Mixed Media Art

Page 6 of 252
Austen Pinkerton, Robert H. Stockton, Monica Malbeck, Luise Andersen, Jerry Di Falco, Manuela Facchin Varalda, Andrew Bartosz, Jyoti Thomas, Marcia Freedman, Paola Di Renzo, Yoli Salmona, Heather Hyatt, Kevin Knuckles, Avril Ward, Kichung Lizee offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Robert H. Stockton: 'What the Gods Allow', 2011 Mixed Media, Landscape.  This is a giclee' print of a mixed media original, printed on archival fine art paper.  The artwork size is 8 x 11. 25, and it is matted with white museum board to an overall finished size of 13 x 17.  The original artwork is a mixed media piece, combining...
Landscape - Mixed Media
8 x 11.3 inches (20.3 x 28.7 cm)
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Monica Malbeck: 'Power ', 2016 Mixed Media, Inspirational.
, 2016
Inspirational - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
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Luise Andersen: 'MIXED MEDIA DRAWING Oct Seven TwoOEleven Update', 2011 Mixed Media, Other.  . . . is going through mood changes. . feel. . as 'I' do. . many smaller symbolic of forms disappeared under layrers of hues. . . . bright. . or soft. . neutral. . some images demanded stronger presence. . so. . I will be working on this drawing' more' . . I guess. . should really begin another as continuance. . just might do that  will...
Other - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
Monica Malbeck: 'At Night in Fiji', 2011 Mixed Media, Birds.
Birds - Mixed Media
36 x 30 inches (91.4 x 76.2 cm)
Monica Malbeck: 'Life Travelers', 2016 Mixed Media, Birds.
Birds - Mixed Media
36 x 30 inches (91.4 x 76.2 cm)
Jerry  Di Falco: 'RSDS and The Season of the Witch', 2009 Mixed Media, Zeitgeist. This four- canvas work is a homage to RSDS, the neurological disorder called Reflex Sympathetic Dystrophy Syndrome, which causes chronic pain. It uses the repeated geometric image of both the rectangle and the circle to represent the elemental string blocks. or building blocks, of human chemistry. I used modeling paste ...
Zeitgeist - Mixed Media
32 x 40 inches (81.3 x 101.6 cm)
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Manuela Facchin Varalda: 'Reflect 7', 2010 Mixed Media, Figurative.   original artworkunique piecemixed nedia on canvas cm 70 x 70  ...
, 2010
Figurative - Mixed Media
28 x 28 inches (71.1 x 71.1 cm)
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Andrew Bartosz: '1715', 2009 Mixed Media, nudes.
, 2009
nudes - Mixed Media
97 x 112 cm (38.2 x 44.1 inches)
Andrew Bartosz: '1714', 2010 Mixed Media, nudes.
, 2010
nudes - Mixed Media
98 x 112 cm (38.6 x 44.1 inches)
Jyoti Thomas: 'contact begins', 2010 Mixed Media, Abstract Landscape.   Night / Earth/ nature         ...
Abstract Landscape - Mixed Media
70 x 70 cm (27.6 x 27.6 inches)
Jerry  Di Falco: 'Church In Abruzzo', 2010 Mixed Media, Political. FULL TITLE IS, Church In Lama dei Peligni Abruzzo with Purple Sky. I hand printed and published this edition at The Center for Works on Paper in Philadelphia, Pennsylvania, USA. Please note that this etching is shipped to the collector without a frame or mat. This keeps the price low ...
Political - Mixed Media
10 x 9 inches (25.4 x 22.9 cm)
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Jyoti Thomas: 'Cocoon', 2010 Mixed Media, Abstract Landscape.         Earth/ nature       ...
, 2010
Abstract Landscape - Mixed Media
100 x 100 cm (39.4 x 39.4 inches)
Marcia Freedman: 'BTY Suite 3', 2009 Mixed Media, Abstract.     Better Than Yesterday is an abstract installation of drawings on vellum whose source is found within the interior of the body. There are 14 drawings each 11x8 1/ 2 on vellum.      ...
Abstract - Mixed Media
51.5 x 22 inches (130.8 x 55.9 cm)
Marcia Freedman: 'BTY SUITE 2', 2009 Mixed Media, Abstract.    Better Than Yesterday is an abstract installation of drawings on vellum whose source is found within the interior of the body. There are 14 drawings each 11x8 1/ 2 on vellum.     ...
Abstract - Mixed Media
51.5 x 22 inches (130.8 x 55.9 cm)
Manuela Facchin Varalda: 'Icon 7', 2010 Mixed Media, Figurative.  original artworkunique piecemixed nedia on canvas cm 100 x 100 ...
, 2010
Figurative - Mixed Media
40 x 40 inches (101.6 x 101.6 cm)
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Paola Di Renzo: 'me', 2009 Mixed Media, Abstract Figurative.
, 2009
Abstract Figurative - Mixed Media
40 x 40 cm (15.7 x 15.7 inches)
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Paola Di Renzo: 'winter', 2009 Mixed Media, Abstract Figurative.
, 2009
Abstract Figurative - Mixed Media
60 x 80 cm (23.6 x 31.5 inches)
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Paola Di Renzo: 'sunday', 2009 Mixed Media, Abstract Figurative.
, 2009
Abstract Figurative - Mixed Media
60 x 80 cm (23.6 x 31.5 inches)
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Yoli Salmona: 'Blue river revisited', 2009 Mixed Media, Landscape.  From the Australian red west country ...
Landscape - Mixed Media
50 x 45 cm (19.7 x 17.7 inches)
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Heather Hyatt: 'Katherine Howard  5th wife of Henry the VIII', 2009 Mixed Media, People.  The Six Wives of Henry the VIII series is inspired by the 16thC artist Hans Holbein and the modern artist, Fernando Botero....
People - Mixed Media
6 x 12 inches (15.2 x 30.5 cm)
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Heather Hyatt: 'Anne of Cleves  4th wife of Henry the  VIII', 2009 Mixed Media, People.  The Six Wives of Henry the VIII series is inspired by the 16thC artist Hans Holbein and the modern artist Fernando Botero. ...
People - Mixed Media
6 x 12 inches (15.2 x 30.5 cm)
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Heather Hyatt: 'Jane Seymour  3rd wife of Henry the VIII', 2009 Mixed Media, People.  The Six Wives of Henry the VIII series is inspired by the 16C artist Hans Holbein and the modern artist Fernando Botero...
People - Mixed Media
6 x 12 inches (15.2 x 30.5 cm)
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Heather Hyatt: 'Anne Boleyn  2nd wife of Henry VIII', 2009 Mixed Media, Undecided.  The Six Wives of Henry the VII series is inspired by the 16C artist Hans Holbein and the modern artist, Fernando Botero. ...
Undecided - Mixed Media
6 x 12 inches (15.2 x 30.5 cm)
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Kevin Knuckles: 'Holocaust', 2007 Mixed Media, Abstract Figurative.  Looking in this mirror shows everyone that we are all a product of the African Holocaust. Those lost in the middle passage and who survived made life for all who look at themselves in this mirror possible ...
, 2007
Abstract Figurative - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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Avril Ward: 'Purified', 2009 Mixed Media, Figurative.
, 2009
Figurative - Mixed Media
20 x 24 inches (50.8 x 61.0 cm)
Austen Pinkerton: 'EGRET 2', 2002 Mixed Media, Figurative.
, 2002
Figurative - Mixed Media
500 x 350 mm ( x )
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Austen Pinkerton: 'CROMLECH', 2004 Mixed Media, Landscape.
, 2004
Landscape - Mixed Media
440 x 330 mm ( x )
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Austen Pinkerton: 'Girl on Bed', 2007 Mixed Media, Figurative.
Figurative - Mixed Media
480 x 320 mm ( x )
Kichung Lizee: 'Water Beings II', 2008 Mixed Media, Abstract.  oil and watercolor on paper ...
Abstract - Mixed Media
19 x 26.5 inches (48.3 x 67.3 cm)
Kichung Lizee: 'Water Beings I', 2008 Mixed Media, Abstract Figurative.  oil and water on paper ...
Abstract Figurative - Mixed Media
19 x 26.5 inches (48.3 x 67.3 cm)
(Page 6 of 252) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Austen Pinkerton - Monica Malbeck - I was born and raised in Romania, attending art school there. I graduated in 1974 from a highly successful art pilot program at age 18. Where I was offered exposure to all facets of art from visual communications to industrial design. This was followed by a successful career in fashion design with clients throughout Europe, U.S., and Japan. In 1990 I moved to the United States, and in 1996 I was introduced to digital media falling in love instantly with its versatility. I have been exploring digital design since then, trying to mix digital color and the illusions of texture and shape to capture fleeting, momentary thoughts and my feelings. My style varies depending on the subject being captured, as I always try to let the subject dictate the style rather than try to impose a repetitive style format. I have retired to Hawaii very early from a career as a fashion consultant, and decided to focus on art. My very first submission of my artwork to an international competition in Italy, was chosen among the finalists. I am a self-taught digital artist, and I like to explore a broad range of subjects. In my gallery you will...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...

    Jyoti Thomas - I feel passionate about creating in many different forms and mediums but I'm predominantly a painter. My art comes from my inner world giving a voice to thoughts and emotions that can't always be adequately expressed in other ways. I am always in awe of the deep power of creativity to heal and bring deep insight. Most of my works are rich in colour and symbols and are an emotional and soul felt interpretation of the world within me and around me. The works shown here are from several bodies of work those being Meet Anita, Gifts of Descent, Below the Surface, Fragments, Oceans of Choice. and Night Sea Journey. My artwork has been a constantly changing river of works following the journey of my life, through good times and difficult times and has always been a refuge and a deep love. While the artwork just IS in its own right I also hope that it taps into others experiences of life and links us together in our common humanity. I love art just for its own sake and nothing else in my world has the ability to lift my heart and soul like making art does. I ...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Avril Ward - Artist's statement. Creating has become an intricately woven part of my life. I must express nature, as it is my window to God. I must delight in the human body, a marvel that never ceases to amaze. I must express love and joy-this keeps them tangible in my life. I must trust my instincts and skills allowing them to lead me in the right direction. Most importantly: if my art can move a person to pause, think, smile, ponder, cry, laugh, be encouraged or give them hope, then I have served my purpose in life." To view a video about, my inspiration and work methods in sculpture please copy and paste the link to your browser.

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...