Undecided Medium Art

Page 6 of 23
Delfina Nahrgang, Marcin Rudnicki, Debra Cortese, Guy Thibert, Can Yucel, Hisham Zreiq , Tom Tabakin, Venelin Ivanov, Abidin Kaya, Lesta Frank, Sandee Armstrong-smith, Richard Wynne, Thomai Kontou, Avinash Shamdasani, Giovan Beck, R.c. Naso, Alireza Vataniman, Scott Galloway, Carlos Culbertson, John Peter Glover offering original Undecided artworks.


Contemporary Art / Undecided / Previous / Next
Marcin Rudnicki: 'elf captains', 2007 Other, Undecided.
Undecided - Other
20 x 30 cm (7.9 x 11.8 inches)
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Marcin Rudnicki: 'succubi', 2007 Other, Fantasy.
, 2007
Fantasy - Other
20 x 30 cm (7.9 x 11.8 inches)
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Marcin Rudnicki: 'assasin', 2007 Other, Fantasy.
, 2007
Fantasy - Other
20 x 30 cm (7.9 x 11.8 inches)
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Marcin Rudnicki: 'apparition', 2007 Other, Fantasy.
, 2007
Fantasy - Other
20 x 30 cm (7.9 x 11.8 inches)
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Debra Cortese: '2 Lizards 2 Dimensions e series', 2006 Other, nature.  Nature' s Energy' e' Series2Lizards 2Dimensions is a photopainting of the nature energies - the plants, leaves and trees vibrate in pixels and reflections, some whole, some fragmented, multiple dimensions, overlapping realities.I am entranced by nature: the harmony, the patterns of symmetry, geometry, the vibrant and soothing colors, the...
nature - Other
16 x 12 inches (40.6 x 30.5 cm)
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Guy Thibert: 'Abstract', 2006 Other, Abstract.  Ink on paper ...
, 2006
Abstract - Other
14 x 32 inches (35.6 x 81.3 cm)
Guy Thibert: 'Tetiriliche', 2006 Other, Abstract.  ink on paper ...
Abstract - Other
14 x 27 inches (35.6 x 68.6 cm)
Guy Thibert: 'Abstract ', 2006 Other, Abstract.  Ink on paper ...
, 2006
Abstract - Other
18 x 34 inches (45.7 x 86.4 cm)
Can Yucel: 'Alsatian after Helen Backhouse', 2006 Other, Animals.  Airbrush on canvas. ...
Animals - Other
35 x 50 cm (13.8 x 19.7 inches)
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Can Yucel: 'Freehand Airbrushed Cat Family', 2006 Other, Animals.  Original freehand airbrushed painting on canvas. Airbrush used: Sata 0,2mm, paint: Glasurit 55 auto acrylic. ...
Animals - Other
50 x 40 cm (19.7 x 15.7 inches)
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Can Yucel: 'Freehand Airbrushed Cat Nr Two', 2006 Other, Animals.  Original freehand airbrushed pianting on canvas. Airbrushed used: Sata 0,2mm, Paint: Glasurit 55 auto acrylic paint ...
Animals - Other
40 x 25 cm (15.7 x 9.8 inches)
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Can Yucel: 'Freehand Airbrushed Cat Nr One', 2006 Other, Animals.  Original freehand airbrushed painting on canvas. ...
Animals - Other
40 x 30 cm (15.7 x 11.8 inches)
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Hisham Zreiq : 'Lost in the sea of life', 2006 Other, Surrealism.
Surrealism - Other
809 x 732 cm (318.5 x 288.2 inches)
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Tom Tabakin: 'Shrouded Planet', 2005 Other, Abstract. Encaustic on panel...
Abstract - Other
24 x 24 inches (61.0 x 61.0 cm)
Tom Tabakin: 'Red Room', 2005 Other, Abstract. Encaustic and pigment on braced birch panel...
, 2005
Abstract - Other
24 x 32 inches (61.0 x 81.3 cm)
Venelin Ivanov: 'face', 2004 Other, Architecture.
, 2004
Architecture - Other
52 x 320 cm (20.5 x 126.0 inches)
Abidin Kaya: 'clove', 2001 Other, Floral. traditional turkish art...
, 2001
Floral - Other
35 x 50 cm (13.8 x 19.7 inches)
Lesta Frank: 'sea fairy', 2005 Other, Fantasy. the sea fairy emerges from the water, having found a globe that houses a  miniature sandcastle. a rainbow aura surrounds her crown of seashells and coral....
, 2005
Fantasy - Other
26 x 19 inches (66.0 x 48.3 cm)
Sandee Armstrong-smith: 'Mothers Love', 2005 Other, Abstract. An Encaustic painting depicting a Mother' s Love for her child.  Her hopes and fears for the child' s future. ...
Abstract - Other
27 x 39 inches (68.6 x 99.1 cm)
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Richard Wynne: 'Sun set fishing', 2004 Other, Seascape. mixed medium on a trasparent backing ( plastic glass) - this is a two sided painting. A waterscape at sun down. Fishing in Southern Thailand...
Seascape - Other
35 x 51 cm (13.8 x 20.1 inches)
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Thomai Kontou: 'My Agean sea shell', 2004 Other, Interior.
Interior - Other
35 x 45 cm (13.8 x 17.7 inches)
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Avinash Shamdasani: 'India Lady', 2001 Other, Abstract. This Sculpture is made from a mixture of mediums like foil and paper mesh.It is one of the oldest pieces I first started on. This is an abstract sculpture of a Rajasthani ladys face with her big nose ring. It looks so real that it feels like she is ...
, 2001
Abstract - Other
11 x 15 inches (27.9 x 38.1 cm)
Giovan Beck: 'HarleyDavidsonTank', 2004 Other, Automotive. Airbrushing on Bikes. Price starts from 1500. 00$- 5000. 00$ Depends on painting parts or all bike. Repainted over old paint or painted new, direct on metal. Quality colours are used....
Automotive - Other
53 x 27 cm (20.9 x 10.6 inches)
R.c. Naso: 'newdrio01', 2004 Other, Abstract. New Drip # 1 / Enamel on Canvas...
, 2004
Abstract - Other
24 x 36 inches (61.0 x 91.4 cm)
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Alireza Vataniman: 'finish', 2004 Other, Abstract. oil& wood & material ...
, 2004
Abstract - Other
50 x 85 cm (19.7 x 33.5 inches)
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Scott Galloway: 'Sung to Shipwreck', 2003 Other, Undecided.
Undecided - Other
13 x 12 inches (33.0 x 30.5 cm)
Carlos Culbertson: 'Art Expo', 2003 Other, Undecided.
, 2003
Undecided - Other
0 x 0 inches (0.0 x 0.0 cm)
John Peter Glover: 'Phototrophic Formation', 2000 Other, Visionary. People seem to interpret this image by one of three ways.  The
Visionary - Other
35 x 36 inches (88.9 x 91.4 cm)
John Peter Glover: 'Harlequin Formation', 2001 Other, Visionary. This image has a mineral or gem like essence that , in a subliminal way, resembles a fifurative
Visionary - Other
32 x 32 inches (81.3 x 81.3 cm)
John Peter Glover: 'Life Force Brewing', 2001 Other, Visionary. This image is very organic in nature and makes an obvious reference to the intangible
Visionary - Other
32 x 36 inches (81.3 x 91.4 cm)
(Page 6 of 23) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Debra Cortese - I believe everything on our planet shares a core energy, a vital life force that animates and supports all growth and renewal. In nature, when this energy is balanced and uninhibited by human interference, the flow is smooth, perfection exists. When I am truly in touch with nature, the feelings that I experience are incredibly magical, full of wonder and joy! I create the nature and plant spirit images to share these feelings, and hopefully to evoke similar feelings in viewers and instill a greater respect for the immense value of our natural environment. My visions of the nature energies evolved over many years of personal experience. I was first aware of them as a child playing in the woods and streams of my family home in the Catskill Mountains of New York. In the early 70's I read about the existence of nature spirits at the Findhorn gardens in Scotland. Fascinated by their stories, I began to experiment with communicating with the devas while gardening and hiking in Vermont's Northeast Kingdom. I read voraciously and learned that nature spirits have existed throughout time in almost every culture around the world. I soon realized that my intention was ...

    Can Yucel - I have been an airbrush artist for 30 years with my unique style in freehand airbrushing, and an hairy brush artist as long as I remember. Sculpture, molding, glass paintings are among my areas of interest. I play Spanish flamenco guitar and perform my own songs. Airbrushing on guitars and musical instruments are in my favourite areas of work....

    Hisham Zreiq - My art is a private perspective on life, private pains and disappointments, society, Death and a philosophical look at life. Death is the source for creation and the motor of life. Crucifixion a symbol for pain, pain caused by social, political and religious systems. I think that art is another way to communicate, to express my ideas , for me art should have a message of a sort. This is the way I saw art when I was a little boy trying to express his Ideas with simple drawings, and this is the way I see art when working on my digital art or writing poetry today. Some times I ask myself, if we can reach people through "reason"! but I think its better to get to people's hearts through emotions, through ART, and from there we might get to their reason. Or maybe use extremes in art - and that is what I usually try - in order to make people think and ponder after their emotions become tens. Then their analyses might bring with it reasoning. ...

    Tom Tabakin - I like to work and experiment with lots of different types of styles and mediums. Recently, I am immersed in wax and pigments and heat, otherwise known as encaustics. In my earlier and still ongoing work I combine studio art techniques and photographic images to create textured surfaces for the final image....

    Abidin Kaya - He was born in 1979, Sakarya, TURKEY. He is a graduate of Bosphorus University, Arts and Science Faculty, Mathematics. During his mathematics education at university, he started to study marbling at Fine Arts Club in 2000. He taught marbling at club in 2003 and his artworks are exhibited at Fine Arts Club`s exhibitions through 2000 to 2003. He joined The Traditional Arts Competition which is held by Ministry of Culture in 2003. His three marblings are exhibited, you can see them at the website of the Ministry of Culture. Now, He teaches Mathematics at Wichai Wittaya Bilingual School in THAILAND. ...

    Lesta Frank - I paint the figure, color drenched in layers of metaphor. My work is about showing people experiencing moments of Self awareness and inner connectivity to our true nature. The excitement and awe found in creating art is a life-long continuation of my first adventure with finger painting as a young child. I am interested in combining realistic imagery with abstract shapes, in a shallow picture plane , The painting surfaces are enriched with layers of texture and pattern, using combinations of watermedia and collage, and the use of stencils, stamps and epoxy resin. ...

    Sandee Armstrong-Smith - A Canadian Artist - Sandee A (Smith-Armstrong)

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Thomai Kontou - Thomai Kontou CURRICULUM VITAE Thomai Kontou learned sketching from 1971 to 1978 in Athens, in the Vrassida Vlahopoulos and Theodoros Drossos ateliers. She was taught painting by Yannis Tsarouhis, while she learned the Fresco Technique by Dimitris Kostopoulos. She is continuously present in the Artistic area since 1973 with 22 individual exhibitions and has taken part in 260 group shows in Greece and abroad. She participated in 11 BIENNALES: 1996 in Belgrade, 1998 in Mexico, 1999 and 2001 in Pisa aEUR" Italy and in 2002 and 2004 in Poland, 2005 in Nikcic - Serbia and Ankara aEUR" Turkey. 2006 in Victoria aEUR" Canada, and in the International Spanish Flu Mail Art Biennial in Hungary. 2007 in aEURoe2 Medial Art BiennialaEUR? in London, England. 2007 it is one from the two Greek attendances, that took part in the program "Scenes and Sounds of My City" that was co-organised by the central UNESCO in Paris and the Sharjah Biennial 8, the United Arab Emirates. She was selected by the Internal Committee it takes part in Florence Biennale 2007 Her works are influenced by the Aegean Sea, its stones and shells, by the Universal flows and the AngelsaEURtm Plasmas. Works of her can be found in...

    Avinash Shamdasani - Consciousness expresses itself through creation. This world we live in is the Art of the Creator. Artists come and go in the twinkling of an eye but the Art lives on. On many an occasion when I am creating art I have felt touch by something sacred. In those moments; I felt my spirit soar and become one with everything that exists. I become the stars and the moon. I become the Lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the artist and the art. I become the knower and the known. I keep on creating Then it is the eternal art of creation. The creator and the creation merge into the wholeness of joy. I keep on creating And creating And creating Until there is only . The ART - Avi& MJ ...

    R.c. Naso - The artists' purpose is to invent, to explore, and to experiment with new concepts, and to open new avenues of expression for the next generation of artists to explore. Just as all the important artists of the past opened new avenues of expression to explore for all who were yet to come. With this concept in mind I approach my work... ...

    Alireza Vataniman - My name is Alireza Vatan-Iman and I was born on August 29, 1975 in Shiraz, which is one of Iran's largest cities. At a young age, I began to practice art and design; however, by the age of fifteen I began to take serious lessons. After a while I received my legal art and design license and I started to draw and paint professionally; however, my curious mind went on in search of the meaning of life because I was not satisfied by reality and all the things that are already known to us humans. I learned that behind our real world there lives an unknown universe. Not all of us are aware of this world because our senses are very limited and there are many feelings in life that we are unaware of because we have not yet discovered them. As individuals, we view stimuli or feel the things that we only desire to see or feel. Accordingly, I came to realize that there is a window to our undiscovered senses, especially our visual senses. In fact, at times the pupil of our eye zooms onto these certain stimuli that later gets engraved in our mind and...

    Scott Galloway - I am fascinated by vintage pop culture: the extreme drama of Expressionist Cinema, the lurid colors of golden-age comics, the vision of the future displayed by Buck Rogers and Flash Gordon. I think the strata of ephemera and "throw-away" objects of a society provide interesting insight into the history of a place and people. The way in which those artifacts are hunted down and collected by individuals says something equally interesting about the nature of the human mind. The images I create are mash-ups informed by these various influences. My work is Photomontage and the process, I believe, is true to the inspiration. Each image is digitally constructed from scanned found objects and photographs I have taken. "Throw away" items are layered on top of flea market treasures. Individual visual relics are alternately submerged or revealed within the surreal architecture of the piece.&...

    John Peter Glover - At its foundation, my work uses a linear element as the basis for the composition. The intended result is to suggest or convey the essence of an object(s) in a vague manner often wrapped in an expressive emotional context. Based on a vast supply of my own drawings as a primary resource, I compound and refine the images until I'm satisfied that I have the right combination. Often, this is a matter of using layer upon layer of a building process within the image area. The subject or theme is certainly contemporary. I consider it to be more sensual than it is political, yet expressive, somewhat akin to the expressionistic style of the mid-twentieth century moderns. The work is also more surreal than representational. I work both with traditional mediums (acrylic on canvas) as well as with digital tools. Regardless of the medium the central concept or message is never a "slave" to the medium. The images will assume a varied appearance or "complexion" depending the medium . Although I find that the digital work in general is not always understood in terms of it's archival integrity, I can assure my buyers that my work is always ...