Communication Art For Sale (58)

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Browse 58 Communication artworks for sale. Contemporary artists: Diane Kim, Anthea Missy, Leigh Roberts, Jerry Monteith, Allison Karczynski, Mark Porter, Jamie Chiarello, Ragunath Venkatraman, Carin Janse Van Rensburg, Istvan Szil, Di Bonaventura Francescomaria, Rachel E Heberling, Jon Klassen, Merete Jakobsen, Chad A. Carino, Elena Samborskaya, Iran Graphic, Zsuzsa Mathe, Bonie Bolen, Annie Mackenzie, Zoraida Haibi, Gregory Liffick, Mary White offering Communication artworks. Links to more artworks by these contemporary artists and 2 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Communication art simply click on the image to go to a more detailed page about this work of art.


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Diane Kim: 'hope', 2015 Mixed Media, Communication. Artist Description: image of sign language hands...
, 2015
Communication - Mixed Media
36 x 14 inches (91.4 x 35.6 cm)
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Anthea Missy: 'live painting ihecs emotion', 2017 Animation, Communication. Artist Description: live painting for Ihecs  What is communication   Just emotion : ...
Communication - Animation
200 x 200 cm (78.7 x 78.7 inches)
Leigh Roberts: 'the woods', 2017 Digital Art, Communication.
, 2017
Communication - Digital Art
60 x 80 inches (152.4 x 203.2 cm)
Leigh Roberts: 'lavender woods', 2017 Digital Art, Communication.
Communication - Digital Art
60 x 80 inches (152.4 x 203.2 cm)
Jerry Monteith: 'mince', 1995 Wood Sculpture, Communication. Artist Description: Laminated fabricated wall piece with varnished aniline dye finish...
, 1995
Communication - Sculpture
70 x 30 inches (177.8 x 76.2 cm)
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Allison Karczynski: 'signs', 2016 Handbuilt Ceramics, Communication. Artist Description: sign languagecommunication...
, 2016
Communication - Ceramics
3 x 5 inches (7.6 x 12.7 cm)
Mark Porter: 'Autohemorrhaging Actuator', 2012 Other Sculpture, Communication. Artist Description:    The sculpture creates a drawing on the wall by expelling a fluid composed of soap and pigment.  ...
Communication - Sculpture
12 x 4 feet (3.66 x 1.22 m)
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Mark Porter: 'Translator', 2014 Other Sculpture, Communication. Artist Description:   The sculpture creates a drawing on the wall by expelling a fluid composed of soap and pigment. A video camera feeds live video of the drawing process into the video projector, which translates the video feed and projects it onto an adjacent wall.  ...
, 2014
Communication - Sculpture
5 x 4 feet (1.52 x 1.22 m)
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Jamie Chiarello: 'Attempting to point shit out to people who really dont give a shit', 2013 Oil Painting, Communication. Artist Description:  tiny painting, miniatures, humorous painting, tiny original painting, self taught artist,  ...
Communication - Painting
1 x 1.5 inches (2.5 x 3.8 cm)
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Ragunath Venkatraman: 'Hamsa Damayanthi', 2012 Oil Painting, Communication. Artist Description:  Hamsa Damayanthi- beautifulRavi Varmapainting replicaPrincess Damayanthi talking with Royal Swan about Nalan. The story is a side story of the epic MAHABHARATHAM. Nala is a king belonging to the Chandravamsha. He falls in love with Damayanti, the daughter of King Bhima of Vidarbha. Nala is inflamed with ...
Communication - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Carin Janse Van Rensburg: 'Speak to me', 2012 Oil Painting, Communication. Artist Description:    A man leaving workplace on his mobile phone, listening or waiting for somebody to answer.  ...
Communication - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Carin Janse Van Rensburg: 'Mobile anguish', 2012 Oil Painting, Communication. Artist Description:  The use of a mobile phone in public spaces and while in conversation with other people, causing anguish and irritation to the rest of the social gathering.  ...
Communication - Painting
40 x 28 inches (101.6 x 71.1 cm)
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Istvan Szil: 'Captcha story ', 2009 Giclee, Communication. Artist Description:    CAPTTCHA a. k. a Completely Automated Public Turing test to tell Computers and Humans Apart. Manipulated Captcha image  ...
Communication - Giclee
4 x 4 feet (1.22 x 1.22 m)
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Di Bonaventura Francescomaria: 'Ad Majora', 2009 Oil Painting, Communication.
, 2009
Communication - Painting
100 x 150 cm (39.4 x 59.1 inches)
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Rachel E Heberling: 'World Champion Typists', 2009 Lithograph, Communication. Artist Description:  Dueling typists based on antique typewriting drillbook. Hand- drawn stone lithograph with xerox transfer method for the text below. ...
Communication - Lithograph
21 x 28 inches (53.3 x 71.1 cm)
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Jon Klassen: 'Console yourself', 2009 Acrylic Painting, Communication.
Communication - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Merete Jakobsen: 'Last vers', 2009 Other Drawing, Communication. Artist Description:  Departure is something that is felt long befor it actually happens. The convesation is gone there is nothing more to say. This picture speaks for itself. ...
, 2009
Communication - Drawing
0 x 0 cm (0.0 x 0.0 inches)
Chad A. Carino: 'Cell Phones', 2009 Acrylic Painting, Communication. Artist Description:  And why wouldn't they be? ...
Communication - Painting
36 x 48 inches (91.4 x 121.9 cm)
Elena Samborskaya: 'Winter Fairies', 2008 Acrylic Painting, Communication.
Communication - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Iran Graphic: 'Graphic ', 2009 Graphic Design, Communication. Artist Description:  grfykh ...
, 2009
Communication - Graphic Design
454.3 x 18.4 cm (178.9 x 7.2 inches)
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Zsuzsa Mathe: 'Communication', 1987 Oil Painting, Communication.
Communication - Painting
100 x 70 cm (39.4 x 27.6 inches)
Bonie Bolen: 'untitled', 2004 Oil Painting, Communication.
, 2004
Communication - Painting
26 x 20 inches (66.0 x 50.8 cm)
Annie Mackenzie: 'illusion', 2008 Assemblage, Communication. Artist Description:  found objects, given a second life ...
, 2008
Communication - Assemblage
18 x 30 inches (45.7 x 76.2 cm)
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Zoraida Haibi: 'Balancing Act', 2007 Mixed Media, Communication. Artist Description:  Acrylic, string, charcoal, transparencies, old doll, metalic animal shapes, cardboard on canvas.   ...
Communication - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
Gregory Liffick: 'lip service', 2006 Mixed Media, Communication. Artist Description:  Ink on wood and woven fiber.  ...
Communication - Mixed Media
48 x 24 inches (121.9 x 61.0 cm)
Mary White: 'Keyboard Angles', 2005 Illustration, Communication. Artist Description:  Produced for informational brochure. Executed in colored pencil. ...
Communication - Illustration
5 x 7 inches (12.7 x 17.8 cm)
Mary White: 'The Big Broadcast', 2005 Illustration, Communication. Artist Description:  Produced for newsletter concerning research on adult learning and literacy. Executed in graphite & ink.  ...
Communication - Illustration
6 x 6 inches (15.2 x 15.2 cm)
Mary White: 'The Joust', 2005 Illustration, Communication. Artist Description:  Produced for newsletter concerning research on adult learning and literacy. Executed in pen & ink.  ...
, 2005
Communication - Illustration
5 x 7 inches (12.7 x 17.8 cm)
Mary White: 'Babson College', 2005 Illustration, Communication. Artist Description:  Created for fundraising direct mail effort. ...
Communication - Illustration
7 x 5 inches (17.8 x 12.7 cm)
Mary White: 'The Golden Gate', 2005 Illustration, Communication. Artist Description:  Produced for informational brochure. Executed in colored pencil. ...
Communication - Illustration
7 x 5 inches (17.8 x 12.7 cm)
(Page 1 of 2) - MORE ARTWORKS

Artists Describing Their Art:

Allison Karczynski - Allison Karczynski Artist Statement I am always thinking and trying to cope with life. Sometimes I walk into my room my mind starts racing so I leave my room and I go longboarding, I come back and make art. It seems like everytime I go longboarding some guy asks me " Do you actually longboard or do you just carry that around" I want to show to everyone that women can longboard just as skillfully as men can. I started making longboards because I wanted to incorporate the two things that help me cope with my anxiety, art and longboarding. My interest in using longboarding in my art came about through a project I was working on. Last year I started making hands out of ceramics along with paintings . I wanted to promote sign language and communication .Each of the paintings portrayed hands signing . However , I was not sure where to go with it and I was having trouble. Later on last year I started longboarding and I loved it. I thought why not incorporate the things I love and that help me into my show. I still hope to tie in communication into my show. I want to not only ...

Mark Porter - Artist webpage: www.markportersculpture.com Fusing found objects and his own custom-made creations, Mark Porter produces one-of-a-kind pieces that gradually transform themselves -- and the gallery -- as the show progresses. The mechanical-drawings-turned-sculptures in Nurture/Alter mimic the irregularity of human actions and portray narratives through a series of projected images, videos, and fluid expulsions. Porter places his project blueprints next to the sculptures to aid in the understanding of their development, which continues free of his influence for the duration of the exhibition. Check out the show sooner than later, though, so you can observe the counterproductive movements of Porter's work before it slowly self-destructs. - Morgan Phelps...

Istvan Szil - Istvan Szil/ crossingthetsdottingtheis Artist's Statement My work is based on the reconfiguration of materials and images . I alter objects and materials with the extreme sense of irony; choosing to address philosophical questions and cultural issues through employing succint humorous gestures. I constantly collect images from the internet , recognizing its search option as an unparaleled oportunity to gain access to wide variety of visual material. I alter the collected images by digital means to accommodate my comments relating to their source or context they were culled from. My sculptures enact visual stunts calling into question how objects are utilized within everyday life citing both the subtle marks that become embedded within objects and also also the effect that objects have within space. I am interested in the vocabulary of advertising and its ability to deliver the maximum of information in reductive , visual bites. Overall, my work shifts the use value of commonplace objects and images , through my subtle interventions. I invite the viewer to reflect upon these meticulously selected entities that are normally encountered within everyday life and by manipulating their functionality , I invest these objects and materials with a unique yet accessible sculptural presence. ...

Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...

Merete Jakobsen - Colours have always fascinated me. They have the ability to illuminate our senses and bring out feelings of joy and sorrow, depending on where we are in life. Wherever I turn there are colours. The pale blue northern sky playing with the different shades on the white snow. Being stunned by the intense blues and reds against the African soil. Discover the beauty of a flower created so perfectly compound. The light playing with a landscape creating different moods at different times. This is magic to me. Rembrandt with his mysterious light and colours fascinates me as much as the vibrant colours of Georges Rouault. I visited Barcelona and was caught by the roughness and beauty of Antoni Tapies' artwork. Films with atmosphere, depth and beauty fills me up and inspires me. When I paint, all these impressions in my mind find their way onto the clean white canvas. Life is so full of wonders, if we manage to slow down and take the time to see and experience and hold on to it, it will enrich our lives so much. When I paint I move between creating figurative and abstract paintings. The freedom of doing so gives me more ...

Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....

Elena Samborskaya - Every language can be presented as a set of symbols assuming something in common with a painter. Once I hope God will send me an adequate image, but till then theatrical tinge is inevitable in my work. I enjoy mixing objective reality with subjective one, the world of an author with the world of a spectator....

Zsuzsa Mathe - In his poem `Welcome to Thomas Mann` (1937) the great Hungarian poet, Attila Jozsef writes: '... You know this well: the poet never lies, / The real is not enough; through its disguise Tell us the truth which fills the mind with light / Because, without each other, all is night. ... Transrealism is the art of the 21st century fulfilling the long awaited return to the basics: art is communication, and it shall be understandable by the observer; it shall not expect the audience to be sophisticated or educated in the subject. Instead it is the artist's responsibility to be versed enough in their profession and their tools of art to be able to express themselves to convey a message and be universally understood. If you like my work please do take your time to comment on what you like in it and what it makes you feel like. Any feedback is appreciated because a piece of art if not communicating is probably not worth creating. ...

Zoraida Haibi - Zoraida Haibi Artist Statement My work is a diary or narrative of the relationships that I have with family and people closest to me. There are different components of each individual represented in the works. Use of collage and mix media, allows me to be able to put fragments of each personi?1/2s character in my artwork. Each painting is cultivated through methods of collecting memoirs and stitching them together creating a quilt of memories. Through use of vibrant colors, expressive brushstorkes, cuts in the canvases, sewing surfaces and collage, I am able to convey a medley of these visions. The awkwardness of some of my canvases reflects the indifference for traditional values that is characteristic in the Latin culture and break from the customary size and shape of the canvas. ...

Gregory Liffick - I like to find new life in old, found items. I perform a kind of plastic or reconstructive surgery on the materials that I find in thrift stores and other like places, refinishing and refreshing their skin with spray enamel or acrylic paint and reforming and improving their shapes with bits and pieces from elsewhere. In the process of reimaging the items, I resurrect them from the past and bring them into the present, making them current and relevant through the concepts and messages I attach to them, commentaries on the state of things in the world today. I give new purpose and interest to items that have lost their place in the onrush of use and fashion. I take once upon a time materials and try to make them timeless....

Mary White - I have been a practicing illustrator and graphic designer for more than 25 years. The majority of my work is executed with traditional mediums -- but lately, I have begun introducing some digital compliments to the imagery. Thematically, I produce work for both commercial and editorial purposes. I prefer the editorial work and the challenges that are most often presented in attempting to successfully execute imagery to compliment abstract concepts. Please do not hesitate to contact me for a quote or to discuss a possible project. Thank you for looking....