Mixed Media Art

Page 3 of 251
Paulo Medina, Steven Lamb, Andree Lisette Herz, Emilio Merlina, Hope Brooks, Donna Gallant, Kristin Garrow, Lynda Lehmann, Environmental Artist Apollo, John Powell, John Sims, C. A. Hoffman, Jim Lively, Robert H. Stockton, Kathryn Arnold offering original Mixed Media artworks.


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Paulo Medina: 'eduardo paisaje de invierno', 2019 Mixed Media, Expressionism. La vida es constante movimiento, una sucesiA3n de estaciones. ...
Expressionism - Mixed Media
60 x 100 cm (23.6 x 39.4 inches)
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Steven Lamb: 'alone in the bar', 2016 Mixed Media, Figurative. I was observing a Lady sitting alone in the bar craving for attention. Obviously losing a hope she is sinking in to her own thoughts. Her face is projecting romans, sadness and hope. The technique is mixed , starting with acrylic and finishing with oil and oil pastel. ...
Figurative - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
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Andree Lisette Herz: 'private commission', 2019 Mixed Media, Nature.
Nature - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Emilio Merlina: 'in the secret garden', 2019 Mixed Media, Fantasy. canvas...
Fantasy - Mixed Media
111 x 152 cm (43.7 x 59.8 inches)
Emilio Merlina: 'stargate', 2019 Mixed Media, Fantasy. canvas...
, 2019
Fantasy - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
Emilio Merlina: 'back home', 2019 Mixed Media, Fantasy. canvas...
, 2019
Fantasy - Mixed Media
27 x 18 cm (10.6 x 7.1 inches)
Emilio Merlina: 'early in the morning', 2019 Mixed Media, Fantasy. on baking paper on canvas...
Fantasy - Mixed Media
30 x 32 cm (11.8 x 12.6 inches)
Hope Brooks: 'the door', 2018 Mixed Media, Abstract Figurative.  Painting for my friend Dr. David Boxer, celebrated artist and curator of the National Gallery of Jamaica.  Death is like a door that once passed is forever locked. Size: 9 panels ea. 18  X  8 Medium: modelong paste and gouache.Year: 2018...
, 2018
Abstract Figurative - Mixed Media
4.6 x 4.6 feet (1.40 x 1.40 m)
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Donna Gallant: 'sunflower', 2018 Mixed Media, Floral. Watercolor and colored pencils are what this piece so unique.  Reminding us of warmer days. ...
, 2018
Floral - Mixed Media
10 x 12 inches (25.4 x 30.5 cm)
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Kristin  Garrow: 'Reflection', 2015 Mixed Media, Fantasy. Opposites reflecting upon on another ...
, 2015
Fantasy - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
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Lynda Lehmann: 'spare root 3', 2018 Mixed Media, Beauty. Fountain Hills Botanical Garden in Fountain Hills, Arizona, is a gem of desert landscape, geology, and flora.  With interesting and awesome outcrops and rock formations combined with a great variety of cacti and other desert plants and trees to delight the eye, the silence deepens along the trail until one ...
Beauty - Mixed Media
12 x 9 inches (30.5 x 22.9 cm)
Lynda Lehmann: 'billowing grace 7', 2018 Mixed Media, Beauty. To me there is no flower more elegant and sculptural than the Iris.  Its seemingly weightless grace is unmatched by any other bloom.  I ve manipulated some of my original Iris photos to create a textured or painted effect and more drama in the gestural form and the lighting.  Keywords: ...
Beauty - Mixed Media
8 x 10 inches (20.3 x 25.4 cm)
Steven Lamb: 'tell my fortune', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
30 x 24 inches (76.2 x 61.0 cm)
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Steven Lamb: 'one for the road', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
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Steven Lamb: 'alone again', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
20 x 24 inches (50.8 x 61.0 cm)
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Donna Gallant: 'touching the heavens', 2017 Mixed Media, Abstract. This piece is apart of the artist s journal. ...
Abstract - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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Environmental Artist Apollo: 'teradactal skin nebula', 2017 Mixed Media, Animals. During the 1980s my si- fi artwork was on file with Omni magazine. I had two pieces up for covers when they ended publication. I still love creating space art. It started with a paintbrush and some acrylic paint. I then took the image into Photoshop and started playing. Looks ...
Animals - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
John Powell: 'Poet ', 2019 Mixed Media, Figurative. NOTEORDER PRINTS @
, 2019
Figurative - Mixed Media
12 x 15 inches (30.5 x 38.1 cm)
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Donna Gallant: 'time passing by', 2017 Mixed Media, Abstract. Another pieces from the broken spaces series.  Surfaces that break and part into more complex images. ...
Abstract - Mixed Media
12 x 8.5 inches (30.5 x 21.6 cm)
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Donna Gallant: 'broken spaces 1', 2017 Mixed Media, Abstract. This piece is part of a series relating to broken spaces or spacial elements that create interest. ...
Abstract - Mixed Media
12 x 8.5 inches (30.5 x 21.6 cm)
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John Sims: 'meeting with poussin', 2011 Mixed Media, Figurative. Drawn with colour pencil and oil pastel on paper after looking at paintings by Poussin and De Kooning. An imaginary meeting on a beach in Cyprus...
Figurative - Mixed Media
44 x 29 cm (17.3 x 11.4 inches)
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Hope Brooks: 'Goat Island Suite  a suite of four paintings', 2017 Mixed Media, Ecological. Currently on show at the XI Florence Biennale October 6 - 15 2017 this painting is about The Goat Islands that are located on the south west coast of Jamaica that became the centre of attention in 2015 when the Government of Jamaica proposed to sell the Islands to the Government ...
Ecological - Mixed Media
64 x 64 inches (162.6 x 162.6 cm)
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Lynda Lehmann: 'water study 4', 2017 Mixed Media, Beauty. Ripples make a beautiful overall  and infinitely changing  texture on lake water as twilight falls, and reflected sunlight plays in luminous bangles of light, creating its own magic.Matted 8 x 10 Print   120. 00KEYWORDS: glimmer, shimmer, beauty  water  lake  energy  flowing  light  mirroring  movement  natural  nature  nautical  optical  ...
Beauty - Mixed Media
10 x 8 inches (25.4 x 20.3 cm)
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C. A. Hoffman: 'closeby', 2017 Mixed Media, Abstract.
, 2017
Abstract - Mixed Media
14 x 12 inches (35.6 x 30.5 cm)
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Hope Brooks: 'justice denied', 2017 Mixed Media, Political. This painting is a tribute to Millicent Forbes aEUR
Political - Mixed Media
71 x 45 inches (180.3 x 114.3 cm)
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Lynda Lehmann: 'in the coral garden', 2017 Mixed Media, Sea Life. This is a stylized underwater fantasy that children will love, created digitally by combining several of my photographs and manipulating color, composition and texture.  KEYWORDS: vibrant, vivid, fantasy, abstracted, stylized, underwater, undersea. marine, fish, biology, coral, reef, ocean, sea, colorful, multicolored, for kids, art for children, art for kids, fun, ...
Sea Life - Mixed Media
12 x 9 inches (30.5 x 22.9 cm)
Jim Lively: 'customed tailored', 2017 Mixed Media, Abstract. a priori series, contemporary, abstract...
Abstract - Mixed Media
30 x 48 inches (76.2 x 121.9 cm)
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Robert H. Stockton: 'Gleneden Avenue Oakland 1968', 2016 Mixed Media, Other.
Other - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
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Kathryn Arnold: 'inspiration', 2016 Mixed Media, Abstract. Kathryn Arnold, Black   White, contemporary, Abstractiion, on paper...
Abstract - Mixed Media
43 x 45 inches (109.2 x 114.3 cm)
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Kathryn Arnold: 'a lot of birds outside today', 2016 Mixed Media, Abstract. Mixed Media, on paper, Abstract, Kathryn Arnold, Black   White...
Abstract - Mixed Media
60 x 52 inches (152.4 x 132.1 cm)
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(Page 3 of 251) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Kristin Garrow - Dream..Imagine..Inspire..Heal These words are a daily must in the life of my creations. Suffering from several disorders including Bipolar and Fibromyalgia I am constantly changing my routine to accommodate my own Art Therapy. What does this mean for you Who doesnaEURtmt like a little variety in their lives Through my works I am able to create many forms of art and utilize multiple mediums. I offer you the chance to have a piece of my world join yours in hopes it brings you as much joy as it did for me while creating. I am always trying something new and exploring my mind to give you a piece that reaches you on many levels. My work is an examination of the different paths life takes, and the ways we work through our everyday lives always searching for something. I hope to provide you with whatever you are searching for. To have that one work that truly speaks to you or simply makes you smile. ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Environmental Artist Apollo - "The beauty of our planet should be held in respect as well as reverence and awe! As the care takers of this precious jewel called Earth it is our duty to become more harmonious with our environment, for what we hold in our hands is a trust for future generations. What we do today, creates tomorrow." APOLLO Internationally Renowned Environmental Artist. Apollo is one of the World's Leading Environmental Artists. Apollo started painting dolphins and whales when He first moved to Maui in 1980. Since that time he has developed a Worldwide Following and has had the privilege to work with several Environmental Groups to raise both funding and awareness. ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Jim Lively - Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...