Mixed Media Art

Page 4 of 209
Andree Lisette Herz, Emilio Merlina, Hope Brooks, Kristin Garrow, John Powell, John Sims, C. A. Hoffman, Jim Lively, Robert H. Stockton, Kathryn Arnold, Hans Andre, Tamara Sorkin, Stephen Mead, Harry Weisburd offering original Mixed Media artworks.


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Emilio Merlina: 'in the secret garden', 2019 Mixed Media, Fantasy. canvas...
Fantasy - Mixed Media
111 x 152 cm (43.7 x 59.8 inches)
Emilio Merlina: 'poor angels', 2019 Mixed Media, Fantasy. canvas , evolution of existing work...
Fantasy - Mixed Media
40 x 40 cm (15.7 x 15.7 inches)
Emilio Merlina: 'white clouds', 2019 Mixed Media, Fantasy. canvas , evolution of existing work...
Fantasy - Mixed Media
80 x 80 inches (203.2 x 203.2 cm)
Emilio Merlina: 'stargate', 2019 Mixed Media, Fantasy. canvas...
, 2019
Fantasy - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
Emilio Merlina: 'back home', 2019 Mixed Media, Fantasy. canvas...
, 2019
Fantasy - Mixed Media
27 x 18 cm (10.6 x 7.1 inches)
Emilio Merlina: 'early in the morning', 2019 Mixed Media, Fantasy. on baking paper on canvas...
Fantasy - Mixed Media
30 x 32 cm (11.8 x 12.6 inches)
Hope Brooks: 'the door', 2018 Mixed Media, Abstract Figurative.  Painting for my friend Dr. David Boxer, celebrated artist and curator of the National Gallery of Jamaica.  Death is like a door that once passed is forever locked. Size: 9 panels ea. 18  X  8 Medium: modelong paste and gouache.Year: 2018...
, 2018
Abstract Figurative - Mixed Media
4.6 x 4.6 feet (1.40 x 1.40 m)
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Kristin  Garrow: 'Reflection', 2015 Mixed Media, Fantasy. Opposites reflecting upon on another ...
, 2015
Fantasy - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
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John Powell: 'Poet ', 2019 Mixed Media, Figurative. NOTEORDER PRINTS @
, 2019
Figurative - Mixed Media
12 x 15 inches (30.5 x 38.1 cm)
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John Sims: 'meeting with poussin', 2011 Mixed Media, Figurative. Drawn with colour pencil and oil pastel on paper after looking at paintings by Poussin and De Kooning. An imaginary meeting on a beach in Cyprus...
Figurative - Mixed Media
44 x 29 cm (17.3 x 11.4 inches)
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Hope Brooks: 'Goat Island Suite  a suite of four paintings', 2017 Mixed Media, Ecological. Currently on show at the XI Florence Biennale October 6 - 15 2017 this painting is about The Goat Islands that are located on the south west coast of Jamaica that became the centre of attention in 2015 when the Government of Jamaica proposed to sell the Islands to the Government ...
Ecological - Mixed Media
64 x 64 inches (162.6 x 162.6 cm)
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C. A. Hoffman: 'closeby', 2017 Mixed Media, Abstract.
, 2017
Abstract - Mixed Media
14 x 12 inches (35.6 x 30.5 cm)
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Hope Brooks: 'justice denied', 2017 Mixed Media, Political. This painting is a tribute to Millicent Forbes AC/a,!aEURoe the woman who grabbed national attention for her steadfast resolve in her decade AC/a,!aEURoe long fight for justice over the police killing of her daughter Janice Allen. Forbes died before receiving the justice she fought so hard for. The policeman who was who ...
Political - Mixed Media
71 x 45 inches (180.3 x 114.3 cm)
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Jim Lively: 'customed tailored', 2017 Mixed Media, Abstract. a priori series, contemporary, abstract...
Abstract - Mixed Media
30 x 48 inches (76.2 x 121.9 cm)
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Robert H. Stockton: 'Gleneden Avenue Oakland 1968', 2016 Mixed Media, Other.
Other - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
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Kathryn Arnold: 'inspiration', 2020 Mixed Media, Abstract. Kathryn Arnold, Black White, contemporary, Abstractiion, on paper...
Abstract - Mixed Media
43 x 45 inches (109.2 x 114.3 cm)
Kathryn Arnold: 'a lot of birds outside today', 2020 Mixed Media, Abstract. Mixed Media, on paper, Abstract, Kathryn Arnold, Black White...
Abstract - Mixed Media
60 x 52 inches (152.4 x 132.1 cm)
Hans Andre: 'The Ultimate Truth', 2016 Mixed Media, People.  How does it look when you open up in a houseWho are these people and what is their motivation...
People - Mixed Media
91 x 68 inches (231.1 x 172.7 cm)
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Jim Lively: 'Day Dream Believer', 2016 Mixed Media, Landscape.       Zinfandel Wine and Acrylic on canvas.                                                                                                                                ...
Landscape - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Tamara Sorkin: 'Abstraction', 2015 Mixed Media, Abstract.  This is a work which developed slowly for a long time and includes many layers of different media. The final result does remind one of a tree, which sprouted out of the many layers of paint, pigment and collage, to mention but a few ...
Abstract - Mixed Media
40 x 50 cm (15.7 x 19.7 inches)
Kathryn Arnold: 'Central flower in trinagle', 2020 Mixed Media, Abstract. Kathryn Arnold, blackwhite on paper, mixed media, Abstract, Abstraction...
Abstract - Mixed Media
51 x 51 inches (129.5 x 129.5 cm)
Jim Lively: 'Blind Ambition', 2016 Mixed Media, Landscape.      Zinfandel Wine and Acrylic on canvas.                                                                                                                               ...
Landscape - Mixed Media
48 x 12 inches (121.9 x 30.5 cm)
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Jim Lively: 'The Other Side of Growth', 2016 Mixed Media, Landscape.     Zinfandel Wine and Acrylic on canvas.                                                                                                                              ...
Landscape - Mixed Media
48 x 12 inches (121.9 x 30.5 cm)
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Hans Andre: 'And at the end', 2016 Mixed Media, People.   And. . . at the end    ...
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
Stephen Mead: 'And the Seasons of Love Go Round and Round', 2016 Mixed Media, Conceptual. PRINT ONLY.  From a series of montages begun in 2015 tentatively titled From Nostalgia Though Now and Beyond, works paying homage to international LGBT CivilHuman Rights historically.  Prints available only. ...
Conceptual - Mixed Media
20 x 16 inches (50.8 x 40.6 cm)
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Hans Andre: 'The Exposure', 2016 Mixed Media, People.
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
Stephen Mead: ' Angel Coat 3 for Al Blanchette', 2016 Mixed Media, Spiritual. PRINT ONLY.  From a series of montages for Al Blanchette, generous father of dear friend who literally gave the coat off his back.  Prints available only. ...
Spiritual - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Harry Weisburd: 'Red Head Wth White Stocking', 2013 Mixed Media, Figurative.    Red Head   Woman looking sexy sensual  semi nude wearing white stockings ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'Red Head With White Stockings', 2013 Mixed Media, Figurative.     Sensual redhead woman wearing shite stockings    ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'Red Head White Stockings', 2013 Mixed Media, Figurative.  Painted ceramic, mixed media ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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(Page 4 of 209) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. A-A?A1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.A-A?A1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Kristin Garrow - Dream..Imagine..Inspire..Heal These words are a daily must in the life of my creations. Suffering from several disorders including Bipolar and Fibromyalgia I am constantly changing my routine to accommodate my own Art Therapy. What does this mean for you Who doesnAC/a,!a,,C/t like a little variety in their lives Through my works I am able to create many forms of art and utilize multiple mediums. I offer you the chance to have a piece of my world join yours in hopes it brings you as much joy as it did for me while creating. I am always trying something new and exploring my mind to give you a piece that reaches you on many levels. My work is an examination of the different paths life takes, and the ways we work through our everyday lives always searching for something. I hope to provide you with whatever you are searching for. To have that one work that truly speaks to you or simply makes you smile. ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of AC/a,!Eoetime passesAC/a,!a,,C/... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itAC/a,!a,,C/s too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueAC/a,!A| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itAC/a,!a,,C/s emotion. My art Carries ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Jim Lively - Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Hans Andre - Rarely do I willingly speak of my paintings. What I see is not necessarily the same as you see. The paintings should only be seen in the viewers own eyes. However, in my last solo exhibition during the fall in Milan, organized by Camaver Kunsthaus, an Italian asked why the people in the paintings are always blind. The answer is simple, although people may see physically, it does not make them look mentally. Unfortunately, most people are blind. Visit : www.hansandre.com...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,