Acrylic Paintings

Page 8 of 523
Eve Co, Dennis Duncan, Micha Nussinov, Michael Puya, Roz Zinns, Paul Freeman, Lorrie Williamson, Lucille Rella, William Christopherson, Jyoti Thomas, Lynda Lehmann, Jerry Di Falco, Hyacinthe Kuller-baron, Sarah Longlands offering original Acrylic Paintings artworks.


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Dennis Duncan: 'Ada', 2005 Acrylic Painting, Romance.      Ada is a urban fairytale inspired by  a romantic encounter in the late 1970's. I have tried in this latest series to combine, industrial products with textured mediums, incorporating Art and Design. . .     ...
, 2005
Romance - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Dennis Duncan: 'INTERMEZZO', 2012 Acrylic Painting, Dance.  INTERMEZZO. . . a light dramatic musical or other performance inserted between the acts of a play. Inspired by KABUKI a form of traditional Japanese drama as my setting, I' ve tried to capture on canvas Strength through the male dancer, and Grace through the female adding Balance through movement. KABUKI...
, 2012
Dance - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Dennis Duncan: 'DREAMING WIDE AWAKE', 2013 Acrylic Painting, Meditation.  A glimpse into our imagination. A stimulation of the cerebral cortex. Memories past, present, and  future our own private picture show. Daydreaming of new horizons, creativity and aspirations becoming one common thread.     ...
Meditation - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Micha Nussinov: 'Waking dreams', 2012 Acrylic Painting, Fantasy.   Being transient, as if we drift, in between various states of minds, as if in a waking dream. ...
Fantasy - Painting
230 x 130 cm (90.6 x 51.2 inches)
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Michael Puya: 'Hommage a Mark Rothko', 2008 Acrylic Painting, Abstract.
Abstract - Painting
60 x 60 cm (23.6 x 23.6 inches)
Michael Puya: 'The Providence ', 2001 Acrylic Painting, Inspirational. Subtitle: Die Vorsehung - Hommage an Gustav Klimt....
Inspirational - Painting
39 x 31 inches (99.1 x 78.7 cm)
Michael Puya: 'sans titre 05', 2012 Acrylic Painting, Abstract.
Abstract - Painting
60 x 60 cm (23.6 x 23.6 inches)
Michael Puya: 'flor fertilizada', 2012 Acrylic Painting, Abstract.
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
Roz Zinns: 'Northern Lights', 2012 Acrylic Painting, Astronomy.  The wonders of the night sky.  ...
Astronomy - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Paul Freeman: 'Distant Fires', 2011 Acrylic Painting, Landscape.   acrylic painting on canvas     ...
Landscape - Painting
60 x 42 cm (23.6 x 16.5 inches)
Paul Freeman: 'Turtles Upriver', 2011 Acrylic Painting, Landscape.  acrylic painting on canvas    ...
Landscape - Painting
60 x 42 cm (23.6 x 16.5 inches)
Lorrie Williamson: 'The ConchShell Man', 2011 Acrylic Painting, Undecided.  Figurative; Seascape; An interesting portrait of a young man delivering conch shells to sell at the water taxi stand; his way of making a living in the Bahamas.  ...
Undecided - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Lorrie Williamson: 'The Diploma', 2007 Acrylic Painting, Still Life.   Diplomas given to 3 year olds at PreSchool Graduation made me think how much value we tend to place on the piece of paper that is often so meaningless. ...
Still Life - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Lorrie Williamson: 'Playing DressUp', 2010 Acrylic Painting, Figurative.  The portrait of a child with her cat.Playing dress- up in things not normally worn. The circle represents the
Figurative - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Lorrie Williamson: 'Occupied', 2010 Acrylic Painting, Figurative.  A painting of a child infatuated with the artist' s chair. The empty background represents how engrossed the child can be in what she is doing, and how oblivious to anything around her. ...
, 2010
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Lucille Rella: 'Abduction', 2012 Acrylic Painting, Figurative.
, 2012
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
William Christopherson: 'Singer Castle Thousand Islands Saint Lawrence', 2011 Acrylic Painting, Seascape.  Titled
Seascape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Jyoti Thomas: 'Home', 2010 Acrylic Painting, Abstract Landscape.   Part of the
, 2010
Abstract Landscape - Painting
100 x 100 cm (39.4 x 39.4 inches)
Lucille Rella: 'City Garden', 2011 Acrylic Painting, Cityscape.
Cityscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
Lynda Lehmann: 'Pragmatic Red', 2011 Acrylic Painting, Abstract.   A bright, intense and joyful abstract painting with a playful, whimsical quality, and a complex under- painting showing through the top surface. Keywords: abstract, intense, bright, cheerful, whimsical, playful, childlike, acrylic, modern, ovals, quasi- geometric, Constructivism, red, active, energy, complex, layered ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Lynda Lehmann: 'Byzantine Blues', 2011 Acrylic Painting, Abstract.  Multicolored abstract acrylic painting with rich blue, green, and amber hues and bold, energetic curves. Keywords: abstract, bold, multicolored, gesture, energy, movement, active, animated, blue, green, amber, line, expressionism, rich, glowing ...
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Lynda Lehmann: 'Fire and Stone', 2011 Acrylic Painting, Abstract.     This is an abstract acrylic painting with gestural curves and emotional intensity, which is to me, evocative of elemental forces.  Keywords: fire, stone, flame, organic, curves, abstract, expressionism, sensuous, drama, emotional, moody, elemental, intense, lines, black, white, orange, blue, warm and cool, metaphoric, acrylic, painting, energy, movement, active, gestural         ...
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Lynda Lehmann: 'Bird of Paradise', 2011 Acrylic Painting, Abstract. Active and energetic, original abstract, multicolored with curvilinear elements, evocative of a lush tropic landscape and possibly, a bird.  Keywords: abstract, acrylic, multicolored, gestural, curves, lines, active, energy, movement, expressionism, evocative, bird, exotic, tropics, optical, intense...
Abstract - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Lucille Rella: 'Recesses of the Mind 2', 2010 Acrylic Painting, Figurative.
Figurative - Painting
40 x 60 inches (101.6 x 152.4 cm)
Lucille Rella: 'Ocean Beach', 2010 Acrylic Painting, Figurative.
Figurative - Painting
40 x 30 inches (101.6 x 76.2 cm)
Jyoti Thomas: 'Two worlds Meet', 2010 Acrylic Painting, Abstract Landscape.    part of the Night Sea Journey series            ...
Abstract Landscape - Painting
100 x 45 cm (39.4 x 17.7 inches)
Jerry  Di Falco: 'House of The Blood Drinker', 2011 Acrylic Painting, Abstract. This abstract, geometric acrylic painting on canvas is related to Anne Rices novel, Blood and Gold, a story about Marius the Vampire. The work also relates to Shakespeares play Henry IV, Part 1, ACT III, SCENE I. My abstracted narrative examines the existence of real magic and liturgical magic. The ...
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Hyacinthe Kuller-baron: 'BLUE WHALE from ANIMAL NATURE EXHIBIT', 2010 Acrylic Painting, Animals.  BLUE WHALE IS 4'X5' OIL ON CANVAS AND IS AVAILABLE AS A FINE ART GICLEE ...
Animals - Painting
4 x 5 feet (1.22 x 1.52 m)
Sarah Longlands: 'Undecided Tulip by Full Moon', 2006 Acrylic Painting, Philosophy.   Which Way Now?                 ...
Philosophy - Painting
85 x 130 cm (33.5 x 51.2 inches)
William Christopherson: 'Syracuse Strathmore Belleview Reservoir', 2009 Acrylic Painting, Landscape.  Original 24 x 30 inch acrylic on canvas by New York artist William Christopherson. Title: 2009 Strathmore Series # 1 - The Res. The Woodland Reservoir, in the Strathmore area of Syracuses, the artists'boyhood home. A place of solitude and exercise, where one can escape the neighborhood bustle and the noise...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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(Page 8 of 523) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Dennis Duncan - A lifelong student of contemporary realism, I utilize various mediums to create art that stimulates the mind , body, and soul of each individual. By incorporating these three basic principles into each subject matter , at times the imagery takes on a "surrealist" aspect , "meditative", even "spiritual"... I've tried incorporating industrial products and textured mediums into my presentations, adding an "urban edge" to my body of work. . ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Paul Freeman - I am an artist working in ceramic and metal on a small scale of size. The works are lyrical and convey an interest in the benevolent character of human beings. The morality of the represented people conveys a feeling of pleasant engagement. I am inspired by people's everyday interactions, the good attitude that keeps society running. There is nothing that people of goodwill cannot resolve. I also paint and do computer art and have a degree in Master of Studio Art from Sydney College of the Arts (University of Sydney)....

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Jyoti Thomas - I feel passionate about creating in many different forms and mediums but I'm predominantly a painter. My art comes from my inner world giving a voice to thoughts and emotions that can't always be adequately expressed in other ways. I am always in awe of the deep power of creativity to heal and bring deep insight. Most of my works are rich in colour and symbols and are an emotional and soul felt interpretation of the world within me and around me. The works shown here are from several bodies of work those being Meet Anita, Gifts of Descent, Below the Surface, Fragments, Oceans of Choice. and Night Sea Journey. My artwork has been a constantly changing river of works following the journey of my life, through good times and difficult times and has always been a refuge and a deep love. While the artwork just IS in its own right I also hope that it taps into others experiences of life and links us together in our common humanity. I love art just for its own sake and nothing else in my world has the ability to lift my heart and soul like making art does. I ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jerry Di Falco - Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...