Mixed Media Art

Page 9 of 245
Mimi Revencu, Irina Maiboroda, Margaret Thompson, Hannes Hofstetter, Dennis Mccallum, Suzanne Caron, Elizabeth Griffith, Arthur Bernard, Ron Allen, Chad A. Carino, Marc Crisafulli, Hatice Brenton, Louise Parenteau, Tim Guider, Esmoreit Koetsier, Lynda Stevens offering original Mixed Media artworks.


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Mimi Revencu: 'Sweet Dreams', 2017 Mixed Media, Figurative.  cat girlartmo glarify artcollector gallery artwork story mirabilism mimirevencu mixedmedia...
Figurative - Mixed Media
60 x 60 cm (23.6 x 23.6 inches)
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Irina Maiboroda: 'bouquet for colombina', 2018 Mixed Media, Impressionism. flowers, bouquet, roses, floral,  natural, impressionism,  mixed media...
Impressionism - Mixed Media
25 x 25 cm (9.8 x 9.8 inches)
Irina Maiboroda: 'waiting for the summer', 2017 Mixed Media, Impressionism. winter, new year eve, snow, cat, window, frost, flower, snowing,  impressionism ...
Impressionism - Mixed Media
13 x 13 cm (5.1 x 5.1 inches)
Irina Maiboroda: 'mayweeds', 2016 Mixed Media, Impressionism. flowers, summer,  impressionism, sun, meadows, floral, mixed media ...
, 2016
Impressionism - Mixed Media
13 x 13 cm (5.1 x 5.1 inches)
Irina Maiboroda: 'sea sunset', 2017 Mixed Media, Abstract Figurative. landscape, impressionism, sea, sunset, sky, nature, horizon,   water,  ...
, 2017
Abstract Figurative - Mixed Media
25 x 25 cm (9.8 x 9.8 inches)
Margaret Thompson: 'Lakeside 4', 2017 Mixed Media, Abstract Landscape. evocative, impressionistic, textured...
, 2017
Abstract Landscape - Mixed Media
70 x 60 cm (27.6 x 23.6 inches)
Hannes  Hofstetter: 'dieseitsjenseits', 1991 Mixed Media, Abstract Figurative. cosmic, life, death, stratum, hereafter, ...
Abstract Figurative - Mixed Media
200 x 135 cm (78.7 x 53.1 inches)
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Hannes  Hofstetter: 'nordsud', 2001 Mixed Media, Abstract.  north south, culture, landscape, Germany, Italy, travel...
, 2001
Abstract - Mixed Media
495 x 230 cm (194.9 x 90.6 inches)
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Margaret Thompson: 'Standing Rock', 2016 Mixed Media, Abstract.                          Acrylic, collage, mixed media on paper     stark, spare, landscape on paper         My woman falls, dances, balances, depending on her phase of life. Her presence humanises an otherwise abstract landscape          ...
Abstract - Mixed Media
15 x 15 cm (5.9 x 5.9 inches)
Dennis Mccallum: 'Double trouble', 2016 Mixed Media, Animals.  Cats   ...
Animals - Mixed Media
13 x 19 cm (5.1 x 7.5 inches)
Suzanne Caron: 'Nature by Design', 2016 Mixed Media, Abstract. Nature by Design.  Acrylic and mixed media abstract painting.  Gallery canvas...
Abstract - Mixed Media
14 x 28 inches (35.6 x 71.1 cm)
Suzanne Caron: 'Avian Cacophony', 2016 Mixed Media, Abstract. acrylic and mixed media abstract painting on gallery canvas...
Abstract - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
Suzanne Caron: 'Dog and Crow', 2015 Mixed Media, Abstract. Dog and Crow.  Acrylic and mixed media abstract painting.  Standard wood panel. ...
Abstract - Mixed Media
12 x 12 inches (30.5 x 30.5 cm)
Suzanne Caron: 'Inner Landscape Revealed', 2015 Mixed Media, Abstract. acrylic, tissue paper, graphite abstract, Exhibition Un tour du chapeau, MusA(c)e Vaudreuil, 2015 ...
Abstract - Mixed Media
24 x 36 inches (61.0 x 91.4 cm)
Dennis Mccallum: 'Red Fox', 2016 Mixed Media, Animals.   A taste of whisky  fox red mountains  ...
, 2016
Animals - Mixed Media
16 x 25 cm (6.3 x 9.8 inches)
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Dennis Mccallum: 'The Golden Drop', 2016 Mixed Media, Animals.  A taste of whisky   ...
Animals - Mixed Media
16 x 25 cm (6.3 x 9.8 inches)
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Elizabeth Griffith: 'Planets From Here', 2015 Mixed Media, Abstract.  Artwork on canvas board, used acrylic, pen, and watercolor  ...
Abstract - Mixed Media
16 x 12 inches (40.6 x 30.5 cm)
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Arthur Bernard: 'Chairs and table', 2016 Mixed Media, Abstract Figurative. I sometimes have the feeling that my studio gets a bit crowded with all kinds of things and no place to sit...
Abstract Figurative - Mixed Media
35.4 x 35.4 inches (89.9 x 89.9 cm)
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Ron Allen: 'Last Warrior Standing', 2012 Mixed Media, Abstract Figurative.  Cement, Welded Steel, Bones     ...
Abstract Figurative - Mixed Media
6 x 23 inches (15.2 x 58.4 cm)
Chad A. Carino: 'Radio Waves', 2008 Mixed Media, Culture.  Invisible. Deadly. ...
Culture - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
Chad A. Carino: 'Tell Me What It Was Like Before Television, Mother', 2006 Mixed Media, Culture.  No. ...
Culture - Mixed Media
11 x 17 inches (27.9 x 43.2 cm)
Marc Crisafulli: 'Itch Itch', 2003 Mixed Media, Humor. If I had a nickel for every time this happend to me. . ....
, 2003
Humor - Mixed Media
14 x 8 inches (35.6 x 20.3 cm)
Hatice Brenton: 'Looking In', 2000 Mixed Media, Life.
, 2000
Life - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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Louise Parenteau: 'geisha', 2020 Mixed Media, Representational. Ethnic...
, 2020
Representational - Mixed Media
24 x 42 inches (61.0 x 106.7 cm)
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Tim Guider: 'Our Original Heroes mural', 2022 Mixed Media, Activism. Recently Tim was able to create this mural in our new Prime Minister s electorate at the corner of Parramatta Rd and Crystal St Petersham, close to the Sydney CBD.  He collaborated with Aboriginal artist Frank Wright.  The mural features portraits of Barangaroo and Bennelong, two well- known Aboriginals from ...
Activism - Mixed Media
10 x 5 m (32.81 x 16.40 feet)
Tim Guider: 'Our Original Heroes mural', 2022 Mixed Media, Activism. Recently Tim was able to create this mural in our new Prime Minister s electorate at the corner of Parramatta Rd and Crystal St Petersham, close to the Sydney CBD.  He collaborated with Aboriginal artist Frank Wright.  The mural features portraits of Barangaroo and Bennelong, two well- known Aboriginals from ...
Activism - Mixed Media
10 x 5 m (32.81 x 16.40 feet)
Esmoreit Koetsier: 'sub culture', 2017 Mixed Media, Abstract. This work is a random and unplanned experimentation with materials and composition. I used reclaimed industrial paper, fabric, cardboard and rusted steel found in the desert. All laminated on solid wood board and handmade frame.The raised rough area on the piece is a mix of black blast media.Varnished ...
Abstract - Mixed Media
40 x 30 inches (101.6 x 76.2 cm)
Lynda Stevens: 'dazzling darkness 3', 2021 Mixed Media, Abstract Figurative. This work uses molten wax as a foundation, with broken glass fragments  beads were then added, the surface painted over with acrylics and iridescent paints ...
Abstract Figurative - Mixed Media
60 x 90 cm (23.6 x 35.4 inches)
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Lynda Stevens: 'triangles on rough surface', 2019 Mixed Media, Abstract Figurative. Triangles were applied to a surface covered in textursl or crack paint, then painted over with gold, and given chestnut brown borders...
Abstract Figurative - Mixed Media
40 x 40 cm (15.7 x 15.7 inches)
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Lynda Stevens: 'storm passing over columns', 2022 Mixed Media, Abstract Figurative. In this work I used clay to embed reflective glass fragments in the centre of the composition. Dark borders are contrasted with the pastel colours surrounding the metal foil columns to create the  stormy  effects. ...
Abstract Figurative - Mixed Media
60 x 90 cm (23.6 x 35.4 inches)
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(Page 9 of 245) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Mimi Revencu - The Mirabilism Manifesto Art these days most often reflects alienation, desperation, violence, loneliness, old age and death. But art is a dynamic field, always looking to rediscover and reinvent itself. It is time to express something new in art, something related to our deep essence, universal and optimistic, separated from the daily madness. It is time for the artist to call for a change of attitude and spirit, bringing to life the present and not only reflecting the world around. I believe that art in general is meant to be perceived as inside vibration. And Mirabilis is pure inner vibration at its best. The Mirabilis artist depicts impressions and mental images that do not pass through the filter of a mental process. They are rather the product of his instincts. The images are featuring bright colours, lots of green hues and pink, no grays tones and almost no use of black paint. Colours are applied side-by-side with as little mixing as possible, creating a simplified, vibrant surface. Objects and beings are mostly flat but they are disposed in different layers and transparency of thin paint films is used in order to obtain deepness of space. There are surfaces...

    Margaret Thompson - Nothing is what it seems. I am fascinated by the mystery and ambiguity that can come from working with collaged painted papers, and multi-plate printmaking. The initial layering process is usually one of spontaneity and serendipity, and, only later, when the painting starts to take on a life of its own, do I think more consciously about its meaning, the composition, its form and colour. The title is only one way in to reading my pictures, and is merely a proposal: the most interesting aspect to me is what the viewer brings to the understanding of the work.I have a great admiration for Kurt Schwitters, the master of collage, Helen Frankenthaler, master of colour and subtlety, Kandinsky and Miro. I regularly exhibit in London, France and the US....

    Dennis Mccallum - For a number of years I was the UK Government protected species rehabilitator to the wild of injured birds of prey. In this time I was able to observe and handle wild birds and animals. They were my inspiration and provided the subject matter for my paintings. Having been a surveyor with the UK Ordnance Survey which makes the British maps, I was trained to represent images with accuracy and detail and this I do in my paintings from studying the birds at close quarters. I also have the freedom to explore any subject that interests me. My work has been challenging, but always enjoyable and that is my reason for painting...

    Suzanne Caron - A blank surface is quickly covered with fluid colour using a large brush or sponge. Gestural strokes in the still-wet paint suggest movement and form, and from there the painting evolves almost with a will of its own, an intuitive process, at least up to a certain point. As the work progresses, ideas form rapidly and are sometimes sketched on paper before applying more paint. I dont always know where to begin or even end, but thats what excites me about painting....the unknown ...

    Elizabeth Griffith - Elizabeth Griffith, MA, LPC-I, ATR Supervised by Deborah Lindeen, LPCS, LPC, ATR-BC I am a mixed media artist, art therapist and counselor in training. My work mostly consists of oil and acrylic paintings. My artwork is inspired by my experiences throughout life and my strong desire to understand people and society. I believe art can be interpreted differently depending on the viewer and that the buyer should have a strong connection to the piece. Feel free to contact me with questions or comments about my portfolio. Thank you,...

    Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....

    Marc Crisafulli - Born and raised in suburban Maryland, I enjoy the freedom my computer allows me to take freelance work from all over the country. In 1992 I was offered a position on the original "Ren & Stimpy Show" at Spumco in Los Angeles. Other animation studios I've worked for have included Cartoon Network, Klasky Csupo, and Walt Disney TV Animation. I like the speed and precision programs like Adobe Photoshop can offer me, but that hasn't stopped me from working with traditional materials on a regular basis, including brush and ink, watercolor, colored pencils, and gouache. For many years I've been developing several original concepts and characters for a variety of venues and mediums. I did a great deal of illustration for the book Rough Draft: Pop Culture the Way It Almost Was...some examples of the Dr. Seuss work I did for the book can be found at the link below. Other illustration clients include The New York Press and several record covers for The Kung Fu Monkeys. While classic Hollywood cartoons have greatly influenced both my style and sensibilities, I readily admit to also being fascinated (and greatly inspired by) most popular culture, human behavior, children, ...

    Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

    Tim Guider - Tims latest Protest Mural. To donate, search for - Tim Guider Artist Gofundme - to help fund more of Our Original Heroes Murals. Tim has collaborated with Aboriginal artist Frank Wright on this mural, and they want to create more of these murals in Sydney and in other cities and towns across Australia. Born with a natural talent for art, at age 22 years Tim decided to pursue a career as an artist. He studied at the National Art School, Sydney and received an Artists Development Grant from the Australia Council. He now has 45 years of professional artistic development to bring to his work. Since the mid 1980s his murals, canvas paintings and sculpture have attracted an enormous amount of television and press coverage both nationally and globally. A few image examples of Tims work are included in this portfolio which clearly show the wide range of materials and techniques this artist has mastered. He includes sculpture effects in murals. He has painted his sculptures and even uses internal illumination as well as mechanical movement in sculpture. Much of Tims artwork has a theme of multicultural Australia and our Aboriginal heritage. I have known Tim for over 30 years. I was ...

    Esmoreit Koetsier - Sculpture for me has been redefined by where life has taken me. When I started in my early twenties, I had no idea that my simple flat pieces of steel were going to lead to mixed-materials and colorful fluid shapes. With each piece I challenge myself and push the envelope just a little more. I look outside of the traditional materials and discover new techniques. What has stayed true is that my work is an experiment with shapes, forms, objects, colors, arrangements, and materials. IaEURtmm inspired by my surroundings and journeys as well as artists working with different medias. ...

    Lynda Stevens - I see my creative path as being one with no absolute destination aEUR" the process of creation is as important to me as the result. In my work I often like to explore the tensions between chaos and form aEUR" and how chaos can break up stagnant forms into something more dynamic, or how form can bring beauty out of what was inchoate. Thus, sources of inspiration might include city encroaching on country and vice-versa, the dynamism of volcanoes, oceanic tides and so on. However, as the creative process for me mainly comes about via a process of psychic automatism, so that it is guided by an ebb and flow of subconscious impressions, both inner and outer landscapes tend to be superimposed upon each other in any given composition. My pieces may be layered, worked and reworked again, so that an inner alchemical process runs through as a theme in all my works. This means that each piece is further altered and refined into something very different from what it might have been in the first place. I have sometimes used materials that might otherwise be perceived as rubbish aEUR" glass crystals from broken carsbuildings, gypsum, melted polystyrene and so on. More ...