Sculpture For Sale - Price Range: $10000 - $100000 (271)

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Discover 271 original sculpture artworks for sale between $10000 - $100000. Contemporary emerging artists: Robert Vowles, Sue Jacobsen, Luc Bihan, Michael Leyton, Harry Weisburd, Mariam Hakobyan, Youri Messen-jaschin, Stefan Van Der Ende, Andrew Wielawski, Mavis Mcclure, Joanne Mac, Dieter Picchio-specht, James Piatt, John H. Freeman, Russell Kruta are exhibiting their affordable original art. You can buy artwork online and browse 10 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Robert Vowles: 'Cosmic Chess Game  close up', 1988 Mixed Media Sculpture, Political. Artist Description: Look closely at the chess game, maybe you' ll see yourself among the ceramic figures there. Are you victim or a survivor? What' s certain,
Political - Sculpture
10 x 5 feet (3.05 x 1.52 m)
Robert Vowles: 'Cosmic Chess Game', 1988 Mixed Media Sculpture, Political. Artist Description: The world on a chess board; thermo nuclear rooks threaten politician queens and baby pawns with nothing but hungry mouths are thrown into the breach to face certain death. Pouring their inequity into this mortal game are the dark spectres, floating off the gaming table, focusing all eyes ...
Political - Sculpture
10 x 5 feet (3.05 x 1.52 m)
Sue Jacobsen: 'Ernest Hemingway', 2002 Bronze Sculpture, Portrait. Artist Description: National Sculpture Society 2003
Portrait - Sculpture
18 x 24 inches (45.7 x 61.0 cm)
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Luc Bihan: 'Breast Tree', 2003 Bronze Sculpture, Erotic. Artist Description: We've buried a lot of breasts on our climb to success. Let more than just our hands explore.  Build up from our centre core. It was our mothers, sisters, aunts, and daughters who ushered it away. No man can forget the day. That it took their women ...
Erotic - Sculpture
11 x 29 inches (27.9 x 73.7 cm)
Michael Leyton: 'Night Monument', 1999 Aluminum Sculpture, Architecture.
Architecture - Sculpture
100 x 75 inches (254.0 x 190.5 cm)
Michael Leyton: 'Dark Theory', 1999 Bronze Sculpture, Architecture.
Architecture - Sculpture
100 x 75 inches (254.0 x 190.5 cm)
Harry Weisburd: 'Woman with a cup   PORTRAIT OF  JOAN', 2000 Bronze Sculpture, Figurative. Artist Description: Woman with a cup is a life size bronze casting portrait....
Figurative - Sculpture
15 x 48 inches (38.1 x 121.9 cm)
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Mariam Hakobyan: 'Creation', 2000 Bronze Sculpture, undecided.
, 2000
undecided - Sculpture
41 x 45 cm (16.1 x 17.7 inches)
Mariam Hakobyan: 'Eyes of Soul', 2003 Bronze Sculpture, undecided.
undecided - Sculpture
35 x 57 cm (13.8 x 22.4 inches)
Mariam Hakobyan: 'Rivulet', 1988 Bronze Sculpture, undecided.
, 1988
undecided - Sculpture
31 x 54 cm (12.2 x 21.3 inches)
Youri Messen-jaschin: 'Light I', 2003 Glass Sculpture, Optical. Artist Description: Light offWood, glass & neon. Photography by Youri Switzerland / (r) 2003. by ProLitteris, Po. Box CH- 8033 Zurich  (c) 2003 by Youri Messen- JaschinSwitzerland...
, 2003
Optical - Sculpture
121 x 121 cm (47.6 x 47.6 inches)
Youri Messen-jaschin: 'Light II', 2003 Glass Sculpture, Optical. Artist Description: Light offWood, glass & neon. Photography by Youri Switzerland / (r) 2003. by ProLitteris, Po. Box CH- 8033 Zurich / (c) 2003 by Youri Messen- Jaschin Switzerland...
, 2003
Optical - Sculpture
148 x 148 cm (58.3 x 58.3 inches)
Stefan Van Der Ende: 'whithout title', 1987 Wood Sculpture, Abstract.
Abstract - Sculpture
35 x 105 cm (13.8 x 41.3 inches)
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Andrew Wielawski: 'untitled', 2002 Stone Sculpture, Figurative. Artist Description: I sometimes put a patina on sculptures, which wears away as they get older and leaves them looking better each year. ...
, 2002
Figurative - Sculpture
30 x 36 inches (76.2 x 91.4 cm)
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Stefan Van Der Ende: 'without title', 1994 Wood Sculpture, Abstract. Artist Description: One sculpture , three bodies, one meter apart.Burned elmwood , steel....
Abstract - Sculpture
400 x 110 cm (157.5 x 43.3 inches)
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Mavis Mcclure: 'Pablo', 1999 Bronze Sculpture, Figurative. Artist Description: Mavis McClure' s work is featured prominently in both public installations and museums ( American Museum of Ceramic Art) .   This piece is nearly sold out. ...
, 1999
Figurative - Sculpture
23 x 54 inches (58.4 x 137.2 cm)
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Andrew Wielawski: 'Ecce Omo', 2002 Mixed Media Sculpture, Mythology. Artist Description: Ecce Omo. . . Behold Man. The harlequin looks at you as you do at him. . . forming grand opinions on the basis of very little knowledge. He knows little about you, yet his expression is of the confidence born of ignorance. How quick will you be to invent his story ...
, 2002
Mythology - Sculpture
1 x 5 feet (0.30 x 1.52 m)
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Joanne Mac: 'Oracle', 2000 Mixed Media Sculpture, History. Artist Description: * selected to represent Canada in the 1st Beijing International Art Biennale, China 2003...
, 2000
History - Sculpture
30 x 27 inches (76.2 x 68.6 cm)
Youri Messen-jaschin: 'Light I', 2003 Glass Sculpture, Optical. Artist Description: Wood, glass & neon. Photography by Pierre- Michel Delessert Switzerland / (r) 2003. by ProLitteris, Po. Box CH- 8033 Zurich / (c) 2003 by Youri Messen- Jaschin Switzerland...
, 2003
Optical - Sculpture
121 x 121 cm (47.6 x 47.6 inches)
Youri Messen-jaschin: 'LIGHT II', 2003 Glass Sculpture, Optical. Artist Description: Light on Wood, glass & neon. / Publication : 3/ 2010 Focus of Stamps, the collector magazine Swiss Post. / Photography by Youri Switzerland / (r) 2003. by ProLitteris, Po. Box  CH- 8033 Zurich / (r) 2003 CCC Salem / (r) 2003 ARS New York / (c) 2003 by Youri Messen- Jaschin Switzerland ...
, 2003
Optical - Sculpture
148 x 148 cm (58.3 x 58.3 inches)
Youri Messen-jaschin: 'Light III', 2004 Glass Sculpture, Optical. Artist Description: glass & neon.Photography by Youri Switzerland / (r) 2004. by ProLitteris, Po. Box CH- 8033 Zurich / (c) 2004 by Youri Messen- Jaschin Switzerland...
, 2004
Optical - Sculpture
148 x 148 cm (58.3 x 58.3 inches)
Dieter Picchio-specht: 'Beige-Blue Brown-Violet', 2002 Wood Sculpture, Abstract. Artist Description: Place this abstract sculpture right into your room! This sculpture is made of wooden elements, painted with acrilics following my segment- art- style and scotched together. Each element measures 150 x 40 x 8 cm ( 59 x15 x 3. 1
Abstract - Sculpture
150 x 40 cm (59.1 x 15.7 inches)
Youri Messen-jaschin: 'Pleiades II', 1977 Mixed Media Sculpture, Optical. Artist Description: Sculpture Plexiglas & thread Viscose(r) 1977. by ProLitteris, Po. Box CH- 8033 Zurich / (c) 1977 by Youri Messen- Jaschin Switzerland ...
Optical - Sculpture
1500 x 1500 cm (590.5 x 590.5 inches)
James Piatt: 'undisclosed room with vault', 2000 Mixed Media Sculpture, Other. Artist Description: iron tubes with 23k goldafter botticelli...
Other - Sculpture
5 x 8 feet (1.52 x 2.44 m)
James Piatt: 'Natural Doublr Prop', 2002 Other Sculpture, Other. Artist Description: full taxidermy mounts2 bears and a horse...
Other - Sculpture
6 x 15 feet (1.83 x 4.57 m)
James Piatt: 'Natural Prop', 2000 Other Sculpture, Other. Artist Description: full mounted doberman- dog andafrican baboon...
Other - Sculpture
4 x 5 feet (1.22 x 1.52 m)
John H. Freeman: 'Mobile 9', 2001 Aluminum Sculpture, Abstract. Artist Description: Inspired directly by a particular work by Alexander Calder....
, 2001
Abstract - Sculpture
48 x 48 inches (121.9 x 121.9 cm)
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John H. Freeman: 'Mobile 11', 2001 Aluminum Sculpture, Abstract. Artist Description: Inspired by Kandinsky and of course Calder. The second piece to incorporate the use of tines.  ...
, 2001
Abstract - Sculpture
12 x 17 inches (30.5 x 43.2 cm)
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Russell Kruta: 'CHILDREN OF THE APOCALYPSE', 1982 Steel Sculpture, Landscape. Artist Description: Welded Steel Bonsai...
Landscape - Sculpture
3 x 3 feet (0.91 x 0.91 m)
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John Alderman: 'Cougar', 2000 Bronze Sculpture, Wildlife. Artist Description: Life- size Cougar in bronze mounted to a black walnut base. Approximate weight 150 lbs....
, 2000
Wildlife - Sculpture
18 x 32 inches (45.7 x 81.3 cm)
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(Page 9 of 10) - MORE ARTWORKS

Artists Describing Their Art:

Robert Vowles - My earliest artistic impulses were satirical. Whether drawing unflattering cartoons of family members or playing the class clown, my creative sparks were baby thunder bolts. As I grew older it was natural that I should grow to love surrealism. I appreciated the way surrealist images pulled the rug out from under the conventions I grew up with. I lost myself in the imaginary worlds created by artists like Salvador Dali and Hieronymous Bosch. In contrast to these artists my creative inspiration required that my artwork exist in the world in three dimensions. I would be a surrealist sculptor. After graduating from the University of Toronto in 1982 with an Honours BA in political science and a solid grounding in what a blighted place our world is, I went to search for my piece of Mammon. I utilized my artistic skills as a three dimensional illustrator for ad agencies. I did not abandon my dream of being a surrealist sculptor, but added to it a new dream. I hoped to create a themed gallery for my art work and the work of other like minded artists. I hate displaying my art work in clinical gallery environments like some sort of lab ...

Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

Luc Bihan - Luc is an internationally known French sculptor, trained in San Francisco Art Institute. He has directed animation in both France and Canada and has supervised animation in China, North Korea, Poland, and Romania. As an artist, Luc feels art creation is a therapeutic meditative process, reflecting the subconscious and releasing inner thoughts and feelings. 30 years of clay sculpture Luc Bihan's interest is the relationship between the human and the organic world which makes clay his favorite medium for any sculpting project. The natural earthy essence of clay makes it the most ecological medium available and he believes "the language of time talks to me through my fingers tips." While self-expressive, his art is also a form of communication with his audience: the symbolic images he develops are frequently ambiguous and encourage the viewer to consider different layers of meaning. Whether it is his organic figurative sculpture or his whimsical drawings, the work of Luc Bihan is a statement of texture and sensuality. ...

Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Mariam Hakobyan - The talent to create is given to an artist from above, and the artworks she creates bear trace of her soul and nature. The horizons and layers from where she receives her inspiration determine the light or dark, divine or evil nuances in her art. Every artwork incorporates the artist's soul, her way of thinking and circumstances of her times. With my art I seek for and try to awaken the heavenly sparkle embodied in people from the very beginning. I try to introduce them to the sometimes harmonious, and at other times restless lines, forms and playful colors of the artwork, and to open up an opportunity to contemplate, analyze and finally admire the beauty. ...

Youri Messen-Jaschin - Youri Messen-Jaschin is an artist of Latvian origin, he was born in Arosa-Switzerland. His artistic studies brought him to the "Ecole Superieur Nationale des Beaux-Arts". He was a pupil of professor and master Robert Cami and also attended the Hautes Etudes of the Sorbonne University, which included, History of Art, with professor Pierre Francastel from the Ecole Pratique, in Paris. From 1962 to 1965 he returned to the Ecole des Beaux-Arts in Lausanne, where he worked with the engraver and painter Ernest Pizzotti. He debuted his creations at the Lausanne EXPO, in 1964 (Swiss fair), where he presented his kinetic sculptures of glass and acrylic resin. Youri was searching for new forms of art. He worked two years in "The Center of Contemporary Engraving" in Geneva. But it was in Zurich that he expanded his pictorial perspective with the experience of the circle above the face, influenced by the Swiss painter Friederick Kuhn. From 1968 to 1970, he studied at the University of Hogskolan for design & Konsthantwerk of Gothenburg, where he made kinetic objects of textiles. In 1967, he met Jesus-Rafael Soto, Carlos Cruz-Diez and Julio Le Parc during an ...

Stefan Van Der Ende - My sculptures are Solutions for Non/existing Problems . Now is the time to collect them. They are rare and unique ,and there are not many of them , also due to the big amount of time it takes to make the biggerones in wood and stone . They are made dreaming/thinking and working intensively , whith the intention to be able communicate emotion through their abstract/associative visual appearence which relate to subconcious processes in the human mind .(specialy mine ofcourse ) There are often more pictures of one sculpture , because ,as you know you have to see sculptures from more sides , to get a good impression . Mijn sculpturen zijn oplossingen voor niet /bestaande problemen . het is nu de tijde om ze te gaan verzamelen Ze zijn zeldzaam en speciaal , en er zijn er niet zoveel te koop , ook als gevolg van het feit dat het een grote hoeveelheid tijd kost om ze te maken ( speciaal die in hout en steen ) Ze worden gemaakt in een intensief proces van denken dromen en werken . Met het doel uiteindelijk via hun abstract/associatieve visuele aanwezigheid emoties via abstracte vorm te communiceren via de interpreatie van de beschouwer .door het raken van onderbewuste oude lagen in ...

Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

Mavis Mcclure - Mavis McClure Born: 1967 Selected Exhibitions: 2004 Chaco Gallery (w/Nathan Oliveria & Peter Voulkos) 2002 Oakland City Gallery (w/Viola Frey), Oakland, CA 2001 Solo Show, LewAllen Contemporary 2000 "From the Fire", Bedford Gallery, Walnut Creek, CA "Contemporary Figure", LewAllen Contemporary, Santa Fe 1999 Solo Show, Jan Baum, Los Angeles, CA "Enduring Form", LewAllen Contemporary, Santa Fe SOFA Chicago, Sandy Carson, Denver, CO 1998 Solo Show, Virginia Breier, San Francisco, CA "Pedestals & Stretchers", LewAllen Contemporary, Santa Fe, NM "30 Ceramics", John Natsoulas Gallery, Davis, CA Olive Grove Sculpture Walk, Auberge du Soleil 1997 "Saving Grace", A New Leaf Gallery, Berkeley, CA "30 Ceramics", John Natsoulas Gallery, Davis, CA 1996 "Au Plien Air", A New Leaf Gallery, Berkeley, CA Ceramic Sculpture, Virginia Breier, San Francisco, CA Publications: American Craft San Francisco Chronicle Santa Fe Magazine ArtWeek Albuquerque Journal Contra Costa Times San Jose Mercury News Trend Magazine Interior Design New York Times Collections: Doug Ring, Los Angeles, CA American Museum of Ceramic Art Fourth Street Shopping District, Berkeley, CA CB & Dick Watts, Los Altos, CA Howard & Matilda Rubin, Santa Fe, NM Estate of Jerry Garcia, Mill Valley, CA Mary & John Carrington, Newport Coast, CA Anita Roddick, West Sussex, England Robin & Leonard ...

Joanne Mac - J.Mac The" Found object Composed" of surrealist theory meets a vigorously tempered treatment at the hands of J.Mac. While her cognizance of "what the contemporary art world was rebelling against and inventing for itself" fuels her view of the extant condition of culture with sardonically cutting and amusing wit J.Mac's appreciation for the traditional lines of classic beauty salves her edges with a relief of grace - Justice tempered with mercy. "I use my talents to reflect what I see in the world around me; whether it be politics of living, or the social ramifications of our environment, or the humor I observe in our human frailties. I translate my theories into the plastic and figurative sculptural form " - Excerpts from "New Art International" Volume IV, Published in U.S.A, New York by Book Art Press, Ltd 1998 ...

Dieter Picchio-Specht - Art, creativity and imagination have always played an important part in my life, although I have only started to fully concentrate on painting a few years ago. This passion has always been part of me. I have finally given up my work as a general manager in industry - to dedicate all my time to painting. At last I do what I have always wanted to do. It is simply that a dream has finally come true. Even during my years at secondary school my paintings were awarded prizes and I should have enrolled in art classes after I passed my A-levels. In fact, a renowned company manufacturing ceramics offered me a scholarship, which I was unable to accept at the time. I have always kept up with painting as landscapes and images, abstract and impressionist. Since some years now I am able to paint full-time and fill canvas after canvas with my ideas. My new studio is right in the centre of the village of Arcegno, surrounded by wooded hills, near to Ascona, a well-known tourist centre at the Lago Maggiore in the South of Switzerland. I apply the paints directly to the canvas with a spatula. ...

James Piatt - i'm a conceptual artist working in a wide range of media and concepts. My major influences have been from the post war artists such as J.Beuys, with whom i corresponded and created empathic and political works in the 60's and 70's. I am interested in all information related to man , nature and aesthetics. I find the European aesthetic and American concepts/context in combination most interesting. A critic proposed," Piatt is an idiosyncratic and very individual artist who has been pursuing his own path for years without receiving the level of attention his work deserves. Perhaps this is because of the disturbing character of his sculpture and prints, which are both enigmatic and transgressive." ...