Mixed Media Art

Page 7 of 222
Bessie Papazafiriou, Jyoti Thomas, Richard Lazzara, Tary Socha, Lucia Timis, Rickie Dickerson, Nicholas Down, Adam Adamou, George Oommen, Jose Freitascruz, Philip Hallawell, Andree Lisette Herz, Christian Culver offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Jyoti Thomas: 'Fading Islands', 2005 Mixed Media, Abstract. From Oceans of Choice exhibition...
Abstract - Mixed Media
100 x 60 cm (39.4 x 23.6 inches)
Jyoti Thomas: 'Ocean within', 2005 Mixed Media, Abstract. From the Oceans of Choice exhibition...
Abstract - Mixed Media
100 x 45 cm (39.4 x 17.7 inches)
Richard Lazzara: 'a play park', 1988 Mixed Media, Visionary. A PLAY PARK, from the folio  SUMIE CARDS is available at
Visionary - Mixed Media
6 x 8 inches (15.2 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tary Socha: 'Elemental Oxidation', 1997 Mixed Media, Abstract. Mixed Media on Strathmore board. ...
Abstract - Mixed Media
20 x 30 inches (50.8 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucia Timis: 'Aerial Landscape', 1950 Mixed Media, Landscape.
Landscape - Mixed Media
48 x 36 inches (121.9 x 91.4 cm)
Lucia Timis: 'Masks 02', 2000 Mixed Media, Abstract.
, 2000
Abstract - Mixed Media
40 x 30 inches (101.6 x 76.2 cm)
Lucia Timis: 'Exile', 2004 Mixed Media, Fantasy.
, 2004
Fantasy - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
Richard Lazzara: 'stone over the river rushes', 1988 Mixed Media, Inspirational. stone over the river rushes 1988  from the folio
Inspirational - Mixed Media
28 x 40 inches (71.1 x 101.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'black mouth', 1988 Mixed Media, Inspirational. black mouth 1988  from the folio
Inspirational - Mixed Media
28 x 40 inches (71.1 x 101.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'make waves ', 1988 Mixed Media, Inspirational. make waves 1988  from the folio
Inspirational - Mixed Media
28 x 40 inches (71.1 x 101.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rickie Dickerson: 'Slick', 2004 Mixed Media, Abstract. I love the ones that just come from nowhere and make ME feel like I' m watching them happen.  ...
, 2004
Abstract - Mixed Media
20 x 16 inches (50.8 x 40.6 cm)
Nicholas Down: 'Winter Melody', 2002 Mixed Media, Abstract. Tempera with Oil Glazes on Gesso...
Abstract - Mixed Media
34 x 22 inches (86.4 x 55.9 cm)
Adam Adamou: 'Trapped yet Free', 2003 Mixed Media, Birds.
Birds - Mixed Media
508 x 762 mm ( x )
Adam Adamou: 'Queens of pomp 3', 2002 Mixed Media, Erotic.
Erotic - Mixed Media
460 x 560 mm ( x )
Tary Socha: 'Macrocosm', 1995 Mixed Media, Abstract. Mixed water media on paper. There is a distinct interconnectedness of all things. Here, the microcosm and the galactic macrocosm are one and the same. We are all one with the undiversal....
, 1995
Abstract - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tary Socha: 'Undulating Earth and Sea', 1997 Mixed Media, Abstract. Mixed media on paper. The Aquatics series. Oceanic influences are the basis for most of my work. Contrasts of volume, fluidity and mass help create the illusion of undulating waves offset againt an ethereal earth....
Abstract - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tary Socha: 'Fish2', 1997 Mixed Media, Fish. Mixed water media on paper. I am inspired by the vibrant colors of tropical fish. They are the fluid jewels of nature....
, 1997
Fish - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
George Oommen: 'untitled', 1998 Mixed Media, Abstract.
, 1998
Abstract - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
George Oommen: 'untiled', 1997 Mixed Media, Abstract.
, 1997
Abstract - Mixed Media
30 x 66 inches (76.2 x 167.6 cm)
George Oommen: 'Untitled', 1996 Mixed Media, Abstract.
, 1996
Abstract - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
Jose Freitascruz: 'borneo batik x2', 2003 Mixed Media, Abstract. One of the first brunei paintings where I introduced Matisse elements...
Abstract - Mixed Media
100 x 100 cm (39.4 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Adam Adamou: 'Bare Fruit', 2002 Mixed Media, Figurative. Tree inspired shapes, fruitful disections, mangled patterns and swinging cherries. From Fruits of the Junkshy Nudes...
, 2002
Figurative - Mixed Media
510 x 760 mm ( x )
Adam Adamou: 'Pyrrhous Melodrama', 2002 Mixed Media, Figurative. Fruits from summer, bare tree from winter, bodies laid over tatoo representations, this being the essence of The Fruits of the Junkshy Nudes collection....
Figurative - Mixed Media
760 x 710 mm ( x )
Philip Hallawell: 'Phoibus Apollo', 1988 Mixed Media, Mythology. Apollo, the God of music and the sun. Done in pen and ink and watercolor. Part of the Iliad series. ...
Mythology - Mixed Media
38 x 56 cm (15.0 x 22.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'The Arts VI  Dance', 1981 Mixed Media, Dance. From the Arts series, this work focuses on Dance. It was done in pen and ink, collage and pencil. ...
Dance - Mixed Media
35 x 50 cm (13.8 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Andree Lisette Herz: 'flower 2', 2003 Mixed Media, Floral. Acrylic and oil pastel on board...
, 2003
Floral - Mixed Media
8 x 15 inches (20.3 x 38.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andree Lisette Herz: 'Farm one', 2002 Mixed Media, Americana. Acrylic paint on handmade paper with collaged objects...
, 2002
Americana - Mixed Media
30 x 20 inches (76.2 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andree Lisette Herz: 'riverbend', 2002 Mixed Media, Abstract. acrylic painting on handmade paper of the bank of the delaware river...
, 2002
Abstract - Mixed Media
33 x 29 inches (83.8 x 73.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Christian Culver: 'Divergent Paths 4', 2003 Mixed Media, Abstract. Pastel with architectural photographs. ...
Abstract - Mixed Media
36 x 42 inches (91.4 x 106.7 cm)
Christian Culver: 'Lake Rabun 1', 2002 Mixed Media, Architecture. Pastel media with architectural photographs...
Architecture - Mixed Media
25 x 40 inches (63.5 x 101.6 cm)
(Page 7 of 222) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Jyoti Thomas - I feel passionate about creating in many different forms and mediums but I'm predominantly a painter. My art comes from my inner world giving a voice to thoughts and emotions that can't always be adequately expressed in other ways. I am always in awe of the deep power of creativity to heal and bring deep insight. Most of my works are rich in colour and symbols and are an emotional and soul felt interpretation of the world within me and around me. The works shown here are from several bodies of work those being Meet Anita, Gifts of Descent, Below the Surface, Fragments, Oceans of Choice. and Night Sea Journey. My artwork has been a constantly changing river of works following the journey of my life, through good times and difficult times and has always been a refuge and a deep love. While the artwork just IS in its own right I also hope that it taps into others experiences of life and links us together in our common humanity. I love art just for its own sake and nothing else in my world has the ability to lift my heart and soul like making art does. I ...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Nicholas Down - George Oommen - George Oommen: The Image as the key Born in Munnar, Kerala, India, and educated in India, Mexico, and the United States, George Oommen continues to derive artistic inspiration from the lush green landscapes of his homeland. Every winter, Oommen visits Mankotta, a small island in the inland waters of Kerala in southwestern India, ten miles from Oommen's ancestral home. The weeks spent there fuel his painting year round. What follows is a series of questions and answers by Oommen about his work. The conversation took place over a series of days but reflects a lifetime of thinking about the meaning of his art. Q: What is the goal of your art? What inspires and motivates you as an artist? A: My painting is fundamentally about communicating what I see in my mind's eye. While verbal expression is the predominant form of communication, from early childhood, I have had a facility with visual expression. Painting is my vehicle for this. The specific goal of my art changes with each series I embark upon, but the general objective is always to transfer the image in my mind to the canvas There are many sources of inspiration for me--it could ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Christian Culver - Architectural Art Today we see art and architecture of the past as nobody saw it before, we perceive it in a different way. All of us see hundreds of images everyday in the cities in which we live. In no other form of society in history has there been such a concentration of images, such a density of visual messages. One may remember or forget these messages, but briefly one takes them in, and for a moment they stimulate the imagination by way of either memory or expectation. The image belongs to the moment. They never speak of the present, but often refer to the past and always speak of the future. We are so accustomed to being addressed by these images that we scarcely notice their total impact. A person may notice a particular image or piece of information because it corresponds to some particular interest they may have. The fact that these images belong to the moment, but speak of the future, produces a strange effect, which has become so familiar that we scarcely notice it. Usually we pass the image - walking, traveling, or on the TV screen, somewhat different but even then we are theoretically the active ...