Artists Describing Their Art:
Jerry Ross - Manifesto of American Verismo By Jerry Ross, 2012 "American verismo", a movement that I have recently founded, is a catch-all phrase for an artistic style that draws its main inspiration from Italian art, both classical and modern. There is an implied nostalgia for work done "dal vero" (after life) whether classical (Raphael, Rubens, or Caravaggio, etc.) or 19th century (the Tuscan I Macchiaioli school) or more contemporary. Verismo is somewhat akin to contemporary "atelier realism" but the latter has been criticized for an academic uniformity and its over attention to details. American verismo is more poetic and linked to post-impressionism, the Milan-based Scapigliatura ('wild hair') movement, and the I Machiaioli's commitment to social issues. But like atelier realism, American verismo is associated with a painterly sketching style, use of broad brushstrokes, and the alla prima, "direct attack" technique of painting. It is also linked to all'aperto (open air) impressionist-style landscape painting. In short, to pleinairism which has become widely popular in recent years. I first introduced the term during several classes he taught at the Maude Kerns Art Center in Eugene and then later at the "Angels Fight Road Art Center" plein air retreat...
Amy Wetterlin - I strive to exalt the human spirit through capturing composition, structures (organic and non)and repeating patterns. The patterns and forms create an abstract while maintaining balance and movement of life force. Life either moves or is stagnant...it's up to you. Thanks for looking! Cheers Amy...
Phil Mokaraka Berry - Ko Whakatere te Maunga Ko Waima te Awa Ko Maamari te Waka Ko Te Mahurehure te Hapu Ko Nga Puhi te Iwi Ko Tuhirangi te Marae Kia ora, Phil Mokaraka Berry has been producing Contemporary Maori Art works for over ten years. His work consists of Maori myths and traditions based on well known stories and beliefs. He has produced a large series on Maui and his exploits and his final demise. Other works involve the connection between Papatuanuku (mother earth) and Maori and the sacredness of our whenua (land). He has also produced works on Kaitiaki (guardians), trying to capture the Mauri (life force) and the guardianship role of them and the relationship to their and our environments. His works are always evolving, sometimes simplifying, sometimes complex He uses the kowhaiwhai (maori designs)as a symbol of being and celebrating being Maori and also linking back towards our/my Whakapapa (heritage). ...
Penko Platikanov - Sculpture is an act of creating art, and a philosophy on living. It is my belief that my artwork follows some means of a universal law I call "Creation and Beauty." Stated simply, there is no doubt a responsibility inherent toward created forms. It's quality, it's energy, and the messages released through my actions are expressions that I work toward being aware of. This is the first thing I concern myself with before I step into my studio and stand before the set block of clay on any given day. A quality sculpture has to be a product of spiritual, mental and technical abilities. Great works of art should possess deep roots in human spirituality, as well as depth regarding thought and feeling. Artwork can appear as fleeting inspirations or a belabored process based on the experience of the artist. In turn, if an artwork is created with the intention of lasting decades and being viewed for many generations, it has to be technologically strong and skillfully made. Important thought is the search for quality. Quality, which is proportional to the amount of effort, must be made to the best of the artist's ability. The Ancient Greeks ...
Roderick Brown - Roderick (Rod) Brown was born in Western Australia. Rod spent his first 30 years in an arid and remote gold mining town. As a youngster he remembers the great freedom he enjoyed surrounded by the stark but vivid images of the mines and surrounding bush, which he regularly explored. Rod as a child watched his father paint in oils and sketch, in charcoal and ink, portraits of local identities. The early seeds to later pursue art were sown at this time. Rod has enjoyed living with his family in Australia, Europe and the USA. During this time he has visited over 40 countries around the world enriching his life and building on the foundations acquired in his hometown, which was a very multicultural society. Rod decided to explore his artistic leanings taking up oil painting while living in Sydney. At that time Rod was a member of the Castle Hill Art Society and The Hornsby Art Society. Rod took up watercolour painting in the early 1980's, which has been his preferred medium since. Rod has exhibited at many public shows particularly while living in Sydney and has over the years painted commissioned portraits. Rod has paintings in corporate and ...
Alex Solodov - Alex Solodov main focus in his art is to work with acrylic paintings, collages, photography and digital animation. ''I love black & white photographs, it reminds me about silent films and I try to make every picture in my photographic art like a strong, sensual movie.''...