Culture Art For Sale (851)

Artists Describing Their Art:

Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

Jean-Louis Mireault - Je suis membre de la Surface Design Association (USA), de la Guild of Silk Painters of UK, du SPIN (Association des peintres sur soie des USA), du CMAQ (Centrale des Metiers d'Art du Quebec) du CCM (Conseil Culturel de la Monteregie) et du Cercle des Artistes Peintres et Sculpteurs du Quebec. Je peinds sur la soie depuis 1978. Je realise des oeuvres uniques et des foulards. Je reproduis certaines de mes oeuvres sur des supports differents tels que : chandails, tapis d'ordinateur, cartes de voeux, broches, bougies... D'autres sont tirees en serigraphies a tirage limite. J'accepte les comandes specifiques pour des individus et des corporations. Je peux travailler a partir de photos ou de diapositives. ----- Member of Surface Design Association, of The Guild of Silk Painters of United Kingdom, of the SPIN (Silk Painters International News of USA), of the CMAQ (Centrale des Metiers d'Art du Quebec), of the CCM (Conseil Culturel de la Monteregie), of Le Cercle des Artistes Peintres et Sculpteurs du Quebec . I paint on silk since 1978. Some of my silk paintings are reproduce on greetings cards, on posters and on T-Shirts, even on glass candle to serve as corporate gifts. ...

Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

Frank Shifreen - My art is about the power of the image to bypass the limitations of the self, controlled through language and its paradigms. The image is a life raft. The connection of the seer to the seen is the same as self to other , or me to you. Images, whether they be paintings, digital works or videos are gestalts, and embody identity. My art is about figure and ground that is transformed in many ways- materials, subject and meaning. I am a situationist and believe that art can create new paradigms for the future. It is a protected frame of content that can carry meaning, experimental ideas and projections. I have been a painter and sculptor, and still work in those media, but my primary form is now digital art and video, or hybrid combination. Besides being an artist, I have curated and organized many exhibitions, in New York. The Monumental Shows, Terminal Show (Co-curator), Pan Arts, Plexus. Recently curated "From the Ashes" 911 Memorials and "Ground Zero" at the Detroit Museum of New Art, and Freyberger Gallery - Penn State Berks Campus I am a Doctoral Candidate in Art and Art Education at Columbia University Teachers College...

Queenie Lam - I use acrylic and oil to showcase my imaginative world and to make a religious comment on the ideals. I also want my art to be a way to record the history of life as it has gone through, with occasional integration of my feelings at that particular moment. I am particularly interested in creating my work with a variety of vibrant colors because I believe that this is the way life is supposed to be portrayed. ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Augie Nkele - Born: Kisangani, Congo, Africa BFA: Emphasis Painting, 1979, Academie Des Beaux-Arts, Kinshasa and Lubumbashi Additional Studies: Notre Dame de la Sagesse, School of Interior Design, Brussels, Belgium, 1980-82 Currently a US citizen residing in Fort Worth, Texas I am from the Kongo people. Before Columbus sailed to the New World, the Portuguese had already established trade relations with the kingdom of Kongo. Members of the royal court of Kongo attended the university in Lisbon. I speak the Kikongo language, as well as Lingala, Swahili, French and English. Congo is always in my heart although it has been many years since I have been there in person. My country has a rich artistic and cultural history and the Congolese people have made important contributions to art and music. One of my goals with my art is to introduce our history and culture to others. When you know Africa you will love Africa. I love learning about different ethnic and national cultures. I look for links that can unite people rather than divide them. Having lived on three continents has given me a broader interest perhaps than if I had only lived in one community all my life. We must ...

Shmuela Padnos - ARE YA READY TA GET THE BIG LEG BLUES FROM THE GAS MAN AS THE SPECIAL RIDER MAKES YOU MISSISSIPPI MOAN? ARE YA GONNA RIDE THE NEW HAMHOUND CRAVES A BLACK SNAKE MOAN WITH THE LITTLE LEG OUTSIDE WOMAN BLUES? WELL TAKE A LITTLE WALK WITH ME AS i TELL YOU ABOUT THAT CHERRY WOMAN ARTIST SHMUEL A PADNOS. AS THE DEVIL SENT THE RAIN TA N'AWLINS SHMUEL A WAS CONCEIVED DURING MARTI GRAS FUN OF LE BON TON ROULET. 9 MONTHS LATER IN THE FOOT HILLS OF NORTH CAROLINA, LAND OF RATTLE SNAKIN DADDY& STEP IT UP & GO, SHMUEL A WAS BORN. ALTHOUGH EXPOSED TO THE EAST COAST PICKIN OF BLIND BOOY FULLER, BUDDY MOSS& JOSH WHITE BY HER GRANDPARENTS, SHMUELA WAS ALWAYS FOUND WITH A PAINTBRUSH IN HER HAND INSTEAD OF A GUITAR. SHE FOUND THE MOVING OF THE BRUSH CREATED ITS OWN FUNKY SOUND&RHYTHM....

A M Bowe - Anne-Marie Bowe was born in Dublin and is from a family of Irish Artists. She lives in England and has been exhibiting regularly both there and in her home town of Dublin ever since. Her main focus is on portraiture in oil and acrylic, however, she excels in figurative work as well as landscapes and cityscapes. She is a member of the Virginia Waters Art Society....

Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

Jorge Alban - My current work elaborates on spatial/textual/historical tensions that reveal contradictions between the represented and its representation, between the small personal anecdote and the grand historical narrative. My photography thus incarnates the failure of male socialization and the ways in which Latin America still conceives and applies power. Between 1995-1998 I intervened crashed car pieces with photographic self-portraits holding my little girl. It was an attempt to challenge the archetypes at work in paintings like the Virgin with Child of Il Duccio de Buoninsegna, painted around the year 1300 A.C. , so abundant in catholic imagery. The trashed car junk provided a most appropriatte showcase for masculine destructive powers, a reference to the Pantocratos "punishing god" (as oppossed to the all forgiving virgin Mary). Several of these pieces, including Toyota Corolla 92 (1996 and Taxi Year Unknown (1997), were exhibited at Body, Fragment Memory. In the catalog of this show, published by the Museum of Costa Rican Art in 1997. The critic Vivianne Loria (current Lapiz Magazine collaborator) stated in that shows catalog: "In the Works by Jorge Alban, the image is diffused, hidden and enhanced as fragments on a metallic support, fragmented on it ...