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Mixed Media Art (7,926)

Page 11 of 274
Emilio Merlina, Irina Maiboroda, Alex Cavinee, Dave Martsolf, Abby Jones, Jean Bourque, John Sims, Ciara Athy, Becky Soria, Yury Yanin, Ronnie Greenspan, Thor-leif Strindberg, Arturo Martin Burgos, Hans Andre offering original Mixed Media artworks.


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Emilio Merlina: 'searching for the friend', 2017 Mixed Media, Fantasy. Artist Description: on cardboard...
Fantasy - Mixed Media
25 x 34 cm (9.8 x 13.4 inches)
Irina Maiboroda: 'star shower', 2017 Mixed Media, Abstract Landscape. Artist Description: landscape, abstract, impressionism, nature, night, sea, stars, marine,  ...
Abstract Landscape - Mixed Media
25 x 25 cm (9.8 x 9.8 inches)
Emilio Merlina: 'clouds', 2017 Mixed Media, Fantasy. Artist Description: on cardboards 25 x 34 cm each one...
, 2017
Fantasy - Mixed Media
50 x 68 cm (19.7 x 26.8 inches)
Alex Cavinee: 'wind', 2017 Mixed Media, .
, 2017
- Mixed Media
21 x 24 inches (53.3 x 61.0 cm)
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Dave Martsolf: 'chopin ballade no 1', 2017 Mixed Media, Abstract. Artist Description: This drawing was created while listening to Chopin s Ballade No. 1 in G Minor.  It is my artistic interpretation of one section of the ballade, translating the audible sound into a written signal that was the next day hand- colored with colored pencils. ...
Abstract - Mixed Media
8 x 9.5 inches (20.3 x 24.1 cm)
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Emilio Merlina: 'low clouds', 2017 Mixed Media, Fantasy. Artist Description: on plywood panel...
, 2017
Fantasy - Mixed Media
90 x 60 cm (35.4 x 23.6 inches)
Abby Jones: 'daddy long legs', 2017 Mixed Media, Abstract. Artist Description: Abstract Grunge Art...
Abstract - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
Abby Jones: 'nevermind', 2017 Mixed Media, Abstract. Artist Description: Grunge Art...
, 2017
Abstract - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
Abby Jones: 'chapter 4', 2017 Mixed Media, Abstract. Artist Description: Grunge Art...
, 2017
Abstract - Mixed Media
48 x 36 inches (121.9 x 91.4 cm)
Abby Jones: 'in bloom', 2017 Mixed Media, Abstract. Artist Description: Grunge Art...
, 2017
Abstract - Mixed Media
40 x 30 inches (101.6 x 76.2 cm)
Jean Bourque: 'painting to live music', 2017 Mixed Media, Abstract. Artist Description: Framed original one of a kind painting on canvas. Beautiful crisp colors in blue, bronze, red and white primarily. Framed painting, ready for your wall. Measurement is just the canvas, the frame makes it larger all around. ...
Abstract - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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John Sims: 'meeting with poussin', 2011 Mixed Media, Figurative. Artist Description: Drawn with colour pencil and oil pastel on paper after looking at paintings by Poussin and De Kooning. An imaginary meeting on a beach in Cyprus...
Figurative - Mixed Media
44 x 29 cm (17.3 x 11.4 inches)
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Emilio Merlina: 'free space', 2017 Mixed Media, Fantasy. Artist Description: on plywood panel...
, 2017
Fantasy - Mixed Media
104 x 74 cm (40.9 x 29.1 inches)
Ciara Athy: 'Teacup', 2017 Mixed Media, .
, 2017
- Mixed Media
36 x 18 inches (91.4 x 45.7 cm)
Becky Soria: 'goddess creative life', 2017 Mixed Media, Abstract Figurative. Artist Description: From the collection: Landscapes of the Goddess within  2017...
Abstract Figurative - Mixed Media
20 x 60 inches (50.8 x 152.4 cm)
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Yury Yanin: 'away', 2017 Mixed Media, Abstract. Artist Description: Born, living, pasing, dead...
, 2017
Abstract - Mixed Media
5.5 x 7.7 inches (14.0 x 19.6 cm)
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Yury Yanin: 'limits of wisdom', 2017 Mixed Media, Abstract. Artist Description: conceptual, limits of wisdom, fish, bolls ...
Abstract - Mixed Media
5.5 x 5.5 inches (14.0 x 14.0 cm)
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Yury Yanin: 'fatum', 2017 Mixed Media, Conceptual. Artist Description: Fatum, death, life, predicted, unknown...
, 2017
Conceptual - Mixed Media
5.5 x 7.7 inches (14.0 x 19.6 cm)
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Ronnie Greenspan: 'fantasy creatures', 2017 Mixed Media, Fantasy. Artist Description: Imagination Fantasy psychedelic...
Fantasy - Mixed Media
22 x 28 inches (55.9 x 71.1 cm)
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Becky Soria: 'goddess earth', 2017 Mixed Media, Abstract Figurative. Artist Description: from the collection of:  Landscapes of the Goddess within ...
Abstract Figurative - Mixed Media
20 x 60 inches (50.8 x 152.4 cm)
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Becky Soria: 'goddess fertity', 2017 Mixed Media, Abstract Figurative. Artist Description: From the collection of: Landscapes of the Goddess within ...
Abstract Figurative - Mixed Media
20 x 60 inches (50.8 x 152.4 cm)
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Thor-leif Strindberg: 'girl in dress', 2016 Mixed Media, Figurative.
Figurative - Mixed Media
15 x 18 inches (38.1 x 45.7 cm)
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Arturo Martin Burgos: 'the stars and the glory', 2015 Mixed Media, Abstract. Artist Description: Painting inspired on Music. ...
Abstract - Mixed Media
195 x 195 cm (76.8 x 76.8 inches)
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Emilio Merlina: 'sailing', 2017 Mixed Media, Fantasy. Artist Description: canvas...
, 2017
Fantasy - Mixed Media
20 x 23 cm (7.9 x 9.1 inches)
Emilio Merlina: 'the moons hunter', 2017 Mixed Media, Fantasy. Artist Description: canvas...
Fantasy - Mixed Media
77 x 30 cm (30.3 x 11.8 inches)
Emilio Merlina: 'scratched dreams', 2017 Mixed Media, Fantasy. Artist Description: canvas...
Fantasy - Mixed Media
52 x 53 cm (20.5 x 20.9 inches)
Emilio Merlina: 'curious angel', 2017 Mixed Media, Fantasy. Artist Description: canvas...
Fantasy - Mixed Media
18 x 28 cm (7.1 x 11.0 inches)
Hans Andre: 'the system', 2017 Mixed Media, People. Artist Description: Diptych Oil and acrylic on canvas...
, 2017
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
Emilio Merlina: 'check to the queen', 2017 Mixed Media, Fantasy. Artist Description: canvas...
Fantasy - Mixed Media
84 x 86 cm (33.1 x 33.9 inches)
Andrew Campbell: 'andrewcampbell prototypes 12', 2017 Mixed Media, Representational. Artist Description: Andrew Campbell British ArtistStudio Prototypes Visual Bites 01- 20Andrew Campbell 2018Artist Ref
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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(Page 11 of 274) - MORE ARTWORKS
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Artists Describing Their Art:

Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

Dave Martsolf - Dave Martsolf I have a hand-drawing personal style that I love, but also use photorealistic collage style for some surreal work. In addition, I continue to enjoy explorations in every direction. My surreal visionary style is conceived in the bowels of endless empty space. Worlds come out of nowhere to define and fill empty space with form and reflected light. I use posed photographs with specific viewpoints that join seamlessly with other images to develop a hallucinogenic, some say gut-wrenching realistic space where mind-bending visions rule. My personal drawing style is in its simplest essence the line the drawn line and what it represented as the delineation of a form, a space, almost the way a topographical line feels out the form of a hill, or the way a blind man feels out the tender forms of his or her lover. That line is also the signature of the vibration of life and lifes emotions, twisted by the influence of others, fighting for a day in the sun, learning the way of calm, the mastery of the surf of life and the swell of love and anger. Brownian motion, cosmic ray decay, elemental particles, the paths of ...

Abby Jones - As an artist I am fascinated with the basic scientific principle that energy is neither created nor destroyed. Energy changes form from potential energy to kinetic energy and back. I explore the threshold of change; when potential energy becomes kinetic energy. That energy exists in the creative process of art making as well as life. That tension that makes us hold our breaths in anticipation and the release into eventual movement is the potential and kinetic energy we encounter in everyday life. My works strive to capture these forms of energy that exist in all of us. I use multi-media including mirror, wood, metal, stained glass, and paper on top of silky oils to achieve a sense of texture and contrast that creates tension. I also use shapes, lines, and color vigorously applied to achieve a sense of movement and fluidity. If the potential energy of my idea can move someone to feel an emotion then that is the kinetic energy of life derived from art. If a work can convey that sense of energy to the observer then the piece has done its job. ...

John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

Thor-Leif Strindberg - During the last years, I have moved more and more towards the abstract art. When searching for new roads in a strange territory, you always make new discoveries, and I have found a mode of expression that enables me to tell the observer a lot more than by depicting nature and the human form. A distinct, detailed subject can easily become an obstacle to communication by prevailing in the eyes of the beholder. In my abstract paintings I can transform thoughts and impressions directly into colors and shades, textures and brush strokes, like grooves on an old record. Neither do the paintings carry any titles, since I believe that this might limit the experience, because the beholder would consciously or unconsciously look for definite, well known shapes in the picture. So when something is depicted in my paintings, it is always something very simple. Like bowls. And cups. And plates. Plain and ordinary things that we all recognize - things that can easily give up their natural roles as utility goods and turn into picture elements with a new purpose and function as carriers and conveyors of memories, dreams, feelings. People often ask me about the texts in my paintings. The ...

Hans Andre - Rarely do I willingly speak of my paintings. What I see is not necessarily the same as you see. The paintings should only be seen in the viewers own eyes. However, in my last solo exhibition during the fall in Milan, organized by Camaver Kunsthaus, an Italian asked why the people in the paintings are always blind. The answer is simple, although people may see physically, it does not make them look mentally. Unfortunately, most people are blind. Visit : www.hansandre.com...