Sculpture For Sale - Price Range: $600 - $699

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Discover 74 original sculpture artworks for sale between $600 - $699. Contemporary emerging artists: James Johnson, Bob Hill, B Malke, Micha Nussinov, Richard Lazzara, Ildiko Toth, Rufus Adeniyi, Robbie O Carroll, Gunnel Watkins, Robert Hargrave, Gabor Bertalan, Mac Worthington, Louise Parenteau, Pim Van Der Wel, Cris Orfescu, Ac Guevara, L.f.w. Sterk, Bart Soutendijk, Alexander Balter are exhibiting their affordable original art. You can buy artwork online and browse 3 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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James Johnson: 'MESSENGER', 2019 Steel Sculpture, Birds. Of the earth and sky, connecting what is unseen.  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  ...
, 2019
Birds - Sculpture
4 x 6 inches (10.2 x 15.2 cm)
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Bob Hill: 'celestial flow', 2015 Steel Sculpture, Abstract.
Abstract - Sculpture
12 x 33 inches (30.5 x 83.8 cm)
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B Malke: 'Plant Woman', 2014 Mixed Media Sculpture, Figurative.     Glass Wood, ceramic composition, clay, feathers               ...
Figurative - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
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B Malke: 'The bird at its window', 2014 Wood Sculpture, Figurative.    The statue turns  on its base              ...
Figurative - Sculpture
9 x 21 inches (22.9 x 53.3 cm)
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B Malke: 'The Tree of Life La Danse', 2009 Other Sculpture, undecided.  Mixed media sculpture or 3D collage: ceramic, metal, plastic, fiber ...
undecided - Sculpture
11 x 17 inches (27.9 x 43.2 cm)
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Micha Nussinov: 'Contraption', 2007 Mixed Media Sculpture, Conceptual.  The work expresses the flow of energy between outside and inside. Using recycled material of vacume cleaner and water container suggest suction of air and its storage.   ...
Conceptual - Sculpture
48 x 98 cm (18.9 x 38.6 inches)
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Bob Hill: 'Soaring Spirit', 2006 Steel Sculpture, Abstract.  Circling and soaring , russet/ gold vertigris ribbons convey a highly spirited feeling. ...
Abstract - Sculpture
18 x 16 inches (45.7 x 40.6 cm)
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Richard Lazzara: 'creative challenge pin ornament', 1989 Mixed Media Sculpture, Fashion. creative challenge pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 2 inches (7.6 x 5.1 cm)
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Ildiko Toth: 'Andaluzian Nite', 1994 Ceramic Sculpture, Fantasy. . . . end then the nite came. . . ...
Fantasy - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
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Ildiko Toth: 'Malaga Installation6', 1994 Ceramic Sculpture, Architecture. The Glowing B12all...
Architecture - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Rufus Adeniyi: 'warrior', 1975 Bronze Sculpture, Culture. Warrior in the Ancient Benin Kingdom. Western Nigeria. ...
, 1975
Culture - Sculpture
4 x 9 inches (10.2 x 22.9 cm)
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Robbie O Carroll: 'Penelope', 2016 Wood Sculpture, Abstract.
, 2016
Abstract - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
Gunnel Watkins: 'understanding butterflies', 2015 Mixed Media Sculpture, Abstract. context: the creation of fluid sculpturesthis sculpture is included in my RAW series When I was a child a friendaEURtms father asked if I wanted to see his butterflies, to my surprise they were stuck on a board with pinsaEUR|. what is the fascination of human beings to ...
Abstract - Sculpture
30 x 15 cm (11.8 x 5.9 inches)
Robert Hargrave: 'Most Favored Vessel', 2015 Wood Sculpture, Home.  Vessel   ...
Home - Sculpture
34 x 12 inches (86.4 x 30.5 cm)
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Gabor Bertalan: 'Seated man', 2006 Bronze Sculpture, undecided.
, 2006
undecided - Sculpture
20 x 12 cm (7.9 x 4.7 inches)
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Mac Worthington: 'Rainbow Wave flag', 2012 Aluminum Sculpture, Abstract.  Welded aluminum painted Dupont enamel & finished with 20 coats clear  (c)Mac Worthington, artistFor further information on this piece or to discuss a custom design please call 614- 582- 6788 or email: macwartist@ aol. com                 ...
Abstract - Sculpture
12 x 48 inches (30.5 x 121.9 cm)
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Mac Worthington: 'Spectator', 2012 Aluminum Sculpture, Abstract.   Welded, high polished & brushed aluminum  (c)Mac Worthington, artistFor further information on this piece or to discuss a custom design please call 614- 582- 6788 or email: macwartist@ aol. com             ...
, 2012
Abstract - Sculpture
13 x 60 inches (33.0 x 152.4 cm)
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Louise Parenteau: 'SITTING BULL', 2010 Mixed Media Sculpture, Ethnic.  Scrap material: Wood, metal, leather, found objects.     ...
Ethnic - Sculpture
0 x 158 cm (0.0 x 62.2 inches)
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Pim Van Der Wel: 'Fiesta', 2007 Stone Sculpture, Abstract.    A sculpture of Brazilian softstone ...
, 2007
Abstract - Sculpture
16 x 30 cm (6.3 x 11.8 inches)
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Pim Van Der Wel: 'Linea Ciocco', 2010 Stone Sculpture, Abstract.   A sculpture of Asian serpentine  ...
Abstract - Sculpture
19 x 23 cm (7.5 x 9.1 inches)
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Cris Orfescu: 'NanoGhost', 2010 Other Sculpture, Fantasy.  Nanosculpture: nanoporous polymer skin after one microparticle removal. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photographic paper with archival inks specially formulated to last for a long...
, 2010
Fantasy - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Cris Orfescu: 'Molecular Tentacles', 2010 Other Sculpture, Science.  Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photo paper with archival inks specially formulated to last for a long...
Science - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Cris Orfescu: 'NanoWaterfall', 2010 Other Sculpture, Technology.  Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photo paper with archival inks specially formulated to last for a long...
Technology - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Cris Orfescu: 'Nano Hammocks: Relaxation at Nano Level', 2010 Other Sculpture, Technology. Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photo paper with archival inks specially formulated to last for a long ...
Technology - Sculpture
48 x 33 cm (18.9 x 13.0 inches)
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Ac Guevara: 'Chi', 2009 Steel Sculpture, Conceptual.  steel, oil paint, and spray paint ...
, 2009
Conceptual - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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L.f.w. Sterk: 'bigbang', 2008 Steel Sculpture, Abstract.  the big bang. . .  ...
, 2008
Abstract - Sculpture
46 x 53 cm (18.1 x 20.9 inches)
Bart Soutendijk: 'Nude', 2009 Steel Sculpture, Figurative.   Wire Wall Art made of 9 gauge steel wire.  ...
, 2009
Figurative - Sculpture
23 x 30 inches (58.4 x 76.2 cm)
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L.f.w. Sterk: 'a gost', 2008 Steel Sculpture, Abstract Figurative.  a figure or a gost. . ...
, 2008
Abstract Figurative - Sculpture
54 x 41 cm (21.3 x 16.1 inches)
Alexander Balter: 'Step', 2008 Wood Sculpture, Dance.
, 2008
Dance - Sculpture
0 x 220 mm ( x )
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Alexander Balter: 'Crimea', 2007 Wood Sculpture, Cityscape.
, 2007
Cityscape - Sculpture
0 x 300 mm ( x )
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(Page 1 of 3) - MORE ARTWORKS

Artists Describing Their Art:

James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

James Johnson - James Johnson - Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Rufus Adeniyi - I am a widely traveled Nigerian Aesthetics consultant. A graduate of University of London, Goldsmith. I believed in Art as a way of life and a reflection of the spiritual and socio-economic life of the people. My flair for natural things of beauty has no measure. Apart from my Art gallery, I also run a consultancy firm in all forms of artistic embellishment in fine furnishing for corporate bodies, private individuals and diplomatic missions. Married and strongly believe in modesty and fair play....

Robbie O Carroll - When I Graduated from Harvard University my sculpturing followed the traditional cubist approach, but over time the wood started to dictate its own direction and continues that way today. Sometime I will look at a piece of wood, or the combination of pieces of wood, for over a year before it comes to me what its final shape should be and even then it continues to change during the sculpturing process. Someone once called my work enigmatic, and maybe it is, because that is what interests me, the indescribable mystery that can only be revealed in a work of Art. ...

Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...

Robert Hargrave - Beauty is often found in unexpected places. Few people would expect anything made from plywood to be beautiful, yet they are surprised and intrigued when they learn this fact about my work. I laminate a very special Birch plywood from Russia to a darker Lauan plywood from Indonesia, then carve them to reveal the previously hidden core. The results are often compared to some rare and exotic wood, skillfully brought to life. The Plywood Sculpture line consists of nearly seventy contemporary designs that are functional as well as decorative. There are over two dozen mirrors in many shapes and sizes. The designs range from figurative to geometric, from celestial to functionally conservative. Several figurative sculptures are balanced by some furniture designs. The line is rounded out by many gift items, such as picture frames, boxes and other accessories." All of my designs have a fluid sense of movement, emphasized by the black glue line. The alternating light and dark woods have a variety of colors in natural, however dyed colors offer even more possibilities. Each piece is signed and given a smooth, maintenance free lacquer finish. A free, full color catalog is available upon request. ...

Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as "Little Chicago", Mac was privileged to be molded around a family of artists. His father John "Jack" Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60's era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Pim Van Der Wel - Pim van der Wel (1950) combines the art of making watercolours with his work as a business economist. After lessons in all the basic drawing techniques by two Dutch painters in the periods 1980/1987 and 1994/1996 he specialised himself in watercolours. Watercolour offers hardly any limitations, so he can show what he likes and that is light and shadow in dents, creases and gloss etc. His objects are sports (mainly football), cans, torsos, animals (cows, sheep, dogs and chicken). In the last 10 years his work has been shown at (group-)exhibitions in the Netherlands. Some galleries have his works permanently in stock. ...

Cris Orfescu - NANOART I create Art from Science using Technology. My art is a reflection of the technological movement. I consider NanoArt to be a more appealing and effective way to communicate with the general public and to inform people about the new technologies of the 21st Century raising the public awareness of Nanotechnology and its impact on our lives. Nanotechnology deals with the synthesis, manipulation and characterization of matter at the sub-100 nanometers level. Nanotechnology is still an emerging area although commercial products are already on the market. I bring the small world in front of my audience by visualizing with a scanning electron microscope the nanolandscapes and the nanosculptures I create by physical and chemical processes. I paint and manipulate digitally the monochromatic electron images and print them on canvas or fine art paper with archival inks specially formulated to last for a long time (giclee prints). This way, the scientific images become artworks and could be showcased for a large audience to educate the public with creative images that are appealing and acceptable. ...

Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...