Undecided Digital Art

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Cheryl Hrudka, Denise Dalzell, William Dick, Luise Andersen, Rickie Dickerson, Geo Sipp, Nancy Bechtol, Lois Di Cosola, Phillip Flockhart offering original Digital Other artworks.


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Cheryl Hrudka: '7695 exploding out of the box    edition of 5', 2018 Digital Other, Abstract. Box, digital, digital print, abstract, abstraction, contemporary, original, limited edition, yellow, brown, ...
Abstract - Digital Other
30 x 24 inches (76.2 x 61.0 cm)
Denise Dalzell: 'more to say', 2018 Digital Other, Figurative.
Figurative - Digital Other
8 x 11 inches (20.3 x 27.9 cm)
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William Dick: 'ENLANG', 2016 Digital Other, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Digital Other
90 x 90 cm (35.4 x 35.4 inches)
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Luise Andersen: 'July 20 2014 DRAWING I', 2014 Digital Other, People.   July 20,2014- picture of art work taken under artificial light. . will take outside later on to capture in neutral out of sun . . light. .is actual size 19 3/ 4 inches by 25 3/ 4 inches on black art paper, with compressed chalk. ...
People - Digital Other
20 x 26 inches (50.8 x 66.0 cm)
Luise Andersen: 'Digital Work LUISE Mignon III', 2014 Digital Other, People.    had to get' away' from' where I was'and as always. . creative Spirit offers inspiring creative ideas video of these on my FB page. Luise H Andersen/ Facebook google mentions the laselectart beneath it. . that' s the one. : ) * * size for uploading purpose only. ...
People - Digital Other
23 x 21 inches (58.4 x 53.3 cm)
Luise Andersen: 'Digital Work LUISE Mignon II', 2014 Digital Other, People.    had to get' away' from' where I was'and as always. . creative Spirit offers inspiring creative ideas video of these on my FB page. Luise H Andersen/ Facebook google mentions the laselectart beneath it. . that' s the one. : ) * * size for uploading purpose only. ...
People - Digital Other
23 x 21 inches (58.4 x 53.3 cm)
Luise Andersen: 'Digital Work LUISE Mignon I', 2014 Digital Other, People.   had to get 'away' from' where I was'and as always. . creative Spirit offers inspiring creative ideas video of these on my FB page.Luise H Andersen/ Facebookgoogle mentions the laselectart beneath it. . that' s the one. : )* * size for uploading purpose only. ...
People - Digital Other
23 x 21 inches (58.4 x 53.3 cm)
Rickie Dickerson: 'On the Edge of Fantasy', 2006 Digital Other, Fantasy.    I was playing with this photo and the young lady appeared. . . ...
Fantasy - Digital Other
8 x 11 inches (20.3 x 27.9 cm)
Geo Sipp: 'The Skulker', 2012 Digital Other, War.  The Skulker is a drawing on grained glass, a preliminary work for my Wolves in the City project, an in progress graphic novel about the French- Algerian War.                       ...
War - Digital Other
16 x 12 inches (40.6 x 30.5 cm)
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Nancy Bechtol: '13 lucky number with crazy skull legs', 2013 Digital Other, Abstract Figurative. Framed, archival print - 13, legs, skulls, figure, hip, tatoos statue purple ...
Abstract Figurative - Digital Other
11 x 17 inches (27.9 x 43.2 cm)
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Lois Di Cosola: 'Seventeen drawing', 1952 Digital Other, Figurative.  print of Ink and watercolor drawing for Seventeen Magazine' s It' s All Yours- which won the international competition, and was published in the June 1953 issue selected by Art Kane, it' s art editor, who then entered it in the Art Director' s Club Annual...
Figurative - Digital Other
11 x 14 inches (27.9 x 35.6 cm)
Phillip Flockhart: 'blink', 2020 Digital Other, Zeitgeist. Digital Self portrait ...
, 2020
Zeitgeist - Digital Other
11 x 8 inches (27.9 x 20.3 cm)
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Luise Andersen: 'Fractions of IS  No V', 2014 Digital Other, Abstract.  creative digital pursue from  photograph, taken January 2014- - .size for uploading purpose only* * copy, unless shown in section at left. . at present not available. . ...
Abstract - Digital Other
24 x 22 inches (61.0 x 55.9 cm)
Luise Andersen: 'Fractions of IS  No IV', 2014 Digital Other, Abstract.   creative digital pursue from  photograph, taken January 2014- - .size for uploading purpose only* * copy, unless shown in section at left. . at present not available. .  ...
Abstract - Digital Other
24 x 22 inches (61.0 x 55.9 cm)
Luise Andersen: 'fractions of IS  No II', 2014 Digital Other, Abstract.   Jan. 29,2014- - . . always discover . . learn' more' in process of creative experiment . . check through my latest series from fountains, Jan. 27,2014- - and some pictures inspire to pursue digital. . for me, that is, with pushing the extremes on i- photo. . . . upload several of the results. . . . still not ventured...
Abstract - Digital Other
24 x 36 inches (61.0 x 91.4 cm)
Luise Andersen: 'fractions of IS  No I', 2014 Digital Other, Abstract.    Jan. 29,2014- -  . . always discover . . learn 'more' in process of creative experiment . . check through my latest series from fountains, Jan. 27,2014- -  and some pictures inspire to pursue digital. . for me, that is, with pushing the extremes on i- photo. . . . upload several of the results. .. . still not ventured enough into...
Abstract - Digital Other
24 x 36 inches (61.0 x 91.4 cm)
Luise Andersen: 'fractions of IS  No III', 2014 Digital Other, Abstract. January, 2014-   . . this image and the thumbprints of. . is from photo of a stone, I took pictures of . . the figures and forms. . textures. . invited for digital pursue. . i- photo extremes. . I save my images in creative process, because the possibility of i- photo collapse is high, once I am intensely ...
Abstract - Digital Other
24 x 36 inches (61.0 x 91.4 cm)
Luise Andersen: 'pushing the limits MIG extreme III 2014', 2014 Digital Other, Abstract.   to move into the surreal. . touch bizarre. . but still recognizable as' original' . . is not that difficult . . once creative play begins. . to venture. . beyond that. . get the feel of' insidethrough surreal and abstractness. . is my great' pleasure' in pursue. . out of acrylics. . and here I...
Abstract - Digital Other
18 x 15 inches (45.7 x 38.1 cm)
Luise Andersen: 'pushing the limits MIG extreme II 2014', 2014 Digital Other, Abstract.   to move into the surreal. . touch bizarre. . but still recognizable as' original' . . is not that difficult . . once creative play begins. . to venture. . beyond that. . get the feel of' insidethrough surreal and abstractness. . is my great' pleasure' in pursue. . out of acrylics, etc. etc. . . . and...
Abstract - Digital Other
18 x 15 inches (45.7 x 38.1 cm)
Luise Andersen: 'PAINTING NO I detail II in Continuance JAN 26 2014', 2014 Digital Other, Abstract.   Jan. 26,2014- - guess, I needed to get away from digital art work and continue with my larger oil painting. . No. I of four, I am at present working on. . meaning, several months now layered various hues. . minimalized forms. . brought forwards others. . love the expression in cubist and abstractness. . the...
Abstract - Digital Other
24 x 36 inches (61.0 x 91.4 cm)
Luise Andersen: 'PAINTING NO I in Continuance JAN 26 2014', 2014 Digital Other, Abstract.  Jan. 26,2014- - guess, I needed to get away from digital art work and continue with my larger oil painting. . No. I of four, I am at present working on. . meaning, several months now layered various hues. . minimalized forms. . brought forwards others. . love the expression in cubist and abstractness. . the...
Abstract - Digital Other
24 x 36 inches (61.0 x 91.4 cm)
Luise Andersen: 'pushing the limits MIG extreme I 2014', 2014 Digital Other, Abstract. to move into the surreal. . touch bizarre. . but still recognizable as' original' . . is not that difficult . . once creative play begins. . to venture. . beyond that. . get the feel of' insidethrough surreal and abstractness. . is my great' pleasure' in pursue. . out of acrylics, etc. etc. . . . and...
Abstract - Digital Other
18 x 15 inches (45.7 x 38.1 cm)
Luise Andersen: 'pushing the limits MIG extreme IV 2014', 2014 Digital Other, Abstract.  to move into the surreal. . touch bizarre. . but still recognizable as 'original' . . is not that difficult . . once creative play begins. . to venture. . beyond that. . get the feel of' insidethrough surreal and abstractness. . is my great' pleasure' in pursue. . out of acrylics, etc. etc. . . . and ventured here insteadMust have...
Abstract - Digital Other
18 x 15 inches (45.7 x 38.1 cm)
Luise Andersen: 'untitled BB MIGExtreme SeptTwtTwoOThrtn', 2013 Digital Other, Abstract.  . . created today. .Sept. 22,2013. . . did a series in digital creations from these photos a while ago. . in black and white and grey tones. . . . what hands do. . . when eyes are attracted. . and feeel kicks major in. . did a series of packaging paper I stuffed in a empty box. . to discard...
Abstract - Digital Other
20 x 17 inches (50.8 x 43.2 cm)
Luise Andersen: 'untitled BBM MIGExtreme SeptTwtTwoOThrtn', 2013 Digital Other, Abstract.   . . created today. .Sept. 22,2013. . . did a series in digital creations from these photos a while ago. . in black and white and grey tones. . . . what hands do. . . when eyes are attracted. . and feeel kicks major in. . did a series of packaging paper I stuffed in a empty box. . to discard...
Abstract - Digital Other
21 x 17 inches (53.3 x 43.2 cm)
Luise Andersen: 'Intend to push BEYOND  This Feel IV', 2013 Digital Other, Abstract.    Aug. 18,2013-  did this work with i=photo touch up brush. . did open photo shop in afternoon yesterday. . and explored. . learned. . will learn more. . and then experiment . . see, if it is one other media to create at utmost feel and  performance. .Had to express in meantime. . and pushed i...
Abstract - Digital Other
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'Intend to push BEYOND this Point Of Feel I', 2013 Digital Other, Abstract.   Aug. 18,2013-  did this work with i=photo touch up brush. . did open photo shop in afternoon yesterday. . and explored. . learned. . will learn more. . and then experiment . . see, if it is one other media to create at utmost feel and  performance. .Had to express in meantime. . and pushed i...
Abstract - Digital Other
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'Between Dream XVII AUGTWVE', 2013 Digital Other, Abstract.  August 12,2013- - expressing 'feel' . . . core work from original fountain photograph. I' see' something in original photograph that hits' feel' of present mood. . haunts. . triggers almost' instan' t creative pursue. . that can last for hrs. . . days. . or just minutes. . this one is days. . . exactly 3 days several hrs of i...
Abstract - Digital Other
27 x 30 inches (68.6 x 76.2 cm)
Luise Andersen: 'To express and pursue II Fountain ', 2013 Digital Other, Abstract.   wanted to' express' feel. . did in creative pursue . . used i- photo' tools' . . touch - up brush.Please, enlarge on Your computer.* * size for uploading purpose onlycopies at present not available.   ...
Abstract - Digital Other
25 x 27 inches (63.5 x 68.6 cm)
Luise Andersen: 'instant feel express V ', 2013 Digital Other, Trees.       August 1,2013- - for my record- - creative ventures with digital retouch brush. . i- photo. . instant connect with' feel' . . images within images. .Think. . I will do this one drawing or painting. . . . somehow holds my' interest' . . . . . . . . . . . . . . . . . . curiosity. . how feel expresses there. . what colors. . . which faces. . and figures/ forms...
Trees - Digital Other
24 x 27 inches (61.0 x 68.6 cm)
(Page 1 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Cheryl Hrudka - My main goal is to allow the viewer to become intimate with my images, to make his her interpretation of what they are seeing a personal journey of their own. NOTE The vast majority of my pieces are available in various sizes and may be printed on either archival papers or on metal. Should you see one you like, but desire a larger or smaller size, please email me for available sizes and prices. ...

Denise Dalzell - I recently settled on some keywords for my work, so I will begin this edition of my statement with the following Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. And while grumbling about writing my statement again, I have had an insight regarding my work. So here we goaEUR| How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How do our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. Stories can come from anywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. ...

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

Nancy Bechtol - Phillip Flockhart - STATEMENT It has been said of my work Spanish Radio Interview 2005 that is is very ecclectic. This is true but I find the world and life so rich in texture, colour and drama and dare I say ecclectic in its amazing diversity, that I fail to see how I could respond as an artist any other way than I do. Having said this, I must add that my art philosophy is actually always present in the content of my work, although themes come and go and reflect other areas of my life- for instance I have been a street drugs worker since 1976 and an art educator facilitator in formal education and in the wider community for many years and these experiences have coloured and influenced the themes of my art- yet if examined the content of the work remains as it has for 35 years now- the attempt to disseminate the picure plane, with colour, real time space CollageRelief, imagery or optical device perspectiveopto-kinetism, to reveal the magic that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings invited the viewer to step within the work ......... for when we ...