Geometric Art For Sale (299)

Artists Describing Their Art:

Andre Nod - Born 1962 in Alma-Ata now aEUR" Almaty, Kazakhstan, graduated in 1988 from the Alma-Ata State Theatrical and Artistic Institute in 1988 BMF MFA. Over the course of 30 years of active creative work has authored thousands of works of art, including paintings, sculpture, drawings, etchings, photographs, ceramics and contemporary art. Has participated in more than 200 group exhibitions and held more than 30 solo shows. Has published poetry in periodicals, participated in literary seminars and also acted in films. His works have been shown at such major international forums as ArtExpo New York International, AFA Rosemalen, Art Manege Moscow, Accessible de Arte Brussels, Asia Art Tashkent, Art Market Budapest, Art Expo SPb International, Saint. aEUR"Petersburg, Art Shanghai, at Kolner Liste Discovery Art Faire, Cologne, Germany, at the Central ArtistsaEURtm House in Moscow, at UNESCO, Paris, France and also at Sothebys and Christies. His works can be seen in permanent exhibitions at the Kasteyev State Museum of Fine Arts in Almaty, Kazakhstan, at the Museum of Modern Art in Astana, Kazakhstan, at the Museum of Art in Karaganda, Kazakhstan, at the Nevzorov Art Museum in Semipalatinsk, Kazakhstan, at the Pavlodar Art Museum, Pavlodar, Kazakhstan, at the Regional Museum of Art ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Alan Soffer - Alan Soffer began studying sculpture and clay in 1973 transitioning to abstract painting in 1985, through a breakthrough program at Bennington College with Sandy Stone. His abstractions have been in the pursuit of the unknown, unique, and personal depths of the unconscious. Rather than confining his energies to a single medium, he sensitively chooses materials that accommodate the concepts at hand. Early constructions were in clay and found objects, then discovering printmaking and photography, which he learned on his own. Finally, focusing on painting with acrylic, oil, and wax. Encaustics allowed him to marry a sculptural component to his painterly approach, following his studies at Ringling School in 1998. The hot, pigmented wax's inherent translucency perfectly supports his vocabulary for expressing space from the microscopic to the galactic. Whatever the direction, the work is always influenced by Joseph Campbell, the noted mythologist, who Soffer considers his mentor. He organized the first national encaustic conference in the US in 2005 and continues teaching encaustic technique as well as abstract painting primarily through workshops. Major one person shows have been presented at: DCCA, Wilmington DE; Borowsky Gallery, Phila.; Rosenfeld Gallery, Phila.; Widener U., Chester PA; Atlantic City Art Center; Robert Roman ...

Charlie Kelly - The viewers interaction and response has become an important aspect of how the work is perceived. The viewer is free to explore their perception through a pictorial view. By reimagining images and visually drawing the audience into a field of light in a series of compositions. The aim is to then naturally draw the audience into this methodology of capturing light and intrigue the viewer by utilising all its different aspects. Non-specific objects exhibit paradoxically, creating an organic fusion between form and colour. Each painting has a presence that far exceeds its physical dimensions. Space is the purview of our reality. Physical space can pervade our internal space, our mental landscape. Light is explored by looking at how the medium allows non-linearity, shape shifting, fluidity, liquidity and temporality motion. The discordant vibrancy, catching the eye of the viewer is combined with historical references to the history of the ornament, in particular stained-glass windows and their ecclesiastical framing and architectural forms. These are transformed by using abstract structures, reworking and palimpsest sections of layers. The work continuously changes, evolves an responds to the last series. ...

Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out? The dedicated quilt artist and fabric collector! I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles (discovering a finished masterpiece constructed of hundreds or even thousands of little pieces) is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artist's mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my ...

Herbert Bennett - When works are presented without sharing their deeper mysteries and secrets, they seem to get lost. The digital images I produce are a process of what I call distilling complex images and color patterns from totally chaotic,'abstract' mono-printed acrylic paintings. Going into the'subconscious image potential' of a subatomic, much deeper image realm lies a world that defies but still complements the conscious ART-iculation of our binary brain's limited potential. Mathematical and scientific principles abound here and are brought to the surface to create the expressions we call ART. The A-ability to R-restructure T-truth. New truths(paradigms) are then created from chaos to new realities for us to be inspired(in-the-spirit)and to be enjoyed. Herb...