Religious Art For Sale

Page 1 of 14
Browse 401 Religious artworks for sale. Contemporary artists: Paulo Medina, Candice Rongyu, Lawrence Tuber, John Powell, Jerry Di Falco, Marino Chanlatte, Vincenzo Montella, John Sims, Harry Weisburd, Roz Zinns, Stephen Mead, Lou Posner, Claudia Nierman, Cathy Dobson, Shoshannah Brombacher, Jovica Vucinic, Ron Ogle, Leo Evans, Kichung Lizee offering Religious artworks. Links to more artworks by these contemporary artists and 14 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Religious art simply click on the image to go to a more detailed page about this work of art.


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Paulo Medina: 'martyrdom of saint sebastian', 2020 Acrylic Painting, Religious. Abstract painting ...
Religious - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Paulo Medina: 'white crucifixion', 2020 Acrylic Painting, Religious. They found the stone rolled away from the tomb, but when they entered, they did not find the body of the Lord Jesus. Lk 24, 2- 3...
Religious - Painting
120 x 120 cm (47.2 x 47.2 inches)
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Paulo Medina: 'if i only touch his cloak', 2020 Acrylic Painting, Religious. Small picture for devotion ...
Religious - Painting
22.9 x 30.5 cm (9.0 x 12.0 inches)
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Paulo Medina: 'moises y la zarza ardiente', 2020 Acrylic Painting, Religious. Burning bush...
Religious - Painting
80 x 90 cm (31.5 x 35.4 inches)
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Candice Rongyu: 'shuiyue guanyin', 2019 Crafts, Religious. Introduction of Craft: Hand- made Embroidery, It is a more than 2000 years traditional handicraft combining art and craftFeature of handicraft: The procedure of making is embroider pattern image with various thinness color silk threads on high density silk, satin fabrics or woolen textiles  p. s. the thinnest filament ...
Religious - Crafts
80 x 80 cm (31.5 x 31.5 inches)
Candice Rongyu: 'thangga', 2018 Crafts, Religious. Introduction of Craft Hand- made Embroidery, It is a more than 2000 years traditional handicraft combining art and craftFeature of handicraft The procedure of making is embroider pattern image with various thinness color silk threads on high density silk, satin fabrics or woolen textilesp.  s.  the thinnest filament is ...
, 2018
Religious - Crafts
60 x 80 cm (23.6 x 31.5 inches)
Lawrence Tuber: 'heredity', 2019 Cast Glass, Religious. Hot sculpted and cast glass...
, 2019
Religious - Glass
18 x 14 inches (45.7 x 35.6 cm)
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John Powell: 'Angel protecting the Earth ', 2019 Acrylic Painting, Religious. This painting is the first of four Angels that are standing on the four corners of the earth, holding back the winds from destroying the earth until the servants of God are sealed in their forehead.  This angel is standing on the west.  You may order high- end prints of ...
Religious - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'veil in moon', 2019 Etching, Religious. The one- of- a- kind mixed media work was created by combining etching and mono printingmoreover, I hand printed it at The Center for Works on Paper, 705 Christian Street in Philadelphia, Pennsylvania, US, which is part of The Fleisher Art School.  This individual work is part of the artistaEURtm...
Religious - Etching
12 x 15 inches (30.5 x 38.1 cm)
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Marino Chanlatte: 'the angel', 2006 Oil Painting, Religious. The Angel is inspired on the Gospel of Luke account of the Annunciation, when the angel Gabriel appeared to Mary and announced her divine selection to be the mother of Jesus.This painting is framed and ready to hang, the dimensions with frame are: 36  vertical by 41. 5  horizontal. ...
, 2006
Religious - Painting
41.5 x 36 inches (105.4 x 91.4 cm)
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Vincenzo Montella: 'Naples 2', 2012 Color Photograph, Religious.    digital print  ...
, 2012
Religious - Photograph
60 x 40 cm (23.6 x 15.7 inches)
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Vincenzo Montella: 'Naples 1', 2012 Color Photograph, Religious.   digital print ...
, 2012
Religious - Photograph
60 x 40 cm (23.6 x 15.7 inches)
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John Sims: 'Lamentation on the death of a small Christ', 2011 Oil Pastel, Religious. Animalfantasyfigure Christian, figurative, expressionist, mythology, christ...
Religious - Oil Pastel
43 x 28 cm (16.9 x 11.0 inches)
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Harry Weisburd: 'Contemporary Madonna', 2011 Watercolor, Religious.      Realism, Figurative, Female, women, realistic, erotic, sensual, 3D religious ,      ...
Religious - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Roz Zinns: 'Greek Doorway', 2011 Oil Painting, Religious.  Doorway of Greek church from 1600's ...
Religious - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Roz Zinns: 'Meteora', 2011 Oil Painting, Religious.  Monasteries on hilltops in Greece    ...
, 2011
Religious - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Stephen Mead: 'JudasKiss', 1999 Watercolor, Religious.   Religious Exploration, incorporated into the series Blue Heart Diary, part of the DVD Captioned Closeness, Indieflix. com.  ...
, 1999
Religious - Watercolor
16 x 20 inches (40.6 x 50.8 cm)
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John Powell: 'Rivival Diptych', 2010 Giclee, Religious.  From religious seriesOrder giclee print on Canvas and WaterColour Paper, museum wrap, size24x16130, via FeDEx same day depending on time of orderItem is in the artist studio ready to shipThe original is in thecollection of a promenent collector- Dr.  Wayne Morgan...
Religious - Giclee
22 x 16 inches (55.9 x 40.6 cm)
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Lou Posner: 'The Tale of the Priest of the Nun', 2003 Oil Painting, Religious. Real title=The Nun' s Priest' s Tale ( a reference to Chaucer. )  An artist friend befriends two nuns and learns a lot about life.  Dog observes. Sour- puss passes judgment. ...
Religious - Painting
20 x 16 inches (50.8 x 40.6 cm)
Claudia Nierman: 'The priest', 1995 Color Photograph, Religious.  This image is also available printed on canvas 57 x 80; and in cibachrom 32x 45. ...
, 1995
Religious - Photograph
25 x 30 inches (63.5 x 76.2 cm)
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Cathy Dobson: 'Thank You St Judes Novena', 2007 Oil Painting, Religious.  Illuminous Oil Painting with phosphorescent highlights that glow in the dark or under blacklights. Tribute of Thanks to Saint Jude for Miracles received!...
Religious - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Stephen Mead: 'TheThreeGraces', 2001 Mixed Media, Religious.  From the series Washing The Body, available in the book,
Religious - Mixed Media
26 x 30 inches (66.0 x 76.2 cm)
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Shoshannah Brombacher: 'Bilha the wife of Yakov', 2006 Pastel, Religious.  This is one of my many drawings of Biblical women: Bilha, the wife of Yacov. Please CONTACT me for all information about price, availability, commissions etc. at: SHOSHBM@ AOL. COM Thank you ...
Religious - Pastel
18 x 24 inches (45.7 x 61.0 cm)
Jovica Vucinic: 'Green Roof   Church', 2004 Oil Painting, Religious.
Religious - Painting
20 x 16 inches (50.8 x 40.6 cm)
Ron Ogle: 'THE VERONESE MADONNA', 2007 Oil Painting, Religious. [ [ And now here is my secret, a very simple secret; it is only with the heart that one can see rightly, what is essential is invisible to the eye. - Antoine De Saint- Exupery ] ] Above is    my oil on canvas version of a detail of MADONNA AND CHILD WITH ST. ELIZABETH...
Religious - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Leo Evans: 'THE NAZARENE', 2007 Mixed Media, Religious.
Religious - Mixed Media
12 x 18 inches (30.5 x 45.7 cm)
Jovica Vucinic: 'Saint I', 2002 Mixed Media, Religious.
, 2002
Religious - Mixed Media
20 x 26 inches (50.8 x 66.0 cm)
Lou Posner: 'Moses', 1978 Oil Painting, Religious.  Moses, atop Mt. Pisgah, old but not dim of eye, looking out over the Promised Land, a land that God had forbidden him to enter. ...
, 1978
Religious - Painting
18 x 20 inches (45.7 x 50.8 cm)
Kichung Lizee: 'Dancing Crabs', 2002 Other, Religious.  done on mulberry paper, using Chinese ink and Eastern calligraphy brush.  presented as a traditional Asian scroll. ...
Religious - Other
19 x 49 inches (48.3 x 124.5 cm)
Kichung Lizee: 'Flying Shrimp', 2002 Other, Religious.  done on mulberry paper, using Chinese ink, and Eastern calligraphy brush.  presented as a traditional Asian scroll. ...
Religious - Other
20 x 50 inches (50.8 x 127.0 cm)
(Page 1 of 14) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Candice Rongyu - This is a supplier of hand-made embroidery, it has taken nearly 2000 years history. Hand-made embroidery belongs to handicraft, each artwork are making by hundreds and thousands needlework. those artworks not only bring aesthetic enjoyment, but also display a cultural heritage. In order to satisfy different aesthetic demands, we supply bespoke service. If you are interested in and would like to get sample before place an order, please feel free to contact me. Thanks ...

    Lawrence Tuber - My Newest work involves blowing a multi layered blank on which I carve intricate decoration. I am using images ideas that I have been drawing since childhood. I am from Mars. I also make multi-vessel sculptures using blown and optical glass components creating families of vessels. I have been a vessel maker for 30 years. heck out my Etsy site at

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Lou Posner - Dear Art Friends, Yes, we are living in trying times, and my heart goes out to all who are suffering or have suffered from the COVID-19 virus or the other effects of it the social isolation, the loss of paychecks and jobs, etc., etc. We all know the list. I know I am biased, but what better way is there to soften the harshness of quarantine than by bringing a new piece of art into your home Therefore, I am open to negotiating prices for any works of mine for sale here that are priced at about 1500 or lower. I know money is tight these days, but art can provide a relief, a permanent cultural enjoyment, a luxury instead of the normal dinners out and vacations, during these restrictive times. Please do not feel timid about suggesting your own price for the works mentioned above. As an artist, I too, am suffering economic hardship, so you would be helping ME as well as helping yourself. I do not accept charge cards or paypal, but a personal check or a cashiers check would be fine. I cannot offer extended time-payment plans for any of my work. I am ...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...