Mixed Media Art

Page 6 of 252
Manuela Facchin Varalda, Andrew Bartosz, Jyoti Thomas, Jerry Di Falco, Marcia Freedman, Paola Di Renzo, Yoli Salmona, Heather Hyatt, Kevin Knuckles, Avril Ward, Austen Pinkerton, Kichung Lizee, Bridget Busutil, Jose Freitascruz offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Andrew Bartosz: '1715', 2009 Mixed Media, nudes.
, 2009
nudes - Mixed Media
97 x 112 cm (38.2 x 44.1 inches)
Andrew Bartosz: '1714', 2010 Mixed Media, nudes.
, 2010
nudes - Mixed Media
98 x 112 cm (38.6 x 44.1 inches)
Jyoti Thomas: 'contact begins', 2010 Mixed Media, Abstract Landscape.   Night / Earth/ nature         ...
Abstract Landscape - Mixed Media
70 x 70 cm (27.6 x 27.6 inches)
Jerry  Di Falco: 'Church In Abruzzo', 2010 Mixed Media, Political. FULL TITLE IS, Church In Lama dei Peligni Abruzzo with Purple Sky. I hand printed and published this edition at The Center for Works on Paper in Philadelphia, Pennsylvania, USA. Please note that this etching is shipped to the collector without a frame or mat. This keeps the price low ...
Political - Mixed Media
10 x 9 inches (25.4 x 22.9 cm)
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Jyoti Thomas: 'Cocoon', 2010 Mixed Media, Abstract Landscape.         Earth/ nature       ...
, 2010
Abstract Landscape - Mixed Media
100 x 100 cm (39.4 x 39.4 inches)
Marcia Freedman: 'BTY Suite 3', 2009 Mixed Media, Abstract.     Better Than Yesterday is an abstract installation of drawings on vellum whose source is found within the interior of the body. There are 14 drawings each 11x8 1/ 2 on vellum.      ...
Abstract - Mixed Media
51.5 x 22 inches (130.8 x 55.9 cm)
Marcia Freedman: 'BTY SUITE 2', 2009 Mixed Media, Abstract.    Better Than Yesterday is an abstract installation of drawings on vellum whose source is found within the interior of the body. There are 14 drawings each 11x8 1/ 2 on vellum.     ...
Abstract - Mixed Media
51.5 x 22 inches (130.8 x 55.9 cm)
Manuela Facchin Varalda: 'Icon 7', 2010 Mixed Media, Figurative.  original artworkunique piecemixed nedia on canvas cm 100 x 100 ...
, 2010
Figurative - Mixed Media
40 x 40 inches (101.6 x 101.6 cm)
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Paola Di Renzo: 'me', 2009 Mixed Media, Abstract Figurative.
, 2009
Abstract Figurative - Mixed Media
40 x 40 cm (15.7 x 15.7 inches)
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Paola Di Renzo: 'winter', 2009 Mixed Media, Abstract Figurative.
, 2009
Abstract Figurative - Mixed Media
60 x 80 cm (23.6 x 31.5 inches)
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Paola Di Renzo: 'sunday', 2009 Mixed Media, Abstract Figurative.
, 2009
Abstract Figurative - Mixed Media
60 x 80 cm (23.6 x 31.5 inches)
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Yoli Salmona: 'Blue river revisited', 2009 Mixed Media, Landscape.  From the Australian red west country ...
Landscape - Mixed Media
50 x 45 cm (19.7 x 17.7 inches)
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Heather Hyatt: 'Katherine Howard  5th wife of Henry the VIII', 2009 Mixed Media, People.  The Six Wives of Henry the VIII series is inspired by the 16thC artist Hans Holbein and the modern artist, Fernando Botero....
People - Mixed Media
6 x 12 inches (15.2 x 30.5 cm)
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Heather Hyatt: 'Anne of Cleves  4th wife of Henry the  VIII', 2009 Mixed Media, People.  The Six Wives of Henry the VIII series is inspired by the 16thC artist Hans Holbein and the modern artist Fernando Botero. ...
People - Mixed Media
6 x 12 inches (15.2 x 30.5 cm)
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Heather Hyatt: 'Jane Seymour  3rd wife of Henry the VIII', 2009 Mixed Media, People.  The Six Wives of Henry the VIII series is inspired by the 16C artist Hans Holbein and the modern artist Fernando Botero...
People - Mixed Media
6 x 12 inches (15.2 x 30.5 cm)
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Heather Hyatt: 'Anne Boleyn  2nd wife of Henry VIII', 2009 Mixed Media, Undecided.  The Six Wives of Henry the VII series is inspired by the 16C artist Hans Holbein and the modern artist, Fernando Botero. ...
Undecided - Mixed Media
6 x 12 inches (15.2 x 30.5 cm)
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Kevin Knuckles: 'Holocaust', 2007 Mixed Media, Abstract Figurative.  Looking in this mirror shows everyone that we are all a product of the African Holocaust. Those lost in the middle passage and who survived made life for all who look at themselves in this mirror possible ...
, 2007
Abstract Figurative - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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Avril Ward: 'Purified', 2009 Mixed Media, Figurative.
, 2009
Figurative - Mixed Media
20 x 24 inches (50.8 x 61.0 cm)
Austen Pinkerton: 'EGRET 2', 2002 Mixed Media, Figurative.
, 2002
Figurative - Mixed Media
500 x 350 mm ( x )
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Austen Pinkerton: 'CROMLECH', 2004 Mixed Media, Landscape.
, 2004
Landscape - Mixed Media
440 x 330 mm ( x )
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Austen Pinkerton: 'Girl on Bed', 2007 Mixed Media, Figurative.
Figurative - Mixed Media
480 x 320 mm ( x )
Kichung Lizee: 'Practice,Standing, Sitting, and Lying Down', 2008 Mixed Media, Abstract.  watercolor and oil on paper ...
Abstract - Mixed Media
38.5 x 21 inches (97.8 x 53.3 cm)
Kichung Lizee: 'Water Beings II', 2008 Mixed Media, Abstract.  oil and watercolor on paper ...
Abstract - Mixed Media
19 x 26.5 inches (48.3 x 67.3 cm)
Kichung Lizee: 'Water Beings I', 2008 Mixed Media, Abstract Figurative.  oil and water on paper ...
Abstract Figurative - Mixed Media
19 x 26.5 inches (48.3 x 67.3 cm)
Kichung Lizee: 'Kwan Shih Yin and Mary', 2008 Mixed Media, Spiritual.  oil and watercolor on canvas ...
Spiritual - Mixed Media
80 x 80 inches (203.2 x 203.2 cm)
Bridget Busutil: 'winter landscape', 2008 Mixed Media, Landscape.  pyrenees landscape sith snow and trditional cypresses.acrylic, ink and pastel on cardboard ...
Landscape - Mixed Media
40 x 40 cm (15.7 x 15.7 inches)
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Jose Freitascruz: 'bali boat  01', 2008 Mixed Media, Abstract Landscape.
Abstract Landscape - Mixed Media
30 x 12 cm (11.8 x 4.7 inches)
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Jose Freitascruz: 'rainpaddy', 2008 Mixed Media, Abstract Landscape. Brunei inspired - rice fields...
, 2008
Abstract Landscape - Mixed Media
110 x 110 cm (43.3 x 43.3 inches)
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Jose Freitascruz: 'flood', 2008 Mixed Media, Abstract Landscape. Brunei inspired...
, 2008
Abstract Landscape - Mixed Media
90 x 90 cm (35.4 x 35.4 inches)
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Pilar Pérez-prado: 'El Hierro Deconstruction', 2007 Mixed Media, Abstract Landscape.
Abstract Landscape - Mixed Media
130 x 163 cm (51.2 x 64.2 inches)
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(Page 6 of 252) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...

    Jyoti Thomas - I feel passionate about creating in many different forms and mediums but I'm predominantly a painter. My art comes from my inner world giving a voice to thoughts and emotions that can't always be adequately expressed in other ways. I am always in awe of the deep power of creativity to heal and bring deep insight. Most of my works are rich in colour and symbols and are an emotional and soul felt interpretation of the world within me and around me. The works shown here are from several bodies of work those being Meet Anita, Gifts of Descent, Below the Surface, Fragments, Oceans of Choice. and Night Sea Journey. My artwork has been a constantly changing river of works following the journey of my life, through good times and difficult times and has always been a refuge and a deep love. While the artwork just IS in its own right I also hope that it taps into others experiences of life and links us together in our common humanity. I love art just for its own sake and nothing else in my world has the ability to lift my heart and soul like making art does. I ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Avril Ward - Artist's statement. Creating has become an intricately woven part of my life. I must express nature, as it is my window to God. I must delight in the human body, a marvel that never ceases to amaze. I must express love and joy-this keeps them tangible in my life. I must trust my instincts and skills allowing them to lead me in the right direction. Most importantly: if my art can move a person to pause, think, smile, ponder, cry, laugh, be encouraged or give them hope, then I have served my purpose in life." To view a video about, my inspiration and work methods in sculpture please copy and paste the link to your browser.

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...