My work till today is based on the effort to integrate contradictory elements into an independent organism, allowing to emerge at one and the same time, the individual balance between materials, textures and forms, at the limits between figuration and abstraction, painting and the third dimension, emptiness and plenitude.
The result, although generally three-dimensional, leaves an intense pictorial sensation, with thematic references, that by turn are self-annulled, being integrated into the composition as purely plastic elements.
The use of recycled materials, sometimes also personal objects, is owed to their condition as elements that possess a history of work, suffering and life, converted this way into high-valued emotional objects.
The forms and plastic values arise from the destruction-reconstruction process that is let to be viewed clearly, contrasted with the posterior "clean" and decisive interventions.
The material is let to narrate its story through volumes, empty spaces, textures and its own tonal and color gradations, con discreet interventions that respect this decision.
Undoubtedly, the means, the motivation and the conclusions of this search, treat directly with the social sensibility and attitude of the times....