Sculpture For Sale - Price Range: $600 - $699

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Discover 73 original sculpture artworks for sale between $600 - $699. Contemporary emerging artists: Andrea Mulcahy, Ted Schaal, Micha Nussinov, Richard Lazzara, Ildiko Toth, Robert Pulley, Djan Mulderij, B Malke, Gabor Bertalan, Louise Parenteau, Pim Van Der Wel, Cris Orfescu, Sal Villano, John Murphy, David Rocky Aguirre, Marty Scheinberg, Tracy Buchanan, Cheryl Ehmann are exhibiting their affordable original art. You can buy artwork online and browse 3 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Andrea Mulcahy: 'energy study 3', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
13 x 9 inches (33.0 x 22.9 cm)
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Andrea Mulcahy: 'energy study 2', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Andrea Mulcahy: 'energy study 1', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Ted Schaal: '12 inch compass rose', 2020 Bronze Sculpture, Travel. This bronze compass rose comes complete with hardware to be mounted on any flat surface. If desired it can come mounted on a square 18 inch red sandstone stepper. ...
Travel - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Micha Nussinov: 'Contraption', 2007 Mixed Media Sculpture, Conceptual.  The work expresses the flow of energy between outside and inside. Using recycled material of vacume cleaner and water container suggest suction of air and its storage.   ...
Conceptual - Sculpture
48 x 98 cm (18.9 x 38.6 inches)
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Richard Lazzara: 'creative challenge pin ornament', 1989 Mixed Media Sculpture, Fashion. creative challenge pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 2 inches (7.6 x 5.1 cm)
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Ildiko Toth: 'Andaluzian Nite', 1994 Ceramic Sculpture, Fantasy. . . .  end then the nite came. . . ...
Fantasy - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
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Robert Pulley: 'Stolen Glance', 2020 Clay Sculpture, Abstract. Stolen Glance is an evocative title, but this is a purely abstract, organic sculpture.  Two forms are connected at the base.  On would have been a thick spear point except for a right angled negative cut out of it.  The other form wraps around slightly, creating a sheltering gesture.  Maybe ...
Abstract - Sculpture
16 x 16 inches (40.6 x 40.6 cm)
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Robert Pulley: 'Plain of Stone', 2019 Clay Sculpture, Abstract. This sculpture is part of a new series that plays with a shallow concavity with sharp chasms at the edges.  At the same time, the form is squat and anchored, like a tree trunk.  There are architectural passages, cave, tunnelsOn this piece melted iron and ash glaze activates the stoney ...
Abstract - Sculpture
17 x 9 inches (43.2 x 22.9 cm)
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Djan Mulderij: 'communicate', 2019 Ceramic Sculpture, Figurative. Porcelain, wheel thrown, sculptured ...
Figurative - Sculpture
5 x 23 cm (2.0 x 9.1 inches)
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B Malke: 'Plant Woman', 2014 Mixed Media Sculpture, Figurative.     Glass Wood, ceramic composition, clay, feathers               ...
Figurative - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
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B Malke: 'The bird at its window', 2014 Wood Sculpture, Figurative.    The statue turns  on its base              ...
Figurative - Sculpture
9 x 21 inches (22.9 x 53.3 cm)
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Gabor Bertalan: 'Seated man', 2006 Bronze Sculpture, undecided.
, 2006
undecided - Sculpture
20 x 12 cm (7.9 x 4.7 inches)
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Robert Pulley: 'Turn Around', 2012 Ceramic Sculpture, Abstract.  Hand built stoneware clay sculpture.  Organic form.Rose, blue grey, tan, grey green glaze over copper stain. ...
Abstract - Sculpture
18 x 16 inches (45.7 x 40.6 cm)
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Louise Parenteau: 'SITTING BULL', 2010 Mixed Media Sculpture, Ethnic.  Scrap material: Wood, metal, leather, found objects.     ...
Ethnic - Sculpture
0 x 158 cm (0.0 x 62.2 inches)
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Pim Van Der Wel: 'Fiesta', 2007 Stone Sculpture, Abstract.    A sculpture of Brazilian softstone ...
, 2007
Abstract - Sculpture
16 x 30 cm (6.3 x 11.8 inches)
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Pim Van Der Wel: 'Linea Ciocco', 2010 Stone Sculpture, Abstract.   A sculpture of Asian serpentine  ...
Abstract - Sculpture
19 x 23 cm (7.5 x 9.1 inches)
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Cris Orfescu: 'NanoGhost', 2010 Other Sculpture, Fantasy.  Nanosculpture: nanoporous polymer skin after one microparticle removal. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photographic paper with archival inks specially formulated to last for a long...
, 2010
Fantasy - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Cris Orfescu: 'Molecular Tentacles', 2010 Other Sculpture, Science.  Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photo paper with archival inks specially formulated to last for a long...
Science - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Cris Orfescu: 'NanoWaterfall', 2010 Other Sculpture, Technology.  Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photo paper with archival inks specially formulated to last for a long...
Technology - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Cris Orfescu: 'Nano Hammocks: Relaxation at Nano Level', 2010 Other Sculpture, Technology. Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photo paper with archival inks specially formulated to last for a long ...
Technology - Sculpture
48 x 33 cm (18.9 x 13.0 inches)
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Sal Villano: 'Cascade  on  Glass, Wire Tree Sculpture ', 2007 Mixed Media Sculpture, Landscape.  Cascade  on  Glass - Wire Tree Sculpture 16
Landscape - Sculpture
16 x 15 inches (40.6 x 38.1 cm)
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John Murphy: 'Swan', 2008 Wood Sculpture, Birds.  This piece is carved in sycamore. It is stained and sealed with a beeswax finish. ...
, 2008
Birds - Sculpture
13 x 21 cm (5.1 x 8.3 inches)
David Rocky Aguirre: '5 months, back', 1997 Ceramic Sculpture, nudes.  This model was 5 months pregnant. Glazed stoneware on granite base. ...
nudes - Sculpture
6 x 10 inches (15.2 x 25.4 cm)
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David Rocky Aguirre: '5 months, front', 1997 Ceramic Sculpture, nudes.  This model was 5 months pregnant. Glazed stoneware on granite base. ...
nudes - Sculpture
6 x 10 inches (15.2 x 25.4 cm)
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Marty Scheinberg: 'Contemplation', 2006 Stone Sculpture, Abstract Figurative.  Translucent white alabaster Note: there is a small crack in the right foot.  It has been repaired and is stronger than any stone. It would have been $800. Won 2nd Prize at Rockville Art League Spring 2012...
Abstract Figurative - Sculpture
12 x 8 inches (30.5 x 20.3 cm)
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Tracy Buchanan: 'figure 1', 2006 Ceramic Sculpture, Abstract Figurative.  Smoke fired hand- built ceramic sculpture.  Made from porcelain, burnished at leather hard, fired twice and sealed. ...
, 2006
Abstract Figurative - Sculpture
13 x 20 inches (33.0 x 50.8 cm)
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Cheryl Ehmann: 'Chief Tishomingo', 2004 Bronze Sculpture, Famous People. Chief Tishomingo, famous warrior of the Chickasaw People...
Famous People - Sculpture
7 x 10 inches (17.8 x 25.4 cm)
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Cheryl Ehmann: 'Endeavor to Persevere', 2003 Bronze Sculpture, Abstract Figurative. An old Indian Chief Plaque surrounded by his spirits of the bear, eagle and wolf...
Abstract Figurative - Sculpture
8 x 12 inches (20.3 x 30.5 cm)
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David Chang: 'At Rest', 2004 Wood Sculpture, Abstract.
, 2004
Abstract - Sculpture
38 x 29 inches (96.5 x 73.7 cm)
(Page 1 of 3) - MORE ARTWORKS

Artists Describing Their Art:

Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Pim Van Der Wel - Pim van der Wel (1950) combines the art of making watercolours with his work as a business economist. After lessons in all the basic drawing techniques by two Dutch painters in the periods 1980/1987 and 1994/1996 he specialised himself in watercolours. Watercolour offers hardly any limitations, so he can show what he likes and that is light and shadow in dents, creases and gloss etc. His objects are sports (mainly football), cans, torsos, animals (cows, sheep, dogs and chicken). In the last 10 years his work has been shown at (group-)exhibitions in the Netherlands. Some galleries have his works permanently in stock. ...

Cris Orfescu - NANOART I create Art from Science using Technology. My art is a reflection of the technological movement. I consider NanoArt to be a more appealing and effective way to communicate with the general public and to inform people about the new technologies of the 21st Century raising the public awareness of Nanotechnology and its impact on our lives. Nanotechnology deals with the synthesis, manipulation and characterization of matter at the sub-100 nanometers level. Nanotechnology is still an emerging area although commercial products are already on the market. I bring the small world in front of my audience by visualizing with a scanning electron microscope the nanolandscapes and the nanosculptures I create by physical and chemical processes. I paint and manipulate digitally the monochromatic electron images and print them on canvas or fine art paper with archival inks specially formulated to last for a long time (giclee prints). This way, the scientific images become artworks and could be showcased for a large audience to educate the public with creative images that are appealing and acceptable. ...

Sal Villano - The inspiration for creating my sculpture grew from a lifetime love of trees. I am in awe of the stately presence and silent majesty they posses. I find the structure of trees to be one of the perfections in nature. With their roots embracing the earth; in winter they show their bones, in spring gentle buds, in summer a canopy of green and in fall a magical kaleidoscope of colors. Beauty, pure beauty. ...

David Rocky Aguirre - ************** To me, Art seems to be a universal language. It can be used to portray something beautiful and uplifting, or to portray a tragedy to motivate and move people to act. To motivate them to help in some way as in Picasso's "Guernica 1937". I have a wide range in creative interests, from most forms of painting- oil to watercolor and on to print forms, sculpture, photography, film and computer animation. Contact me for any creative projects you may have....

Tracy Buchanan - By using the human figure as a point of departure for sculpture I am trying to communicate an earthly, and emotional experience, an experience that could perhaps recall for someone an emotion or memory, or possibly generate a new sensation. We can all relate to the human figure, because we all inhabit one. The body acts as its own language, one of which is universal. We all occupy our own unique form, yet physically we share our makeup with all humankind. The work that I am producing is figurative in form and emotional in content. ...

Cheryl Ehmann - Originally from Michigan, I now live in Montana where I studied under master woodcarver, Dan Schnetter. I have always been interested in modeling a shape from either wood or clay. I worked in commercial art in Denver in 1978-1979 and began sculpting seriously in clay for the past 12 years. I have always had an intererst in the "Old West" and the diversified cultures that inhabited the plains. I study my subjects well and try to depict eye pleasing results and spirtual awareness in the sculptures I create. I sculpt with a realistic perspective. I hope to visually stimulate you to identify with each piece. To sense the pain, the joy and many journeys traveled. Look beyond lifes "template" - look into the soul! Feel the pride, the passion, the will to live! All of my sculptures are finely detailed so that you may feel the message of each piece. I shape, smooth and etch each line & contour to depict the proud, the fight, the playful. Each piece is then taken to the foundry, and under my supervision, cast in bronze with various tones of Patina to clarify and bring out the effect I am looking for. Each piece has ...