Mixed Media Art

Page 5 of 252
Tamara Sorkin, Paulo Medina, C. A. Hoffman, Luise Andersen, Rickie Dickerson, Lucille Rella, Michael Puya, Robert H. Stockton, Vincenzo Montella, Austen Pinkerton, Manuela Facchin Varalda, Andrew Bartosz, Jyoti Thomas, Marcia Freedman offering original Mixed Media artworks.


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Tamara Sorkin: 'reclaimed plywood', 2013 Mixed Media, Abstract.      old plywood retrieved from the rubbish dump has tons of character in its layers and cracks. All one has to do is enhance it.                    ...
Abstract - Mixed Media
120 x 120 cm (47.2 x 47.2 inches)
Paulo Medina: 'Christ Mocked', 2013 Mixed Media, Abstract Figurative.
Abstract Figurative - Mixed Media
80 x 120 cm (31.5 x 47.2 inches)
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C. A. Hoffman: 'Red Tent Overhead', 2013 Mixed Media, Abstract Figurative.         This an original photo that has been digitally- enhanced to create an original work of art. All pieces are available in sizes up to 16 x 20 inches.                                    This is a picture I took of an ancient shell I found on the beach in the Carribean.  It looks like some...
Abstract Figurative - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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C. A. Hoffman: 'Yellow Enters', 2013 Mixed Media, Abstract Landscape.       This an original photo that has been digitally- enhanced to create an original work of art. All pieces are available in sizes up to 16 x 20 inches.                                    This is a picture I took of an ancient shell I found on the beach in the Carribean.  It looks like some...
Abstract Landscape - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Luise Andersen: 'experiment Own Muse III', 2013 Mixed Media, Abstract.  . exploring 'feelings' . . senses. . curiosity. . and best is. . to do with' self' . . took pic of May 2013- - and ventured. .. . the' feelings' that are in the dark. . and i know' presence' is there'' yet do not' see' physically the' person' . . or animal . . etc. .Other is. . . the vision of physically. . no need to...
Abstract - Mixed Media
26 x 24 inches (66.0 x 61.0 cm)
Luise Andersen: 'experiment Own Muse II', 2013 Mixed Media, Abstract.  . . exploring 'feelings' . . senses. . curiosity. . and best is. . to do with' self' . . took pic of May 2013- - and ventured. .. . the' feelings' that are in the dark. . and i know' presence' is there'' yet do not' see' physically the' person' . . or animal . . etc. .Other is. . . the vision of physically. . no need to...
Abstract - Mixed Media
26 x 24 inches (66.0 x 61.0 cm)
Luise Andersen: 'experiment Own Muse I', 2013 Mixed Media, Abstract.     Mixed media means in this case. . original photograph of 'my face' and touch up brush from my i- photo- - which i use like paint brush. .* *     August 30,2013- . . exploring' feelings' . . senses. . curiosity. . and best is. . to do with' self' . . took pic of May 2013- - and ventured. .. . the' feelings' that are...
Abstract - Mixed Media
26 x 24 inches (66.0 x 61.0 cm)
Rickie Dickerson: 'Madwoman', 1999 Mixed Media, Abstract.  One of the very first abstracts I did. . . acrylics are so magic to me! Re- uploading everything at a better res. . .  ...
, 1999
Abstract - Mixed Media
28 x 22 inches (71.1 x 55.9 cm)
Lucille Rella: 'Backview', 2013 Mixed Media, Figurative.
, 2013
Figurative - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Lucille Rella: 'Spiral', 2013 Mixed Media, Figurative.
, 2013
Figurative - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Lucille Rella: 'Blues', 2013 Mixed Media, Figurative.
, 2013
Figurative - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Rickie Dickerson: 'Found Object Dragon Skin', 2013 Mixed Media, Abstract Figurative.   Imagination as the finder. . . ...
Abstract Figurative - Mixed Media
8 x 10 inches (20.3 x 25.4 cm)
Michael Puya: 'traveling through space', 2013 Mixed Media, Abstract.
Abstract - Mixed Media
80 x 80 cm (31.5 x 31.5 inches)
Michael Puya: 'the magic tree of the seven wishes', 2013 Mixed Media, Abstract.
Abstract - Mixed Media
80 x 80 cm (31.5 x 31.5 inches)
Michael Puya: 'planet touches surface', 2013 Mixed Media, Abstract.
Abstract - Mixed Media
80 x 80 cm (31.5 x 31.5 inches)
Lucille Rella: 'Dream Time', 2013 Mixed Media, Figurative.
, 2013
Figurative - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Robert H. Stockton: 'Off the Radar', 2012 Mixed Media, Aviation.  This is a small mixed media piece, based on the adventures and hazards of air travel.  The artwork is 2. 5 x 3. 5 in size ( standard ATC size) , and is matted, to a finished size of 6. 5 x 7. 5, with white, pH neutral, museum board.  It will...
Aviation - Mixed Media
6.5 x 7.5 inches (16.5 x 19.1 cm)
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Robert H. Stockton: 'Last Days', 2010 Mixed Media, Figurative.  This giclee'print was created from a mixed media original, in an edition of 50 prints.  The artwork is 8
, 2010
Figurative - Mixed Media
8 x 8 inches (20.3 x 20.3 cm)
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Vincenzo Montella: 'thoughts', 2011 Mixed Media, Inspirational.   art book  ...
, 2011
Inspirational - Mixed Media
8 x 20 cm (3.1 x 7.9 inches)
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Vincenzo Montella: 'book of stars', 2012 Mixed Media, Inspirational.  art book ...
Inspirational - Mixed Media
21 x 20 cm (8.3 x 7.9 inches)
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Austen Pinkerton: 'DURDLE DOOR', 2012 Mixed Media, Landscape.      LANDSCAPE SEASCAPE ...
Landscape - Mixed Media
74 x 53 cm (29.1 x 20.9 inches)
Robert H. Stockton: 'What the Gods Allow', 2011 Mixed Media, Landscape.  This is a giclee' print of a mixed media original, printed on archival fine art paper.  The artwork size is 8 x 11. 25, and it is matted with white museum board to an overall finished size of 13 x 17.  The original artwork is a mixed media piece, combining...
Landscape - Mixed Media
8 x 11.3 inches (20.3 x 28.7 cm)
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Luise Andersen: 'MIXED MEDIA DRAWING Oct Seven TwoOEleven Update', 2011 Mixed Media, Other.  . . . is going through mood changes. . feel. . as 'I' do. . many smaller symbolic of forms disappeared under layrers of hues. . . . bright. . or soft. . neutral. . some images demanded stronger presence. . so. . I will be working on this drawing' more' . . I guess. . should really begin another as continuance. . just might do that  will...
Other - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
Manuela Facchin Varalda: 'Reflect 7', 2010 Mixed Media, Figurative.   original artworkunique piecemixed nedia on canvas cm 70 x 70  ...
, 2010
Figurative - Mixed Media
28 x 28 inches (71.1 x 71.1 cm)
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Andrew Bartosz: '1715', 2009 Mixed Media, nudes.
, 2009
nudes - Mixed Media
97 x 112 cm (38.2 x 44.1 inches)
Andrew Bartosz: '1714', 2010 Mixed Media, nudes.
, 2010
nudes - Mixed Media
98 x 112 cm (38.6 x 44.1 inches)
Jyoti Thomas: 'contact begins', 2010 Mixed Media, Abstract Landscape.   Night / Earth/ nature         ...
Abstract Landscape - Mixed Media
70 x 70 cm (27.6 x 27.6 inches)
Jyoti Thomas: 'Cocoon', 2010 Mixed Media, Abstract Landscape.         Earth/ nature       ...
, 2010
Abstract Landscape - Mixed Media
100 x 100 cm (39.4 x 39.4 inches)
Marcia Freedman: 'BTY Suite 3', 2009 Mixed Media, Abstract.     Better Than Yesterday is an abstract installation of drawings on vellum whose source is found within the interior of the body. There are 14 drawings each 11x8 1/ 2 on vellum.      ...
Abstract - Mixed Media
51.5 x 22 inches (130.8 x 55.9 cm)
Marcia Freedman: 'BTY SUITE 2', 2009 Mixed Media, Abstract.    Better Than Yesterday is an abstract installation of drawings on vellum whose source is found within the interior of the body. There are 14 drawings each 11x8 1/ 2 on vellum.     ...
Abstract - Mixed Media
51.5 x 22 inches (130.8 x 55.9 cm)
(Page 5 of 252) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...

    Jyoti Thomas - I feel passionate about creating in many different forms and mediums but I'm predominantly a painter. My art comes from my inner world giving a voice to thoughts and emotions that can't always be adequately expressed in other ways. I am always in awe of the deep power of creativity to heal and bring deep insight. Most of my works are rich in colour and symbols and are an emotional and soul felt interpretation of the world within me and around me. The works shown here are from several bodies of work those being Meet Anita, Gifts of Descent, Below the Surface, Fragments, Oceans of Choice. and Night Sea Journey. My artwork has been a constantly changing river of works following the journey of my life, through good times and difficult times and has always been a refuge and a deep love. While the artwork just IS in its own right I also hope that it taps into others experiences of life and links us together in our common humanity. I love art just for its own sake and nothing else in my world has the ability to lift my heart and soul like making art does. I ...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...