Bronze Sculptures

Page 3 of 18
Avril Ward, Jack Hill, Ione Citrin, Mihail Simeonov, Gabor Bertalan, Mark Dedrie, Stefan Van Der Ende, Scott Mohr, Robert Pulley, Zoja Trofimiuk, Michael Tieman offering original Bronze Sculptures artworks.


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Avril Ward: 'brothers keeper', 2014 Bronze Sculpture, Figurative.       Limited edition bronze       ...
Figurative - Sculpture
6 x 20 inches (15.2 x 50.8 cm)
Avril Ward: 'New Day new mercies', 2015 Bronze Sculpture, Figurative.     Limited edition bronze     ...
Figurative - Sculpture
6 x 16 inches (15.2 x 40.6 cm)
Avril Ward: 'Joy Unspeakable', 2013 Bronze Sculpture, Figurative.    Limited edition bronze    ...
Figurative - Sculpture
8 x 18 inches (20.3 x 45.7 cm)
Avril Ward: 'LEAN ON ME', 2015 Bronze Sculpture, Figurative. Limited edition bronze...
, 2015
Figurative - Sculpture
8 x 18 inches (20.3 x 45.7 cm)
Avril Ward: 'heart strings', 2015 Bronze Sculpture, Figurative.  Limited edition bronze 45 editions ...
Figurative - Sculpture
8 x 18 inches (20.3 x 45.7 cm)
Jack Hill: 'Tuba Toothpaste', 2008 Bronze Sculpture, Fantasy.    two lovers sculpted as spoons in an amorus embrace    A tooth brush as teeth and toothpaste squeezed into a tuba shape  ...
Fantasy - Sculpture
10 x 11 inches (25.4 x 27.9 cm)
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Jack Hill: 'Spooning', 2006 Bronze Sculpture, Fantasy. two lovers sculpted as spoons in an amorus embrace ...
, 2006
Fantasy - Sculpture
5 x 13 inches (12.7 x 33.0 cm)
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Ione Citrin: 'New York, New York', 2013 Bronze Sculpture, Abstract.     17 high x 11 wide x 11 deep abstract bronze sculpture               ...
Abstract - Sculpture
11 x 17 inches (27.9 x 43.2 cm)
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Mihail Simeonov: 'Cast the Sleeping Elephant', 1983 Bronze Sculpture, Animals.  Model of the Cast the Sleeping ElephantIn 1980 Mihail traveled to Africa where he cast a live, wild, bull elephant. The elephant was not harmed. Mihail incorporated the cast of the elephant in creating this work of art given to theUnited Nations as a gift by Kenya, Namibia and...
Animals - Sculpture
20 x 19 inches (50.8 x 48.3 cm)
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Gabor Bertalan: 'Little Prince', 2014 Bronze Sculpture, Figurative.  Little prince. sculpture. By the novel Antoine de Saint- Exupery. Bronze. ...
Figurative - Sculpture
44 x 148 cm (17.3 x 58.3 inches)
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Mihail Simeonov: 'Dog named Tony', 1995 Bronze Sculpture, Animals.   bronze sculpture    ...
Animals - Sculpture
13 x 18 inches (33.0 x 45.7 cm)
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Mark Dedrie: 'Grouse  ', 2019 Bronze Sculpture, Birds. famous grouse, Selected for the 59th editionof Art and The Animal at the Briscoe Western Art Museum...
, 2019
Birds - Sculpture
19 x 13 inches (48.3 x 33.0 cm)
Stefan Van Der Ende: 'cranimal', 2014 Bronze Sculpture, Abstract.  Soon available in Bronze , limited edition  ...
, 2014
Abstract - Sculpture
6 x 13 cm (2.4 x 5.1 inches)
Gabor Bertalan: 'Seated man', 2006 Bronze Sculpture, undecided.
, 2006
undecided - Sculpture
20 x 12 cm (7.9 x 4.7 inches)
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Scott Mohr: 'On Giants Shoulders', 1976 Bronze Sculpture, Figurative.  The first bronze I ever cast. The title comes from an Isaac Newton quote:
Figurative - Sculpture
6 x 10 inches (15.2 x 25.4 cm)
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Scott Mohr: 'Gemini', 1979 Bronze Sculpture, Figurative.  My mother was a Genini and inspired this sculpture. The enigmatic twins ...
, 1979
Figurative - Sculpture
2 x 3 feet (0.61 x 0.91 m)
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Scott Mohr: 'Karass', 1995 Bronze Sculpture, Figurative.  The name comes from K. Vonnegut's
, 1995
Figurative - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
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Scott Mohr: 'Kundalini', 1996 Bronze Sculpture, Figurative.   It's al about here back, the original stone before I started carving had this spinelike curve I just brought out the rest of the figure, I just got out of the way and let her come out! Now she' s eternal in bronze     ...
, 1996
Figurative - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
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Scott Mohr: 'Two to Tango', 1988 Bronze Sculpture, Figurative.  These stylized dancers are mounted on a lazy Susan so they spin. . . they can truly dance   ...
Figurative - Sculpture
6 x 8 inches (15.2 x 20.3 cm)
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Scott Mohr: 'Through the Veil', 2004 Bronze Sculpture, Figurative.  From an original alabaster carving this copy in bronze expresses the desire to connect to the other side to find our true self our higher being  ...
Figurative - Sculpture
10 x 24 inches (25.4 x 61.0 cm)
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Scott Mohr: 'Pillars of Society', 2005 Bronze Sculpture, Humor.  An homage to my father who was a salesman during the 60s
Humor - Sculpture
14 x 72 inches (35.6 x 182.9 cm)
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Robert Pulley: 'Little Grace', 2012 Bronze Sculpture, Abstract Figurative. Abstract Bronze sculpture on a black marble base.  Table or pedestal scale.  Modern.  black and brown patina.  ...
Abstract Figurative - Sculpture
7 x 12 inches (17.8 x 30.5 cm)
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Robert Pulley: 'Listener', 2011 Bronze Sculpture, Abstract.  Abstract Bronze sculpture on a black marble base.  Table or pedestal scale.  Modern.  black and brown patina.  A very active, but balanced play of intersecting plates. ...
, 2011
Abstract - Sculpture
5 x 14 inches (12.7 x 35.6 cm)
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Zoja Trofimiuk: 'Despair from Raw Emotions series', 2012 Bronze Sculpture, Expressionism. Despair from Raw Emotions series, mixed media, cire perdue, bronze, hot worked glass, Prince Rupert's Drops, sandblasted, assembled, granite plinth 21x16 x16 cmStatement:
Expressionism - Sculpture
23 x 30 cm (9.1 x 11.8 inches)
Zoja Trofimiuk: 'Sorrow', 2012 Bronze Sculpture, Expressionism. Sorrow, from Raw Emotions series, mixed media, cire perdue, bronze, hot worked glass, Prince Rupert's Drop, sandblasted, assembled, granite plinth 21x16 x16 cm   Statement:
, 2012
Expressionism - Sculpture
23 x 30 cm (9.1 x 11.8 inches)
Michael Tieman: 'Behold the Gift', 2010 Bronze Sculpture, Figurative.  Figurative   ...
Figurative - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
Michael Tieman: 'Spirit of the Sea', 2003 Bronze Sculpture, Figurative.  This is a very special piece. It was meant to be a life size bust of another of my sculptures, Windswept. Trouble is, she did not want to be a copy, she wanted to be an original piece. Her spirit guided my hands when sculpting, and when I was in...
Figurative - Sculpture
10 x 14 inches (25.4 x 35.6 cm)
Michael Tieman: 'The Poet', 2010 Bronze Sculpture, Figurative.
, 2010
Figurative - Sculpture
10 x 24 inches (25.4 x 61.0 cm)
Michael Tieman: 'Courage', 2009 Bronze Sculpture, Figurative.  A sculpture standing in tribute to those who have, who are, and who will battle Cancer.Purchase price includes a donation to Cancer Support Services.  ...
, 2009
Figurative - Sculpture
10 x 36 inches (25.4 x 91.4 cm)
Ione Citrin: 'Escape', 2012 Bronze Sculpture, Abstract Landscape.  24
, 2012
Abstract Landscape - Sculpture
24 x 24 inches (61.0 x 61.0 cm)
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(Page 3 of 18) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Avril Ward - Artist's statement. Creating has become an intricately woven part of my life. I must express nature, as it is my window to God. I must delight in the human body, a marvel that never ceases to amaze. I must express love and joy-this keeps them tangible in my life. I must trust my instincts and skills allowing them to lead me in the right direction. Most importantly: if my art can move a person to pause, think, smile, ponder, cry, laugh, be encouraged or give them hope, then I have served my purpose in life." To view a video about, my inspiration and work methods in sculpture please copy and paste the link to your browser.

    Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

    Ione Citrin - Ione is an avant garde artist whose artistic expression takes fantastic shape through her diverse oil and watercolor paintings, bronze sculptures, found object collages and mixed media assemblages. Her paintings and sculptures range from abstract to realistic to impressionistic - all visionary interpretations from her imaginative soul. "When I paint, I dip my brush in my soul... Being an Artist is a life force, not a career choice. Each piece represents a fragment of my life's work. I present the world artistically as I see it, as I wish to see it, and occasionally as I once saw it. You see, It is my identity. Without this expression of self, I am nothing. Through my art I give love." Ione uses only one name but a variety of styles to soothe her wild imagination. A native of Chicago, she is a former television star and commercial voice-over artist. Now she wins awards and sells her creativity through her hands instead of through her larynx. Her art is as original as she is - bold, colorful and highly decorative....

    Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

    Mark Dedrie - Mark Dedrie, an artist in motion by Robin d'Arcy Shillcock The first things you notice when confronted by work of Belgian sculptor Mark Dedrie (1962) are the stylized shapes and their highly polished finish. Although working within the tradition in which colour is omitted in favour of form, his approach is not so much classical an literal as turning a refined distillation of visual reality into a sculptural statement. He transforms a world of colour and movement into a world of presences, of volumes and elegant lines, and manages weightlessness in heavy bronze. This results in tactile, visually attractive sculptures. There aren't too many sculptors who know how to stylize animal shapes well, and even fewer that seek the degree of refinement Dedrie is striving for. It results in soft and sensual surfaces that underline the exquisite grace of birds like ducks and long-legged waders. There are honestly merely a few I can name. Francois Pompon (France 1855-1933) worked on Rodin's marble sculptures before becoming one of the greatest animal sculptors of the modern era. His work instigated what I call the Movement of Form, comprising the sculptors who preferred to distance themselves from ...

    Stefan Van Der Ende - My sculptures are Solutions for Non/existing Problems . Now is the time to collect them. They are rare and unique ,and there are not many of them , also due to the big amount of time it takes to make the biggerones in wood and stone . They are made dreaming/thinking and working intensively , whith the intention to be able communicate emotion through their abstract/associative visual appearence which relate to subconcious processes in the human mind .(specialy mine ofcourse ) There are often more pictures of one sculpture , because ,as you know you have to see sculptures from more sides , to get a good impression . Mijn sculpturen zijn oplossingen voor niet /bestaande problemen . het is nu de tijde om ze te gaan verzamelen Ze zijn zeldzaam en speciaal , en er zijn er niet zoveel te koop , ook als gevolg van het feit dat het een grote hoeveelheid tijd kost om ze te maken ( speciaal die in hout en steen ) Ze worden gemaakt in een intensief proces van denken dromen en werken . Met het doel uiteindelijk via hun abstract/associatieve visuele aanwezigheid emoties via abstracte vorm te communiceren via de interpreatie van de beschouwer .door het raken van onderbewuste oude lagen in ...

    Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

    Zoja Trofimiuk - Artisti?1/2s Statement My Art is my Statement. Volume and Space are concepts that have influenced my art. I am particularly fascinated by their appearance in the human body. I am interested in exploring dialogue both internal dialogue, which exists within oneself, and external connection that moves between two people or objects. My art explores i?1/2contradictionsi?1/2 which are attracted to each other and create a new whole. The human figure appeals to me as an adequate form for expressing these ideas. Working with glass has given me the opportunity to stretch the boundaries of these concepts to new limits, as well as offering me the joyful experience of playing with colour. I would like to concentrate my attention on capturing absence, an impression, commemorate memory, fleeing presence, give physical form to a spiritual value. The absence transferred into visual terms, long after it ceased to exist. In both instances, when working with bronze or glass, I apply a casting technique called i?1/2Lost Waxi?1/2. ...

    Michael Tieman - As Michael Tieman sees it, "The role of an artist from the dawn of time has been as a visual storyteller. The stories my paintings and sculpture tell are ones of confidence, strength, passion, playful sophistication and the celebration of life." "I create my bronze sculpture as a three dimensional painting, texture becomes the Impressionistic impasto brushstroke, color is the play of light and shadows across the surfaces, and detail is the impression of movement." ...