Artists Describing Their Art:
Adib Fattal - I believe that before anything art should bring happiness to the viewer . Life has alot of misery in it , so it is the artist duty to make people happy . Secondly , I believe that an artist must have his own unique style which I feel should differentiate him totally from another artist . In my view , I would even say a particular style is more important than what and how an artist paints . His style has to be so strong that the viewer should immedietly recognize the artist ....
Lyudmila Kogan - My art is my diary a pictorial journal for painting discrete moments in time arranged by medium in which they are expressed. The medium spectrum runs from intuitive abstract expressions, to more complex reflections on daily events. Most of my art works are dedicated to abstract expressions of reality based on my personal reflections on life, environment, emotional expressions, and peoples characters. I am not concerned with the superficial and the obvious I try to capture the essence of a person, a moment, a state of mind, or an emotion. In my drawings I am not trying to imitate realistic attributes I am trying to mirror ones character as well as to express my own thoughts and feelings on the subject. Everything depends on what and when something caught my attention, made me think, or affected me. ...
Randy Sprout - I grew up in a small town in Northern Iowa, played football, coached the swimming team, and graduated from the University of Iowa with a BA in printmaking studying under Mauricio Lasansky. I then went into the Army and ended up pulling 13 months in Korea on the DMZ. Coming out of Korea I entered UCLA and earned a MA and MFA in printmaking while studying under Jan Stussy and Stanton Mac-Donald Wright. The next year after the funds dried up on my Fulbright Award to Portugal, because of the Angola War, I was lucky to get hired by USC where I taught printmaking as a junior faculty member. I also replaced professors at UCLA when they went on sabaticals, and taught one year at Pierce College. In 1977 I tried Real Estate, you know just for the summer, but by fall I had purchased Century 21 Hollywood Inc. and had a new vocation going. Now 31 years into real estate, I'm coming full circle and starting to paint little quick studies 9X12. I'm using just 1/2 inch brushes and 5 colors. I intentionally limit my time to 2 hours after which I stop and throw ...
Dimitri Lazaroff - Like most artists, I work with non-verbal medium - drawing, painting, sculpture etc. - that attempt to convey things which cannot be even remotely described in words. And thats the trouble when being asked to write an artists statement. How one explains that heshe is trying to communicate the unexplainable, things that transcend verbalizing, aspects of existence or glimpses into certain conditions, the occasional insights Artists statements are not really feasible and are bound to be misleading....
Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...
Paul Fitzgerald - I used to be very precise in my art, detailed and photo-realistic. Now I let the nuances of the material come fourth and bring hopefully life into the drawing. It is liberating to see these images emerge from a stroke of the charcoal or push of a kneaded eraser. The ideal for me is to have the drawing look as it was made almost instantly and without effort but showing the viewer a glimpse of reality. PF ...