Abstract Art For Sale

Page 163 of 556
Browse 16098 Abstract artworks for sale. Contemporary artists: Asbjorn Lonvig, Brian Devon, Jose Luis Munoz Rodriguez, Hope Brooks, Terry Mollo, Franziska Turek offering Abstract artworks. Links to more artworks by these contemporary artists and 556 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Abstract art simply click on the image to go to a more detailed page about this work of art.


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Asbjorn Lonvig: 'Composition A ', 2001 Acrylic Painting, Abstract. Composition in grey, red and blue with black lines.                                                                  ...
Abstract - Painting
75 x 100 cm (29.5 x 39.4 inches)
Asbjorn Lonvig: 'grand canyon ', 2001 Acrylic Painting, Abstract. As I saw Crand Canyon....
Abstract - Painting
107 x 150 cm (42.1 x 59.1 inches)
Asbjorn Lonvig: 'a siberian coniferous in winter', 2001 Acrylic Painting, Abstract. Well. . . . . . . . . . . ....
Abstract - Painting
122 x 122 cm (48.0 x 48.0 inches)
Asbjorn Lonvig: 'grand canyon ', 2001 Acrylic Painting, Abstract. As I saw Crand Canyon....
Abstract - Painting
107 x 150 cm (42.1 x 59.1 inches)
Asbjorn Lonvig: 'damn it', 2001 Acrylic Painting, Abstract. Each painting is 100 x 100 cm.                                         Acrylic on canvas.The 4 paintings are made at the same time on a huge easel.Light blue painting and then red painting has been thrown temperamentally on a dark blue background....
, 2001
Abstract - Painting
100 x 100 cm (39.4 x 39.4 inches)
Asbjorn Lonvig: 'american indian', 2001 Acrylic Painting, Abstract. Inspired by a stay at Banff Spring Hotel....
Abstract - Painting
139 x 201 cm (54.7 x 79.1 inches)
Asbjorn Lonvig: 'golden gate', 1992 Acrylic Painting, Abstract. My eldest son hates that bridge....
Abstract - Painting
107 x 150 cm (42.1 x 59.1 inches)
Asbjorn Lonvig: 'Composition E ', 2001 Acrylic Painting, Abstract. Composition red, yellow, green and blue with black lines.                                                                  ...
Abstract - Painting
70 x 90 cm (27.6 x 35.4 inches)
Asbjorn Lonvig: 'Composition B ', 2001 Acrylic Painting, Abstract. Composition in grey, red and blue with black lines.                                                                  ...
Abstract - Painting
75 x 100 cm (29.5 x 39.4 inches)
Asbjorn Lonvig: 'manhattan', 2001 Acrylic Painting, Abstract. Painted before 11th September 2001.One of the WTC towers are seen to the left....
, 2001
Abstract - Painting
107 x 150 cm (42.1 x 59.1 inches)
Asbjorn Lonvig: 'killerwales ', 2001 Acrylic Painting, Abstract. A lovely day in Sea World....
Abstract - Painting
107 x 150 cm (42.1 x 59.1 inches)
Asbjorn Lonvig: 'Composition D ', 2001 Acrylic Painting, Abstract. Composition red, yellow, green and blue with black lines.                                                                  ...
Abstract - Painting
70 x 90 cm (27.6 x 35.4 inches)
Brian Devon: 'Taos Vision', 2024 Giclee, Abstract. The interplay between colours creates a unique expression, a little shiver of communication between the viewer and the artist.  If I get it right that isWhen I feel I get it right it is a powerful impactaEUR|aEUR|one I can only hope IaEURtmm able to transmit through colour.  I ...
Abstract - Giclee
32 x 20 inches (81.3 x 50.8 cm)
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Jose Luis Munoz Rodriguez: 'temporal', 2016 Acrylic Painting, Abstract. Acrylic on canvas...
, 2016
Abstract - Painting
75 x 46 cm (29.5 x 18.1 inches)
Jose Luis Munoz Rodriguez: 'Prehistoric', 2016 Acrylic Painting, Abstract.   Acrylic on canvas                                                        ...
Abstract - Painting
130 x 90 cm (51.2 x 35.4 inches)
Jose Luis Munoz Rodriguez: 'Life In Africa', 2015 Acrylic Painting, Abstract.                Acrylic on canvas                                                     ...
Abstract - Painting
85 x 140 cm (33.5 x 55.1 inches)
Jose Luis Munoz Rodriguez: 'Urban Slums', 2015 Acrylic Painting, Abstract.               Acrylic on canvas                                                    ...
Abstract - Painting
47 x 55 cm (18.5 x 21.7 inches)
Jose Luis Munoz Rodriguez: 'Ancient Underwater Civilization', 2015 Acrylic Painting, Abstract.     Acrylic on canvas                                          ...
Abstract - Painting
150 x 90 cm (59.1 x 35.4 inches)
Jose Luis Munoz Rodriguez: 'Climate Change', 2015 Acrylic Painting, Abstract.    Acrylic on canvas                                         ...
Abstract - Painting
150 x 90 cm (59.1 x 35.4 inches)
Hope Brooks: 'Window IV', 1981 Mixed Media, Abstract.  Window series completed in Baltimore was inspired by the many beautiful secular and ecclesiastic windows to be found in that city which reflect the history of the city.    Window IV looks at a modern window with its changing surface of glass.   ...
, 1981
Abstract - Mixed Media
28 x 28 inches (71.1 x 71.1 cm)
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Hope Brooks: 'Shells and Stones revisited', 2008 Collage, Abstract.  This piece makes reference to an earlier series titled
Abstract - Collage
30 x 24 inches (76.2 x 61.0 cm)
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Terry Mollo: 'Moonstruck', 2012 Stone Sculpture, Abstract.   A broken fragment of the moon; Black & white alabaster; Front View  ...
, 2012
Abstract - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
Terry Mollo: 'Moonstruck', 2012 Stone Sculpture, Abstract.    A broken fragment of the moon; Black & white alabaster; Rear View   ...
, 2012
Abstract - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
Terry Mollo: 'Guarded Heart', 2011 Stone Sculpture, Abstract.  Italian white translucent alabaster. Light passes through revealing veins and faults. A human shield- like form creates a white translucent armour. ...
Abstract - Sculpture
14 x 22 inches (35.6 x 55.9 cm)
Terry Mollo: 'Sea Creatures', 2003 Ceramic Sculpture, Abstract. Henry- Moore- like forms in a push- pull configuration; these are two separate formations on one base. They do not touch. The piece is stoneware with a silver- bronze patina. One- of- a- kind....
Abstract - Sculpture
14 x 10 inches (35.6 x 25.4 cm)
Franziska Turek: 'up and away', 2000 Other Painting, Abstract.
Abstract - Painting
110 x 77 cm (43.3 x 30.3 inches)
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Franziska Turek: 'hades', 2015 Other Painting, Abstract.
, 2015
Abstract - Painting
90 x 70 cm (35.4 x 27.6 inches)
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Franziska Turek: 'out of the blue', 2015 Other Painting, Abstract.
Abstract - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Franziska Turek: 'ekpyrosis', 2011 Other Painting, Abstract.
, 2011
Abstract - Painting
110 x 110 cm (43.3 x 43.3 inches)
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Franziska Turek: 'way through', 2013 Other Painting, Abstract.
Abstract - Painting
130 x 130 cm (51.2 x 51.2 inches)
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(Page 163 of 556) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Brian Devon - I began taking pictures at a very early age, about 8 if I remember correctly, and soon began to manipulate the images, painting on colors and adding my personal touches to create soft impressionist images. My interest in photography led to further study and eventually a career in commercial advertising and fashion photography and I worked in several studios in Dublin, London and San Francisco. I constantly experimented with the medium of photography, seeking to put my own mark or style on the finished image. I became interested in Pictorialism, a movement started in the late 1860s, it approached the camera as a tool that, like the paintbrush or a chisel, which could be used to make an artistic statement. Thus photographs could have aesthetic value and be linked to the world of art expression. It was my Eureka moment. I learned a lot working at several studios over the years and have hopefully have let that experience develop into my work today. The challenge for me is to capture the energy of the moment, its up to you to judge whether I achieve that. I have been lucky enough to have seek a path to expressing my view of...

    Jose Luis Munoz Rodriguez - Jose Luis Munoz paints muted abstracted environmental portraits that explore themes such as climate change, urban development, lost civilizations, urban sprawl and the material hubris humans leave in their wake. I find myself on the constant look out for abstract art that ignites my mind in some way and that's why I'm writing about Jose's Luis Munoz's work today What interests me about Munoz's abstract paintings is that while they are pretty to look at, they are titled in such a way that they are refreshingly relevant. They speak of history, the environment and how humans interact with it. They have meaning beyond their muted colors and strong horizontal compositions. I'm referring here to titles that actually correlate with the compositions. The plausible connection between the two pushes you to study the work more closely. When us art oriented folk think of Malaga Spain we associate this place with Pablo Picasso's hometown. And when we've got Picasso on our mind, if we bracket cubism from our thought process, we think about a hyper sensual art oriented towards human corporeality. Jose Luis Munoz - also from Malaga, has ...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...