Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition.
I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me.
Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork.
The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite.
Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed from these artists, comes with a willingness to bare my soul and to capture my life experiences with each stroke of my paint brush.