Communication Art For Sale

Artists Describing Their Art:

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincotts paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She has an artbook with a selection of her paintings available. She is also a published author with her book The Pandora Pathway. Both books available on Amazon. ...

Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visited, like Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I donaEURtmt invent abstract images but the act of accumulating material on the canvas creates form and color aEUR" being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

Hans-Ruedi Kammermann - Mark Porter - Artist webpage: www.markportersculpture.com Fusing found objects and his own custom-made creations, Mark Porter produces one-of-a-kind pieces that gradually transform themselves aEUR" and the gallery aEUR" as the show progresses. The mechanical-drawings-turned-sculptures in Nurture/Alter mimic the irregularity of human actions and portray narratives through a series of projected images, videos, and fluid expulsions. Porter places his project blueprints next to the sculptures to aid in the understanding of their development, which continues free of his influence for the duration of the exhibition. Check out the show sooner than later, though, so you can observe the counterproductive movements of Porter's work before it slowly self-destructs. aEUR" Morgan Phelps...

Maria Teresa Fernandes - Admiring TeresaA's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).ItA's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

Smeetha Bhoumik - Greetings! My canvases are melting pots of imagination, existence and personal quests. With paint and itaEURtms possibilities of probing inner and outer worlds, I explore my different universes - as a woman, an artist, a professional, a family member, an intrepid traveller, a lost soul, a dreameraEUR|aEUR| believer, a seeker . With the Universe Series I seek to express my complete enchantment with the luminosity, and unending glory of this huge universe and itaEURtms magical ways, in some ways finding tenuous connections to the infinite forces that we are a part of aEUR|. The magic of nearby constellations, far-away galaxies, supreme supernovae, bright young stars, star forming nebulae and their stories have I tried to explore and capture in the aEUR~Universe SeriesaEURtm aEUR" conversations on canvas between the viewer, the artist and the unknown. The birth of young stars in regions rich in gas and dust from exploding stars or supernovae, gigantic collisions of galaxies twisting them out of shape temporarily, huge emissions of heavy metals including gold and platinum spat out by supernovae when they burst, the impossibly beautiful colours of dead stars refusing to fade awayaEUR|aEUR|. Somehow all this enchants and speaks simultaneously of the transient amazing entity that ...

Dmitry Rakov - Impossible reality (All new artworks and largerview at www.rakov.de and

Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks aEUR" his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...

Paolo Avanzi - Paolo Avanzi was born in Rosolina Rovigo in 1958 and graduated in Psychology. He landed to figurative arts after a diversified experience on several cultural disciplines creative writing, music etc His initial production is polymateric use of plastics and enamels and favors the informal. In 2004 he made his first solo exhibition in the Sandretto Museum in Pont Canavese. Since 2006 he has been moving towards an experimental figurative that is affected by these informal experiences. In 2007 he participated to the Miami International Art Fairs. New York and Seoul. In the following years he consolidated his experience in the major national art fairs. Among the countless solo shows we mention those at the Galleria Arte Capital in Brescia, the U. Mastroianni Museum in Marino, the Municipal Art Gallery of S. Michele Salentino, the Emmediarte Gallery in Milan and the Galleria Centro Arte Moderna in Pisa. His style is characterized by a process of fragmentation and deformation of the figure which is perceived as through a deforming mirror....

Istvan Szil - Istvan Szil/ crossingthetsdottingtheis ArtistaEURtms Statement My work is based on the reconfiguration of materials and images . I alter objects and materials with the extreme sense of irony; choosing to address philosophical questions and cultural issues through employing succint humorous gestures. I constantly collect images from the internet , recognizing its search option as an unparaleled oportunity to gain access to wide variety of visual material. I alter the collected images by digital means to accommodate my comments relating to their source or context they were culled from. My sculptures enact visual stunts calling into question how objects are utilized within everyday life citing both the subtle marks that become embedded within objects and also also the effect that objects have within space. I am interested in the vocabulary of advertising and its ability to deliver the maximum of information in reductive , visual bites. Overall, my work shifts the use value of commonplace objects and images , through my subtle interventions. I invite the viewer to reflect upon these meticulously selected entities that are normally encountered within everyday life and by manipulating their functionality , I invest these objects and materials with a unique yet accessible sculptural presence. ...