Paintings For Sale - Price Range: $1000 - $5000

Page 1 of 428
Discover 12,398 original painting artworks for sale between $1000 - $5000. Contemporary emerging artists: Igor Shulman, Vladimir Volosov, William B Hogan, Peter Seminck, Stefan Fiedorowicz, Bob Dornberg, Charles Cham, Joyce Waddell Bailey, Larysa Uvarova are exhibiting their affordable original art. You can buy artwork online and browse 428 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Igor Shulman: 'office plankton', 2020 Oil Painting, People. I don t see anything offensive in this expression.Moreover, I think it s hard to find a better name for office managers.There are so many of them and they are so invisible that they can be easily confused with certain microorganisms. Much larger than a virus, but not ...
People - Painting
35 x 10 inches (88.9 x 25.4 cm)
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Vladimir Volosov: 'faraway coasts', 2018 Oil Painting, Marine.     This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Painted with a palette knife. Original Artist Style aEUR
Marine - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Vladimir Volosov: 'at the shores of bermuda', 2018 Oil Painting, Marine.     This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Painted with a palette knife. Original Artist Style aEUR
Marine - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Vladimir Volosov: 'rocky shore', 2019 Oil Painting, Marine.     This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Painted with a palette knife. Original Artist Style aEUR
Marine - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Vladimir Volosov: 'at the shores of bermuda', 2018 Oil Painting, Marine. A<< Color and light is always the main principal in my work.  My goal isvibrant, bold and intuitive painting with great texture and lots of layersA>> .This is an original unique textured oil painting on stretched canvas.  Original Artist Style aEUR
Marine - Painting
24 x 18 inches (61.0 x 45.7 cm)
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William B Hogan: 'self with friends', 2020 Acrylic Painting, Animals. self portrait with friends...
Animals - Painting
23 x 34 inches (58.4 x 86.4 cm)
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William B Hogan: 'magrittes pipe dreams', 2020 Acrylic Painting, Fantasy. Magrittes Pipe dreams of other images...
Fantasy - Painting
30 x 30 inches (76.2 x 76.2 cm)
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William B Hogan: 'wound up in lala land', 2020 Acrylic Painting, Surrealism. I find LA to be surreal, colorful, majestic, warm, crazy, absurd, ceative, fast with the rhythms of highways and busy angelenos. An exciting city.  ...
Surrealism - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Igor Shulman: 'mood 7', 2020 Oil Painting, Atmosphere. Struck for the next series.Now about the mood.In fact, these are my moods transformed into other bodies. Mostly young. What s the point in old torsos  I myself have it.Of course, this is another provocation. And I love it.By old age, I become a real troll. ...
, 2020
Atmosphere - Painting
35 x 35 inches (88.9 x 88.9 cm)
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Peter Seminck: 'la vie en rose', 2020 Acrylic Painting, People. Covid19 will not stay forever . . . ...
People - Painting
32 x 47 inches (81.3 x 119.4 cm)
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Peter Seminck: 'la vie en rose', 2020 Acrylic Painting, People. Covid19 will not stay forever . . . ...
People - Painting
32 x 47 inches (81.3 x 119.4 cm)
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Igor Shulman: 'a cheerful start', 2020 Oil Painting, People. Another work on mood and condition. I have a feeling inside that the picture turned out. This delicate pink speaks precisely about the inner state of this guy. He is at the very beginning of the night marathon. Wherever and how it ends, the evening starts off great.Maybe my ...
People - Painting
51 x 35 inches (129.5 x 88.9 cm)
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Stefan Fiedorowicz: 'daylight kissing the sky', 2020 Oil Painting, Abstract. Daylight Kissing The SkyBetween reality on the one hand, and the point where the mind strikes reality, thereaEURtms a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blue to provide what life does not: and this is the space ...
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Stefan Fiedorowicz: 'hints and things unsaid', 2020 Oil Painting, Abstract. This world has only one sweet moment, and that is the thing that dreams are made of. A song called Precious Declaration inspired me to paint this work. It is my hope that the viewer will contemplate their thoughts and feelings and find those places in the work that my ...
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Stefan Fiedorowicz: 'unravelling the chaotic vision', 2020 Oil Painting, Abstract. Thoughts to Myself.We have something in common you and IaEUR|. something obtuse and unknowing. That is what drew me to you. The hidden and oblique shadow. Breathe into me and make me feel real. At times confusion reigns. Clarity is what is needed. ...
Abstract - Painting
73 x 73 cm (28.7 x 28.7 inches)
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Stefan Fiedorowicz: 'lend me your palette', 2018 Oil Painting, Abstract. This world has only one sweet moment, and that is the thing that dreamsare made of. SF...
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Igor Shulman: 'right through', 2020 Oil Painting, Atmosphere. This is another provocation from me. Someone will see in this picture a theatrical scene, or a scene from a movie.And someone will remember an episode from their own life.Someone will see in this the story of life and death.And someone just red paint on the floor ...
Atmosphere - Painting
35 x 35 inches (88.9 x 88.9 cm)
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Peter Seminck: 'first date during corona times', 2020 Acrylic Painting, People. It will take many dates before the masks come off. . . ...
People - Painting
39 x 39 inches (99.1 x 99.1 cm)
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Bob Dornberg: 'flight', 2020 Oil Painting, Abstract. COLOR SHAPES IN MOVEMENT...
, 2020
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Peter Seminck: 'two women in the surf', 2020 Acrylic Painting, People. Two women chatting about the second wave...
People - Painting
32 x 39 inches (81.3 x 99.1 cm)
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Bob Dornberg: 'theatre goers', 2020 Oil Painting, Abstract Figurative. Rush to Theatre...
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bob Dornberg: 'cross walk', 2020 Oil Painting, Abstract Figurative. Crosswalk in NYC...
, 2020
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bob Dornberg: 'rural home', 2020 Oil Painting, Abstract. Sunlit Home...
, 2020
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Charles Cham: '2780 A VIEW OF EARTH IN 2020', 2020 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
60 x 91 cm (23.6 x 35.8 inches)
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Joyce Waddell Bailey: 'Eternidad', 2006 Oil Painting, Inspirational. The iconography of Eternidad Eternity rests on a view ofthe world.  I bow to the Leonardo da Vinci s Vitruvian Man for the central composition.  As Toby Lester states 2012 To place a human being inside those shapes circle, square was to imply that the human body { man} could indeed ...
, 2006
Inspirational - Painting
96 x 48 inches (243.8 x 121.9 cm)
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Joyce Waddell Bailey: 'golden girls', 2004 Oil Painting, Floral. The composition of Golden Girls bows to the ubiquitous Butterfly Bush in my garden, whose seeds fly from site to site on the silken wings inherited from its milkweed relatives.  Like its name, the bush is an irresistible attraction to butterflies.The highly exaggerated pinwheel flowers, scattered throughout the painting, ...
Floral - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Joyce Waddell Bailey: 'Left behind', 2009 Oil Painting, Other. Left behind is the lead painting in the Hurricane Katrina Series.  The actual model Prettiboy represents all the pets that perished in Hurricane Katrina because pets were denied evacuation.  Katrina passed my studio in Estero, Florida on August 25, 2005 and proceeded to New Orleans, Louisiana, where it became the ...
Other - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Joyce Waddell Bailey: 'beetonia', 2004 Oil Painting, Botanical. The basic composition of Beetonia is an essay on the beautiful designs in the Croton leaf and its sticky counterpart, the honeycomb.  Since the Crotons do not flower, I had to invent aCroton Roseto attract thebee.  By placing the bee at the focal of the flat leaf, I set up ...
, 2004
Botanical - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Larysa Uvarova: 'from the deep', 2020 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Larysa Uvarova: 'from the deep', 2019 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
100 x 100 cm (39.4 x 39.4 inches)
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(Page 1 of 428) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    William B Hogan - Statement My paintings are inventions form my imagination and start where my mind, eyes, conscious and unconscious meet. I start by sketching ideas that inspire my imagination and design them into a composition of my unusual visual reality. With pen and ink on 8x11 paper I sketch my ideas until I reach a satisfactory visual compositional solution. Transforming a blank canvas has always been a magic, challenging and exciting journey. My images in composition always seems to be in some state of magic and discovery. The magic begins by taking a visual idea and creating a composition that embraces my ideas on a blank surface and the creative discovery is building the painting with color one brush stroke after another until my idea meets my visual reality. The last brush stroke of my finished painting is the stimulus to begin the journey of another. Biography When I was in 6th grade I won a competition to do the cover for the Christmas pageant. The size was 5 12 x 8- 12, vertical. I drew the driver sitting in a sleigh wearing a cap with ear flaps, not ear muffs. It was snowing of course. I thought the flaps looked neat. ...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

    Bob Dornberg - Joyce Waddell Bailey - WELCOME if you love art, you will love my website. I work in all media and like many artists, including Picasso, I create artwork in a distinct series of related images. Underpinning all of my work is drawing--it all starts with the pencil. Even ideas for photographs and digital prints are sketched out. Each series stands by itself Wash Drawings, Botanical Forms, Digital Prints, Photographs, Miniatures. The iconography within each series varies. As for my focus on botanical forms in Southwest Florida, these are wonders that compel fascination. I admit to careful study of botanical sources but l am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to its environment al placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a variety of techniques. For example, by using shallow planes, I frequently push forms ...