Mixed Media Art

Page 8 of 252
Jose Freitascruz, Adam Adamou, Philip Hallawell, Andree Lisette Herz, Christian Culver, Asbjorn Lonvig, Lorrie Williamson, Rita Levinsohn, Alberto Beuchot, Malamegi Lab, James Skuban, Margaret Thompson, Hatice Brenton offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Adam Adamou: 'Intrepid Inclination', 2002 Mixed Media, Figurative. Structured trees with diamond intersections. Torso' s male & female, fruit from vine, patterns segregate bodies, pure and free from needle, as fear of pain prevents me from being tatooed. The essence of the Fruits of the Junkshy Nudes collection....
Figurative - Mixed Media
360 x 1020 mm ( x )
Adam Adamou: 'Close up of Blue Melancholic', 2002 Mixed Media, Figurative. Close Up of Blue Melancholic....
Figurative - Mixed Media
410 x 1020 mm ( x )
Philip Hallawell: 'Phoibus Apollo', 1988 Mixed Media, Mythology. Apollo, the God of music and the sun. Done in pen and ink and watercolor. Part of the Iliad series. ...
Mythology - Mixed Media
38 x 56 cm (15.0 x 22.0 inches)
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Philip Hallawell: 'The Arts VI  Dance', 1981 Mixed Media, Dance. From the Arts series, this work focuses on Dance. It was done in pen and ink, collage and pencil. ...
Dance - Mixed Media
35 x 50 cm (13.8 x 19.7 inches)
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Andree Lisette Herz: 'flower 2', 2003 Mixed Media, Floral. Acrylic and oil pastel on board...
, 2003
Floral - Mixed Media
8 x 15 inches (20.3 x 38.1 cm)
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Andree Lisette Herz: 'Farm one', 2002 Mixed Media, Americana. Acrylic paint on handmade paper with collaged objects...
, 2002
Americana - Mixed Media
30 x 20 inches (76.2 x 50.8 cm)
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Andree Lisette Herz: 'riverbend', 2002 Mixed Media, Abstract. acrylic painting on handmade paper of the bank of the delaware river...
, 2002
Abstract - Mixed Media
33 x 29 inches (83.8 x 73.7 cm)
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Christian Culver: 'Divergent Paths 4', 2003 Mixed Media, Abstract. Pastel with architectural photographs. ...
Abstract - Mixed Media
36 x 42 inches (91.4 x 106.7 cm)
Christian Culver: 'Lake Rabun 1', 2002 Mixed Media, Architecture. Pastel media with architectural photographs...
Architecture - Mixed Media
25 x 40 inches (63.5 x 101.6 cm)
Asbjorn Lonvig: 'happy jack truck', 2002 Mixed Media, Abstract. Animals and other beings from Asbjorn Lonvig' s universe of fairy tale and storytelling motifs....
Abstract - Mixed Media
0 x 0 inches (0.0 x 0.0 cm)
Asbjorn Lonvig: 'happy tug', 2002 Mixed Media, Abstract. Animals and other beings from Asbjorn Lonvig' s universe of fairy tale and storytelling motifs....
, 2002
Abstract - Mixed Media
0 x 0 inches (0.0 x 0.0 cm)
Philip Hallawell: 'Animus et  Anima 2', 1982 Mixed Media, Mask. This painting/ drawing done in ink, pen and ink and collage investigates the dual nature of the personality ( animus/ anima, right/ left brain, ying/ yang, alchemy, etc. ) . Also part of the masks series. ...
Mask - Mixed Media
50 x 70 cm (19.7 x 27.6 inches)
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Christian Culver: 'Coalescent Constructions 46', 2000 Mixed Media, Architecture. Pastel media on paper, uses architectural photography as partof composition....
Architecture - Mixed Media
48 x 52 inches (121.9 x 132.1 cm)
Lorrie Williamson: 'Bag Lady', 1996 Mixed Media, Other. Inks over fabrics. Prize awarded by Apropo Gallery Curator, Fort Lauderdale, FL...
, 1996
Other - Mixed Media
24 x 30 inches (61.0 x 76.2 cm)
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Christian Culver: 'Contextual Splinters 9', 2002 Mixed Media, Architecture. Pastel media, incorporates architectural photography.On paper....
Architecture - Mixed Media
8 x 18 inches (20.3 x 45.7 cm)
Rita Levinsohn: 'Encounters', 1999 Mixed Media, Abstract.
, 1999
Abstract - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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Rita Levinsohn: 'Whale of Tears', 2000 Mixed Media, Other.
Other - Mixed Media
52 x 42 inches (132.1 x 106.7 cm)
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Rita Levinsohn: 'Prey 2', 1997 Mixed Media, Abstract.
, 1997
Abstract - Mixed Media
25 x 35 inches (63.5 x 88.9 cm)
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Rita Levinsohn: 'City Dawn', 1997 Mixed Media, Urban. City Dawn is a landscape of a city composed of found objects such as twine,wire, cord, cardboad, paper and canvas with acrylic paint.  All are recycled objects....
, 1997
Urban - Mixed Media
40 x 30 inches (101.6 x 76.2 cm)
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Alberto Beuchot: 'fecundacion', 2020 Mixed Media, Abstract. La madre tierra recibe al padre sol. ...
Abstract - Mixed Media
75 x 110 cm (29.5 x 43.3 inches)
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Malamegi Lab: 'armed by martin beck', 2019 Mixed Media, Nudes. ARMED by Martin BeckMixed Media on Prepared PaperCapturing the immediacy of the modelaEURtms presence maintains a connection to reality at a time when media intrusion is overwhelming.  In this way, working from life is about the artist preserving an episode of human interaction.  In presenting themselves to ...
Nudes - Mixed Media
76 x 112 cm (29.9 x 44.1 inches)
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Malamegi Lab: 'n 5 by fabrizio stenti', 2019 Mixed Media, . N.  5 by Fabrizio StentiWaste materials, papers and pencilsThe n.  5, is a re interpretationfrom of a real Buenos Aires door photographed in 2014.  It represents the difficult communication in a fleeting and difficult love story between a young and tall Italian Argentine girl, still immersed in her ...
- Mixed Media
62 x 92 cm (24.4 x 36.2 inches)
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Alberto Beuchot: 'the plumed serpent', 2020 Mixed Media, Abstract. Quetzalcoatl, the plumed serpent of the Aztecs, and Kukulkan for the Mayas, in a yin- yang fashion. ...
Abstract - Mixed Media
75 x 110 cm (29.5 x 43.3 inches)
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Alberto Beuchot: 'four evangelists', 2020 Mixed Media, Abstract. The four evangelists  Mark, Mathew, John, Luke , same figure, different predominant colors for each, although the four share the same colors. ...
Abstract - Mixed Media
75 x 110 cm (29.5 x 43.3 inches)
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Alberto Beuchot: 'ruptura', 2020 Mixed Media, Abstract. Colors in different mixtures to denote original pristine state and the subsequent deployment in space...
, 2020
Abstract - Mixed Media
110 x 75 cm (43.3 x 29.5 inches)
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James Skuban: ' Stonewashed Abstract Painting', 2019 Mixed Media, Abstract. ENVIRONMENTALLY INSPIRED DESIGN PROCESS USED BY NATURE.  Stonewashed Abstract Painting Number 12 is a visually stimulating display of movement, form and color inspired by a process found in our natural world.  This abstract expressionism with its asymmetrical texture and colors is a dynamic example of stonewashed.  Stonewashed by definition is ...
Abstract - Mixed Media
24 x 32 inches (61.0 x 81.3 cm)
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James Skuban: 'Stonewashed Abstract Painting', 2019 Mixed Media, Abstract. ENVIRONMENTALLY INSPIRED DESIGN PROCESS USED BY NATURE.  Stonewashed Painting Number 4 is a unique display of movement, form and color inspired by a process found in our natural world.  This textured abstract expressionism with its radiant hues and tones is an innovative example of stonewashed.  Stonewashed by definition is materials ...
Abstract - Mixed Media
48 x 36 inches (121.9 x 91.4 cm)
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Margaret Thompson: 'urban lights', 2013 Mixed Media, Abstract. This is a mixed media piece, a collage of painted and found materials, using the theme of arches and hidden spaces. Acrylic is the medium. ...
Abstract - Mixed Media
40 x 50 cm (15.7 x 19.7 inches)
Hatice Brenton: 'red door', 1999 Mixed Media, Geometric. Architectural, painting, ...
, 1999
Geometric - Mixed Media
24 x 2 inches (61.0 x 5.1 cm)
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Hatice Brenton: 'untitled', 1999 Mixed Media, Light. Stars in the night ...
, 1999
Light - Mixed Media
23 x 23 inches (58.4 x 58.4 cm)
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(Page 8 of 252) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Jose Freitascruz - Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Christian Culver - Architectural Art Today we see art and architecture of the past as nobody saw it before, we perceive it in a different way. All of us see hundreds of images everyday in the cities in which we live. In no other form of society in history has there been such a concentration of images, such a density of visual messages. One may remember or forget these messages, but briefly one takes them in, and for a moment they stimulate the imagination by way of either memory or expectation. The image belongs to the moment. They never speak of the present, but often refer to the past and always speak of the future. We are so accustomed to being addressed by these images that we scarcely notice their total impact. A person may notice a particular image or piece of information because it corresponds to some particular interest they may have. The fact that these images belong to the moment, but speak of the future, produces a strange effect, which has become so familiar that we scarcely notice it. Usually we pass the image - walking, traveling, or on the TV screen, somewhat different but even then we are theoretically the active ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Alberto Beuchot - I firmly believe that behind the apparent complexity of the universe in general and nature in particular, an occult order is veiled by an immense variety of forms. Nevertheless, this variety is the result of the unending elaboration and re-elaboration of a reduced number of basic themes. That is the reason for the harmony and the beauty of the natural order manifested through a deceiving and appalling diversity. Why does the Creator use such a reduced number of primary elements in contexts so different through the animated and inanimate world? ...

    James Skuban - About James Skuban Jim Skuban believes the greatest artist in the world is Nature. This is the inspiration that is reflected in his creations. From assemblage art to natural sculptures to innovated style paintings, .........exploring the beauty of Nature through art. Jim has worked with materials and processing for over fifty years. He has been a professional artist for the past twenty five years. This training and experience has given him the necessary skills to be both innovative and unique in original two and three dimensional art. The cornerstone of his art is his ability to use the elements of design lines, shapes, color, form, and texture. He has mastered the use of many materials including driftwood, antler, wood, and rock. It is said that his art evokes the feelings of motion, flow, rhythm, and energy associated with Nature. The combination of experience, skill, and vision has brought his art to a high level of contemporary design. Jim Skuban is an ever evolving mixed media artist in developing a line of environmentally inspired originals. The scenic beauty of Lake Superior greatest of the Great Lakes and the upper midwest forests are mirrored in each of his pieces. His variety and ...

    Margaret Thompson - Nothing is what it seems. I am fascinated by the mystery and ambiguity that can come from working with collaged painted papers, and multi-plate printmaking. The initial layering process is usually one of spontaneity and serendipity, and, only later, when the painting starts to take on a life of its own, do I think more consciously about its meaning, the composition, its form and colour. The title is only one way in to reading my pictures, and is merely a proposal: the most interesting aspect to me is what the viewer brings to the understanding of the work.I have a great admiration for Kurt Schwitters, the master of collage, Helen Frankenthaler, master of colour and subtlety, Kandinsky and Miro. I regularly exhibit in London, France and the US....