Mixed Media Art

Page 5 of 240
Edgar Bonne, Paulo Medina, John Powell, Michael Puya, Tamara Sorkin, C. A. Hoffman, Luise Andersen, Rickie Dickerson, Lucille Rella, Robert H. Stockton, Vincenzo Montella, Austen Pinkerton offering original Mixed Media artworks.


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Edgar Bonne: 'Plato Cave', 2014 Mixed Media, Abstract.   Mixed Media on paper, pasted on composition board. ...
, 2014
Abstract - Mixed Media
63 x 86 cm (24.8 x 33.9 inches)
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Edgar Bonne: 'Serenade in Blue', 2015 Mixed Media, Abstract.   Mixed media on paper, mounted on composition board.Mixed Media on paper, pasted on composition board....
Abstract - Mixed Media
57 x 74 cm (22.4 x 29.1 inches)
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Paulo Medina: 'Fragmentos de memoria', 2014 Mixed Media, Abstract.
Abstract - Mixed Media
100 x 100 cm (39.4 x 39.4 inches)
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John Powell: 'Adam and Eve ', 2014 Mixed Media, Figurative. ORDER PRINTS AT
Figurative - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
John Powell: 'Three Graces ', 2014 Mixed Media, Figurative. Three Graces, from romance series, You may order giclee prints at
Figurative - Mixed Media
21 x 20 inches (53.3 x 50.8 cm)
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Michael Puya: 'Utopia', 2014 Mixed Media, Abstract. This artwork has still to be be corrected/ repaired a little bit on the left side. ...
, 2014
Abstract - Mixed Media
80 x 80 cm (31.5 x 31.5 inches)
Tamara Sorkin: 'desert land', 2013 Mixed Media, Abstract Landscape.     this is an acrylic painting on canvas, combined with sand, inspired by the slow dreamlike flight of a hot air balloon over northern Negev desert land.                      ...
Abstract Landscape - Mixed Media
50 x 60 cm (19.7 x 23.6 inches)
Tamara Sorkin: 'ploughed fields from above', 2013 Mixed Media, Abstract Landscape.    this is an acrylic painting on canvas, combined with sand, inspired by the slow dreamlike flight of a hot air balloon over northern Negev desert land.                     ...
Abstract Landscape - Mixed Media
50 x 60 cm (19.7 x 23.6 inches)
Tamara Sorkin: 'reclaimed plywood', 2013 Mixed Media, Abstract.      old plywood retrieved from the rubbish dump has tons of character in its layers and cracks. All one has to do is enhance it.                    ...
Abstract - Mixed Media
120 x 120 cm (47.2 x 47.2 inches)
C. A. Hoffman: 'Red Tent Overhead', 2013 Mixed Media, Abstract Figurative.         This an original photo that has been digitally- enhanced to create an original work of art. All pieces are available in sizes up to 16 x 20 inches.                                    This is a picture I took of an ancient shell I found on the beach in the Carribean.  It looks like some...
Abstract Figurative - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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C. A. Hoffman: 'Yellow Enters', 2013 Mixed Media, Abstract Landscape.       This an original photo that has been digitally- enhanced to create an original work of art. All pieces are available in sizes up to 16 x 20 inches.                                    This is a picture I took of an ancient shell I found on the beach in the Carribean.  It looks like some...
Abstract Landscape - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Luise Andersen: 'experiment Own Muse III', 2013 Mixed Media, Abstract.  . exploring 'feelings' . . senses. . curiosity. . and best is. . to do with' self' . . took pic of May 2013- - and ventured. .. . the' feelings' that are in the dark. . and i know' presence' is there'' yet do not' see' physically the' person' . . or animal . . etc. .Other is. . . the vision of physically. . no need to...
Abstract - Mixed Media
26 x 24 inches (66.0 x 61.0 cm)
Luise Andersen: 'experiment Own Muse II', 2013 Mixed Media, Abstract.  . . exploring 'feelings' . . senses. . curiosity. . and best is. . to do with' self' . . took pic of May 2013- - and ventured. .. . the' feelings' that are in the dark. . and i know' presence' is there'' yet do not' see' physically the' person' . . or animal . . etc. .Other is. . . the vision of physically. . no need to...
Abstract - Mixed Media
26 x 24 inches (66.0 x 61.0 cm)
Luise Andersen: 'experiment Own Muse I', 2013 Mixed Media, Abstract.     Mixed media means in this case. . original photograph of 'my face' and touch up brush from my i- photo- - which i use like paint brush. .* *     August 30,2013- . . exploring' feelings' . . senses. . curiosity. . and best is. . to do with' self' . . took pic of May 2013- - and ventured. .. . the' feelings' that are...
Abstract - Mixed Media
26 x 24 inches (66.0 x 61.0 cm)
Rickie Dickerson: 'Madwoman', 1999 Mixed Media, Abstract.  One of the very first abstracts I did. . . acrylics are so magic to me! Re- uploading everything at a better res. . .  ...
, 1999
Abstract - Mixed Media
28 x 22 inches (71.1 x 55.9 cm)
Lucille Rella: 'Backview', 2013 Mixed Media, Figurative.
, 2013
Figurative - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Lucille Rella: 'Spiral', 2013 Mixed Media, Figurative.
, 2013
Figurative - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Lucille Rella: 'Blues', 2013 Mixed Media, Figurative.
, 2013
Figurative - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Rickie Dickerson: 'Found Object Dragon Skin', 2013 Mixed Media, Abstract Figurative.   Imagination as the finder. . . ...
Abstract Figurative - Mixed Media
8 x 10 inches (20.3 x 25.4 cm)
Michael Puya: 'traveling through space', 2013 Mixed Media, Abstract.
Abstract - Mixed Media
80 x 80 cm (31.5 x 31.5 inches)
Michael Puya: 'the magic tree of the seven wishes', 2013 Mixed Media, Abstract.
Abstract - Mixed Media
80 x 80 cm (31.5 x 31.5 inches)
Michael Puya: 'planet touches surface', 2013 Mixed Media, Abstract.
Abstract - Mixed Media
80 x 80 cm (31.5 x 31.5 inches)
Lucille Rella: 'Dream Time', 2013 Mixed Media, Figurative.
, 2013
Figurative - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Robert H. Stockton: 'Off the Radar', 2012 Mixed Media, Aviation.  This is a small mixed media piece, based on the adventures and hazards of air travel.  The artwork is 2. 5 x 3. 5 in size ( standard ATC size) , and is matted, to a finished size of 6. 5 x 7. 5, with white, pH neutral, museum board.  It will...
Aviation - Mixed Media
6.5 x 7.5 inches (16.5 x 19.1 cm)
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Robert H. Stockton: 'Last Days', 2010 Mixed Media, Figurative.  This giclee'print was created from a mixed media original, in an edition of 50 prints.  The artwork is 8
, 2010
Figurative - Mixed Media
8 x 8 inches (20.3 x 20.3 cm)
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Vincenzo Montella: 'thoughts', 2011 Mixed Media, Inspirational.   art book  ...
, 2011
Inspirational - Mixed Media
8 x 20 cm (3.1 x 7.9 inches)
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Vincenzo Montella: 'book of stars', 2012 Mixed Media, Inspirational.  art book ...
Inspirational - Mixed Media
21 x 20 cm (8.3 x 7.9 inches)
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Austen Pinkerton: 'DURDLE DOOR', 2012 Mixed Media, Landscape.      LANDSCAPE SEASCAPE ...
Landscape - Mixed Media
74 x 53 cm (29.1 x 20.9 inches)
Robert H. Stockton: 'What the Gods Allow', 2011 Mixed Media, Landscape.  This is a giclee' print of a mixed media original, printed on archival fine art paper.  The artwork size is 8 x 11. 25, and it is matted with white museum board to an overall finished size of 13 x 17.  The original artwork is a mixed media piece, combining...
Landscape - Mixed Media
8 x 11.3 inches (20.3 x 28.7 cm)
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Luise Andersen: 'MIXED MEDIA DRAWING Oct Seven TwoOEleven Update', 2011 Mixed Media, Other.  . . . is going through mood changes. . feel. . as 'I' do. . many smaller symbolic of forms disappeared under layrers of hues. . . . bright. . or soft. . neutral. . some images demanded stronger presence. . so. . I will be working on this drawing' more' . . I guess. . should really begin another as continuance. . just might do that  will...
Other - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
(Page 5 of 240) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Edgar Bonne - My art practice has its currency deep in the post-modern age, yet flirting in the modernist manner with colour field, and somewhat entrenched in the abstract expressionist approach to deliver what I am about. I paint to elicit and evoke a reaction from the viewer, whatever, some distant memories, and some lost feelings that may be deeply entrenched, but have perhaps been kept subordinate by the passage of time. However, by contemplating and letting go, one begins to comprehend the work and become one with the work. In my painting, I work with abstraction; pulling and pushing the paint to achieve desired results. I paint in a gestural manner; always arranging and scratching if required on different planes that overlap one another and blend into real shapes to create a world of mystery and sensuality from past memories and journeys. This visceral emotional reaction to something in my work comes from somewhere deep within, and it can empathize to the inner recess of each person... My work is intuitive; colour and gestural strokes are the language that I use to express those responses. It is the interaction of colour and gesture that drive me. It is the colour and...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Lucille Rella - Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...