Geometric Art For Sale

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Browse 287 Geometric artworks for sale. Contemporary artists: Harris Gulko, Jerry Di Falco, Terri Higgins, Rickie Dickerson, Lynda Lehmann, Leo Evans, Pilar Pérez-prado, Gordon Mcglothlin, Ted Schaal, Wendy Lippincott, Richard Lazzara, Youri Messen-jaschin offering Geometric artworks. Links to more artworks by these contemporary artists and 10 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Geometric art simply click on the image to go to a more detailed page about this work of art.


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Harris Gulko: 'Pathways to Eternity', 2011 Oil Painting, Geometric. 1 Pathways to Eternity File6112KIn my senior years I have pondered much on the unfathomable questions of eternity, life and death.  My pondering on the ways to eternity resulted in my making this painting.  In a way, committing a thought to canvas is a way of making it eternal.aEURoeI ...
Geometric - Painting
25 x 25 inches (63.5 x 63.5 cm)
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Jerry  Di Falco: 'through the sunflower', 2018 Other Painting, Geometric. The fll title is THROUGH THE SUNFLOWER S LIGHT.  The artist created this in his Philadelphia, Pennsylvania studio.  Please note that this artwork is shipped to the collector without a frame or mat.  This keeps the price low and affords the collector a choice in framing.  A sturdy cardboard box ...
Geometric - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Jerry  Di Falco: 'star of hearts', 2017 Intaglio, Geometric. This etching is based upon a 1987 photograph taken by the artist.  It depicts a 13th century window from a Romanesque Templar church, San BartolomeaEURtms Hermitage.  It is located in the Parque Natural del CaA+-on del rAo Lobos, Soria, Spain.  The pentagram, which is a five pointed ...
Geometric - Intaglio
12 x 9 inches (30.5 x 22.9 cm)
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Jerry  Di Falco: 'the golden rose', 2017 Etching, Geometric. This intaglio etching is from the second of four editions, and each edition is limited to ONLY FIVE etchings.  This original hand pulled print by the artist was executed in French, colored oil base etching inks, one of which contains 24 karat gold, and printed on STONEHENGE black paper from ...
Geometric - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Terri Higgins: 'Passenger in a Taxicab', 2017 Oil Painting, Geometric.  When you allow others to make all the decisions, you are not in control of your life. ...
Geometric - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Jerry  Di Falco: 'THE ANGELIC HEIRACHY', 2016 Intaglio, Geometric. This original, hand- pulled intaglio etching by Jerry Gerard Di Falco was based on an archival photograph from the digital archives of The New York City Public Library. The artist first creates several original drawings of the photo, which he then transfers in reverse onto a treated zinc plate. The ...
Geometric - Intaglio
11 x 15 inches (27.9 x 38.1 cm)
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Rickie Dickerson: 'More Circles', 1994 Oil Painting, Geometric.    I was a draftsperson, I couldn't get away from strict forms and knew nothing of masking compounds. I struggled with every line.  ...
Geometric - Painting
20 x 16 inches (50.8 x 40.6 cm)
Rickie Dickerson: 'Bullseye', 2000 Oil Painting, Geometric.   I was a draftsperson. . .  ...
, 2000
Geometric - Painting
22 x 28 inches (55.9 x 71.1 cm)
Lynda Lehmann: 'Dimensions 18', 2011 Digital Art, Geometric.  Bright, colorful and bold digital fantasy with strong geometric elements and a lot of energy.fun, art, line, cool, bold, funky, green, zippy, color, weave, happy, unique, bright, strong, orange, active, violet, energy, banded, vibrant, spatial, digital, flowing, fantasy, complex, stripes, musical, optical, magenta, squares, lighting, abstract, powerful, painting, cheerful...
Geometric - Digital Art
10 x 8 inches (25.4 x 20.3 cm)
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Leo Evans: 'GEO METRO ART 5d', 2010 Digital Art, Geometric.  Title: Geo Metro Art_ 5d
Geometric - Digital Art
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'GEO METRO ART 6d', 2010 Digital Art, Geometric.  Title: Geo Metro Art_ 6d
Geometric - Digital Art
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'GEO METRO ART 2', 2010 Acrylic Painting, Geometric.  Title: Geo Metro Art_ 2
Geometric - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Leo Evans: 'GEO METRO ART 4', 2010 Acrylic Painting, Geometric.  Title: Geo Metro Art_ 4
Geometric - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Pilar Pérez-prado: 'At the end everything matches', 2013 Acrylic Painting, Geometric.
Geometric - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Pilar Pérez-prado: 'Reality and Memory III Memory', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory II Memory', 2008 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory II Reality', 2008 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Lynda Lehmann: 'Rhythm in Blues', 2008 Acrylic Painting, Geometric.  Bright, dynamic, geometric abstract in red, white, and blues, 30 x 40 inches on gallery- wrapped canvas. Lively and rhythmic, with a musical feel. Image c Lynda Lehmann. ...
Geometric - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Gordon Mcglothlin: 'Rose Garden III by Gordon McGlothlin', 2007 Giclee, Geometric.  Garden Rose III, while part of a triptych, can be purchased as a separate print. It is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Geometric - Giclee
38 x 38 inches (96.5 x 96.5 cm)
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Gordon Mcglothlin: 'Rose Garden II by Gordon McGlothlin', 2007 Giclee, Geometric.  Garden Rose II, while part of a triptych, can be purchased as a separate print. It is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Geometric - Giclee
38 x 38 inches (96.5 x 96.5 cm)
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Gordon Mcglothlin: 'Garden Rose I by Gordon McGlothlin', 2007 Giclee, Geometric.  Garden Rose I, while part of a triptych, can be purchased as a separate print. It is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Geometric - Giclee
38 x 38 inches (96.5 x 96.5 cm)
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Ted Schaal: 'Bronze Star', 2005 Bronze Sculpture, Geometric.  Releif carving of an eight pointed star.  Designed for wall decoration or as architectural detail. ...
Geometric - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
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Wendy Lippincott: 'Hieroglyphics', 2006 Other Painting, Geometric.  Ancient Hieroglyphics ...
Geometric - Painting
20 x 26 inches (50.8 x 66.0 cm)
Gordon Mcglothlin: 'Gold Dust I', 2005 Giclee, Geometric.  Gold Dust I, while part of a diptych, can be purchased as a separate print. It is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 18
Geometric - Giclee
30 x 40 inches (76.2 x 101.6 cm)
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Richard Lazzara: 'MIND KNOTS', 1972 Oil Painting, Geometric. MIND KNOTS 1972 is from the' KNOT ART oil paintings group' found only at
, 1972
Geometric - Painting
54 x 60 inches (137.2 x 152.4 cm)
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Richard Lazzara: 'KNOT SWIRL THEORY', 1972 Oil Painting, Geometric. KNOT SWIRL THEORY 1972  is from the' KNOT ART oil paintings group' available from
Geometric - Painting
59 x 54 inches (149.9 x 137.2 cm)
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Richard Lazzara: 'TREE DEPTH KNOT', 1972 Oil Painting, Geometric. TREE DEPTH KNOT 1972 is from the' KNOT ART oil paintings group' found in singularity at
Geometric - Painting
34 x 42 inches (86.4 x 106.7 cm)
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Richard Lazzara: 'KNOTS APPEAR', 1972 Oil Painting, Geometric. KNOTS APPEAR 1972 is from the' KNOT ART oil paintings group' at
Geometric - Painting
34 x 38 inches (86.4 x 96.5 cm)
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Youri Messen-jaschin: 'Movment 1', 1975 , Geometric. Tapestry weaving acryl string, with neon.Optical art, Kinetic art.(r) by 1975 Prolitteris Postfach CH. - 8033 Zurich (c) by 1975 Youri Messen- Jaschin Switzerland ...
, 1975
Geometric -
115 x 115 cm (45.3 x 45.3 inches)
Hatice Brenton: 'red door', 1999 Mixed Media, Geometric. Architectural, painting, ...
, 1999
Geometric - Mixed Media
24 x 2 inches (61.0 x 5.1 cm)
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(Page 1 of 10) - MORE ARTWORKS

Artists Describing Their Art:

Harris Gulko - Rather than giving technical details concerning my paintings, I take the liberty to convey, in fewer than 150 words, the philosophy of life that influences all my paintings. My artwork cuts across artistic barriers, displaying many themes landscapes, seascapes, cloud formations, abstracts, childhood games, religious compositions and more. If there is one constant in my work, it is my inconsistency When I am at my easel I try to create on canvas what I am seeing. But often I go off on a tangent, and what ends up often bears little resemblance to what I was attempting to paint. My formula for success consists of ambition, drive, hard work, effort, energy, fear of failure, patience, perspiration and persistence. Life and love are made of time. Privileged those who find love in time. Wise those who express love, before life runs out of time....

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

Lynda Lehmann - Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...