Humor Art For Sale (147)

Artists Describing Their Art:

Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Amira Elfohail - Painting to me is the experience of transformation. The spirit of creating art is always a manifestation of being and becoming one with the life force - the source of creation that is within us all. In reality Art is nature re-expressed, perfecting the beauty that is already there...and it is the method of creating beauty, under whatever aspect, which is called ART....

Tony Briffa - As a Maltese artist living and working in Denmark, I feel my feet immersed in two very different cultures., the central Mediterranean and the Scandinavian. Considering this, my work does have a particularly unique twist. Over the years, I have sought inspiration from various sources, both natural and man-made which lead me to develop my own idiom in expressing myself in clay. My latest work mainly attempts to transform retrospective images of form and space from my past experience into 3D sculptures.A At times, small decisions regarding the final shape, colour and texture of my work seem so hard to take. In these moments, I struggle to strike a balance between conscious and unconscious impulses to make the right decision. Describing technically my work, I would say it is mostly hand build, some fired ware with applied photographic and silkscreen decals, on-glazes besides other glazing methods. ...

Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

Arthur Bell - I admire the eccentric artists of the 19th century, like Albert Pinkham Ryder and William Blake as well as many who were untrained and painted primitively. I'm drawn to the way light was beautifully expressed in paintings by Romantics like Eugene Delacroix and Goya. Wordplay interests me and I can see humor in life along with the absurd. I can't help but include some of that in my paintings. Since having a stroke, I moved to Laguna Honda Hospital and have been telling friends this address sounds like a car dealership (which I hope would not be held against me by Saab specialists) . Like Simon on the Monty Python BBC series, "I like to draw pitchers". I've reread Jules Verne again, more recently, "The Sphinx of the Ice Fields: A Sequel to Edgar Allan Poe's The Narrative of Arthur Gordon Pym" after which I made a painting in 1977. ...

Debbi Chan - I am going to do an updated artist's statement. But until I submit it you have a short temporary one. As an artist I an fullfilled and contend. But at the same time I seek more , absorb more, and enjoy more. Art fills and fullfills me..I am always being an artist. My eyes see art always. This is not a hobby that I partake of when time suits. Art feeds me. Art consoles me. And being prolific it also takes my time. And for this I am thankful that i listened to my inner self. I am thankful for a following that grows by the minute. I enjoy you enjoying my portfolio. I also have come to realize that the coined phrase "starving artist" is a reality for some of us. But if you take another quote, my own , you will see that starving and rich pertain to material $. because of you the viewers , and because art is my life and my passion I can truly say that I AM RICH.. RICH WITH NO MONEY... and I can also say with truth that I am happy. I chose the path that allowed this rich life. There will continue ...

Anh Tran - My sculpture addresses a symbolic language: visually - Symbol, Material, and Fragment as metaphor to represent on human value of legend, history, culture, and myth. It is an interaction sculpture space in which the viewers are invited to actively engage as a means of completing the artwork. My work mainly is the installation and concept work inheriting value of traditional sculptures. Currently, I pay attention on human relationships - the main subject matter that presents in work at different levels from the relationship of people to people; between human beings to nature; the bond of people to God in timeless. Men of all ages experience the same knotty relationship that comes from the endless struggle for life, freedom and the pursuit of happiness. On my experience I think that each person lives in a knot of relationships, bearing the traces of successes and failures, love and loss, generosity and vileness, pleasure and pain, happiness and misfortune, in an ever changing, yet repetitious cycle. Relationships are continually changing -- expanding and contracting as they are being formed, challenged, mended, healed, maintained, and even ended in both time and space. In general, I think of human life and relationships as being fragmented forms as well. ...

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

Amans Honigsperger - What is inspiration? Is it a sudden spark, which of course, any real artist will know is not true. Personally, for me, I always have to make one big mistake with my painting before it comes together the way the original spark intended it to be. I love working with strong colours; it gives a painting life and dimension -- which may be because of my South African background. At the moment I am experimenting with contrasts, textures, colours and the best way to present the final project....

Ulrich Osterloh - Born in Germany in 1969, I am an artist with a BA hons degree in Fine Art from the University of London, Goldsmiths College. I lived in London for many years 1988-2005, and am nowadays based in the Cologne Dusseldorf region of Germany. Originally a painter, for the last four years I have been focusing mainly on photography and digital experimentation. Ulrich Osterloh ...