Most of the time my work is rooted in an exploration of structure, by nature and the landscapes of Northern Ireland where I grew up or Essex where I now live.
Structurally the handling of the materials is very physical with the stretchers frequently becoming more sculptural or sculptures becoming painterly. Painting can sometimes be seen as passively hanging on the wall out of the way so to counter this viewpoint many of my works inhabit the space much more, from heavy relief to working fully in the round.
Nature and landscape is never far away from my thoughts and being part of nature is what has enabled us to develop a sense of culture, so when I paint what may at first look like a conventional portrait, you will soon see that the sitter is a part of the landscape; they have had a hand in forming each other.

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