Landscape Art For Sale

Page 11 of 215
Browse 6215 Landscape artworks for sale. Contemporary artists: Storm Hammond, Robin Richard Emrich, David Larkins, Paulo Medina, Jennifer Bailey, Ghassan Rached, Rosalyn M. Gaier, Rachel Schneider, Jessica Dunn, Michal Ashkenasi, James Morin, Jinsheng You, John Maurer offering Landscape artworks. Links to more artworks by these contemporary artists and 215 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Landscape art simply click on the image to go to a more detailed page about this work of art.


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Storm Hammond: 'Rubens Garden', 1998 Oil Painting, Landscape.
Landscape - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Robin Richard Emrich: 'North Woods', 2002 Etching, Landscape. The North Woods, highly detailed done inthe field using a mirror....
Landscape - Etching
22 x 18 inches (55.9 x 45.7 cm)
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Robin Richard Emrich: 'Brooksby Farm', 2003 Etching, Landscape. Peabody' s Brooksby Farm.  Pictured with new barn.  Available unframed and also with as a hand Water Colored piece at $275. 00 US.  This piece shows the direction of the artist merging the tight intricate lines of manmade objects ( tha barn) juxtaposed against the random expressive lines of nature ( the ...
Landscape - Etching
20 x 16 inches (50.8 x 40.6 cm)
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Robin Richard Emrich: 'Footbridge', 2003 Etching, Landscape. Footbridge leading to Hatch Shell at Boston' s Esplance.  Aquatint....
, 2003
Landscape - Etching
8 x 7 inches (20.3 x 17.8 cm)
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David Larkins: 'Road to Spruce Head Island', 2003 Giclee, Landscape.
Landscape - Giclee
18 x 24 inches (45.7 x 61.0 cm)
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Paulo Medina: 'Seforis', 2003 Acrylic Painting, Landscape.
, 2003
Landscape - Painting
130 x 100 cm (51.2 x 39.4 inches)
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Jennifer Bailey: 'landscape', 2002 Acrylic Painting, Landscape. The lonely property adjacent to my childhood home has a mysterious beauty. ...
, 2002
Landscape - Painting
30 x 24 inches (76.2 x 61.0 cm)
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David Larkins: 'The Cyclops', 1985 Watercolor, Landscape. I was driving down a country road in Maybee Michigan, glanced out the side window and saw this mythological Cyclops glaring back at me. The single window ( the eyeball) , the barn door with all of the loose boards ( the mouth and teeth) , all became maniacal to me. I used an ...
Landscape - Watercolor
14 x 20 inches (35.6 x 50.8 cm)
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David Larkins: 'Leelanau Squall', 2001 Watercolor, Landscape. Northern Michigan, especially the Leelanau penninsula, is a favorite getaway for our family. With Lake Michigan surrounding the penninsula storms quickly come and go year round.This painting depicts one of the fleeting squalls that are so prevalent.The size noted is the size of the original which is for ...
Landscape - Watercolor
24 x 19 inches (61.0 x 48.3 cm)
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Ghassan Rached: 'Lebanese Village', 1998 Watercolor, Landscape. Watercolor paintimg by Ghassan Rached...
Landscape - Watercolor
40 x 28 cm (15.7 x 11.0 inches)
Ghassan Rached: 'House in Olive Grove', 1999 Watercolor, Landscape. Watercolor paintimg by Ghassan Rached...
Landscape - Watercolor
48 x 36 cm (18.9 x 14.2 inches)
Ghassan Rached: 'Ibel Al Saqi', 1999 Watercolor, Landscape. Watercolor paintimg by Ghassan Rached...
Landscape - Watercolor
40 x 28 cm (15.7 x 11.0 inches)
Ghassan Rached: 'To Ain-Ebel', 2002 Watercolor, Landscape. Watercolor painting by Ghassan Rached...
Landscape - Watercolor
48 x 36 cm (18.9 x 14.2 inches)
Rosalyn M. Gaier: 'Sophisticated Landscape', 2001 Other Printmaking, Landscape. Collagraph. I like the serene, Asian feel about this one. Most elements are collaged onto the plates but there are also carved out shapes, as in a Japanese woodcut.Rives BFK, 100 acid free paper. ...
Landscape - Other Printmaking
7 x 6 inches (17.8 x 15.2 cm)
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Rachel Schneider: 'Big Bend 5', 2002 Silver Gelatin Photograph, Landscape. This image is titled
, 2002
Landscape - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Jessica Dunn: 'Almond Trees', 2001 Oil Painting, Landscape. View from my window...
Landscape - Painting
73 x 100 cm (28.7 x 39.4 inches)
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David Larkins: 'The Fletcher Memorial', 1998 Watercolor, Landscape.  A Fox Sparrow sitting on the window sill symbolizes all of the souls who are now free from the wrath of war.  The inspiration for the painting was conceived from Pink Floyds song on the Final Cut of the same name.The size noted is the size of the original...
Landscape - Watercolor
27 x 19 inches (68.6 x 48.3 cm)
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Michal Ashkenasi: 'GlimpsOfTheGlenn', 1999 Oil Painting, Landscape. As I was touring Scottland I was amazed to find a landscape still untouchted! ! It was one of the most beautiful trips I ever made and it gave me a lot of inspiration!...
Landscape - Painting
60 x 90 cm (23.6 x 35.4 inches)
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Michal Ashkenasi: 'EntranceToPetra', 1999 Oil Painting, Landscape. It' s based on the impression of the narrow gorge you have to pass in order to get to Petra. It is one of the most beautiful places in the south of Jordan. ...
Landscape - Painting
70 x 90 cm (27.6 x 35.4 inches)
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Michal Ashkenasi: 'Deserttree', 1998 Oil Painting, Landscape. I love the desert. It shows you the strength of life under the harshness of the Nature. It' s allways a wonder to me how certain trees and animals have adapted themself to their surroundings!...
, 1998
Landscape - Painting
90 x 120 cm (35.4 x 47.2 inches)
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James Morin: 'approaching storm highway', 2020 Oil Painting, Landscape. Threatening clouds suspended over a highway on a hill with autumn colored trees framing the picture...
Landscape - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Jinsheng You: 'memory of the village 605', 2019 Oil Painting, Landscape. This is an original unique oil painting on canvas. The work was signed in the back by the artist. It will be rolled in a tube for shipping....
Landscape - Painting
75 x 100 cm (29.5 x 39.4 inches)
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Jinsheng You: 'golden mountain 589', 2019 Oil Painting, Landscape. This is an original unique oil painting on canvas. The work was signed in the back by the artist. It will be rolled in a tube for shipping. ...
Landscape - Painting
80 x 160 cm (31.5 x 63.0 inches)
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Jinsheng You: 'summer of my garden 518', 2019 Oil Painting, Landscape. This is an original unique oil painting on canvas. The work was signed in the back by the artist. It will be rolled in a tube for shipping. ...
Landscape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Jinsheng You: 'golden splendid mountain 452', 2019 Oil Painting, Landscape. This is an original unique oil painting on canvas. The work was signed in the back by the artist. It will be rolled in a tube for shipping. ...
Landscape - Painting
90 x 180 cm (35.4 x 70.9 inches)
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John Maurer: 'chianti vines', 2020 Oil Painting, Landscape. Painted from a sketch and photo taken while traveling in Tuscany.  Oil on canvas.  Framed in a brushed silver floater frame with black sides. ...
Landscape - Painting
42 x 32 inches (106.7 x 81.3 cm)
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John Maurer: 'tuscan haze', 2020 Oil Painting, Landscape. Painted from a sketch and photo taken while traveling in Tuscany. Oil on canvas. Framed in a brushed silver  floater  frame with black sides. ...
Landscape - Painting
38 x 26 inches (96.5 x 66.0 cm)
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John Maurer: 'autumn in toscana', 2020 Oil Painting, Landscape. This is a painting from my last visit to Italy. Painted from a photo taken while touring Tuscany. Oil on canvas. Framed in a brushed silver  floater  frame with black sides. ...
Landscape - Painting
14 x 38 inches (35.6 x 96.5 cm)
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John Maurer: 'afternoon dingle peninsula', 2020 Oil Painting, Landscape. This is a painting from a recent trip to Ireland. One of the countless, amazing views I encountered. Oil on canvas. Framed in a brushed silver  floater  frame with black sides. ...
Landscape - Painting
38 x 26 inches (96.5 x 66.0 cm)
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Sergey Lesnikov: 'winter', 2018 Oil Painting, Landscape. Winter fantasy, pastose oil on convas...
, 2018
Landscape - Painting
109 x 85 cm (42.9 x 33.5 inches)
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(Page 11 of 215) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Storm Hammond - David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Ghassan Rached - I am a geoscientist. I paint, but painting is only a hobby. I paint, whenever I can spare the time, what is relaxing, touches my heart and pleasant to me for enjoyment. I love to use oil and watercolor as media to express beauty. Comments of visitors would be appreciated....

    Rosalyn M. Gaier - Beauty. Meditative thought. Nuance. These are subjects of my collagraphs. They take on important implications when examined in light of today's American instant gratification culture. While convenience, speed and availability have become hallmarks of our American way of life and our society's progress, there remains a need for something more meaningful. That something is beauty. From my frame of personal artistic reference, "beauty" involves the viewer by initiating the response of taking pause, suddenly, unawares. Arousing the response from deep within, beauty disarms and fulfills at one and the same time. This elusive beauty is vital nourishment for mind and soul. Does today's American art disarm and fulfill? How well are our minds and souls being nourished? Unfortunately, Americans' appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification. Beauty falls prey to the mindset of fast food, "Shop till you drop" and instant access to just about everything. We sacrifice refined taste, uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying. What this means for artists is that their best pieces can be easily overlooked. Unless relevance and nuance of an artwork can be realized immediately, instant ...

    Rachel Schneider - Rachel Schneider is an American Photographer well received by the American artistic community. Ms. Schneider's works have been regularly exhibited in galleries throughout the state of Texas. Her academic credentials include 5 years of formal study at Sam Houston State University in Texas as well as training at the Texas School for Professional Photography. Ms. Schneider prefers to photograph in Black and White; however, she also uses color film. Her images yield a very different and crisp vantage point of life. A trained eye will find her images to be high in contrast and highly detailed. When photographing, Ms. Schneider contemplates every technical and artistic aspect of the image in her mind before she even considers pushing the shutter. She believes in finding the subject, determining the tonal values, then taking the picture that completely utilizes the negative's space. Ms. Schneider does not believe in wasting any silver on the negative, and therefore, does not crop her images during the printing process. Critics have noted that her photographic style has the characteristics of Straight Photography and Documentary Photography. Ms. Schneider's portfolio contains images from her travels around the United States, England, Singapore, Tokyo and Malaysia. Her passion ...

    Jessica Dunn -

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    James Morin - I am best known for my work in political cartooning which won the Pulitzer Prize in 1996 and 2017. However, I started painting when I was young, studied at Syracuse University under Jerome Witkin, and never stopped. While cartooning provided an artistic outlet for the daily foibles of politicians and such, painting offers me a means to explore topics more broadly natures supremacy through the majestic, haunting Banyan tree, cultural degradation through the zombie-like TV watcher, and spiritual desolation symbolized by the foreboding highway entrance. My paintings are my reaction to societal progression, at times a caution sign, or at least bemused reflection....

    John Maurer - An early affinity with the French impressionists and expressionists continues to influence my work along with several contemporary artists whom I find inspiring. I try to approach each new work with a fresh eye for color, line and textural variation. My choice of tools is primarily the palette knife but this has grown to include a greater use of brushes and paper towels into the painting process as well as charcoal and pastel. The subject matter is unlimited as I continue to travel in search of fresh, inspiring views. ...