Wheel Ceramic Art

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Skip Bleecker, Setyo Mardiyantoro, Andrew Tarrant, Holly Nussbaum Williams, Richard Hansen, Aymen Azzam, Minkyung Choi, Rachel Oswalt, Alex Cavinee offering original Wheel Ceramics artworks.


Contemporary Art / Wheel Ceramics / Previous / Next
Skip Bleecker: 'brown molar', 1983 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 6 inches (12.7 x 15.2 cm)
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Skip Bleecker: 'blue brown tooth', 1984 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 6 inches (12.7 x 15.2 cm)
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Skip Bleecker: 'donuts and handles', 2019 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
9 x 13 inches (22.9 x 33.0 cm)
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Skip Bleecker: 'dinosaur egg 5', 2019 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 8 inches (12.7 x 20.3 cm)
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Skip Bleecker: 'dinosaur egg 7', 2019 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 8 inches (12.7 x 20.3 cm)
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Skip Bleecker: 'Lips ', 1980 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
, 1980
Abstract - Ceramics
6 x 11 inches (15.2 x 27.9 cm)
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Skip Bleecker: 'Jaws 2', 1980 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
, 1980
Abstract - Ceramics
6 x 12 inches (15.2 x 30.5 cm)
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Skip Bleecker: '4 Hole Crackle', 1980 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 8 inches (12.7 x 20.3 cm)
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Skip Bleecker: 'dinosaur egg 8', 2020 Wheel Ceramics, . Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
- Ceramics
5 x 8 inches (12.7 x 20.3 cm)
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Skip Bleecker: 'nine hole bottle', 2018 Wheel Ceramics, Abstract. Wheel thrown, Stoneware, High fired, One of a kind, Sculpture, Handmade8  x 5. 5 X 5. 5...
Abstract - Ceramics
5.5 x 8 inches (14.0 x 20.3 cm)
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Setyo Mardiyantoro: 'lucertola mare', 2010 Wheel Ceramics, Animals.
Animals - Ceramics
20 x 20 cm (7.9 x 7.9 inches)
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Setyo Mardiyantoro: 'lucertola', 2010 Wheel Ceramics, Animals.
, 2010
Animals - Ceramics
20 x 20 cm (7.9 x 7.9 inches)
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Setyo Mardiyantoro: 'scoiattolo', 2010 Wheel Ceramics, Animals.
, 2010
Animals - Ceramics
20 x 20 cm (7.9 x 7.9 inches)
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Setyo Mardiyantoro: 'Camoscio di notte', 2010 Wheel Ceramics, Animals.
Animals - Ceramics
20 x 20 cm (7.9 x 7.9 inches)
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Setyo Mardiyantoro: 'Cerva', 2010 Wheel Ceramics, Animals.
, 2010
Animals - Ceramics
20 x 20 cm (7.9 x 7.9 inches)
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Setyo Mardiyantoro: 'farfallina', 2010 Wheel Ceramics, Animals.
, 2010
Animals - Ceramics
20 x 20 cm (7.9 x 7.9 inches)
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Setyo Mardiyantoro: 'Cavalletta', 2010 Wheel Ceramics, Animals.
, 2010
Animals - Ceramics
20 x 20 cm (7.9 x 7.9 inches)
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Andrew Tarrant: 'Tea cup and saucer lid combination', 2009 Wheel Ceramics, Vintage.  Hand thrown faceted tea- cup sprigged with gear shapes taken from actual machinery. The saucer also fits perfectly as a lid.  ...
Vintage - Ceramics
5 x 6 inches (12.7 x 15.2 cm)
Holly Nussbaum Williams: 'Donut Vase', 2008 Wheel Ceramics, undecided.  thrown donut with hole for dry flower, Raku Fired ...
, 2008
undecided - Ceramics
2 x 8 inches (5.1 x 20.3 cm)
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Richard Hansen: 'Red 12', 2005 Wheel Ceramics, Abstract. Hand glazed, hi fire ceramics. ...
, 2005
Abstract - Ceramics
7 x 3 inches (17.8 x 7.6 cm)
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Richard Hansen: 'Green20', 2005 Wheel Ceramics, Abstract. Each piece I create is one- of- a- kind. Multi- glazed, high fired, cone 10 Babu porcelain. Oven, microwave safe....
, 2005
Abstract - Ceramics
7 x 2 inches (17.8 x 5.1 cm)
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Richard Hansen: 'Red02', 2005 Wheel Ceramics, Abstract. Each piece I create is one- of- a- kind, multi- glazed, high fired cone 10 porcelain. Oven, microwave safe....
, 2005
Abstract - Ceramics
9 x 3 inches (22.9 x 7.6 cm)
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Richard Hansen: 'red01', 2005 Wheel Ceramics, Abstract. Each piece I create is one- of- a- kind, multi- glazed, high fired cone 10 porcelain. Oven, microwave safe....
, 2005
Abstract - Ceramics
9 x 3 inches (22.9 x 7.6 cm)
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Aymen Azzam: 'Vase', 2004 Wheel Ceramics, Undecided.
, 2004
Undecided - Ceramics
15 x 28 cm (5.9 x 11.0 inches)
Aymen Azzam: 'Vase', 2004 Wheel Ceramics, Undecided.
, 2004
Undecided - Ceramics
15 x 35 cm (5.9 x 13.8 inches)
Minkyung Choi: 'Box Set with tray', 2002 Wheel Ceramics, Undecided. Ceramics Porcelain High fire cone 10- reduction  hand painted glazes functional object...
Undecided - Ceramics
9 x 5 inches (22.9 x 12.7 cm)
Rachel Oswalt: 'raku fired cup', 2018 Wheel Ceramics, Undecided.
Undecided - Ceramics
3 x 3 inches (7.6 x 7.6 cm)
Rachel Oswalt: 'stoneware cup', 2018 Wheel Ceramics, Undecided.
Undecided - Ceramics
3 x 4 inches (7.6 x 10.2 cm)
Alex Cavinee: 'vase', 2017 Wheel Ceramics, Undecided. Red Stoneware ...
, 2017
Undecided - Ceramics
3.3 x 3.7 inches (8.4 x 9.4 cm)
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Alex Cavinee: 'bowl', 2017 Wheel Ceramics, Undecided.
, 2017
Undecided - Ceramics
4 x 6 inches (10.2 x 15.2 cm)
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(Page 1 of 2) - MORE ARTWORKS

Artists Describing Their Art:

Skip Bleecker - Art Forms Most of my work consists of wheel thrown porcelain forms based on organic patterns of microscopic and macroscopic organisms. Some are based on seed pods, teeth, pollen, sea animals, squash, and even watermelon, but as the development proceeds, they merge and take on new forms of possible and imaginary organisms. All are hand made, one of a kind pieces, usually done in a series, so there might be some similarity among some pieces, but no two are ever exactly alike. Seed Pods For most of my life, I have been both attracted to and very allergic to, large numbers of trees, grasses, and bushes. I have refused to become trapped indoors just because of these allergies, and as I began to develop my own sculptural forms, I examined both macroscopic and microscopic forms in nature. By examining the form and structure of seeds and other natural objects, I found great beauty in these simple forms, and developed simple organic sculptural designs, based on slightly abstract versions of these natural objects. ...

Setyo Mardiyantoro - Setyo Mardiyatoro was born in Java, Indonesia the 13/04/64 and got a degree in Agricultural technology at the National University of Jember, Indonesia in 1990. In'91 he came to Italy to follow his real vocation which is artistic. At present he lives in Naples where he works as a painter. In his work there is all the history of his experience which has matured in two completely different worlds similar only for their richness and variety of traditional cultures and the production of works of art. The remembrance and the nostalgia for an exuberant nature can be seen in the Italian landscapes which admiration covers with a golden light and which are enriched with stylized birds, the symbol of sentiments and thoughts which they have recalled up. Images of oriental fairy tales, mythological scenes and animals confront one another with the enigmatic faces of western women in thoughtful attitudes. In his first works he is inspired by the technique of Indonesian Batik, where the "tik" is the drop of wax used to leave a point uncolored. In his contact with traditional western art he has found that pointillism is particularly near in it's results to this ...

Aymen Azzam - Aymen Azzam Born in Germany 11th May 1994 Graduated from the faculty of Arts & Education at Yarmouk University Jordan. 1998 Masters of Applied science from the faculty of archaeology and anthropology Yarmouk University 1994 - 2005 teaching at several international school around the middle east ...

Minkyung Choi - Statement Functional pottery maintains an important place in historical developments throughout the various ages and when studied can be a good gauge for a civilizations advances and culture. Especially in ancient or older civilizations, pottery reflected many aspects of a society including beauty, technological innovation, beliefs and values. A single ceramic object could tell you much about the person who created it as well as the culture that necessitates it. But as time went on, pottery became more than utilitarian objects; technology advanced leading to developments in the arts, a progression driven by a human tendency towards more leisurely outlets which allowed for artisans to create objects that were not singular or utilitarian in purpose. It is this duality that drives me to produce the type of work that is functional and also aesthetically enjoyable. The pieces that I create are inspired from many sources. Perhaps the most primary of these influences is my affinity for the beauty and elegance of historical Korean and Chinese ceramics. These pots celebrate a time and a people through their beauty that speaks volumes about the lifestyle of the people in the generation that created them. I admire their simplistic forms and wonderful colors ...