Mixed Media Art

Page 10 of 252
Suzanne Caron, Dennis Mccallum, Elizabeth Griffith, Chad A. Carino, Marc Crisafulli, Hatice Brenton, Ana Castro Feijoo, Klaus Hinz, Angela Kirkner, Steve Doan offering original Mixed Media artworks.


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Suzanne Caron: 'Avian Cacophony', 2016 Mixed Media, Abstract. acrylic and mixed media abstract painting on gallery canvas...
Abstract - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
Suzanne Caron: 'Dog and Crow', 2015 Mixed Media, Abstract. Dog and Crow.  Acrylic and mixed media abstract painting.  Standard wood panel. ...
Abstract - Mixed Media
12 x 12 inches (30.5 x 30.5 cm)
Suzanne Caron: 'Inner Landscape Revealed', 2015 Mixed Media, Abstract. acrylic, tissue paper, graphite abstract, Exhibition Un tour du chapeau, MusA(c)e Vaudreuil, 2015 ...
Abstract - Mixed Media
24 x 36 inches (61.0 x 91.4 cm)
Dennis Mccallum: 'Red Fox', 2016 Mixed Media, Animals.   A taste of whisky  fox red mountains  ...
, 2016
Animals - Mixed Media
16 x 25 cm (6.3 x 9.8 inches)
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Dennis Mccallum: 'The Golden Drop', 2016 Mixed Media, Animals.  A taste of whisky   ...
Animals - Mixed Media
16 x 25 cm (6.3 x 9.8 inches)
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Elizabeth Griffith: 'Planets From Here', 2015 Mixed Media, Abstract.  Artwork on canvas board, used acrylic, pen, and watercolor  ...
Abstract - Mixed Media
16 x 12 inches (40.6 x 30.5 cm)
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Chad A. Carino: 'Radio Waves', 2008 Mixed Media, Culture.  Invisible. Deadly. ...
Culture - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
Chad A. Carino: 'Tell Me What It Was Like Before Television, Mother', 2006 Mixed Media, Culture.  No. ...
Culture - Mixed Media
11 x 17 inches (27.9 x 43.2 cm)
Marc Crisafulli: 'Itch Itch', 2003 Mixed Media, Humor. If I had a nickel for every time this happend to me. . ....
, 2003
Humor - Mixed Media
14 x 8 inches (35.6 x 20.3 cm)
Hatice Brenton: 'Looking In', 2000 Mixed Media, Life.
, 2000
Life - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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Ana Castro Feijoo: 'the color of the wind i', 2020 Mixed Media, Abstract. In this work I try to transmit the sond of the wind in a pictorial language with my own colors, shapes and signals ...
Abstract - Mixed Media
80 x 120 cm (31.5 x 47.2 inches)
Ana Castro Feijoo: 'still water i', 2020 Mixed Media, Abstract. this work is based on the light and colors of water and summer...
Abstract - Mixed Media
70 x 100 cm (27.6 x 39.4 inches)
Ana Castro Feijoo: 'miami', 2020 Mixed Media, Abstract. This work is based on the light and colors of summer...
, 2020
Abstract - Mixed Media
70 x 50 cm (27.6 x 19.7 inches)
Ana Castro Feijoo: 'breezes', 2019 Mixed Media, Abstract. mixed media on paper, abstract landscape with oils and inks and textures...
, 2019
Abstract - Mixed Media
70 x 50 cm (27.6 x 19.7 inches)
Ana Castro Feijoo: 'cromos', 2017 Mixed Media, Abstract. abstract art work, inspired by fall colors, with many transparencies and textures...
, 2017
Abstract - Mixed Media
100 x 100 cm (39.4 x 39.4 inches)
Ana Castro Feijoo: 'the signal', 2018 Mixed Media, Abstract. It is inspired by the signs that life gives us and where they take us, when we hear them.  it has many transparenceies and textures.  Various materials were usedto achive the desired effeect. ...
, 2018
Abstract - Mixed Media
90 x 80 cm (35.4 x 31.5 inches)
Ana Castro Feijoo: 'White breezes', 2019 Mixed Media, Abstract. This work is part of the seriesThe color of the windand is inspired by those ddays when the breeze blows and despite its invisibility we see it in all its glory ...
Abstract - Mixed Media
80 x 90 cm (31.5 x 35.4 inches)
Klaus Hinz: 'organic plant or tree', 2017 Mixed Media, Abstract. Beautyful memories from my life in Indonesia  Pulau Belitung...
Abstract - Mixed Media
130 x 120 cm (51.2 x 47.2 inches)
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Klaus Hinz: 'daun simpur', 2006 Mixed Media, Abstract. Memories of a beautiful time in Indonesia Pulau Belitung...
Abstract - Mixed Media
130 x 120 cm (51.2 x 47.2 inches)
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Klaus Hinz: 'daun simpur', 2012 Mixed Media, Abstract. Memories of a beautiful time in Indonesia Pulau Belitung...
Abstract - Mixed Media
110 x 150 cm (43.3 x 59.1 inches)
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Angela Kirkner: 'arbeitsamt', 2018 Mixed Media, Abstract Landscape. Mixed media on canvas with acrylic, Chinese joss papers, inksmap piece, gold leaf...
, 2018
Abstract Landscape - Mixed Media
12 x 12 inches (30.5 x 30.5 cm)
Angela Kirkner: 'scarlet', 2019 Mixed Media, Abstract Landscape. Mixed media on canvas with acrylic, ink, torn paper, gold ink, handmade paper, sheet music, flower petals...
, 2019
Abstract Landscape - Mixed Media
10 x 10 inches (25.4 x 25.4 cm)
Angela Kirkner: 'Haus on the Hill', 2019 Mixed Media, Abstract Landscape. Torn paper, acrylic and inks on canvas...
Abstract Landscape - Mixed Media
12 x 12 inches (30.5 x 30.5 cm)
Steve Doan: 'centre of attention', 2019 Mixed Media, Abstract. Kandinsky inspired.  The next step into POP ART STREET ART.  Art work Balanced in composition and colour.  A series of three all in the same direction and balance.  There is an hint of Bauhaus commonly known as a German art school operational from 1919 to 1933 that combined crafts and ...
Abstract - Mixed Media
90 x 90 cm (35.4 x 35.4 inches)
Steve Doan: 'grand slam 2', 2019 Mixed Media, Abstract. Kandinsky inspired. The next step into POP ART STREET ART. Art work Balanced in composition and colour. A series of three all in the same direction and balance. There is an hint of Bauhaus commonly known as a German art school operational from 1919 to 1933 that combined crafts and ...
Abstract - Mixed Media
40 x 40 cm (15.7 x 15.7 inches)
Steve Doan: 'grand slam', 2019 Mixed Media, Abstract. Kandinsky inspired. The next step into POP ART STREET ART. Art work Balanced in composition and colour. A series of three all in the same direction and balance. There is an hint of Bauhaus commonly known as a German art school operational from 1919 to 1933 that combined crafts and ...
, 2019
Abstract - Mixed Media
40 x 40 cm (15.7 x 15.7 inches)
Steve Doan: 'around the clock', 2019 Mixed Media, Abstract. Kandinsky inspired. The next step into POP ART STREET ART. Art work Balanced in composition and colour. A series of three all in the same direction and balance. There is an hint of Bauhaus commonly known as a German art school operational from 1919 to 1933 that combined crafts and ...
Abstract - Mixed Media
40 x 40 cm (15.7 x 15.7 inches)
Steve Doan: 'ooo', 2019 Mixed Media, Abstract. Kandinsky inspired. The next step into POP ART STREET ART. Art work Balanced in composition and colour. A series of three all in the same direction and balance. There is an hint of Bauhaus commonly known as a German art school operational from 1919 to 1933 that combined crafts and ...
, 2019
Abstract - Mixed Media
45 x 60 cm (17.7 x 23.6 inches)
Steve Doan: 'stand up straight 2', 2019 Mixed Media, Abstract. Kandinsky inspired. The next step into POP ART STREET ART. Art work Balanced in composition and colour. A series of three all in the same direction and balance. There is an hint of Bauhaus commonly known as a German art school operational from 1919 to 1933 that combined crafts and ...
Abstract - Mixed Media
50 x 65 cm (19.7 x 25.6 inches)
Steve Doan: 'stand up straight', 2019 Mixed Media, Abstract. Kandinsky inspired. The next step into POP ART STREET ART. Art work Balanced in composition and colour. A series of three all in the same direction and balance. There is an hint of Bauhaus commonly known as a German art school operational from 1919 to 1933 that combined crafts and ...
Abstract - Mixed Media
50 x 65 cm (19.7 x 25.6 inches)
(Page 10 of 252) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Suzanne Caron - A blank surface is quickly covered with fluid colour using a large brush or sponge. Gestural strokes in the still-wet paint suggest movement and form, and from there the painting evolves almost with a will of its own, an intuitive process, at least up to a certain point. As the work progresses, ideas form rapidly and are sometimes sketched on paper before applying more paint. I dont always know where to begin or even end, but thats what excites me about painting....the unknown ...

    Dennis Mccallum - For a number of years I was the UK Government protected species rehabilitator to the wild of injured birds of prey. In this time I was able to observe and handle wild birds and animals. They were my inspiration and provided the subject matter for my paintings. Having been a surveyor with the UK Ordnance Survey which makes the British maps, I was trained to represent images with accuracy and detail and this I do in my paintings from studying the birds at close quarters. I also have the freedom to explore any subject that interests me. My work has been challenging, but always enjoyable and that is my reason for painting...

    Elizabeth Griffith - Elizabeth Griffith, MA, LPC-I, ATR Supervised by Deborah Lindeen, LPCS, LPC, ATR-BC I am a mixed media artist, art therapist and counselor in training. My work mostly consists of oil and acrylic paintings. My artwork is inspired by my experiences throughout life and my strong desire to understand people and society. I believe art can be interpreted differently depending on the viewer and that the buyer should have a strong connection to the piece. Feel free to contact me with questions or comments about my portfolio. Thank you,...

    Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....

    Marc Crisafulli - Born and raised in suburban Maryland, I enjoy the freedom my computer allows me to take freelance work from all over the country. In 1992 I was offered a position on the original "Ren & Stimpy Show" at Spumco in Los Angeles. Other animation studios I've worked for have included Cartoon Network, Klasky Csupo, and Walt Disney TV Animation. I like the speed and precision programs like Adobe Photoshop can offer me, but that hasn't stopped me from working with traditional materials on a regular basis, including brush and ink, watercolor, colored pencils, and gouache. For many years I've been developing several original concepts and characters for a variety of venues and mediums. I did a great deal of illustration for the book Rough Draft: Pop Culture the Way It Almost Was...some examples of the Dr. Seuss work I did for the book can be found at the link below. Other illustration clients include The New York Press and several record covers for The Kung Fu Monkeys. While classic Hollywood cartoons have greatly influenced both my style and sensibilities, I readily admit to also being fascinated (and greatly inspired by) most popular culture, human behavior, children, ...

    Ana Castro Feijoo - My work is essentially a visual development of the relationnships between shapes, colors, line and emotion, with in speecific field, sometimes the symbols reveal themselves spontaneously, my chalenge in their balancein space. It is halfway between abstraction and figuration. I donA't analyze, I donA't coneptualize, rather I build and destroy until I unravel a portrait of the moment. It is my language to express mmy interior, difficult with words. In the paintings I paint layer upon layer, letting it happen and flo, in the engraving especially llately in the monocopie, once the inks have been disseminated I am intereested in exploring the accident that occurs when literally exploding them under the pressure of the press, moment by moment, until the appropriate ones are captured on papeer or canvas. I am a multifaceted artist. I am attracted to the challenges of differrent disciplines. It is an evolution in time, while the work is being created, to the point that I see an abstract representation of something that I had not seen before and I allow the work to have its own presence....

    Steve Doan - A Precarious Balance For The Abstract Painter "Doan's abstract paintings a precarious balance of abrupt explosions of uncontainable gestural energy and soothing, stabilizing structure, which seem to transcend the painterly marks that constitute it. The best abstract painting manages the doubleness with deceptive ease: this simultaneous sense of equilibrium and disequilibrium--not just 'dynamic equilibrium', as Kandinsky called it, but a double vision in which the picture seems a sum of disequilibrated parts that do not add up to a whole and an organically equilibrated whole that is more than the sum of any of its details. Indeed, it rises above then like a mirage of higher unity. Doan's recent abstractions achieve this complex magic. Whether mimetic of abstract, it is the undercurrent of abstract, seemingly arbitrary vividness-willing intensity--that is Doan's basic subject matter." Andrew Dunning - Blue Sky Creative "Ne au Texas, il a grandi en Afrique et en Arizona. Son travail est tres impregne des lumieres et des couleurs vives de ces regions ensoleillees. Il vit depuis plusieurs annees e Bruxelles, apres avoir parcouru l'Europe. Ces differentes terres d'accueil ont influence des style de cr...