Tempera Paintings

Page 4 of 9
Maria Chatzivasileiou, Ruxandra Raileanu, Pentagram Carolingiantoad, Levan Mindiashvili, Theodhoraq Napoloni, Mihai Stancescu, Primoz Bajc, Timothy King, Rohan. S Jayasinghe, Malgorzata Przybyla, Tapan Kar, Rebecca Merry, Airton Sobreira, Csiokmai Stefan, Gabriel Giodea, Nancy B Jackson offering original Tempera Paintings artworks.


Contemporary Art / Painting Categories / Tempera Paintings / Previous / Next
Ruxandra Raileanu: 'toxic life', 2007 Tempera Painting, People.
, 2007
People - Painting
48.5 x 67 cm (19.1 x 26.4 inches)
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Pentagram Carolingiantoad: 'doom end metal', 2008 Tempera Painting, Ethereal.   163. 0 ...
Ethereal - Painting
163 x 180 cm (64.2 x 70.9 inches)
Levan Mindiashvili: 'Dancer', 2008 Tempera Painting, Figurative.
, 2008
Figurative - Painting
23 x 26 cm (9.1 x 10.2 inches)
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Pentagram Carolingiantoad: 'codex carolinguz', 2007 Tempera Painting, Biblical.
Biblical - Painting
135 x 165 cm (53.1 x 65.0 inches)
Pentagram Carolingiantoad: 'Blessing', 2007 Tempera Painting, Christian.
, 2007
Christian - Painting
135 x 165 cm (53.1 x 65.0 inches)
Theodhoraq Napoloni: 'cavalino rampante', 2006 Tempera Painting, Figurative.  Artistic PracticeMy artistic practice generally is oriented toward painiting. in essence the paintings portray teatral situations created by objects and for the formal and esthetic sappereance the image that is servired have a quality and attribute of '' FICTION REALISM''What interests me most is the expressing of situations that...
Figurative - Painting
140 x 98 cm (55.1 x 38.6 inches)
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Theodhoraq Napoloni: 'anatomyforunniversus', 2007 Tempera Painting, Figurative.  Artistic PracticeMy artistic practice generally is oriented toward painiting. in essence the paintings portray teatral situations created by objects and for the formal and esthetic sappereance the image that is servired have a quality and attribute of '' FICTION REALISM''What interests me most is the expressing of situations that...
Figurative - Painting
38 x 60 cm (15.0 x 23.6 inches)
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Mihai Stancescu: 'Hope', 2006 Tempera Painting, Still Life. oil egg tempera on wood panel  ...
, 2006
Still Life - Painting
17 x 12 inches (43.2 x 30.5 cm)
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Primoz Bajc: 'summer time', 2007 Tempera Painting, Abstract.
Abstract - Painting
50 x 30 cm (19.7 x 11.8 inches)
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Timothy King: 'Afton Prairie', 2005 Tempera Painting, Abstract Landscape.
Abstract Landscape - Painting
20 x 14 inches (50.8 x 35.6 cm)
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Rohan. S Jayasinghe: 'Riot in Red', 2007 Tempera Painting, Abstract.
Abstract - Painting
36 x 72 inches (91.4 x 182.9 cm)
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Malgorzata Przybyla: 'pracownia', 2004 Tempera Painting, Still Life.
, 2004
Still Life - Painting
500 x 700 mm ( x )
Tapan Kar: 'TREESCAPE', 2006 Tempera Painting, Abstract Landscape.
, 2006
Abstract Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Tapan Kar: 'SABARI', 2006 Tempera Painting, Abstract Figurative.
, 2006
Abstract Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Tapan Kar: 'HILLSCAPE', 2006 Tempera Painting, Abstract Landscape.
, 2006
Abstract Landscape - Painting
15 x 11 inches (38.1 x 27.9 cm)
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Rebecca Merry: 'St Agnes ', 2006 Tempera Painting, Religious. Saint Agnes is the patron saint of Gardeners and is one of a series of paintings of patron saints which Rebecca has done. ...
, 2006
Religious - Painting
13 x 13 cm (5.1 x 5.1 inches)
Rebecca Merry: 'Winter', 2006 Tempera Painting, Landscape. One of a series of four new paintings of the seasons of the year, based on books of hours and Russian Folk Art...
, 2006
Landscape - Painting
15 x 15 cm (5.9 x 5.9 inches)
Airton Sobreira: 'red background', 2006 Tempera Painting, Undecided. Original painting by airton sobreira...
Undecided - Painting
160 x 95 cm (63.0 x 37.4 inches)
Pentagram Carolingiantoad: 'From Genesis', 2005 Tempera Painting, Christian.
Christian - Painting
100 x 165 cm (39.4 x 65.0 inches)
Pentagram Carolingiantoad: 'Aura Christ On The Cross', 2006 Tempera Painting, Christian.
Christian - Painting
136 x 166 cm (53.5 x 65.4 inches)
Csiokmai Stefan: 'Smol icon with Jesus', 2005 Tempera Painting, Religious.
Religious - Painting
10 x 18 cm (3.9 x 7.1 inches)
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Gabriel Giodea: 'Still Life', 2005 Tempera Painting, Figurative.
, 2005
Figurative - Painting
11 x 12 inches (27.9 x 30.5 cm)
Gabriel Giodea: 'Still Life', 2005 Tempera Painting, Figurative.
, 2005
Figurative - Painting
8 x 11 inches (20.3 x 27.9 cm)
Gabriel Giodea: 'Still Life', 2005 Tempera Painting, Figurative.
, 2005
Figurative - Painting
9 x 10 inches (22.9 x 25.4 cm)
Gabriel Giodea: 'Still Life', 2005 Tempera Painting, Figurative.
, 2005
Figurative - Painting
8 x 9 inches (20.3 x 22.9 cm)
Pentagram Carolingiantoad: 'THE MAN AND CAROLINGIAN TOAD', 1997 Tempera Painting, Christian. modern carolingian art.original painting CONTACT ARTIST.photos and scketches are still exists.PAYMENT METHORD: PAY PAL...
Christian - Painting
150 x 180 cm (59.1 x 70.9 inches)
Pentagram Carolingiantoad: 'THE NEUROPES', 2000 Tempera Painting, Christian.
Christian - Painting
140 x 180 cm (55.1 x 70.9 inches)
Nancy B Jackson: 'Venerable Anthony of Egypt', 2001 Tempera Painting, Religious. AVAILABLE NOW - Egg tempera on solid core plywood panel with 23 Karat gold. ...
Religious - Painting
7 x 8 inches (17.8 x 20.3 cm)
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Nancy B Jackson: 'Prophet Elijah Fed by Birds', 2001 Tempera Painting, Religious. AVAILABLE NOWEgg tempera on carved wood panel. The dwelling place of Elijah was Mount Carmel, a high uninhabited mountain. The wilderness received the hermit but it was the soul that constituted all for this righteous man and the provision for his life' s journey was hope in God. Yet ...
Religious - Painting
12 x 15 inches (30.5 x 38.1 cm)
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Jean Charles Dicharry: 'Fayoum', 2003 Tempera Painting, Representational. Fresco fragment. Late Egyptian ( Cleopatra period) . Fayoum inspired. Diluted pigments in acrylic medium and varnish. Ageing techniques for authenticity ...
, 2003
Representational - Painting
13 x 27 inches (33.0 x 68.6 cm)
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(Page 4 of 9) - MORE ARTWORKS

Artists Describing Their Art:

Theodhoraq Napoloni - Artistic Practice My artistic practice generally is oriented towards painting. In essence the paintings portray theatrical situations created by objects, and for a formal and aesthetic appearance the image that is represented has the quality and attributes of''FICTION REALISM''. What interests me most is the expressing of situations that deal with the unconsciousness, and it is exactly this unconsciouss that gives a lot of importance to the instinctive side and pushes me toward certain actions or pulls my attention towards something. During the realization phase of painting, this''special interest'' becomes more stronger and gives the image more apparent clearness with all the details and characteristics of the object. For me, the content I select to represent is very important. It is a selection that follows intuition primarily, and the psychological stains, putting them all together towards a real ending, that in fact, is an invisible reality whose imprints are hidden deep into fragmentilized moments of our history. All this process for me is the best tool to bring it in surface the deepest content of the truth, and the aesthetic dimension. The nature of the objects that become part of the painting is different. Sometimes the definitive images ...

Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

Tapan Kar - Born in 1954. Tapan Kar is an Indian artist who lives and works in Kolkata. He graduated from the Govt. College of Art and Crafts, Kolkata and pursuaded an MA in Bengali in the University of Calcutta. Tapan's favourite medium of work is Tempera, a less used medium of the present time. The matte finish of tempera gives his works a special dimension which reflects the true meaning of his thought.... and the life....

Rebecca Merry - Rebecca takes her inspiration from images of sacred art: primarily Islamic geometry, Christian Orthodox Icons, Indian and Western miniatures and illuminations, and early Italian Renaissance painting. More recently she has been drawing inspiration from Russian folk art, and Art Nouveau. She works primarily in egg tempera and is a member of the Society of Tempera Painters. Tempera is a traditional paint medium still used by the Orthodox Church which combines egg yolk and pigments to make a bright durable paint which is painted on gesso panels. She also makes her own gouache paint from pigments for her works on paper, as used in Indian miniature painting, and some collage work and etchings. The work itself is colourful, intense and with a strong narrative content. All of it depicts an archetypal, symbolic world where the ideals of things exist. To this end, all the pictures are based on geometric patterns that give them their innate harmonious quality. The colours too are carefully chosen, to give a sense of musical composition, an idea drawn from Indian miniature painting, where images are often painted as a mirror of a musical mode. ...

Rebecca Merry - Nancy B Jackson - From the beginning, it has been my intent to look at humanity on a spiritual level, focusing my attention on the Sacred in the Ordinary. Images of movement, change and transformation and a sense of being guarded, protected and nurtured in the transformative process are important to my vision. My understanding of being "guarded, protected and nurtured" does not lead to happiness, comfort and security. Instead, it acknowledges suffering as native to human existence. These visions are pursued within the mid-20th Century understanding of the shallow picture plane, which is particularly well suited to shapes and methods that are natural to iconography & tapestry....