Mixed Media Art

Page 4 of 247
Becky Soria, Hope Brooks, Lynda Lehmann, C. A. Hoffman, Jim Lively, Robert H. Stockton, Kathryn Arnold, Tamara Sorkin, Stephen Mead, Harry Weisburd, Inn-yang Low E.h., Tom Lund-lack, John Powell offering original Mixed Media artworks.


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Hope Brooks: 'Goat Island Suite  a suite of four paintings', 2017 Mixed Media, Ecological. Currently on show at the XI Florence Biennale October 6 - 15 2017 this painting is about The Goat Islands that are located on the south west coast of Jamaica that became the centre of attention in 2015 when the Government of Jamaica proposed to sell the Islands to the Government ...
Ecological - Mixed Media
64 x 64 inches (162.6 x 162.6 cm)
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Lynda Lehmann: 'water study 4', 2017 Mixed Media, Beauty. Ripples make a beautiful overall  and infinitely changing  texture on lake water as twilight falls, and reflected sunlight plays in luminous bangles of light, creating its own magic.Matted 8 x 10 Print   120. 00KEYWORDS: glimmer, shimmer, beauty  water  lake  energy  flowing  light  mirroring  movement  natural  nature  nautical  optical  ...
Beauty - Mixed Media
10 x 8 inches (25.4 x 20.3 cm)
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C. A. Hoffman: 'closeby', 2017 Mixed Media, Abstract.
, 2017
Abstract - Mixed Media
14 x 12 inches (35.6 x 30.5 cm)
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Hope Brooks: 'justice denied', 2017 Mixed Media, Political. This painting is a tribute to Millicent Forbes aEUR
Political - Mixed Media
71 x 45 inches (180.3 x 114.3 cm)
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Lynda Lehmann: 'in the coral garden', 2017 Mixed Media, Sea Life. This is a stylized underwater fantasy that children will love, created digitally by combining several of my photographs and manipulating color, composition and texture.  KEYWORDS: vibrant, vivid, fantasy, abstracted, stylized, underwater, undersea. marine, fish, biology, coral, reef, ocean, sea, colorful, multicolored, for kids, art for children, art for kids, fun, ...
Sea Life - Mixed Media
12 x 9 inches (30.5 x 22.9 cm)
Jim Lively: 'customed tailored', 2017 Mixed Media, Abstract. a priori series, contemporary, abstract...
Abstract - Mixed Media
30 x 48 inches (76.2 x 121.9 cm)
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Robert H. Stockton: 'Gleneden Avenue Oakland 1968', 2016 Mixed Media, Other.
Other - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
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Kathryn Arnold: 'inspiration', 2020 Mixed Media, Abstract. Kathryn Arnold, Black White, contemporary, Abstractiion, on paper...
Abstract - Mixed Media
43 x 45 inches (109.2 x 114.3 cm)
Kathryn Arnold: 'a lot of birds outside today', 2020 Mixed Media, Abstract. Mixed Media, on paper, Abstract, Kathryn Arnold, Black White...
Abstract - Mixed Media
60 x 52 inches (152.4 x 132.1 cm)
Jim Lively: 'Day Dream Believer', 2016 Mixed Media, Landscape.       Zinfandel Wine and Acrylic on canvas.                                                                                                                                ...
Landscape - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Tamara Sorkin: 'Abstraction', 2015 Mixed Media, Abstract.  This is a work which developed slowly for a long time and includes many layers of different media. The final result does remind one of a tree, which sprouted out of the many layers of paint, pigment and collage, to mention but a few ...
Abstract - Mixed Media
40 x 50 cm (15.7 x 19.7 inches)
Kathryn Arnold: 'Central flower in trinagle', 2020 Mixed Media, Abstract. Kathryn Arnold, blackwhite on paper, mixed media, Abstract, Abstraction...
Abstract - Mixed Media
51 x 51 inches (129.5 x 129.5 cm)
Jim Lively: 'Blind Ambition', 2016 Mixed Media, Landscape.      Zinfandel Wine and Acrylic on canvas.                                                                                                                               ...
Landscape - Mixed Media
48 x 12 inches (121.9 x 30.5 cm)
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Jim Lively: 'The Other Side of Growth', 2016 Mixed Media, Landscape.     Zinfandel Wine and Acrylic on canvas.                                                                                                                              ...
Landscape - Mixed Media
48 x 12 inches (121.9 x 30.5 cm)
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Stephen Mead: 'And the Seasons of Love Go Round and Round', 2016 Mixed Media, Conceptual. PRINT ONLY.  From a series of montages begun in 2015 tentatively titled From Nostalgia Though Now and Beyond, works paying homage to international LGBT CivilHuman Rights historically.  Prints available only. ...
Conceptual - Mixed Media
20 x 16 inches (50.8 x 40.6 cm)
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Stephen Mead: ' Angel Coat 3 for Al Blanchette', 2016 Mixed Media, Spiritual. PRINT ONLY.  From a series of montages for Al Blanchette, generous father of dear friend who literally gave the coat off his back.  Prints available only. ...
Spiritual - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Harry Weisburd: 'Red Head Wth White Stocking', 2013 Mixed Media, Figurative.    Red Head   Woman looking sexy sensual  semi nude wearing white stockings ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'Red Head With White Stockings', 2013 Mixed Media, Figurative.     Sensual redhead woman wearing shite stockings    ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'Red Head White Stockings', 2013 Mixed Media, Figurative.  Painted ceramic, mixed media ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'Red Head in White Stockings', 2013 Mixed Media, Figurative.  Erotic semin nude woman in white stockings ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Stephen Mead: 'The Soul of the Man Beyond the Machine', 2016 Mixed Media, Conceptual.  From the series of 300 montages- in- progress for Alan Turing, came this 16 x 20 inch mixed media piece on canvas.  Prints available only.  ...
Conceptual - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Inn-yang Low E.h.: 'Im looking at the sea', 2015 Mixed Media, Abstract Figurative.
Abstract Figurative - Mixed Media
50 x 50 cm (19.7 x 19.7 inches)
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Inn-yang Low E.h.: 'Dragon under sea', 2015 Mixed Media, Abstract Figurative. l' acrylique, Canvas...
Abstract Figurative - Mixed Media
30 x 30 cm (11.8 x 11.8 inches)
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Inn-yang Low E.h.: 'Find me ', 2015 Mixed Media, Abstract Figurative. lacrylique, Canvas...
, 2015
Abstract Figurative - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Inn-yang Low E.h.: '3 kids with dragon', 2015 Mixed Media, Abstract Figurative. lacrylique, Canvas...
Abstract Figurative - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Hope Brooks: 'Goat Island  Preservation or Profit', 2015 Mixed Media, Ecological.  The first of a series of four mixed media paintings each comprising four panels looking at the Development of the Goat Islands situated on the South East coast of Kinston Jamaica. The Goat Islands are protected by the Portland Bight Agreement made by the Government of Jamaica to preserve the...
Ecological - Mixed Media
13 x 13 inches (33.0 x 33.0 cm)
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Tom Lund-lack: 'Fantasies of Lady Luck', 2015 Mixed Media, Satire.   A gentle satirical prod at the fantasies, dreams or delusions of an inveterate gambler is the aim of this piece.  The photograph was taken before a resin coat was applied which will give it great optical depth but will make it an  impossible thing to photo. The work combines, oil...
Satire - Mixed Media
79 x 100 cm (31.1 x 39.4 inches)
C. A. Hoffman: 'Ghost In The Machine', 2015 Mixed Media, Abstract.          This an original photo that has been digitally- enhanced to create an original work of art. All pieces are available in sizes up to 16 x 20 inches.                                    This is a picture I took of an ancient shell I found on the beach in the Carribean.  It looks like some...
Abstract - Mixed Media
10.8 x 20 inches (27.4 x 50.8 cm)
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John Powell: 'Monarch Butterfly', 2015 Mixed Media, nature. Order prints at
nature - Mixed Media
13 x 18 inches (33.0 x 45.7 cm)
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Edgar Bonne: 'Harmony', 2015 Mixed Media, Abstract.   Mixed Media on paper, pasted on composition board. ...
, 2015
Abstract - Mixed Media
54 x 74 cm (21.3 x 29.1 inches)
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(Page 4 of 247) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Jim Lively - Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Inn-Yang Low E.h. - International artist born in Singapore and living in Switzerland. Inn-Yang Low e.h. has made many art exhibitions all around the world. The understanding of movement is the basis of his art from calligraphy to performance on large scale canvas. As the symbol of eternal movement and vital energy, the dragon is one of his most favorite pattern. Frank Popper, Art critic, international curator and kinetic theorician, Paris, wrote in 2001 about Inn-Yang's art: "Artworks or projects of Inn-Yang Low participate from both kinetic art tradition that anticipates virtual computer art and the other kinetic stream based on vital energy." "Ses oeuvres ou projets repondent a la fois a la tradition cinetique qui se veut annonciatrice de l'art technologique et virtuel et, d'autre part, au courant cinetique qui met l'accent sur l'energie vitale." Aline Dallier, Art critic, Paris, wrote in 2001: "Inn-Yang is not only a painter of traditional and revisited dragons, he is also a kinetician and a performer. How does he integrate these two different kind of contemporary art? The calligraphy he practices since he is very young is a natural way of thinking the different kind of ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...