Artists Describing Their Art:
J. Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...
Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...
Randi Waxman - Randi's artwork, is due, she believes, to the simple beauty of the Hebrew Letters. The plain yet detailed movement in each creation, the choice of colors, moved by the particular need of the subject, support her sense of purposefulness in creating, purposefulness of creating art and communicating ideas, ancient and modern. Her English word art is also beautiful in a'shallower' fun sense, yet the combination or suggestion of colors and the simple patterns reflect the devotion of each gift from the giver. Each phrase adds an important sense of meaning to the viewer to soak in, enjoy, ponder, feel proud of, or forget and move on....
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Alan Falk - In the tradition of great figurative painting, my work reflects a synthesis of craftsmanship, conscious and subconscious relationships, and emotional and social content. It is an ongoing quest to define the sublime and the ineffable and a deep heartfelt yearning for harmony. I am energized by the belief that here, at the dawning of the 21st century, the process of creating art through traditional media is very much alive and continues to evolve and remains as relevant as it ever was. The primary influences on my current work are diverse Judaic sources including biblical passages, prophetic writings, rabbinical teachings and contemporary Judaic philosophy that shape my conscience. These timeless commentaries, informed by the core moral and universal humanistic values of Jewish tradition and ethos, are an integral part of the shaping of our western civilization, as they encompass a fundamental desire for personal spiritual and global peace, equality and social justice. The jumping off points for my paintings are these universal metaphors and messages of good and evil, questions and commentaries on integrity and moral/ethical choice, parables on mortality and the quest for spiritual connection. Through careful crafting of thematic coloring, expressive line, I attempt to develop a new ...