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Mixed Media Art (7,824)

Page 4 of 270
Marko Stout, Richard Nodine, Emilio Merlina, Hope Brooks, Hans Andre, Giorgos Nouvakis, Irina Maiboroda, Raluca Butoi, Alexander Sobolta, Luise Andersen, Milija Stojanovic, Paul Carroll offering original Mixed Media artworks.


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Marko Stout: 'untitled no 17', 2016 Mixed Media, Figurative. Artist Description: marko stout, nyc, new york, jeff koons, andy warhol, stout, new york, new york art, chelsea ...
Figurative - Mixed Media
1 x 30 inches (2.5 x 76.2 cm)
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Richard Nodine: 'j s bach toccato and fugue', 2017 Mixed Media, Abstract. Artist Description: This is a piece from my series aEURoeMaking Bach Visible. aEUR I realize it is virtually impossible to aEURoeillustrateaEUR a complex piece of music, which, by its nature is already abstract. My objective was to create an image that evoked one of the great Baroque masteraEURtms musical compositions. ...
Abstract - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Richard Nodine: 'passacaglia - bwv 582', 2017 Mixed Media, Abstract. Artist Description: This is a piece from my series aEURoeMaking Bach Visible. aEUR I realize it is virtually impossible to aEURoeillustrateaEUR a complex piece of music, which, by its nature is already abstract. My objective was to create an image that evoked one of the great Baroque masteraEURtms musical compositions. ...
Abstract - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Emilio Merlina: 'my crew is back', 2017 Mixed Media, Fantasy. Artist Description: canvas...
Fantasy - Mixed Media
48 x 48 cm (18.9 x 18.9 inches)
Hope Brooks: 'Goat Island Suite  a suite of four paintings', 2017 Mixed Media, Ecological. Artist Description: Currently on show at the XI Florence Biennale October 6 - 15 2017 this painting is about The Goat Islands that are located on the south west coast of Jamaica that became the centre of attention in 2015 when the Government of Jamaica proposed to sell the Islands to ...
Ecological - Mixed Media
64 x 64 inches (162.6 x 162.6 cm)
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Hans Andre: 'open or closed ', 2017 Mixed Media, People. Artist Description: What happens if you open up a human beingWhat will we discover memories, personality, character, skillsDo we want it to be open or closed ...
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
Giorgos Nouvakis: 'scraps 13', 2016 Mixed Media, Abstract. Artist Description: Wood Wooden Spoon, Electronic Material, Metal, Plastic, Shells, Synthetic Ply, Acrylics, Varnish. More perspectives at
, 2016
Abstract - Mixed Media
53 x 60 cm (20.9 x 23.6 inches)
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Giorgos Nouvakis: 'cuadro 36', 2017 Mixed Media, Abstract. Artist Description: Wood, Acrylics, Carton, Varnish. . . . Oct. 2016- 2,4 KG More perspectives at
, 2017
Abstract - Mixed Media
36 x 43 cm (14.2 x 16.9 inches)
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Emilio Merlina: 'back home', 2017 Mixed Media, Fantasy. Artist Description: mediodensit on plywood panel , evolution of existing work...
, 2017
Fantasy - Mixed Media
54 x 74 cm (21.3 x 29.1 inches)
Emilio Merlina: 'a postcard from utopia', 2017 Mixed Media, Fantasy. Artist Description: on mediodensit panel...
Fantasy - Mixed Media
30 x 21 cm (11.8 x 8.3 inches)
Emilio Merlina: 'stargate', 2017 Mixed Media, Fantasy. Artist Description: on cardboard , evolution of existing work...
, 2017
Fantasy - Mixed Media
62 x 48 cm (24.4 x 18.9 inches)
Irina Maiboroda: 'the birds of paradise', 2017 Mixed Media, Abstract Figurative. Artist Description: mixed media,  colorful birds, paradise ...
Abstract Figurative - Mixed Media
13 x 13 cm (5.1 x 5.1 inches)
Raluca  Butoi: 'The gee', 2017 Mixed Media, Birds. Artist Description: bird, watercolor, gee, country...
, 2017
Birds - Mixed Media
17 x 28 cm (6.7 x 11.0 inches)
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Raluca  Butoi: 'flowers', 2017 Mixed Media, Floral. Artist Description: floral, still life...
, 2017
Floral - Mixed Media
32 x 22 cm (12.6 x 8.7 inches)
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Emilio Merlina: 'anonymous', 2017 Mixed Media, Fantasy. Artist Description: canvas...
, 2017
Fantasy - Mixed Media
41 x 44.5 cm (16.1 x 17.5 inches)
Emilio Merlina: 'autumn', 2017 Mixed Media, Fantasy. Artist Description: canvas ...
, 2017
Fantasy - Mixed Media
37 x 38 cm (14.6 x 15.0 inches)
Alexander Sobolta: 'plastic people show no fear', 2017 Mixed Media, Abstract. Artist Description: Oil, Acrylic, Ink, Spray Paint, Canvas, Abstract, Expressionism, Modern, Contemporary, Gestural...
Abstract - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Alexander Sobolta: 'hi-fi sci-fi', 2017 Mixed Media, Abstract. Artist Description: Oil, Acrylic, Ink, Spray Paint, Canvas, Abstract, Expressionism, Modern, Contemporary, Gestural...
Abstract - Mixed Media
36 x 48 inches (91.4 x 121.9 cm)
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Alexander Sobolta: 'howl', 2017 Mixed Media, Abstract. Artist Description: Oil, Acrylic, Ink, Canvas, Abstract, Expressionism, Modern, Contemporary, Gestural, Pollack...
, 2017
Abstract - Mixed Media
24 x 30 inches (61.0 x 76.2 cm)
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Alexander Sobolta: 'phantoms', 2017 Mixed Media, Abstract. Artist Description: Oil, Acrylic, Ink, Spray Paint, Canvas, Abstract, Expressionism, Modern, Contemporary, Gestural, Street Art, Urban...
, 2017
Abstract - Mixed Media
36 x 48 inches (91.4 x 121.9 cm)
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Emilio Merlina: 'quarter to five', 2017 Mixed Media, Fantasy. Artist Description: on cardboard...
Fantasy - Mixed Media
50 x 35 cm (19.7 x 13.8 inches)
Luise Andersen: 'black on white continue 3a', 2017 Mixed Media, Abstract. Artist Description: still have partial expressions in charcoal and ink. . want darker. . acrylic it IS. . . dig into core. .  into recount . . . . emphatically visualize. . feel. . . ...
Abstract - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Emilio Merlina: 'without flag', 2017 Mixed Media, Fantasy. Artist Description: on laminate plywood panel...
Fantasy - Mixed Media
130 x 97 cm (51.2 x 38.2 inches)
Milija Stojanovic: 'sleeper in the sun', 2011 Mixed Media, Figurative. Artist Description: Sleeper in the sun, 21x30cm,collage, acrylic on cardboard...
Figurative - Mixed Media
21 x 30 cm (8.3 x 11.8 inches)
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Milija Stojanovic: 'sleeper in the sun 2', 2011 Mixed Media, Figurative. Artist Description: Sleeper in the sun, 21x30cm, collage, acrylic on cardboard...
Figurative - Mixed Media
21 x 30 cm (8.3 x 11.8 inches)
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Emilio Merlina: 'statement', 2017 Mixed Media, Fantasy. Artist Description: on plywood panel , evolution of existing work...
, 2017
Fantasy - Mixed Media
34 x 22 cm (13.4 x 8.7 inches)
Emilio Merlina: 'for a matter of moons', 2017 Mixed Media, Fantasy. Artist Description: canvas...
Fantasy - Mixed Media
57 x 55 cm (22.4 x 21.7 inches)
Paul Carroll: 'first cause', 2005 Mixed Media, Abstract.
Abstract - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Paul Carroll: 'sisyphus', 2010 Mixed Media, Abstract.
, 2010
Abstract - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Paul Carroll: 'on the verge', 2006 Mixed Media, Abstract.
Abstract - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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(Page 4 of 270) - MORE ARTWORKS
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Artists Describing Their Art:

Marko Stout - In his latest series "Chelsea Girls" Marko Stout offers a window into the essence of city life, while blending in a burst of female vigor. As we are plunged into this obscure scene, we become lost in the electric colors and dynamic brushstrokes, which ignite against the women's organic sensuality. The resulting impact is a stunning contemporary spectacle! Boldly confronting stereotypes in art, Marko Stout innovatively subverts mainstream conceptions of female sexuality. In his multi-media series, Marko abandons the cliche of idealizing beauties as serene and attainable fantasies. His series opposes this convention by depicting young females as fierce and independent within their contemporary urban contexts. Each of Marko's fresh-faced girls reveal a strong, unwavering presence, while appearing oppositional to the spectator's gaze. With their confrontational stare and unwelcoming body language, they all undermine the viewer's observer and remain in control of their sexuality. ...

Richard Nodine - I left a small New Jersey farming community to studied at New YorkaEURtms Parsons School of Design. Upon graduation I briefly worked for a major advertising agency but found the formula creative environment unsatisfying. I moved back to the Jersey shore and took a job in the display department of a small department store. Like other artists of the period I enjoyed the dynamic environment of retail and advanced through several positions, finally moving to the San Francisco where I became display director for a national retailer. During the 1970s and 80s this retailer was noted for groundbreaking merchandising and its many exhibits of design and art. My participation in the creative teamaEURtms efforts afforded me the opportunity to travel widely and create collections of contemporary and tribal art. In 1987 left retail to assist the burgeoning pool of entrepreneurs and non-profit organizations in Northern California. In order to express the long and complex development of my aesthetic philosophy I have devoted most of the last year to the creation of a personal visual language. I find that my work has been shaped by a vast range of stylistic influences, from American Outsider art to European Baroque. ...

Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

Hans Andre - Rarely do I willingly speak of my paintings. What I see is not necessarily the same as you see. The paintings should only be seen in the viewers own eyes. However, in my last solo exhibition during the fall in Milan, organized by Camaver Kunsthaus, an Italian asked why the people in the paintings are always blind. The answer is simple, although people may see physically, it does not make them look mentally. Unfortunately, most people are blind. Visit : www.hansandre.com...

Giorgos Nouvakis - My work till today is based on the effort to integrate contradictory elements into an independent organism, allowing to emerge at one and the same time, the individual balance between materials, textures and forms, at the limits between figuration and abstraction, painting and the third dimension, emptiness and plenitude. The result, although generally three-dimensional, leaves an intense pictorial sensation, with thematic references, that by turn are self-annulled, being integrated into the composition as purely plastic elements. The use of recycled materials, sometimes also personal objects, is owed to their condition as elements that possess a history of work, suffering and life, converted this way into high-valued emotional objects. The forms and plastic values arise from the destruction-reconstruction process that is let to be viewed clearly, contrasted with the posterior "clean" and decisive interventions. The material is let to narrate its story through volumes, empty spaces, textures and its own tonal and color gradations, con discreet interventions that respect this decision. Undoubtedly, the means, the motivation and the conclusions of this search, treat directly with the social sensibility and attitude of the times....

Alexander Sobolta - Im an emerging artist living and working in Hoboken, New Jersey. All my life Ive sought outlets for creative self-expression through prose, poetry, drawing, painting, film and photography. For the past six years Ive focused my efforts primarily on honing my craft as a painter, working with oil and acrylic paint in abstract expressionistic styles. Over the past year Ive begun showing at exhibitions in Manhattan, Brooklyn, and New Jersey to overwhelmingly positive receptions and now seek every opportunity to share my work with the world while continuing to grow as an artist. Drawing inspiration from my own life, from events in the world at large, and from my insatiable curiosity in an eclectic range of subjects and disciplines, my art is an exploration... a meditation... a manifestation of my inspiration filtered subconsciously onto canvas. I see art as a window and a mirror revealing something deeply personal about the artist, while reflecting Truths universal to us all....

Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

Paul Carroll - In the act of observing , an object, figure, the idea is understood, by my perspective, a place in time, and interpretation, an interactive relationship between myself and that which is observed. I have always felt, upon the rendering through painting a kind of intimacy is developed, though the act of mind, hand, heart. As a painter I explore the risk of materials and ideas, as well as the autonomy the work itself demands, in order to explore the unfamiliar, in the hopes of creating something new. My inspiration comes from my environment and experience, I grew up and studied in the epicentre of chance, New York City, saturated with urban messaging, a landscape awash in pre-digital billboards built with layers upon layers of peeling information no longer conveying a single message but a visual distortion of fact, a decomposing testament to a rate of change not comprehensible by the average passerby. Though the means of the Abstract I attempt to make the unconscious, conscious by the use of allegory and symbolism to bridge the gap between the intellectual, thought filled real world, and the intuitive, spiritual world of the senses, in the hopes of imbuing the richness of a ...