Clay Sculptures

Artists Describing Their Art:

Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

Elisaveta Sivas - IWe are Creator in the human body. aEURoeKnow thyself and you shall know the Universe and the Gods,aEUR is the Ancient Greek aphorism. A person who has realized that she is Creator creates a beautiful new world instead of the chaos and suffering which is created by the Ego-mind. Peace in every head and heart means peace on Earth. The role of the artist of the future is to heal the trauma of the anthropocene, discovered and exposed by the predecessors. Healed inside, a person is no longer isolated she feels oneness with the Universe and acquires antifragility. Deepening the philosophical ideas of cosmism and avatarism, I chose to be the conductor of the new spiritual Knowledge and through my art to help humanity to go through initiation into awareness, to choose a harmonious version of the future. Through my sculptures, I strive to give a person an incentive for a breakthrough, a flight to a new self. My style inherits the geometricity, abstract form and magical spirit of the Cycladic nude figures-idols, through the prism of the modernist tradition rethinks the reticence and geometric abstraction of Brancusis and ModiglianiaEURtms abstract sculpture, and, echoing Chagalls naivety, primitivism ...

Casper Waldner - Hi, I am Casper Waldner, my artist name is Fritz or FritsendeFritz I come from The Netherlands, Europe. My background is Dutch and English from my mothers side. Making sculptures, with wood, steel and clay for 15 years now. Mostly sculpture with polymer clay. I also do castings with molds. My mission is to make beautiful sculptures and make every sculpture better than the other one. I love to just work with my hands. I like to feel the woodgrain or see a sculpture get into the form I want. It just gives met the feeling that I am alive. When I am 90 and sitting in my rocking chair on my back porch, I want to have the feeling I will leave this world a prettier place than I found it. To make somebody smile when looking at my sculptures or in awe of the detail. And that the sculptures have a special place in their home. That is my mission in live, to give love and light to all the people in the world FritZ ...

Yaroslav Kurbanov - Interview with artist Yaroslav Kurbanov 2011 How do you define what is art for you and what is not My attitude towards art in general and my art in particular is defined by the following points Firstly - A work of art has to have an idea, whether its current or already in the context of history. The main thing is that it should excite the viewer, awaken his senses and invite reflection. These days, artists often try to replace the whole palette of emotions that art is meant to evoke with plain shock and rejection. Secondly - The artist must find the right material, as well as the right technique and form, to express his idea in the best possible way. One should not stick blindly to any style, especially if it does not meet the objectives that the artist has set out to achieve. The work of art must come first, not the personality of the artist. And a work of art has to work even without the context of the person who created it. We may not know about the life of the artist, the travails of his artwork or his path, but the artwork must still impress us. ...