Mixed Media Art

Page 9 of 254
Margaret Thompson, Mimi Revencu, Irina Maiboroda, Hannes Hofstetter, Dennis Mccallum, Suzanne Caron, Elizabeth Griffith, Arthur Bernard, Ron Allen, Chad A. Carino, Marc Crisafulli, Hatice Brenton, S Tofu, Mary Zeman, Angela Kirkner, Volova Volova offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Mimi Revencu: 'Prospera', 2017 Mixed Media, Cats.
, 2017
Cats - Mixed Media
50 x 60 cm (19.7 x 23.6 inches)
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Mimi Revencu: 'Sweet Dreams', 2017 Mixed Media, Figurative.  cat girlartmo glarify artcollector gallery artwork story mirabilism mimirevencu mixedmedia...
Figurative - Mixed Media
60 x 60 cm (23.6 x 23.6 inches)
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Irina Maiboroda: 'bouquet for colombina', 2018 Mixed Media, Impressionism. flowers, bouquet, roses, floral,  natural, impressionism,  mixed media...
Impressionism - Mixed Media
25 x 25 cm (9.8 x 9.8 inches)
Irina Maiboroda: 'waiting for the summer', 2017 Mixed Media, Impressionism. winter, new year eve, snow, cat, window, frost, flower, snowing,  impressionism ...
Impressionism - Mixed Media
13 x 13 cm (5.1 x 5.1 inches)
Irina Maiboroda: 'mayweeds', 2016 Mixed Media, Impressionism. flowers, summer,  impressionism, sun, meadows, floral, mixed media ...
, 2016
Impressionism - Mixed Media
13 x 13 cm (5.1 x 5.1 inches)
Irina Maiboroda: 'sea sunset', 2017 Mixed Media, Abstract Figurative. landscape, impressionism, sea, sunset, sky, nature, horizon,   water,  ...
, 2017
Abstract Figurative - Mixed Media
25 x 25 cm (9.8 x 9.8 inches)
Margaret Thompson: 'Lakeside 4', 2017 Mixed Media, Abstract Landscape. evocative, impressionistic, textured...
, 2017
Abstract Landscape - Mixed Media
70 x 60 cm (27.6 x 23.6 inches)
Hannes  Hofstetter: 'dieseitsjenseits', 1991 Mixed Media, Abstract Figurative. cosmic, life, death, stratum, hereafter, ...
Abstract Figurative - Mixed Media
200 x 135 cm (78.7 x 53.1 inches)
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Hannes  Hofstetter: 'nordsud', 2001 Mixed Media, Abstract.  north south, culture, landscape, Germany, Italy, travel...
, 2001
Abstract - Mixed Media
495 x 230 cm (194.9 x 90.6 inches)
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Margaret Thompson: 'Standing Rock', 2016 Mixed Media, Abstract.                          Acrylic, collage, mixed media on paper     stark, spare, landscape on paper         My woman falls, dances, balances, depending on her phase of life. Her presence humanises an otherwise abstract landscape          ...
Abstract - Mixed Media
15 x 15 cm (5.9 x 5.9 inches)
Dennis Mccallum: 'Double trouble', 2016 Mixed Media, Animals.  Cats   ...
Animals - Mixed Media
13 x 19 cm (5.1 x 7.5 inches)
Suzanne Caron: 'Nature by Design', 2016 Mixed Media, Abstract. Nature by Design.  Acrylic and mixed media abstract painting.  Gallery canvas...
Abstract - Mixed Media
14 x 28 inches (35.6 x 71.1 cm)
Suzanne Caron: 'Avian Cacophony', 2016 Mixed Media, Abstract. acrylic and mixed media abstract painting on gallery canvas...
Abstract - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
Suzanne Caron: 'Dog and Crow', 2015 Mixed Media, Abstract. Dog and Crow.  Acrylic and mixed media abstract painting.  Standard wood panel. ...
Abstract - Mixed Media
12 x 12 inches (30.5 x 30.5 cm)
Suzanne Caron: 'Inner Landscape Revealed', 2015 Mixed Media, Abstract. acrylic, tissue paper, graphite abstract, Exhibition Un tour du chapeau, MusA(c)e Vaudreuil, 2015 ...
Abstract - Mixed Media
24 x 36 inches (61.0 x 91.4 cm)
Dennis Mccallum: 'Red Fox', 2016 Mixed Media, Animals.   A taste of whisky  fox red mountains  ...
, 2016
Animals - Mixed Media
16 x 25 cm (6.3 x 9.8 inches)
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Dennis Mccallum: 'The Golden Drop', 2016 Mixed Media, Animals.  A taste of whisky   ...
Animals - Mixed Media
16 x 25 cm (6.3 x 9.8 inches)
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Elizabeth Griffith: 'Planets From Here', 2015 Mixed Media, Abstract.  Artwork on canvas board, used acrylic, pen, and watercolor  ...
Abstract - Mixed Media
16 x 12 inches (40.6 x 30.5 cm)
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Arthur Bernard: 'Chairs and table', 2016 Mixed Media, Abstract Figurative. I sometimes have the feeling that my studio gets a bit crowded with all kinds of things and no place to sit...
Abstract Figurative - Mixed Media
35.4 x 35.4 inches (89.9 x 89.9 cm)
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Ron Allen: 'Last Warrior Standing', 2012 Mixed Media, Abstract Figurative.  Cement, Welded Steel, Bones     ...
Abstract Figurative - Mixed Media
6 x 23 inches (15.2 x 58.4 cm)
Chad A. Carino: 'Radio Waves', 2008 Mixed Media, Culture.  Invisible. Deadly. ...
Culture - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
Chad A. Carino: 'Tell Me What It Was Like Before Television, Mother', 2006 Mixed Media, Culture.  No. ...
Culture - Mixed Media
11 x 17 inches (27.9 x 43.2 cm)
Marc Crisafulli: 'Itch Itch', 2003 Mixed Media, Humor. If I had a nickel for every time this happend to me. . ....
, 2003
Humor - Mixed Media
14 x 8 inches (35.6 x 20.3 cm)
Hatice Brenton: 'Looking In', 2000 Mixed Media, Life.
, 2000
Life - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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S Tofu: 'kurpie zielonie', 2019 Mixed Media, Geometric. I spotted this amazing traditional men s coat on a blog of Polish folk costumes. I took the brown along with the blue, red and white trim for my palette on this collage of painted and cut paper. ...
Geometric - Mixed Media
16 x 16 inches (40.6 x 40.6 cm)
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Mary Zeman: 'visions of amelia', 2021 Mixed Media, Outsider. Acrylic paint, paper, modge podge, house paint on Canvas ...
Outsider - Mixed Media
48 x 36 inches (121.9 x 91.4 cm)
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Angela Kirkner: 'spring melody', 2021 Mixed Media, Abstract. Mixed media on canvas. Acrylic, torn paper, corrugated cardboard, sheet music, torn material, gold leaf, ink, pastel. ...
Abstract - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
Volova Volova: 'new york city', 2016 Mixed Media, Cityscape. oilbar realisme skyline...
Cityscape - Mixed Media
120 x 60 inches (304.8 x 152.4 cm)
Angela Kirkner: 'reds', 2020 Mixed Media, Abstract. Mixed media on gessoed canvas.Torn paper, acrylic, pastel, torn canvas, gold leaf, corrugated board. ...
, 2020
Abstract - Mixed Media
29 x 24 inches (73.7 x 61.0 cm)
Angela Kirkner: 'the year 2020', 2020 Mixed Media, Abstract. Grafen inspired mixed media on pro, Ed cardboard, ready to hang...
Abstract - Mixed Media
24 x 20 inches (61.0 x 50.8 cm)
(Page 9 of 254) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Margaret Thompson - Nothing is what it seems. I am fascinated by the mystery and ambiguity that can come from working with collaged painted papers, and multi-plate printmaking. The initial layering process is usually one of spontaneity and serendipity, and, only later, when the painting starts to take on a life of its own, do I think more consciously about its meaning, the composition, its form and colour. The title is only one way in to reading my pictures, and is merely a proposal: the most interesting aspect to me is what the viewer brings to the understanding of the work.I have a great admiration for Kurt Schwitters, the master of collage, Helen Frankenthaler, master of colour and subtlety, Kandinsky and Miro. I regularly exhibit in London, France and the US....

    Mimi Revencu - The Mirabilism Manifesto Art these days most often reflects alienation, desperation, violence, loneliness, old age and death. But art is a dynamic field, always looking to rediscover and reinvent itself. It is time to express something new in art, something related to our deep essence, universal and optimistic, separated from the daily madness. It is time for the artist to call for a change of attitude and spirit, bringing to life the present and not only reflecting the world around. I believe that art in general is meant to be perceived as inside vibration. And Mirabilis is pure inner vibration at its best. The Mirabilis artist depicts impressions and mental images that do not pass through the filter of a mental process. They are rather the product of his instincts. The images are featuring bright colours, lots of green hues and pink, no grays tones and almost no use of black paint. Colours are applied side-by-side with as little mixing as possible, creating a simplified, vibrant surface. Objects and beings are mostly flat but they are disposed in different layers and transparency of thin paint films is used in order to obtain deepness of space. There are surfaces...

    Dennis Mccallum - For a number of years I was the UK Government protected species rehabilitator to the wild of injured birds of prey. In this time I was able to observe and handle wild birds and animals. They were my inspiration and provided the subject matter for my paintings. Having been a surveyor with the UK Ordnance Survey which makes the British maps, I was trained to represent images with accuracy and detail and this I do in my paintings from studying the birds at close quarters. I also have the freedom to explore any subject that interests me. My work has been challenging, but always enjoyable and that is my reason for painting...

    Suzanne Caron - A blank surface is quickly covered with fluid colour using a large brush or sponge. Gestural strokes in the still-wet paint suggest movement and form, and from there the painting evolves almost with a will of its own, an intuitive process, at least up to a certain point. As the work progresses, ideas form rapidly and are sometimes sketched on paper before applying more paint. I dont always know where to begin or even end, but thats what excites me about painting....the unknown ...

    Elizabeth Griffith - Elizabeth Griffith, MA, LPC-I, ATR Supervised by Deborah Lindeen, LPCS, LPC, ATR-BC I am a mixed media artist, art therapist and counselor in training. My work mostly consists of oil and acrylic paintings. My artwork is inspired by my experiences throughout life and my strong desire to understand people and society. I believe art can be interpreted differently depending on the viewer and that the buyer should have a strong connection to the piece. Feel free to contact me with questions or comments about my portfolio. Thank you,...

    Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....

    Marc Crisafulli - Born and raised in suburban Maryland, I enjoy the freedom my computer allows me to take freelance work from all over the country. In 1992 I was offered a position on the original "Ren & Stimpy Show" at Spumco in Los Angeles. Other animation studios I've worked for have included Cartoon Network, Klasky Csupo, and Walt Disney TV Animation. I like the speed and precision programs like Adobe Photoshop can offer me, but that hasn't stopped me from working with traditional materials on a regular basis, including brush and ink, watercolor, colored pencils, and gouache. For many years I've been developing several original concepts and characters for a variety of venues and mediums. I did a great deal of illustration for the book Rough Draft: Pop Culture the Way It Almost Was...some examples of the Dr. Seuss work I did for the book can be found at the link below. Other illustration clients include The New York Press and several record covers for The Kung Fu Monkeys. While classic Hollywood cartoons have greatly influenced both my style and sensibilities, I readily admit to also being fascinated (and greatly inspired by) most popular culture, human behavior, children, ...

    S Tofu - My artwork has two main focuses; mixed media collage and landscape painting. I have always used old maps in my collages and incorporated map inspired ideas into my art. In January of 2001, I experimented with a collage using only maps. The success of the experiment and the resulting piece changed the direction of my work. Much of the map work takes its inspiration from other traditional art forms using repetitive patterns, in particular quilts and other textiles. In 2009 the patterns used in my collage work started to take on a more painterly appearance. In 2011 I spent the entire year creating a large-scale piece called the 2011 Project. Essentially I created a map of the year by making a piece of art on each and every day of 2011. The work is made up of 365 individual, mixed media pieces, each 4"x4" (10x10 cm) in size. In many ways the 2011 Project was also my sketchbook for future work. I experimented with new materials and subject matter for many of the 365 pieces. Those ideas have been playing out since 2011. 2012 saw a solo show that was a travel-themed mixed media installation called Imagining ...

    Mary Zeman - in 1997, I began to paint after I had brain surgery to remove a benign brain tumor from the right side of my brain. I was recovering from surgery, and out of the blue, I called my mom and asked her to take me to buy some paint and brushes. This was the first time I ever painted in my life. While I was growing up, I was never exposed to art and just didnt know anything about it, though I had always wanted to learn more. I began painting on wood, paper, newspaper, anything I could find, then I started to paint on canvas. When I went back to my job in television, people looked at my art on the walls of my cubicle, and some people encouraged me to go further with it. I would work all day, then come home and paint at night, and looked forward to the time I would be painting. In October of 2000, I decided to leave my job and make a go of being a full-time artist. Everyday, I learn something new about art, and I love making art. The biggest compliment I can get is when adults look at ...