Tempera Paintings

Page 3 of 8
Linda Paul, Maria Edit Antal, Radoslav Hristov, Tapan Kar, Suzan Fox, Maria Chatzivasileiou, Ruxandra Raileanu, Levan Mindiashvili, Theodhoraq Napoloni, Mihai Stancescu, Primoz Bajc, Timothy King, Rohan. S Jayasinghe, Malgorzata Przybyla, Rebecca Merry offering original Tempera Paintings artworks.


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Maria Edit Antal: 'Butterfly', 2008 Tempera Painting, Abstract.  Butterfly has the spirit of water. It is solid, fluid and steaming at the same time.It is a shapeshifter that provides conception. Butterfly is shaking;playing; and releasing pain. ...
, 2008
Abstract - Painting
165 x 190 cm (65.0 x 74.8 inches)
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Radoslav Hristov: 'trannsfiguration', 2009 Tempera Painting, Undecided.
Undecided - Painting
40 x 55 cm (15.7 x 21.7 inches)
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Radoslav Hristov: 'anunciation', 2009 Tempera Painting, Religious.
Religious - Painting
40 x 55 cm (15.7 x 21.7 inches)
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Tapan Kar: 'AGE SIXTEEN', 2004 Tempera Painting, Figurative.  The girl is in her age sixteen years. She has an innocent beauty. ...
Figurative - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Tapan Kar: 'SHE I', 2008 Tempera Painting, Figurative.  Woman with divine power. The reddish tone on her forehead indicates this power. ...
, 2008
Figurative - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Suzan Fox: 'Inspiration', 2007 Tempera Painting, Surrealism.   Painted in Egg Tempera  ...
Surrealism - Painting
10 x 12 inches (25.4 x 30.5 cm)
Suzan Fox: 'I shall fetch thee jewels from the sea', 2007 Tempera Painting, Fantasy.  Painted in Egg Tempera ...
Fantasy - Painting
9 x 11 inches (22.9 x 27.9 cm)
Suzan Fox: 'Damsel in Distress', 2007 Tempera Painting, nature.  Painted in Egg Tempera ...
nature - Painting
7 x 5 inches (17.8 x 12.7 cm)
Suzan Fox: 'Beguiled Ballerina', 2007 Tempera Painting, Fantasy.  Painted in Egg Tempera ...
Fantasy - Painting
11 x 15 inches (27.9 x 38.1 cm)
Suzan Fox: 'Imperiled Domicile', 2007 Tempera Painting, Magical.  Painted in Egg Tempera  ...
Magical - Painting
16 x 13 inches (40.6 x 33.0 cm)
Suzan Fox: 'Only In Our Dreams', 2008 Tempera Painting, Magical.  Painted in Egg Tempera ...
Magical - Painting
20 x 24 inches (50.8 x 61.0 cm)
Maria Chatzivasileiou: 'Jesus Christ and Apostles   ', 2008 Tempera Painting, Religious.  The washing of the feet- Jesus Christ and Apostles ( Disciples) .Hand painted Hagiography wooden icon. ...
Religious - Painting
33 x 25 cm (13.0 x 9.8 inches)
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Maria Chatzivasileiou: 'Virgin Mary and Christ  ', 2008 Tempera Painting, Religious.  Holy Virgin Mary and Christ, hand painted Hagiography wooden icon, personal  contemporary version, tempera on wood. ...
Religious - Painting
18 x 26 cm (7.1 x 10.2 inches)
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Maria Chatzivasileiou: 'Saint  Nikolas  ', 2007 Tempera Painting, Religious.  Hand painted icon, egg tempera on antique piece of wood. ...
Religious - Painting
19 x 39 cm (7.5 x 15.4 inches)
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Maria Chatzivasileiou: 'Virgin Mary and Christ', 2006 Tempera Painting, Religious.  Hand made religious byzantine icon, egg tempera on wood, painting according to orthodox tradition, backround 22kt gold leaf antique style. ...
Religious - Painting
24 x 35 cm (9.4 x 13.8 inches)
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Ruxandra Raileanu: 'toxic life', 2007 Tempera Painting, People.
, 2007
People - Painting
48.5 x 67 cm (19.1 x 26.4 inches)
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Levan Mindiashvili: 'Dancer', 2008 Tempera Painting, Figurative.
, 2008
Figurative - Painting
23 x 26 cm (9.1 x 10.2 inches)
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Theodhoraq Napoloni: 'cavalino rampante', 2006 Tempera Painting, Figurative.  Artistic PracticeMy artistic practice generally is oriented toward painiting. in essence the paintings portray teatral situations created by objects and for the formal and esthetic sappereance the image that is servired have a quality and attribute of '' FICTION REALISM''What interests me most is the expressing of situations that...
Figurative - Painting
140 x 98 cm (55.1 x 38.6 inches)
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Theodhoraq Napoloni: 'anatomyforunniversus', 2007 Tempera Painting, Figurative.  Artistic PracticeMy artistic practice generally is oriented toward painiting. in essence the paintings portray teatral situations created by objects and for the formal and esthetic sappereance the image that is servired have a quality and attribute of '' FICTION REALISM''What interests me most is the expressing of situations that...
Figurative - Painting
38 x 60 cm (15.0 x 23.6 inches)
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Mihai Stancescu: 'Hope', 2006 Tempera Painting, Still Life. oil egg tempera on wood panel  ...
, 2006
Still Life - Painting
17 x 12 inches (43.2 x 30.5 cm)
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Primoz Bajc: 'summer time', 2007 Tempera Painting, Abstract.
Abstract - Painting
50 x 30 cm (19.7 x 11.8 inches)
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Timothy King: 'Afton Prairie', 2005 Tempera Painting, Abstract Landscape.
Abstract Landscape - Painting
20 x 14 inches (50.8 x 35.6 cm)
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Rohan. S Jayasinghe: 'Riot in Red', 2007 Tempera Painting, Abstract.
Abstract - Painting
36 x 72 inches (91.4 x 182.9 cm)
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Malgorzata Przybyla: 'pracownia', 2004 Tempera Painting, Still Life.
, 2004
Still Life - Painting
500 x 700 mm ( x )
Tapan Kar: 'TREESCAPE', 2006 Tempera Painting, Abstract Landscape.
, 2006
Abstract Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Tapan Kar: 'SABARI', 2006 Tempera Painting, Abstract Figurative.
, 2006
Abstract Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Tapan Kar: 'HILLSCAPE', 2006 Tempera Painting, Abstract Landscape.
, 2006
Abstract Landscape - Painting
15 x 11 inches (38.1 x 27.9 cm)
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Rebecca Merry: 'St Agnes ', 2006 Tempera Painting, Religious. Saint Agnes is the patron saint of Gardeners and is one of a series of paintings of patron saints which Rebecca has done. ...
, 2006
Religious - Painting
13 x 13 cm (5.1 x 5.1 inches)
Rebecca Merry: 'Winter', 2006 Tempera Painting, Landscape. One of a series of four new paintings of the seasons of the year, based on books of hours and Russian Folk Art...
, 2006
Landscape - Painting
15 x 15 cm (5.9 x 5.9 inches)
Airton Sobreira: 'red background', 2006 Tempera Painting, Undecided. Original painting by airton sobreira...
Undecided - Painting
160 x 95 cm (63.0 x 37.4 inches)
(Page 3 of 8) - MORE ARTWORKS

Artists Describing Their Art:

Linda Paul - Artists Statement" When asked 'What is your favorite painting', I always say, 'the next one I am going to paint!" Style: I don't paint in any one style, I let inspiration speak to me and I go with the flow. My work runs the gamut from chunky realism to abstract and impressionist painting. I use many different mediums to create my artworks. One of my favorites is egg tempera which I make by crushing stones and minerals and adding egg yolk. Blues come from crushed lapis lazuli, greens from malachite and natural green earth found around Verona Italy. I even use minerals found during hikes in the Rocky Mountains. I am captivated not only by the purity and naturalness of this medium, but by the science of it. Each pigment has its own set of properties and capabilities that must be explored. How better to express visions of the earth than with earth itself. This medium is luminous and lasts for centuries. also make my own acrylic paint in the same manner. By adding pure pigment to a acrylic polymer. I can add thing like crushed mica and pearlescents to make the painting come alive. Lately I have also ...

Maria Edit Antal - Maria Edit Antal's attitude towards her art is practical, grounded in her physical, emotional and spiritual body. She works with organic movement through her body in relationship with dayly life and painting. Scince 2006 M. E. Antal has been studying extatic dance; the 5Rhythms and Movement Medicine. She is interested in breaking through illussions and belief systems to reach deeper truths of her core self, that which she is manifesting in her painting. One way of describing her vision is to quote Deleuze (1925-1995): "Grass grows from the middle and not from the bottom or the top". Through dancing Antal is moving from controling rigidity towards freedom with responsibility. Dancing and painting are in equal relationship in her art making. Antal's painting have a strong physicality with sculptural moving depth. In relation to the artworld Antal is connected to American feminism in the late1960's and in the1970's. Feminist artists at that time were inspired by ancient primitive cultures and Jungian pshychology. Antal is actively working within this frame. She is especially interested in topics of the art of Ana Mendieta (1948-1985), for example: earth, fire, death and rituals. She is also connecting to the ...

Tapan Kar - Born in 1954. Tapan Kar is an Indian artist who lives and works in Kolkata. He graduated from the Govt. College of Art and Crafts, Kolkata and pursuaded an MA in Bengali in the University of Calcutta. Tapan's favourite medium of work is Tempera, a less used medium of the present time. The matte finish of tempera gives his works a special dimension which reflects the true meaning of his thought.... and the life....

Theodhoraq Napoloni - Artistic Practice My artistic practice generally is oriented towards painting. In essence the paintings portray theatrical situations created by objects, and for a formal and aesthetic appearance the image that is represented has the quality and attributes of''FICTION REALISM''. What interests me most is the expressing of situations that deal with the unconsciousness, and it is exactly this unconsciouss that gives a lot of importance to the instinctive side and pushes me toward certain actions or pulls my attention towards something. During the realization phase of painting, this''special interest'' becomes more stronger and gives the image more apparent clearness with all the details and characteristics of the object. For me, the content I select to represent is very important. It is a selection that follows intuition primarily, and the psychological stains, putting them all together towards a real ending, that in fact, is an invisible reality whose imprints are hidden deep into fragmentilized moments of our history. All this process for me is the best tool to bring it in surface the deepest content of the truth, and the aesthetic dimension. The nature of the objects that become part of the painting is different. Sometimes the definitive images ...

Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

Rebecca Merry - Rebecca takes her inspiration from images of sacred art: primarily Islamic geometry, Christian Orthodox Icons, Indian and Western miniatures and illuminations, and early Italian Renaissance painting. More recently she has been drawing inspiration from Russian folk art, and Art Nouveau. She works primarily in egg tempera and is a member of the Society of Tempera Painters. Tempera is a traditional paint medium still used by the Orthodox Church which combines egg yolk and pigments to make a bright durable paint which is painted on gesso panels. She also makes her own gouache paint from pigments for her works on paper, as used in Indian miniature painting, and some collage work and etchings. The work itself is colourful, intense and with a strong narrative content. All of it depicts an archetypal, symbolic world where the ideals of things exist. To this end, all the pictures are based on geometric patterns that give them their innate harmonious quality. The colours too are carefully chosen, to give a sense of musical composition, an idea drawn from Indian miniature painting, where images are often painted as a mirror of a musical mode. ...