays homage to the stonesO Greco-Roman roots. Her recent series deals with the incomplete figure and is entitled OThe Silhouette Series O. Partial heads that can be read as a silhouette are combined with full bodies. These sculptures suggest multiple ideas; ancient ruin, contemporary dreams, and flat vs 3D. 2012 brought exhibitions in the NYC Affordable Art Fair and her sculptures being published in Contemporary Sculptors by Kracun/ McFadden. Numerous Southeast galleries represent her. Jane received her BFA from University of Georgia and Masters in Art from Florida State with additional studies in Pietrasanta, Italy. Her public collections include an outdoor sculpture in a Michigan church and three sculptures for NationsBank Headquarters in Tampa. Jane has two sculptures in the permanent collection of the Polk Museum of Art in Lakeland, Florida. Her large-scale bronze sculptures are the focal point for the Tampa GTE Data Center. . ...

    Sal Villano - The inspiration for creating my sculpture grew from a lifetime love of trees. I am in awe of the stately presence and silent majesty they posses. I find the structure of trees to be one of the perfections in nature. With their roots embracing the earth; in winter they show their bones, in spring gentle buds, in summer a canopy of green and in fall a magical kaleidoscope of colors. Beauty, pure beauty. ...

    Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...