Artists Describing Their Art:
Carol Griffith - My oil paintings are meditations triggered by places or situations in my memory, arrived at through a sort of daydreaming state of mind. I attempt to evoke that mood in the handling of the formal elements of the painting, especially the color and the perspectival point of view. I wish to create both a believable place and the sense of something more significant behind it. The viewer, in contact with the painting and their own memories, may then project into the space and experience the significance that I sensed. This approach has led me to an interest in souvenirs. I see them as an attempt to capture a special place or experience in concrete or symbolic form. By doing paintings of my own remembered places and experiences, I have been following a parallel path. I like the comparison with one purpose of art. I use borders in some of the paintings to function simultaneously as framing devices and as an arena in which to create a dialogue with the internal painting. The borders also extend the meaning of the internal subject. Memories often consist of simultaneous kaleidoscopic vignettes that, in combination, embody the whole, original experience. Each vignette is also ...
Cheryl Hoople - Of all the elements and principles in art, my relationship with color is the most spontaneous. I would say that the only constant in my paintings is my desire to use the most audacious, exciting, and evocative color combination I can....
Jeanie Merila - Art surrounds my life like a blanket, filling my senses with joy and giving me a place to weep with color. Sometimes art is a mirror of my life, but other times it is what remains after life filters through my vision. My art is about color and light. The way light bounces off buildings in the afternoon sun, shadows flickering like transforming clouds. The colors vibrate next to each other, the patterns of leaves and bricks create harmony. The wavering reflections in windows, puddles and canals continue to fascinate me - sky and water become one. I have painted flowers over and over for 20 years, yet the pure hues continue to blend and dance in my watercolors like newborns. The silence of the ocean as I swim below the surface inspires me. The waves above leave twisting shadows on the progressing, swirling sand. The rainbow fish darting among the coral remind me of insects hovering around thriving buds as I gaze into the mystery of the deep azure, waiting for the turtle, manta or shark. The breath of my soul is often revealed through the mystical depths of the ocean or the burst of color on a fragrant bloom. ...
Phyllis Senghaas - Art is a manifestation of the mind, discerned through works of the hand. This is a way to see and touch the heart and mind of another. For me, art must be visually and emotionally compelling. It must draw me in, pull me by the senses, and touch a part of me that is preverbal, in a part of my mind that I cannot explain, describe, control, or put my finger on. It is more emotion than reason. Many of my recent paintings have been based on "visions" that I receive spontaneously. I cannot always figure them out, but give them a lot of thought in formulating a title, conposition, coloring, and final execution. I have some I cannot fuly explain, and others that I come to understand. I like to allow the viewer to find a meaning that is there for them alone. These recent paintings have been self-portraits. I started doing self-portraits because I enjoy drawing and painting figures and portraits, but in our current society, few are willing or able to sit and pose for any length of time. The natural subject for artists for hundreds of years has been the self-portrait. These have ...
Iris Norris - In my artwork I like depicting serious and light hearted themes with styles that focus on design. I like working on paper, creating different effects by mixing different mediums from pencils to paint. My goal is to invite the viewer to experience a personal relationship with each piece of artwork....
Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...
Robert P. Hedden - My passions are plein air painting landscapes, mostly in oils, and life/figure, mostly in watercolor, plus some portraits. I also work in acrylic, pastel and mixed media.When I can't paint outdoors I am working in my "Studio On The Narrows", overlooking the St. Lawrence River from Wellesley Island NY. My subject matter is eclectic and along with my mood will influnce the medium. I am more interested in the creation process, rather than being master of one medium, subject, or style. Inspiration comes from the Thousand Islands area on the St Lawrence River where I live. Travels and museum visits also spark inspiration. In April 2009 I formed Plein Air Painters Thousand Islands Region (PAPTIR) in order to promote Plein Air Painting as well as art in general in the region. A new venture in 2012, I organized the 1st Annual Studio Tour U.S. Thousand Islands. Twenty seven artists at 21 locations participated and we are working on the 2013 tour. ...
Roderick Brown - Roderick (Rod) Brown was born in Western Australia. Rod spent his first 30 years in an arid and remote gold mining town. As a youngster he remembers the great freedom he enjoyed surrounded by the stark but vivid images of the mines and surrounding bush, which he regularly explored. Rod as a child watched his father paint in oils and sketch, in charcoal and ink, portraits of local identities. The early seeds to later pursue art were sown at this time. Rod has enjoyed living with his family in Australia, Europe and the USA. During this time he has visited over 40 countries around the world enriching his life and building on the foundations acquired in his hometown, which was a very multicultural society. Rod decided to explore his artistic leanings taking up oil painting while living in Sydney. At that time Rod was a member of the Castle Hill Art Society and The Hornsby Art Society. Rod took up watercolour painting in the early 1980's, which has been his preferred medium since. Rod has exhibited at many public shows particularly while living in Sydney and has over the years painted commissioned portraits. Rod has paintings in corporate and ...