Mixed Media Art

Page 9 of 252
Irina Maiboroda, Margaret Thompson, Hannes Hofstetter, Dennis Mccallum, Suzanne Caron, Elizabeth Griffith, Arthur Bernard, Ron Allen, Chad A. Carino, Marc Crisafulli, Hatice Brenton, Volova Volova, Angela Kirkner, John Threadgill, Ana Castro Feijoo, Betty Refour offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Irina Maiboroda: 'sea sunset', 2017 Mixed Media, Abstract Figurative. landscape, impressionism, sea, sunset, sky, nature, horizon,   water,  ...
, 2017
Abstract Figurative - Mixed Media
25 x 25 cm (9.8 x 9.8 inches)
Margaret Thompson: 'Lakeside 4', 2017 Mixed Media, Abstract Landscape. evocative, impressionistic, textured...
, 2017
Abstract Landscape - Mixed Media
70 x 60 cm (27.6 x 23.6 inches)
Hannes  Hofstetter: 'dieseitsjenseits', 1991 Mixed Media, Abstract Figurative. cosmic, life, death, stratum, hereafter, ...
Abstract Figurative - Mixed Media
200 x 135 cm (78.7 x 53.1 inches)
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Hannes  Hofstetter: 'nordsud', 2001 Mixed Media, Abstract.  north south, culture, landscape, Germany, Italy, travel...
, 2001
Abstract - Mixed Media
495 x 230 cm (194.9 x 90.6 inches)
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Margaret Thompson: 'Standing Rock', 2016 Mixed Media, Abstract.                          Acrylic, collage, mixed media on paper     stark, spare, landscape on paper         My woman falls, dances, balances, depending on her phase of life. Her presence humanises an otherwise abstract landscape          ...
Abstract - Mixed Media
15 x 15 cm (5.9 x 5.9 inches)
Dennis Mccallum: 'Double trouble', 2016 Mixed Media, Animals.  Cats   ...
Animals - Mixed Media
13 x 19 cm (5.1 x 7.5 inches)
Suzanne Caron: 'Nature by Design', 2016 Mixed Media, Abstract. Nature by Design.  Acrylic and mixed media abstract painting.  Gallery canvas...
Abstract - Mixed Media
14 x 28 inches (35.6 x 71.1 cm)
Suzanne Caron: 'Avian Cacophony', 2016 Mixed Media, Abstract. acrylic and mixed media abstract painting on gallery canvas...
Abstract - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
Suzanne Caron: 'Dog and Crow', 2015 Mixed Media, Abstract. Dog and Crow.  Acrylic and mixed media abstract painting.  Standard wood panel. ...
Abstract - Mixed Media
12 x 12 inches (30.5 x 30.5 cm)
Suzanne Caron: 'Inner Landscape Revealed', 2015 Mixed Media, Abstract. acrylic, tissue paper, graphite abstract, Exhibition Un tour du chapeau, MusA(c)e Vaudreuil, 2015 ...
Abstract - Mixed Media
24 x 36 inches (61.0 x 91.4 cm)
Dennis Mccallum: 'Red Fox', 2016 Mixed Media, Animals.   A taste of whisky  fox red mountains  ...
, 2016
Animals - Mixed Media
16 x 25 cm (6.3 x 9.8 inches)
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Dennis Mccallum: 'The Golden Drop', 2016 Mixed Media, Animals.  A taste of whisky   ...
Animals - Mixed Media
16 x 25 cm (6.3 x 9.8 inches)
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Elizabeth Griffith: 'Planets From Here', 2015 Mixed Media, Abstract.  Artwork on canvas board, used acrylic, pen, and watercolor  ...
Abstract - Mixed Media
16 x 12 inches (40.6 x 30.5 cm)
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Arthur Bernard: 'Chairs and table', 2016 Mixed Media, Abstract Figurative. I sometimes have the feeling that my studio gets a bit crowded with all kinds of things and no place to sit...
Abstract Figurative - Mixed Media
35.4 x 35.4 inches (89.9 x 89.9 cm)
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Ron Allen: 'Last Warrior Standing', 2012 Mixed Media, Abstract Figurative.  Cement, Welded Steel, Bones     ...
Abstract Figurative - Mixed Media
6 x 23 inches (15.2 x 58.4 cm)
Chad A. Carino: 'Radio Waves', 2008 Mixed Media, Culture.  Invisible. Deadly. ...
Culture - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
Chad A. Carino: 'Tell Me What It Was Like Before Television, Mother', 2006 Mixed Media, Culture.  No. ...
Culture - Mixed Media
11 x 17 inches (27.9 x 43.2 cm)
Marc Crisafulli: 'Itch Itch', 2003 Mixed Media, Humor. If I had a nickel for every time this happend to me. . ....
, 2003
Humor - Mixed Media
14 x 8 inches (35.6 x 20.3 cm)
Hatice Brenton: 'Looking In', 2000 Mixed Media, Life.
, 2000
Life - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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Volova Volova: 'new york city', 2016 Mixed Media, Cityscape. oilbar realisme skyline...
Cityscape - Mixed Media
120 x 60 inches (304.8 x 152.4 cm)
Angela Kirkner: 'reds', 2020 Mixed Media, Abstract. Mixed media on gessoed canvas.Torn paper, acrylic, pastel, torn canvas, gold leaf, corrugated board. ...
, 2020
Abstract - Mixed Media
29 x 24 inches (73.7 x 61.0 cm)
Angela Kirkner: 'the year 2020', 2020 Mixed Media, Abstract. Grafen inspired mixed media on pro, Ed cardboard, ready to hang...
Abstract - Mixed Media
24 x 20 inches (61.0 x 50.8 cm)
Angela Kirkner: 'firestorm', 2020 Mixed Media, Abstract. Mixed media on masonite...
, 2020
Abstract - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
Angela Kirkner: 'chaos ii', 2020 Mixed Media, . Mixed media on canvas...
, 2020
- Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
John Threadgill: 'studio 1997', 1997 Mixed Media, History. My studio...
History - Mixed Media
1.1 x 1.1 inches (2.8 x 2.8 cm)
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Ana Castro Feijoo: 'trees', 2016 Mixed Media, Landscape.  A mixed media inspirated in fall memories. I used resin, oil and ink, Is an expresionist abstract work...
, 2016
Landscape - Mixed Media
150 x 55 cm (59.1 x 21.7 inches)
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Betty Refour: 'kate', 2018 Mixed Media, Surrealism. Kate felt the weight of the world on her shoulders but she kept going. Mixed media done on wrapped canvas. Wired and ready to hang. Sides are painted black. ...
, 2018
Surrealism - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
Angela Kirkner: 'fire on the mountain', 2020 Mixed Media, Abstract. Layers of acrylic, hand painted cardboard, gold leaf...
Abstract - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
Angela Kirkner: 'How 2020 feels', 2020 Mixed Media, Abstract. Mixed on cardboard.  Acrylic, wood, paper, cardboard, pencil, pastel. ...
Abstract - Mixed Media
24 x 20 inches (61.0 x 50.8 cm)
Angela Kirkner: 'Chaos', 2020 Mixed Media, Abstract. Mixed media on Masonite ...
, 2020
Abstract - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
(Page 9 of 252) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Margaret Thompson - Nothing is what it seems. I am fascinated by the mystery and ambiguity that can come from working with collaged painted papers, and multi-plate printmaking. The initial layering process is usually one of spontaneity and serendipity, and, only later, when the painting starts to take on a life of its own, do I think more consciously about its meaning, the composition, its form and colour. The title is only one way in to reading my pictures, and is merely a proposal: the most interesting aspect to me is what the viewer brings to the understanding of the work.I have a great admiration for Kurt Schwitters, the master of collage, Helen Frankenthaler, master of colour and subtlety, Kandinsky and Miro. I regularly exhibit in London, France and the US....

    Dennis Mccallum - For a number of years I was the UK Government protected species rehabilitator to the wild of injured birds of prey. In this time I was able to observe and handle wild birds and animals. They were my inspiration and provided the subject matter for my paintings. Having been a surveyor with the UK Ordnance Survey which makes the British maps, I was trained to represent images with accuracy and detail and this I do in my paintings from studying the birds at close quarters. I also have the freedom to explore any subject that interests me. My work has been challenging, but always enjoyable and that is my reason for painting...

    Suzanne Caron - A blank surface is quickly covered with fluid colour using a large brush or sponge. Gestural strokes in the still-wet paint suggest movement and form, and from there the painting evolves almost with a will of its own, an intuitive process, at least up to a certain point. As the work progresses, ideas form rapidly and are sometimes sketched on paper before applying more paint. I dont always know where to begin or even end, but thats what excites me about painting....the unknown ...

    Elizabeth Griffith - Elizabeth Griffith, MA, LPC-I, ATR Supervised by Deborah Lindeen, LPCS, LPC, ATR-BC I am a mixed media artist, art therapist and counselor in training. My work mostly consists of oil and acrylic paintings. My artwork is inspired by my experiences throughout life and my strong desire to understand people and society. I believe art can be interpreted differently depending on the viewer and that the buyer should have a strong connection to the piece. Feel free to contact me with questions or comments about my portfolio. Thank you,...

    Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....

    Marc Crisafulli - Born and raised in suburban Maryland, I enjoy the freedom my computer allows me to take freelance work from all over the country. In 1992 I was offered a position on the original "Ren & Stimpy Show" at Spumco in Los Angeles. Other animation studios I've worked for have included Cartoon Network, Klasky Csupo, and Walt Disney TV Animation. I like the speed and precision programs like Adobe Photoshop can offer me, but that hasn't stopped me from working with traditional materials on a regular basis, including brush and ink, watercolor, colored pencils, and gouache. For many years I've been developing several original concepts and characters for a variety of venues and mediums. I did a great deal of illustration for the book Rough Draft: Pop Culture the Way It Almost Was...some examples of the Dr. Seuss work I did for the book can be found at the link below. Other illustration clients include The New York Press and several record covers for The Kung Fu Monkeys. While classic Hollywood cartoons have greatly influenced both my style and sensibilities, I readily admit to also being fascinated (and greatly inspired by) most popular culture, human behavior, children, ...

    Ana Castro Feijoo - My work is essentially a visual development of the relationnships between shapes, colors, line and emotion, with in speecific field, sometimes the symbols reveal themselves spontaneously, my chalenge in their balancein space. It is halfway between abstraction and figuration. I donA't analyze, I donA't coneptualize, rather I build and destroy until I unravel a portrait of the moment. It is my language to express mmy interior, difficult with words. In the paintings I paint layer upon layer, letting it happen and flo, in the engraving especially llately in the monocopie, once the inks have been disseminated I am intereested in exploring the accident that occurs when literally exploding them under the pressure of the press, moment by moment, until the appropriate ones are captured on papeer or canvas. I am a multifaceted artist. I am attracted to the challenges of differrent disciplines. It is an evolution in time, while the work is being created, to the point that I see an abstract representation of something that I had not seen before and I allow the work to have its own presence....

    Betty Refour - I feel that art is a portal to the viewers imagination. Each onlooker is invited inside to find a place of comfort and well being. I often leave my pieces Untitled to encourage thought and dialect. My work has no boundaries and evokes limitless imagination....