Mixed Media Art

Page 8 of 252
Shin-hye Park, Ulrich Osterloh, Philip Hallawell, Nicholas Down, Adam Adamou, Tary Socha, George Oommen, Jose Freitascruz, Andree Lisette Herz, Christian Culver, Asbjorn Lonvig, Lorrie Williamson offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Ulrich  Osterloh: 'Meditation', 2004 Mixed Media, Figurative.
, 2004
Figurative - Mixed Media
70 x 90 cm (27.6 x 35.4 inches)
Philip Hallawell: 'Ecstasy XVI Bolero by Ravel', 2004 Mixed Media, Visionary. Inspired by Ravel' s
Visionary - Mixed Media
38 x 56 cm (15.0 x 22.0 inches)
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Nicholas Down: 'Winter Melody', 2002 Mixed Media, Abstract. Tempera with Oil Glazes on Gesso...
Abstract - Mixed Media
34 x 22 inches (86.4 x 55.9 cm)
Adam Adamou: 'Trapped yet Free', 2003 Mixed Media, Birds.
Birds - Mixed Media
508 x 762 mm ( x )
Adam Adamou: 'Queens of pomp 3', 2002 Mixed Media, Erotic.
Erotic - Mixed Media
460 x 560 mm ( x )
Tary Socha: 'Macrocosm', 1995 Mixed Media, Abstract. Mixed water media on paper. There is a distinct interconnectedness of all things. Here, the microcosm and the galactic macrocosm are one and the same. We are all one with the undiversal....
, 1995
Abstract - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Tary Socha: 'Waves', 1994 Mixed Media, Abstract. Mixed water media on Strathmore board. This energentic expression of big surf captures the dynamic power and mood of the sea....
, 1994
Abstract - Mixed Media
20 x 10 inches (50.8 x 25.4 cm)
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Tary Socha: 'Fish2', 1997 Mixed Media, Fish. Mixed water media on paper. I am inspired by the vibrant colors of tropical fish. They are the fluid jewels of nature....
, 1997
Fish - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
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George Oommen: 'untitled', 1998 Mixed Media, Abstract.
, 1998
Abstract - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
George Oommen: 'untiled', 1997 Mixed Media, Abstract.
, 1997
Abstract - Mixed Media
30 x 66 inches (76.2 x 167.6 cm)
George Oommen: 'Untitled', 1996 Mixed Media, Abstract.
, 1996
Abstract - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
Jose Freitascruz: 'borneo batik x2', 2003 Mixed Media, Abstract. One of the first brunei paintings where I introduced Matisse elements...
Abstract - Mixed Media
100 x 100 cm (39.4 x 39.4 inches)
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Adam Adamou: 'Intrepid Inclination', 2002 Mixed Media, Figurative. Structured trees with diamond intersections. Torso' s male & female, fruit from vine, patterns segregate bodies, pure and free from needle, as fear of pain prevents me from being tatooed. The essence of the Fruits of the Junkshy Nudes collection....
Figurative - Mixed Media
360 x 1020 mm ( x )
Adam Adamou: 'Close up of Blue Melancholic', 2002 Mixed Media, Figurative. Close Up of Blue Melancholic....
Figurative - Mixed Media
410 x 1020 mm ( x )
Philip Hallawell: 'Phoibus Apollo', 1988 Mixed Media, Mythology. Apollo, the God of music and the sun. Done in pen and ink and watercolor. Part of the Iliad series. ...
Mythology - Mixed Media
38 x 56 cm (15.0 x 22.0 inches)
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Philip Hallawell: 'The Arts VI  Dance', 1981 Mixed Media, Dance. From the Arts series, this work focuses on Dance. It was done in pen and ink, collage and pencil. ...
Dance - Mixed Media
35 x 50 cm (13.8 x 19.7 inches)
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Andree Lisette Herz: 'flower 2', 2003 Mixed Media, Floral. Acrylic and oil pastel on board...
, 2003
Floral - Mixed Media
8 x 15 inches (20.3 x 38.1 cm)
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Andree Lisette Herz: 'Farm one', 2002 Mixed Media, Americana. Acrylic paint on handmade paper with collaged objects...
, 2002
Americana - Mixed Media
30 x 20 inches (76.2 x 50.8 cm)
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Andree Lisette Herz: 'riverbend', 2002 Mixed Media, Abstract. acrylic painting on handmade paper of the bank of the delaware river...
, 2002
Abstract - Mixed Media
33 x 29 inches (83.8 x 73.7 cm)
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Shin-hye Park: 'landscape', 2002 Mixed Media, Undecided.
, 2002
Undecided - Mixed Media
90 x 30 cm (35.4 x 11.8 inches)
Shin-hye Park: 'landscape', 2002 Mixed Media, Undecided.
, 2002
Undecided - Mixed Media
0 x 0 inches (0.0 x 0.0 cm)
Christian Culver: 'Divergent Paths 4', 2003 Mixed Media, Abstract. Pastel with architectural photographs. ...
Abstract - Mixed Media
36 x 42 inches (91.4 x 106.7 cm)
Christian Culver: 'Lake Rabun 1', 2002 Mixed Media, Architecture. Pastel media with architectural photographs...
Architecture - Mixed Media
25 x 40 inches (63.5 x 101.6 cm)
Asbjorn Lonvig: 'happy jack truck', 2002 Mixed Media, Abstract. Animals and other beings from Asbjorn Lonvig' s universe of fairy tale and storytelling motifs....
Abstract - Mixed Media
0 x 0 inches (0.0 x 0.0 cm)
Asbjorn Lonvig: 'happy tug', 2002 Mixed Media, Abstract. Animals and other beings from Asbjorn Lonvig' s universe of fairy tale and storytelling motifs....
, 2002
Abstract - Mixed Media
0 x 0 inches (0.0 x 0.0 cm)
Philip Hallawell: 'Animus et  Anima 2', 1982 Mixed Media, Mask. This painting/ drawing done in ink, pen and ink and collage investigates the dual nature of the personality ( animus/ anima, right/ left brain, ying/ yang, alchemy, etc. ) . Also part of the masks series. ...
Mask - Mixed Media
50 x 70 cm (19.7 x 27.6 inches)
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Christian Culver: 'Coalescent Constructions 46', 2000 Mixed Media, Architecture. Pastel media on paper, uses architectural photography as partof composition....
Architecture - Mixed Media
48 x 52 inches (121.9 x 132.1 cm)
Lorrie Williamson: 'Bag Lady', 1996 Mixed Media, Other. Inks over fabrics. Prize awarded by Apropo Gallery Curator, Fort Lauderdale, FL...
, 1996
Other - Mixed Media
24 x 30 inches (61.0 x 76.2 cm)
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Christian Culver: 'Contextual Splinters 9', 2002 Mixed Media, Architecture. Pastel media, incorporates architectural photography.On paper....
Architecture - Mixed Media
8 x 18 inches (20.3 x 45.7 cm)
Rita Levinsohn: 'Encounters', 1999 Mixed Media, Abstract.
, 1999
Abstract - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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(Page 8 of 252) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Shin-Hye Park - Park, Shin-Hye Born in Daegu, Korea Master of Fine Arts, Graduate School of Hong-lk Univ., Seoul, Korea Freie Kunst, Gesamthochschule Kassel, Univ., des Landes Hessen, Germany Present Lecturer at Hankyong National Univ., Korea An Attempt to Perceive:Nature, Life and Humanity An Artistic expression is for me an act of confirming what I have perceived, namely what I have to know while seeing, hearing, smelling, tasting, feeling endlessly in the midst of daily life. What is especially important in my work is how I have progressed to know nature. Nature is a starting point of understanding about life, humanity, and somthing called living as one experiances. It is also a place for an empirical, not ideological, understanding of God. Equilibrium is a divine state. Thus, God must have created the universe in his attributes. Now we conceive equilibrium as broken and are feeling a pain from the wound. Then an artistic act is, at least for me, a reflection upon such a reality and embodies a meaning for healing. prolog I feel a deep compassion for Ahnsan, which is suffering from a serious pathological symptom called !(r)development,!- and in turn often affirm in my mind that I will ...

    Ulrich Osterloh - Born in Germany in 1969, I am an artist with a BA hons degree in Fine Art from the University of London, Goldsmiths College. I lived in London for many years 1988-2005, and am nowadays based in the Cologne Dusseldorf region of Germany. Originally a painter, for the last four years I have been focusing mainly on photography and digital experimentation. Ulrich Osterloh ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Nicholas Down - Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    George Oommen - George Oommen: The Image as the key Born in Munnar, Kerala, India, and educated in India, Mexico, and the United States, George Oommen continues to derive artistic inspiration from the lush green landscapes of his homeland. Every winter, Oommen visits Mankotta, a small island in the inland waters of Kerala in southwestern India, ten miles from Oommen's ancestral home. The weeks spent there fuel his painting year round. What follows is a series of questions and answers by Oommen about his work. The conversation took place over a series of days but reflects a lifetime of thinking about the meaning of his art. Q: What is the goal of your art? What inspires and motivates you as an artist? A: My painting is fundamentally about communicating what I see in my mind's eye. While verbal expression is the predominant form of communication, from early childhood, I have had a facility with visual expression. Painting is my vehicle for this. The specific goal of my art changes with each series I embark upon, but the general objective is always to transfer the image in my mind to the canvas There are many sources of inspiration for me--it could ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Christian Culver - Architectural Art Today we see art and architecture of the past as nobody saw it before, we perceive it in a different way. All of us see hundreds of images everyday in the cities in which we live. In no other form of society in history has there been such a concentration of images, such a density of visual messages. One may remember or forget these messages, but briefly one takes them in, and for a moment they stimulate the imagination by way of either memory or expectation. The image belongs to the moment. They never speak of the present, but often refer to the past and always speak of the future. We are so accustomed to being addressed by these images that we scarcely notice their total impact. A person may notice a particular image or piece of information because it corresponds to some particular interest they may have. The fact that these images belong to the moment, but speak of the future, produces a strange effect, which has become so familiar that we scarcely notice it. Usually we pass the image - walking, traveling, or on the TV screen, somewhat different but even then we are theoretically the active ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....