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Communication Art For Sale (66)

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Browse 66 Communication artworks for sale. Contemporary artists: Anthea Missy, Leigh Roberts, Jerry Monteith, Allison Karczynski, Mark Porter, Jamie Chiarello, Ragunath Venkatraman, Carin Janse Van Rensburg, Debbi Chan, Istvan Szil, Di Bonaventura Francescomaria, Rachel E Heberling, Jon Klassen, Merete Jakobsen, Chad A. Carino, Elena Samborskaya offering Communication artworks. Links to more artworks by these contemporary artists and 3 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Communication art simply click on the image to go to a more detailed page about this work of art.


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Anthea Missy: 'live painting ihecs emotion', 2017 Animation, Communication. Artist Description: live painting for Ihecs  What is communication   Just emotion : ...
Communication - Animation
200 x 200 cm (78.7 x 78.7 inches)
Leigh Roberts: 'the woods', 2017 Digital Art, Communication.
, 2017
Communication - Digital Art
60 x 80 inches (152.4 x 203.2 cm)
Leigh Roberts: 'lavender woods', 2017 Digital Art, Communication.
Communication - Digital Art
60 x 80 inches (152.4 x 203.2 cm)
Jerry Monteith: 'mince', 1995 Wood Sculpture, Communication. Artist Description: Laminated fabricated wall piece with varnished aniline dye finish...
, 1995
Communication - Sculpture
70 x 30 inches (177.8 x 76.2 cm)
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Allison Karczynski: 'signs', 2016 Handbuilt Ceramics, Communication. Artist Description: sign languagecommunication...
, 2016
Communication - Ceramics
3 x 5 inches (7.6 x 12.7 cm)
Mark Porter: 'Autohemorrhaging Actuator', 2012 Other Sculpture, Communication. Artist Description:    The sculpture creates a drawing on the wall by expelling a fluid composed of soap and pigment.  ...
Communication - Sculpture
12 x 4 feet (3.66 x 1.22 m)
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Mark Porter: 'Translator', 2014 Other Sculpture, Communication. Artist Description:   The sculpture creates a drawing on the wall by expelling a fluid composed of soap and pigment. A video camera feeds live video of the drawing process into the video projector, which translates the video feed and projects it onto an adjacent wall.  ...
, 2014
Communication - Sculpture
5 x 4 feet (1.52 x 1.22 m)
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Jamie Chiarello: 'Attempting to point shit out to people who really dont give a shit', 2013 Oil Painting, Communication. Artist Description:  tiny painting, miniatures, humorous painting, tiny original painting, self taught artist,  ...
Communication - Painting
1 x 1.5 inches (2.5 x 3.8 cm)
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Ragunath Venkatraman: 'Hamsa Damayanthi', 2012 Oil Painting, Communication. Artist Description:  Hamsa Damayanthi- beautifulRavi Varmapainting replicaPrincess Damayanthi talking with Royal Swan about Nalan. The story is a side story of the epic MAHABHARATHAM. Nala is a king belonging to the Chandravamsha. He falls in love with Damayanti, the daughter of King Bhima of Vidarbha. Nala is inflamed with ...
Communication - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Carin Janse Van Rensburg: 'Speak to me', 2012 Oil Painting, Communication. Artist Description:    A man leaving workplace on his mobile phone, listening or waiting for somebody to answer.  ...
Communication - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Carin Janse Van Rensburg: 'Mobile anguish', 2012 Oil Painting, Communication. Artist Description:  The use of a mobile phone in public spaces and while in conversation with other people, causing anguish and irritation to the rest of the social gathering.  ...
Communication - Painting
40 x 28 inches (101.6 x 71.1 cm)
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Debbi Chan: 'paintingwith heart embroidered', 2012 Fiber, Communication. Artist Description:   photos from Idaho.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 ...
Communication - Fiber
7 x 25 inches (17.8 x 63.5 cm)
Debbi Chan: 'commissioned chop', 2010 Calligraphy, Communication. Artist Description:    i was asked to do a signature seal. the characters were more the meaning of the girl's name rather than a translation into the Chinese name itself. ...
Communication - Calligraphy
1 x 4 inches (2.5 x 10.2 cm)
Debbi Chan: 'empty', 2011 Digital Art, Communication. Artist Description:  i drew these by hand in my iPad App sketchbook. they can then be printed as a photograph the size anyone wants.                                                                                                                              ...
, 2011
Communication - Digital Art
8 x 10 inches (20.3 x 25.4 cm)
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Debbi Chan: 'secret language for women', 2011 Digital Art, Communication. Artist Description:          i drew this traditional Chineses painting on an APP sketchbook.  these are not only fun to do but they can be done anywhere without lots of equipment. i will print any size one desires and the price will vary accordingly.        ...
Communication - Digital Art
8 x 10 inches (20.3 x 25.4 cm)
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Istvan Szil: 'Captcha story ', 2009 Giclee, Communication. Artist Description:    CAPTTCHA a. k. a Completely Automated Public Turing test to tell Computers and Humans Apart. Manipulated Captcha image  ...
Communication - Giclee
4 x 4 feet (1.22 x 1.22 m)
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Debbi Chan: 'painting with heart embroidered', 2011 Fiber, Communication. Artist Description:  i wanted to update the embroidered paintings because they are coming along so beautifully.          ...
Communication - Fiber
7 x 25 inches (17.8 x 63.5 cm)
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Debbi Chan: 'hand carved kennel sign', 2011 , Communication. Artist Description:  i am doing a commission sign for a kennel using rdeep relief. the wood is a cedar slab.  not finished.          ...
Communication -
10 x 45 inches (25.4 x 114.3 cm)
Debbi Chan: 'happy new year', 2011 Watercolor, Communication. Artist Description:   a traditional calligraphy painted in honor of celebration of Chinese New Year. the year of the Rabbit ushers in tomorrow. ...
Communication - Watercolor
8 x 17 inches (20.3 x 43.2 cm)
Debbi Chan: 'painting with heart embroidered', 2010 Fiber, Communication. Artist Description:  an update on what is turning out to be an interesting piece.            ...
Communication - Fiber
7 x 25 inches (17.8 x 63.5 cm)
Debbi Chan: 'embroidery time', 2010 Color Photograph, Communication. Artist Description:   an update on what is turning out to be an interesting piece.             ...
Communication - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Debbi Chan: 'painting with heart embroidered', 2010 Fiber, Communication. Artist Description:  this is kind of my first attempt at a sampler and it is more of a Chinese one at that. . interesting to see. it will be a nice piece for someoneone's home wall. ...
Communication - Fiber
7 x 25 inches (17.8 x 63.5 cm)
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Debbi Chan: 'chop collection for inge', 2010 Stone Sculpture, Communication. Artist Description:     this is another piece of moose antler that i carved in rather deep relief and it can be used as a chop. the detail is amazing.  ...
Communication - Sculpture
3 x 3 inches (7.6 x 7.6 cm)
Di Bonaventura Francescomaria: 'Ad Majora', 2009 Oil Painting, Communication.
, 2009
Communication - Painting
100 x 150 cm (39.4 x 59.1 inches)
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Rachel E Heberling: 'World Champion Typists', 2009 Lithograph, Communication. Artist Description:  Dueling typists based on antique typewriting drillbook. Hand- drawn stone lithograph with xerox transfer method for the text below. ...
Communication - Lithograph
21 x 28 inches (53.3 x 71.1 cm)
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Jon Klassen: 'Console yourself', 2009 Acrylic Painting, Communication.
Communication - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Merete Jakobsen: 'Last vers', 2009 Other Drawing, Communication. Artist Description:  Departure is something that is felt long befor it actually happens. The convesation is gone there is nothing more to say. This picture speaks for itself. ...
, 2009
Communication - Drawing
0 x 0 cm (0.0 x 0.0 inches)
Chad A. Carino: 'Cell Phones', 2009 Acrylic Painting, Communication. Artist Description:  And why wouldn't they be? ...
Communication - Painting
36 x 48 inches (91.4 x 121.9 cm)
Elena Samborskaya: 'Winter Fairies', 2008 Acrylic Painting, Communication.
Communication - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Iran Graphic: 'Graphic ', 2009 Graphic Design, Communication. Artist Description:  grfykh ...
, 2009
Communication - Graphic Design
454.3 x 18.4 cm (178.9 x 7.2 inches)
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Artists Describing Their Art:

Allison Karczynski - Allison Karczynski Artist Statement I am always thinking and trying to cope with life. Sometimes I walk into my room my mind starts racing so I leave my room and I go longboarding, I come back and make art. It seems like everytime I go longboarding some guy asks me " Do you actually longboard or do you just carry that around" I want to show to everyone that women can longboard just as skillfully as men can. I started making longboards because I wanted to incorporate the two things that help me cope with my anxiety, art and longboarding. My interest in using longboarding in my art came about through a project I was working on. Last year I started making hands out of ceramics along with paintings . I wanted to promote sign language and communication .Each of the paintings portrayed hands signing . However , I was not sure where to go with it and I was having trouble. Later on last year I started longboarding and I loved it. I thought why not incorporate the things I love and that help me into my show. I still hope to tie in communication into my show. I want to not only ...

Mark Porter - Artist webpage: www.markportersculpture.com Fusing found objects and his own custom-made creations, Mark Porter produces one-of-a-kind pieces that gradually transform themselves -- and the gallery -- as the show progresses. The mechanical-drawings-turned-sculptures in Nurture/Alter mimic the irregularity of human actions and portray narratives through a series of projected images, videos, and fluid expulsions. Porter places his project blueprints next to the sculptures to aid in the understanding of their development, which continues free of his influence for the duration of the exhibition. Check out the show sooner than later, though, so you can observe the counterproductive movements of Porter's work before it slowly self-destructs. - Morgan Phelps...

Debbi Chan - I am going to do an updated artist's statement. But until I submit it you have a short temporary one. As an artist I an fullfilled and contend. But at the same time I seek more , absorb more, and enjoy more. Art fills and fullfills me..I am always being an artist. My eyes see art always. This is not a hobby that I partake of when time suits. Art feeds me. Art consoles me. And being prolific it also takes my time. And for this I am thankful that i listened to my inner self. I am thankful for a following that grows by the minute. I enjoy you enjoying my portfolio. I also have come to realize that the coined phrase "starving artist" is a reality for some of us. But if you take another quote, my own , you will see that starving and rich pertain to material $. because of you the viewers , and because art is my life and my passion I can truly say that I AM RICH.. RICH WITH NO MONEY... and I can also say with truth that I am happy. I chose the path that allowed this rich life. There will continue ...

Istvan Szil - Istvan Szil/ crossingthetsdottingtheis Artist's Statement My work is based on the reconfiguration of materials and images . I alter objects and materials with the extreme sense of irony; choosing to address philosophical questions and cultural issues through employing succint humorous gestures. I constantly collect images from the internet , recognizing its search option as an unparaleled oportunity to gain access to wide variety of visual material. I alter the collected images by digital means to accommodate my comments relating to their source or context they were culled from. My sculptures enact visual stunts calling into question how objects are utilized within everyday life citing both the subtle marks that become embedded within objects and also also the effect that objects have within space. I am interested in the vocabulary of advertising and its ability to deliver the maximum of information in reductive , visual bites. Overall, my work shifts the use value of commonplace objects and images , through my subtle interventions. I invite the viewer to reflect upon these meticulously selected entities that are normally encountered within everyday life and by manipulating their functionality , I invest these objects and materials with a unique yet accessible sculptural presence. ...

Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...

Merete Jakobsen - Colours have always fascinated me. They have the ability to illuminate our senses and bring out feelings of joy and sorrow, depending on where we are in life. Wherever I turn there are colours. The pale blue northern sky playing with the different shades on the white snow. Being stunned by the intense blues and reds against the African soil. Discover the beauty of a flower created so perfectly compound. The light playing with a landscape creating different moods at different times. This is magic to me. Rembrandt with his mysterious light and colours fascinates me as much as the vibrant colours of Georges Rouault. I visited Barcelona and was caught by the roughness and beauty of Antoni Tapies' artwork. Films with atmosphere, depth and beauty fills me up and inspires me. When I paint, all these impressions in my mind find their way onto the clean white canvas. Life is so full of wonders, if we manage to slow down and take the time to see and experience and hold on to it, it will enrich our lives so much. When I paint I move between creating figurative and abstract paintings. The freedom of doing so gives me more ...

Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....

Elena Samborskaya - Every language can be presented as a set of symbols assuming something in common with a painter. Once I hope God will send me an adequate image, but till then theatrical tinge is inevitable in my work. I enjoy mixing objective reality with subjective one, the world of an author with the world of a spectator....