Mixed Media Art

Page 8 of 252
Andree Lisette Herz, Christian Culver, Asbjorn Lonvig, Philip Hallawell, Lorrie Williamson, Rita Levinsohn, Hampton Olfus , James Skuban, Margaret Thompson, Hatice Brenton, Hannes Hofstetter, Dennis Mccallum, Mimi Revencu, Irina Maiboroda offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Andree Lisette Herz: 'Farm one', 2002 Mixed Media, Americana. Acrylic paint on handmade paper with collaged objects...
, 2002
Americana - Mixed Media
30 x 20 inches (76.2 x 50.8 cm)
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Andree Lisette Herz: 'riverbend', 2002 Mixed Media, Abstract. acrylic painting on handmade paper of the bank of the delaware river...
, 2002
Abstract - Mixed Media
33 x 29 inches (83.8 x 73.7 cm)
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Christian Culver: 'Divergent Paths 4', 2003 Mixed Media, Abstract. Pastel with architectural photographs. ...
Abstract - Mixed Media
36 x 42 inches (91.4 x 106.7 cm)
Christian Culver: 'Lake Rabun 1', 2002 Mixed Media, Architecture. Pastel media with architectural photographs...
Architecture - Mixed Media
25 x 40 inches (63.5 x 101.6 cm)
Asbjorn Lonvig: 'happy jack truck', 2002 Mixed Media, Abstract. Animals and other beings from Asbjorn Lonvig' s universe of fairy tale and storytelling motifs....
Abstract - Mixed Media
0 x 0 inches (0.0 x 0.0 cm)
Asbjorn Lonvig: 'happy tug', 2002 Mixed Media, Abstract. Animals and other beings from Asbjorn Lonvig' s universe of fairy tale and storytelling motifs....
, 2002
Abstract - Mixed Media
0 x 0 inches (0.0 x 0.0 cm)
Philip Hallawell: 'Animus et  Anima 2', 1982 Mixed Media, Mask. This painting/ drawing done in ink, pen and ink and collage investigates the dual nature of the personality ( animus/ anima, right/ left brain, ying/ yang, alchemy, etc. ) . Also part of the masks series. ...
Mask - Mixed Media
50 x 70 cm (19.7 x 27.6 inches)
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Christian Culver: 'Coalescent Constructions 46', 2000 Mixed Media, Architecture. Pastel media on paper, uses architectural photography as partof composition....
Architecture - Mixed Media
48 x 52 inches (121.9 x 132.1 cm)
Lorrie Williamson: 'Bag Lady', 1996 Mixed Media, Other. Inks over fabrics. Prize awarded by Apropo Gallery Curator, Fort Lauderdale, FL...
, 1996
Other - Mixed Media
24 x 30 inches (61.0 x 76.2 cm)
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Christian Culver: 'Contextual Splinters 9', 2002 Mixed Media, Architecture. Pastel media, incorporates architectural photography.On paper....
Architecture - Mixed Media
8 x 18 inches (20.3 x 45.7 cm)
Rita Levinsohn: 'Encounters', 1999 Mixed Media, Abstract.
, 1999
Abstract - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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Rita Levinsohn: 'Whale of Tears', 2000 Mixed Media, Other.
Other - Mixed Media
52 x 42 inches (132.1 x 106.7 cm)
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Rita Levinsohn: 'Prey 2', 1997 Mixed Media, Abstract.
, 1997
Abstract - Mixed Media
25 x 35 inches (63.5 x 88.9 cm)
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Rita Levinsohn: 'City Dawn', 1997 Mixed Media, Urban. City Dawn is a landscape of a city composed of found objects such as twine,wire, cord, cardboad, paper and canvas with acrylic paint.  All are recycled objects....
, 1997
Urban - Mixed Media
40 x 30 inches (101.6 x 76.2 cm)
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Hampton  Olfus : 'bebop baptism', 2020 Mixed Media, Music. I was thinking about the link between, traditional gospel music, and jazz.  The emotional and rhythmic characteristics, of both musical art forms, relate on a spiritual level. ...
Music - Mixed Media
20 x 16 inches (50.8 x 40.6 cm)
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Hampton  Olfus : 'mask or raid', 2020 Mixed Media, Conceptual. This art work is dealing with the global pandemic of 2020.The mask, over a mask represents, made up faces, with no way of being seen. Egos on hold while the world holds it s breath. ...
Conceptual - Mixed Media
14 x 17 inches (35.6 x 43.2 cm)
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Hampton  Olfus : 'earthman 2014', 2014 Mixed Media, Music. This piece was influence by the Electric Ladyland album by Jimi Hendrix.  The album was extremely creative in an audio format, and provoked my imagination in the studio to produce this emotional visual presentation. ...
Music - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Hampton  Olfus : 'the club rin', 2020 Mixed Media, Music. This piece is part of my on going visual presentation of music.  I used an assortment of materials, and techniques to execute this work. ...
Music - Mixed Media
5 x 7 inches (12.7 x 17.8 cm)
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James Skuban: ' Stonewashed Abstract Painting', 2019 Mixed Media, Abstract. ENVIRONMENTALLY INSPIRED DESIGN PROCESS USED BY NATURE.  Stonewashed Abstract Painting Number 12 is a visually stimulating display of movement, form and color inspired by a process found in our natural world.  This abstract expressionism with its asymmetrical texture and colors is a dynamic example of stonewashed.  Stonewashed by definition is ...
Abstract - Mixed Media
24 x 32 inches (61.0 x 81.3 cm)
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James Skuban: 'Stonewashed Abstract Painting', 2019 Mixed Media, Abstract. ENVIRONMENTALLY INSPIRED DESIGN PROCESS USED BY NATURE.  Stonewashed Painting Number 4 is a unique display of movement, form and color inspired by a process found in our natural world.  This textured abstract expressionism with its radiant hues and tones is an innovative example of stonewashed.  Stonewashed by definition is materials ...
Abstract - Mixed Media
48 x 36 inches (121.9 x 91.4 cm)
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Margaret Thompson: 'urban lights', 2013 Mixed Media, Abstract. This is a mixed media piece, a collage of painted and found materials, using the theme of arches and hidden spaces. Acrylic is the medium. ...
Abstract - Mixed Media
40 x 50 cm (15.7 x 19.7 inches)
Hatice Brenton: 'red door', 1999 Mixed Media, Geometric. Architectural, painting, ...
, 1999
Geometric - Mixed Media
24 x 2 inches (61.0 x 5.1 cm)
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Hannes  Hofstetter: 'tesoro', 2019 Mixed Media, Abstract. gold, iron, aluminium, painting...
, 2019
Abstract - Mixed Media
39 x 39 cm (15.4 x 15.4 inches)
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Dennis Mccallum: 'scots king robert the bruce', 2019 Mixed Media, History. The remains of Bruce s Castle stand in Lochmaben, Scotland near Dumfries where he began his campaign for Scotland s independence which was achieved in 1314 at the battle of Bannockburn.  ...
History - Mixed Media
11 x 14 inches (27.9 x 35.6 cm)
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Margaret Thompson: 'it might be', 2018 Mixed Media, Abstract.
Abstract - Mixed Media
50 x 50 cm (19.7 x 19.7 inches)
Mimi Revencu: 'Prospera', 2017 Mixed Media, Cats.
, 2017
Cats - Mixed Media
50 x 60 cm (19.7 x 23.6 inches)
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Mimi Revencu: 'Sweet Dreams', 2017 Mixed Media, Figurative.  cat girlartmo glarify artcollector gallery artwork story mirabilism mimirevencu mixedmedia...
Figurative - Mixed Media
60 x 60 cm (23.6 x 23.6 inches)
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Irina Maiboroda: 'bouquet for colombina', 2018 Mixed Media, Impressionism. flowers, bouquet, roses, floral,  natural, impressionism,  mixed media...
Impressionism - Mixed Media
25 x 25 cm (9.8 x 9.8 inches)
Irina Maiboroda: 'waiting for the summer', 2017 Mixed Media, Impressionism. winter, new year eve, snow, cat, window, frost, flower, snowing,  impressionism ...
Impressionism - Mixed Media
13 x 13 cm (5.1 x 5.1 inches)
Irina Maiboroda: 'mayweeds', 2016 Mixed Media, Impressionism. flowers, summer,  impressionism, sun, meadows, floral, mixed media ...
, 2016
Impressionism - Mixed Media
13 x 13 cm (5.1 x 5.1 inches)
(Page 8 of 252) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Christian Culver - Architectural Art Today we see art and architecture of the past as nobody saw it before, we perceive it in a different way. All of us see hundreds of images everyday in the cities in which we live. In no other form of society in history has there been such a concentration of images, such a density of visual messages. One may remember or forget these messages, but briefly one takes them in, and for a moment they stimulate the imagination by way of either memory or expectation. The image belongs to the moment. They never speak of the present, but often refer to the past and always speak of the future. We are so accustomed to being addressed by these images that we scarcely notice their total impact. A person may notice a particular image or piece of information because it corresponds to some particular interest they may have. The fact that these images belong to the moment, but speak of the future, produces a strange effect, which has become so familiar that we scarcely notice it. Usually we pass the image - walking, traveling, or on the TV screen, somewhat different but even then we are theoretically the active ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Hampton Olfus - ARTIST STATEMENT Over the past twelve years, IaEURtmve been working in acrylic paint, ink, pencil and mixed media. During this time period, I was inspired by an assortment of topics, while repeating one of my mainstay topics, music, and culture. Creating in the moment, allows the intuitive sensibilities too be part of the process. I bring an eclectic aesthetics with me into the studio, which I transfer into what I create. My true emotions, is what I aspire to transfer, visually to the viewer, through the media. Hampton R. Olfus, Jr. Artist ...

    James Skuban - About James Skuban Jim Skuban believes the greatest artist in the world is Nature. This is the inspiration that is reflected in his creations. From assemblage art to natural sculptures to innovated style paintings, .........exploring the beauty of Nature through art. Jim has worked with materials and processing for over fifty years. He has been a professional artist for the past twenty five years. This training and experience has given him the necessary skills to be both innovative and unique in original two and three dimensional art. The cornerstone of his art is his ability to use the elements of design lines, shapes, color, form, and texture. He has mastered the use of many materials including driftwood, antler, wood, and rock. It is said that his art evokes the feelings of motion, flow, rhythm, and energy associated with Nature. The combination of experience, skill, and vision has brought his art to a high level of contemporary design. Jim Skuban is an ever evolving mixed media artist in developing a line of environmentally inspired originals. The scenic beauty of Lake Superior greatest of the Great Lakes and the upper midwest forests are mirrored in each of his pieces. His variety and ...

    Margaret Thompson - Nothing is what it seems. I am fascinated by the mystery and ambiguity that can come from working with collaged painted papers, and multi-plate printmaking. The initial layering process is usually one of spontaneity and serendipity, and, only later, when the painting starts to take on a life of its own, do I think more consciously about its meaning, the composition, its form and colour. The title is only one way in to reading my pictures, and is merely a proposal: the most interesting aspect to me is what the viewer brings to the understanding of the work.I have a great admiration for Kurt Schwitters, the master of collage, Helen Frankenthaler, master of colour and subtlety, Kandinsky and Miro. I regularly exhibit in London, France and the US....

    Dennis Mccallum - For a number of years I was the UK Government protected species rehabilitator to the wild of injured birds of prey. In this time I was able to observe and handle wild birds and animals. They were my inspiration and provided the subject matter for my paintings. Having been a surveyor with the UK Ordnance Survey which makes the British maps, I was trained to represent images with accuracy and detail and this I do in my paintings from studying the birds at close quarters. I also have the freedom to explore any subject that interests me. My work has been challenging, but always enjoyable and that is my reason for painting...

    Mimi Revencu - The Mirabilism Manifesto Art these days most often reflects alienation, desperation, violence, loneliness, old age and death. But art is a dynamic field, always looking to rediscover and reinvent itself. It is time to express something new in art, something related to our deep essence, universal and optimistic, separated from the daily madness. It is time for the artist to call for a change of attitude and spirit, bringing to life the present and not only reflecting the world around. I believe that art in general is meant to be perceived as inside vibration. And Mirabilis is pure inner vibration at its best. The Mirabilis artist depicts impressions and mental images that do not pass through the filter of a mental process. They are rather the product of his instincts. The images are featuring bright colours, lots of green hues and pink, no grays tones and almost no use of black paint. Colours are applied side-by-side with as little mixing as possible, creating a simplified, vibrant surface. Objects and beings are mostly flat but they are disposed in different layers and transparency of thin paint films is used in order to obtain deepness of space. There are surfaces...