Mixed Media Art

Page 4 of 252
Kathryn Arnold, Hans Andre, Jim Lively, Tamara Sorkin, Stephen Mead, Joyce Waddell Bailey, Harry Weisburd, Hope Brooks, Margaret Stone, Caren Keyser, Tom Lund-lack, C. A. Hoffman, John Powell, Edgar Bonne, Paulo Medina offering original Mixed Media artworks.


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Kathryn Arnold: 'a lot of birds outside today', 2016 Mixed Media, Abstract. Mixed Media, on paper, Abstract, Kathryn Arnold, Black   White...
Abstract - Mixed Media
60 x 52 inches (152.4 x 132.1 cm)
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Hans Andre: 'The Ultimate Truth', 2016 Mixed Media, People.  How does it look when you open up in a houseWho are these people and what is their motivation...
People - Mixed Media
91 x 68 inches (231.1 x 172.7 cm)
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Jim Lively: 'Day Dream Believer', 2016 Mixed Media, Landscape.       Zinfandel Wine and Acrylic on canvas.                                                                                                                                ...
Landscape - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Tamara Sorkin: 'Abstraction', 2015 Mixed Media, Abstract.  This is a work which developed slowly for a long time and includes many layers of different media. The final result does remind one of a tree, which sprouted out of the many layers of paint, pigment and collage, to mention but a few ...
Abstract - Mixed Media
40 x 50 cm (15.7 x 19.7 inches)
Kathryn Arnold: 'Central flower in trinagle', 2016 Mixed Media, Abstract.               Kathryn Arnold, black  white on paper, mixed media, Abstract, Abstraction               ...
Abstract - Mixed Media
51 x 51 inches (129.5 x 129.5 cm)
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Jim Lively: 'Blind Ambition', 2016 Mixed Media, Landscape.      Zinfandel Wine and Acrylic on canvas.                                                                                                                               ...
Landscape - Mixed Media
48 x 12 inches (121.9 x 30.5 cm)
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Jim Lively: 'The Other Side of Growth', 2016 Mixed Media, Landscape.     Zinfandel Wine and Acrylic on canvas.                                                                                                                              ...
Landscape - Mixed Media
48 x 12 inches (121.9 x 30.5 cm)
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Hans Andre: 'And at the end', 2016 Mixed Media, People.   And. . . at the end    ...
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
Stephen Mead: 'And the Seasons of Love Go Round and Round', 2016 Mixed Media, Conceptual. PRINT ONLY.  From a series of montages begun in 2015 tentatively titled From Nostalgia Though Now and Beyond, works paying homage to international LGBT CivilHuman Rights historically.  Prints available only. ...
Conceptual - Mixed Media
20 x 16 inches (50.8 x 40.6 cm)
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Hans Andre: 'The Exposure', 2016 Mixed Media, People.
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
Joyce Waddell Bailey: 'Pitch Apple Tree Preparatory Study 4', 2014 Mixed Media, Botanical. The Pitch Apple Tree Clusia rosea is a striking tropical specimen with aerial, body and ground roots. This is the 4thstudy for the oil painting of the Pitch Apple Tree ID 601666. Study 4 is a chiarscuro interpretation of the light and dark areas of the tree. The light is ...
Botanical - Mixed Media
10 x 8 inches (25.4 x 20.3 cm)
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Joyce Waddell Bailey: 'Pitch Apple Tree Series ', 2015 Mixed Media, Botanical.  The Pitch Apple Tree Clusia rosea is a striking tropical specimen with aerial, body and ground roots.  Often compared to the Banyan Tree, which covers close- by forms with invasive roots, in Florida USA the Pitch Apple is not invasive.  This painting shows the remarkable contrast of the mature aging...
Botanical - Mixed Media
15 x 11 inches (38.1 x 27.9 cm)
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Stephen Mead: ' Angel Coat 3 for Al Blanchette', 2016 Mixed Media, Spiritual. PRINT ONLY.  From a series of montages for Al Blanchette, generous father of dear friend who literally gave the coat off his back.  Prints available only. ...
Spiritual - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Harry Weisburd: 'Red Head Wth White Stocking', 2013 Mixed Media, Figurative.    Red Head   Woman looking sexy sensual  semi nude wearing white stockings ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'Red Head With White Stockings', 2013 Mixed Media, Figurative.     Sensual redhead woman wearing shite stockings    ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'Red Head White Stockings', 2013 Mixed Media, Figurative.  Painted ceramic, mixed media ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'Red Head in White Stockings', 2013 Mixed Media, Figurative.  Erotic semin nude woman in white stockings ...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Stephen Mead: 'The Soul of the Man Beyond the Machine', 2016 Mixed Media, Conceptual.  From the series of 300 montages- in- progress for Alan Turing, came this 16 x 20 inch mixed media piece on canvas.  Prints available only.  ...
Conceptual - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Hope Brooks: 'Goat Island  Preservation or Profit', 2015 Mixed Media, Ecological.  The first of a series of four mixed media paintings each comprising four panels looking at the Development of the Goat Islands situated on the South East coast of Kinston Jamaica. The Goat Islands are protected by the Portland Bight Agreement made by the Government of Jamaica to preserve the...
Ecological - Mixed Media
13 x 13 inches (33.0 x 33.0 cm)
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Margaret Stone: 'Storytime', 2016 Mixed Media, Figurative.  This painting is acrylic and Ink.  Perhaps she is magical in a sense, a child of the cosmos.  She just evolved as I painted, out of the layers of colors and forms.  This painting is on a prepared panel and is mounted on a stretched canvas ready for hanging.  ...
, 2016
Figurative - Mixed Media
11 x 14 inches (27.9 x 35.6 cm)
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Caren Keyser: 'Thinking About Things', 2015 Mixed Media, Figurative.  This is a drawing transferred to painted artboard. The girl is in a pensive posture, possibly thinking about perplexing things. I have been told the drawing is reminiscent of Degas. I can only hope. Each transfer from this drawing is unique due to the process. A photocopy is applied to...
Figurative - Mixed Media
11 x 14 inches (27.9 x 35.6 cm)
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Tom Lund-lack: 'Fantasies of Lady Luck', 2015 Mixed Media, Satire.   A gentle satirical prod at the fantasies, dreams or delusions of an inveterate gambler is the aim of this piece.  The photograph was taken before a resin coat was applied which will give it great optical depth but will make it an  impossible thing to photo. The work combines, oil...
Satire - Mixed Media
79 x 100 cm (31.1 x 39.4 inches)
C. A. Hoffman: 'Ghost In The Machine', 2015 Mixed Media, Abstract.          This an original photo that has been digitally- enhanced to create an original work of art. All pieces are available in sizes up to 16 x 20 inches.                                    This is a picture I took of an ancient shell I found on the beach in the Carribean.  It looks like some...
Abstract - Mixed Media
10.8 x 20 inches (27.4 x 50.8 cm)
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John Powell: 'Monarch Butterfly', 2015 Mixed Media, nature. NOTE Price include shipping ONLY in US and Canada.  Order prints at
nature - Mixed Media
13 x 18 inches (33.0 x 45.7 cm)
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Edgar Bonne: 'Harmony', 2015 Mixed Media, Abstract.   Mixed Media on paper, pasted on composition board. ...
, 2015
Abstract - Mixed Media
54 x 74 cm (21.3 x 29.1 inches)
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Edgar Bonne: 'Mitosis', 2015 Mixed Media, Abstract.   Mixed Media on paper, pasted on composition board. ...
, 2015
Abstract - Mixed Media
57 x 74 cm (22.4 x 29.1 inches)
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Edgar Bonne: 'Plato Cave', 2014 Mixed Media, Abstract.   Mixed Media on paper, pasted on composition board. ...
, 2014
Abstract - Mixed Media
63 x 86 cm (24.8 x 33.9 inches)
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Edgar Bonne: 'Serenade in Blue', 2015 Mixed Media, Abstract.   Mixed media on paper, mounted on composition board.Mixed Media on paper, pasted on composition board....
Abstract - Mixed Media
57 x 74 cm (22.4 x 29.1 inches)
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Paulo Medina: 'Fragmentos de memoria', 2014 Mixed Media, Abstract.
Abstract - Mixed Media
100 x 100 cm (39.4 x 39.4 inches)
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John Powell: 'Adam and Eve ', 2014 Mixed Media, Figurative. ORDER PRINTS AT
Figurative - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
(Page 4 of 252) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Kathryn Arnold - Artist Statement Kathryn Arnold c2018 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Hans Andre - Rarely do I willingly speak of my paintings. What I see is not necessarily the same as you see. The paintings should only be seen in the viewers own eyes. However, in my last solo exhibition during the fall in Milan, organized by Camaver Kunsthaus, an Italian asked why the people in the paintings are always blind. The answer is simple, although people may see physically, it does not make them look mentally. Unfortunately, most people are blind. Visit : www.hansandre.com...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

    Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Edgar Bonne - My art practice has its currency deep in the post-modern age, yet flirting in the modernist manner with colour field, and somewhat entrenched in the abstract expressionist approach to deliver what I am about. I paint to elicit and evoke a reaction from the viewer, whatever, some distant memories, and some lost feelings that may be deeply entrenched, but have perhaps been kept subordinate by the passage of time. However, by contemplating and letting go, one begins to comprehend the work and become one with the work. In my painting, I work with abstraction; pulling and pushing the paint to achieve desired results. I paint in a gestural manner; always arranging and scratching if required on different planes that overlap one another and blend into real shapes to create a world of mystery and sensuality from past memories and journeys. This visceral emotional reaction to something in my work comes from somewhere deep within, and it can empathize to the inner recess of each person... My work is intuitive; colour and gestural strokes are the language that I use to express those responses. It is the interaction of colour and gesture that drive me. It is the colour and...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...