Communication Art For Sale
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Browse 49 Communication artworks for sale. Contemporary artists: Wendy Lippincott, J. Brombacher, Hans-ruedi Kammermann, Adam Adamou, Richard Lazzara, Chad A. Carino, Stephen Vattimo, Mark Porter, Di Bonaventura Francescomaria, Rachel E Heberling, Iran Graphic, Annie Mackenzie, Gregory Liffick, Maria Teresa Fernandes, Smeetha Bhoumik, Pygoya Rodney Chang-phd, Dmitry Rakov, Michael Leyton, Shmuela Padnos, Daniel King, Nicolas Tcherno Ivanenko, Antoaneta Hillman offering Communication artworks. Links to more artworks by these contemporary artists and 2 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Communication art simply click on the image to go to a more detailed page about this work of art.
J. Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...
Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...
Hans-Ruedi Kammermann - Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....
Mark Porter - Artist webpage: www.markportersculpture.com Fusing found objects and his own custom-made creations, Mark Porter produces one-of-a-kind pieces that gradually transform themselves -- and the gallery -- as the show progresses. The mechanical-drawings-turned-sculptures in Nurture/Alter mimic the irregularity of human actions and portray narratives through a series of projected images, videos, and fluid expulsions. Porter places his project blueprints next to the sculptures to aid in the understanding of their development, which continues free of his influence for the duration of the exhibition. Check out the show sooner than later, though, so you can observe the counterproductive movements of Porter's work before it slowly self-destructs. - Morgan Phelps...
Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...
Gregory Liffick - I like to find new life in old, found items. I perform a kind of plastic or reconstructive surgery on the materials that I find in thrift stores and other like places, refinishing and refreshing their skin with spray enamel or acrylic paint and reforming and improving their shapes with bits and pieces from elsewhere. In the process of reimaging the items, I resurrect them from the past and bring them into the present, making them current and relevant through the concepts and messages I attach to them, commentaries on the state of things in the world today. I give new purpose and interest to items that have lost their place in the onrush of use and fashion. I take once upon a time materials and try to make them timeless....
Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...
Smeetha Bhoumik - Greetings! My canvases are melting pots of imagination, existence and personal quests. With paint and it's possibilities of probing inner and outer worlds, I explore my different universes - as a woman, an artist, a professional, a family member, an intrepid traveller, a lost soul, a dreamer believer, a seeker . With the Universe Series I seek to express my complete enchantment with the luminosity, and unending glory of this huge universe and it's magical ways, in some ways finding tenuous connections to the infinite forces that we are a part of . The magic of nearby constellations, far-away galaxies, supreme supernovae, bright young stars, star forming nebulae and their stories have I tried to explore and capture in the 'Universe Series' - conversations on canvas between the viewer, the artist and the unknown. The birth of young stars in regions rich in gas and dust from exploding stars or supernovae, gigantic collisions of galaxies twisting them out of shape temporarily, huge emissions of heavy metals including gold and platinum spat out by supernovae when they burst, the impossibly beautiful colours of dead stars refusing to fade away . Somehow all this enchants and speaks simultaneously of the transient amazing entity that ...
Pygoya Rodney Chang-Phd - Rodney Chang, better known as the Internet's Pygoya, Webist, was the first digital artist to exhibit in Honolulu, back in 1985. He has exhibited around the world, including Paris, New York City, Chicago, Las Vegas, the U.S.S.R., England, Vienna, Budapest, Frankfurt, Australia, Seoul, Japan, China and India. His 1988 solo show at Shangahi Art Museum was China's historic first computer art exhibition. He organized India's first ever international digital art exhibition (1999). In the 1980s and 1990s he promoted his concept of Pixelism, or the conversion of pixels into paint, by hand and on canvas, to mirror (as art history) the digital quality of crude early low resolution monitor imaging. He also co-founded Webism, the art movement to create and exhibit art online for the sake of the global cyber-culture and audience. In the 1980's Dr. Rodney Chang gained national notoriety as NBC's Real People Show's "Disco Doc" - filmed dancing in his Honolulu dental clinic's discotheque reception area, complete with staff DJ. He danced on syndicated TV (NBC "Real People Show") around the world. The artist is also recognized in Who's Who in America and Ripley's ...
Dmitry Rakov - Impossible reality (All new artworks and largerview at www.rakov.de and
Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...
Shmuela Padnos - ARE YA READY TA GET THE BIG LEG BLUES FROM THE GAS MAN AS THE SPECIAL RIDER MAKES YOU MISSISSIPPI MOAN? ARE YA GONNA RIDE THE NEW HAMHOUND CRAVES A BLACK SNAKE MOAN WITH THE LITTLE LEG OUTSIDE WOMAN BLUES? WELL TAKE A LITTLE WALK WITH ME AS i TELL YOU ABOUT THAT CHERRY WOMAN ARTIST SHMUEL A PADNOS. AS THE DEVIL SENT THE RAIN TA N'AWLINS SHMUEL A WAS CONCEIVED DURING MARTI GRAS FUN OF LE BON TON ROULET. 9 MONTHS LATER IN THE FOOT HILLS OF NORTH CAROLINA, LAND OF RATTLE SNAKIN DADDY& STEP IT UP & GO, SHMUEL A WAS BORN. ALTHOUGH EXPOSED TO THE EAST COAST PICKIN OF BLIND BOOY FULLER, BUDDY MOSS& JOSH WHITE BY HER GRANDPARENTS, SHMUELA WAS ALWAYS FOUND WITH A PAINTBRUSH IN HER HAND INSTEAD OF A GUITAR. SHE FOUND THE MOVING OF THE BRUSH CREATED ITS OWN FUNKY SOUND&RHYTHM....
Daniel King - Daniel spent his childhood in the midwestern United States, received his BFA in Media Studies at the Columbus College of Art & Design, and served as an Air Force Officer at the airplane maintenance/storage center in Tucson, Arizona. He is still making up for time lost. In 2006 Daniel returned to personal/experimental film. He began interrogating his relationship with military power, personal authority and the public representation of each. "The images I seek are beneath the surface, and along the perimeter of the designed social landscape, off the beaten path but not out of the city's shadow. I place the burden of dreams, yours and mine, on the places we live and work. Artificial and haphazard landscapes often ignored by society, or hidden from its inhabitants interest me in a very fundamental way.' 'From 2003-2004 I photographed the series "Grounded" focusing on the dreamlike experience of working at the military-industrial storage facility in Southern Arizona often referred to as "the Boneyard." This facility contains the wreckage of out-modded 20Th century defense, and offense, technology splayed across 1200 acres of the desert southwest.' 'By combining antiquated photo-mechanical cameras with the use of digital printing, I ...
Antoaneta Hillman - Writing poetry and short stories were my first steps on the pat of Art. I canaEURtmt imagine life without painting or creating because this is so natural for me and it is completing my life. Observing my surroundings and seeing so many amazing objects and situations are the raw material of my art. One life is not enough to transform all the ideas into a painting or sculpture. The excitement of this world is so overwhelming.I never fear not having inspiration and new ideas. Encaustic is the medium that suits my temperament completely - it is hot, fast and durable. Painting is giving me freedom....
(Page 1 of 2) - MORE ARTWORKS
Artists Describing Their Art:
Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...J. Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...
Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...
Hans-Ruedi Kammermann - Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....
Mark Porter - Artist webpage: www.markportersculpture.com Fusing found objects and his own custom-made creations, Mark Porter produces one-of-a-kind pieces that gradually transform themselves -- and the gallery -- as the show progresses. The mechanical-drawings-turned-sculptures in Nurture/Alter mimic the irregularity of human actions and portray narratives through a series of projected images, videos, and fluid expulsions. Porter places his project blueprints next to the sculptures to aid in the understanding of their development, which continues free of his influence for the duration of the exhibition. Check out the show sooner than later, though, so you can observe the counterproductive movements of Porter's work before it slowly self-destructs. - Morgan Phelps...
Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...
Gregory Liffick - I like to find new life in old, found items. I perform a kind of plastic or reconstructive surgery on the materials that I find in thrift stores and other like places, refinishing and refreshing their skin with spray enamel or acrylic paint and reforming and improving their shapes with bits and pieces from elsewhere. In the process of reimaging the items, I resurrect them from the past and bring them into the present, making them current and relevant through the concepts and messages I attach to them, commentaries on the state of things in the world today. I give new purpose and interest to items that have lost their place in the onrush of use and fashion. I take once upon a time materials and try to make them timeless....
Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...
Smeetha Bhoumik - Greetings! My canvases are melting pots of imagination, existence and personal quests. With paint and it's possibilities of probing inner and outer worlds, I explore my different universes - as a woman, an artist, a professional, a family member, an intrepid traveller, a lost soul, a dreamer believer, a seeker . With the Universe Series I seek to express my complete enchantment with the luminosity, and unending glory of this huge universe and it's magical ways, in some ways finding tenuous connections to the infinite forces that we are a part of . The magic of nearby constellations, far-away galaxies, supreme supernovae, bright young stars, star forming nebulae and their stories have I tried to explore and capture in the 'Universe Series' - conversations on canvas between the viewer, the artist and the unknown. The birth of young stars in regions rich in gas and dust from exploding stars or supernovae, gigantic collisions of galaxies twisting them out of shape temporarily, huge emissions of heavy metals including gold and platinum spat out by supernovae when they burst, the impossibly beautiful colours of dead stars refusing to fade away . Somehow all this enchants and speaks simultaneously of the transient amazing entity that ...
Pygoya Rodney Chang-Phd - Rodney Chang, better known as the Internet's Pygoya, Webist, was the first digital artist to exhibit in Honolulu, back in 1985. He has exhibited around the world, including Paris, New York City, Chicago, Las Vegas, the U.S.S.R., England, Vienna, Budapest, Frankfurt, Australia, Seoul, Japan, China and India. His 1988 solo show at Shangahi Art Museum was China's historic first computer art exhibition. He organized India's first ever international digital art exhibition (1999). In the 1980s and 1990s he promoted his concept of Pixelism, or the conversion of pixels into paint, by hand and on canvas, to mirror (as art history) the digital quality of crude early low resolution monitor imaging. He also co-founded Webism, the art movement to create and exhibit art online for the sake of the global cyber-culture and audience. In the 1980's Dr. Rodney Chang gained national notoriety as NBC's Real People Show's "Disco Doc" - filmed dancing in his Honolulu dental clinic's discotheque reception area, complete with staff DJ. He danced on syndicated TV (NBC "Real People Show") around the world. The artist is also recognized in Who's Who in America and Ripley's ...
Dmitry Rakov - Impossible reality (All new artworks and largerview at www.rakov.de and
Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...
Shmuela Padnos - ARE YA READY TA GET THE BIG LEG BLUES FROM THE GAS MAN AS THE SPECIAL RIDER MAKES YOU MISSISSIPPI MOAN? ARE YA GONNA RIDE THE NEW HAMHOUND CRAVES A BLACK SNAKE MOAN WITH THE LITTLE LEG OUTSIDE WOMAN BLUES? WELL TAKE A LITTLE WALK WITH ME AS i TELL YOU ABOUT THAT CHERRY WOMAN ARTIST SHMUEL A PADNOS. AS THE DEVIL SENT THE RAIN TA N'AWLINS SHMUEL A WAS CONCEIVED DURING MARTI GRAS FUN OF LE BON TON ROULET. 9 MONTHS LATER IN THE FOOT HILLS OF NORTH CAROLINA, LAND OF RATTLE SNAKIN DADDY& STEP IT UP & GO, SHMUEL A WAS BORN. ALTHOUGH EXPOSED TO THE EAST COAST PICKIN OF BLIND BOOY FULLER, BUDDY MOSS& JOSH WHITE BY HER GRANDPARENTS, SHMUELA WAS ALWAYS FOUND WITH A PAINTBRUSH IN HER HAND INSTEAD OF A GUITAR. SHE FOUND THE MOVING OF THE BRUSH CREATED ITS OWN FUNKY SOUND&RHYTHM....
Daniel King - Daniel spent his childhood in the midwestern United States, received his BFA in Media Studies at the Columbus College of Art & Design, and served as an Air Force Officer at the airplane maintenance/storage center in Tucson, Arizona. He is still making up for time lost. In 2006 Daniel returned to personal/experimental film. He began interrogating his relationship with military power, personal authority and the public representation of each. "The images I seek are beneath the surface, and along the perimeter of the designed social landscape, off the beaten path but not out of the city's shadow. I place the burden of dreams, yours and mine, on the places we live and work. Artificial and haphazard landscapes often ignored by society, or hidden from its inhabitants interest me in a very fundamental way.' 'From 2003-2004 I photographed the series "Grounded" focusing on the dreamlike experience of working at the military-industrial storage facility in Southern Arizona often referred to as "the Boneyard." This facility contains the wreckage of out-modded 20Th century defense, and offense, technology splayed across 1200 acres of the desert southwest.' 'By combining antiquated photo-mechanical cameras with the use of digital printing, I ...
Antoaneta Hillman - Writing poetry and short stories were my first steps on the pat of Art. I canaEURtmt imagine life without painting or creating because this is so natural for me and it is completing my life. Observing my surroundings and seeing so many amazing objects and situations are the raw material of my art. One life is not enough to transform all the ideas into a painting or sculpture. The excitement of this world is so overwhelming.I never fear not having inspiration and new ideas. Encaustic is the medium that suits my temperament completely - it is hot, fast and durable. Painting is giving me freedom....