Paintings For Sale - Price Range: $2000 - $2999

Page 16 of 87
Discover 2,520 original painting artworks for sale between $2000 - $2999. Contemporary emerging artists: Elizabeth Barber Leventhal, Leyla Murr, Vasyl Dzhabraylov, Ghenadie Sontu, Richard Wynne, Derek Dey, Hajni Yosifov, Hooshang Khorasani, Hans Droog, Artur Pashkov, Reginald Williams, Maria Teresa Fernandes, Alaattin Bender, Habib Ayat, Prabha Shah, Martinho Dias, Richard Harpum, Benno Fognini are exhibiting their affordable original art. You can buy artwork online and browse 87 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Elizabeth Barber Leventhal: 'First of Spring', 2015 Oil Painting, Abstract.    30x40 mixed media on canvas                             ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Elizabeth Barber Leventhal: 'Spring Light 10', 2015 Oil Painting, Abstract.   30x40 mixed media on canvas                            ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Leyla Murr: 'Cosmos', 2015 Acrylic Painting, Abstract.                                                                                                  Original Painting by Leyla Murr on canvas    original artwork by Leyla Murr                                                                                               ...
, 2015
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Vasyl Dzhabraylov: 'EARLY SPRING ', 2012 Oil Painting, undecided.      oil on canvas     ...
undecided - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Ghenadie Sontu: 'Long Story Short', 2015 Oil Painting, Still Life.  Long Story Short - still life, oil painting by Ghenadie Sontu...
Still Life - Painting
50 x 60 cm (19.7 x 23.6 inches)
Richard Wynne: 'Untitled Landscape', 2015 Other Painting, Abstract Landscape.  aspens, wild flowers, moon, landscape, clouds, bright, night, pine trees, mountains, plein air, blue, purple, yellow, green, night scene, nature, arizona, full moon, dark, untitledDone on trip from Grand Canyon to Sedona Arizona. A full moon contrasts with the bright colors of the aspens and bright foreground. Painted from...
Abstract Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Derek Dey: 'The Dreamtime', 2015 Acrylic Painting, Archetypal. This painting was triggered by the Platonic idea - things remembered vaguely as in a dream. It is represented by a day in the World before the age of war; a memory of a time before suffering. It points to a bygone age of innocence and a striving for excellence where ...
Archetypal - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Elizabeth Barber Leventhal: 'Sea Glass 11', 2015 Oil Painting, Abstract.                          mixed media on canvas                         ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Elizabeth Barber Leventhal: 'Sea Glass 10 ', 2015 Oil Painting, Abstract.                      mixed media on canvas                     ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Elizabeth Barber Leventhal: 'Blue Petals 3', 2015 Oil Painting, Abstract.                     mixed media on canvas                    ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Hajni Yosifov: 'The Dreamer', 2015 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
Hajni Yosifov: 'The Rhythms of Life ', 2015 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
Hooshang Khorasani: 'Subtle Sunset', 2014 Other Painting, Abstract.  For me, abstract is a feeling that finally turns into a form - a form that flows.  I paint in layers, adding texture, but iti? 1/2s as if the paint itself takes part in the creative process.  Ii? 1/2m the tour guide on the journey, but therei? 1/2s another participantMy hands...
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
Vasyl Dzhabraylov: 'railway station', 2014 Oil Painting, undecided.
undecided - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Vasyl Dzhabraylov: 'child memories', 2014 Oil Painting, undecided.
undecided - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Hans Droog: 'Baby Chick Eleanor', 2015 Oil Painting, Animals.  Portrait of a Dominque Baby Chicken, a few days old.  ...
Animals - Painting
50 x 36 inches (127.0 x 91.4 cm)
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Artur Pashkov: 'Tunnel', 2015 Oil Painting, Abstract. Original oil painting on canvas, painted with high quality Holbein and Holland Oil paints. ...
, 2015
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
Reginald Williams: 'Innerverse', 2015 Acrylic Painting, Abstract.  black, white, abstract, ...
, 2015
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Reginald Williams: 'Afrocentric', 2014 Acrylic Painting, Abstract.   meditational, green, red, blue, orange , white     ...
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Maria Teresa Fernandes: 'bottled yellow', 1976 Oil Painting, Business.  many barriers : transparent objects, volumes, reflexes, refractions, a clear background usually avoided by painters, palette knife instead of brush, changing daylight   glass against a clear background is a big challenge to any painter                     ...
Business - Painting
1 x 22 inches (2.5 x 55.9 cm)
Alaattin Bender: 'Flowers with a gramophone', 2006 Oil Painting, undecided.
undecided - Painting
60 x 60 cm (23.6 x 23.6 inches)
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Alaattin Bender: 'Boy next to a cat', 2012 Oil Painting, undecided.
undecided - Painting
120 x 100 cm (47.2 x 39.4 inches)
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Habib Ayat: ' cityscape of Downtown Manhattan', 2014 Oil Painting, Cityscape.  nyc, cityscape, oil painting, Manhattan, buy art, local art, interior design, love, peace, canvas, downtown, urban, red, streets o fnyc ...
Cityscape - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Prabha Shah: 'KNOCK', 2008 Oil Painting, Abstract Landscape.   This is Lutyens' Delhi, with its gateway and large slabs of stone brought from Rajasthan. And be assured, someone will come to take the clothes off the line. The column in the middle is a living thing that has grown in the shape of a bird's hanging nest. The...
, 2008
Abstract Landscape - Painting
24 x 35 inches (61.0 x 88.9 cm)
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Martinho Dias: 'Scrimmage 1', 2014 Acrylic Painting, Figurative.
Figurative - Painting
140 x 115 cm (55.1 x 45.3 inches)
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Martinho Dias: 'The Raft of Medusa', 2008 Acrylic Painting, Figurative.
Figurative - Painting
130 x 130 cm (51.2 x 51.2 inches)
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Martinho Dias: 'Written painting by Michael Cain', 2004 Oil Painting, Abstract.  from the Written Paintings project ...
Abstract - Painting
120 x 150 cm (47.2 x 59.1 inches)
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Richard Harpum: 'Positano Vista, Amalfi Coast, Italy', 2014 Acrylic Painting, Landscape.  A few years ago I took my wife to Naples for her birthday and whilst there, we hired a car and toured all the local sights, including Positano on the beautiful Amalfi coast.  As usual, I took numerous photographs, stopping whenever possible on the treacherous coast road.  However, being pre...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Benno Fognini: 'Jo Siffert', 2014 Acrylic Painting, Other.    mixed- media   ...
, 2014
Other - Painting
80 x 80 cm (31.5 x 31.5 inches)
Benno Fognini: 'Havanna', 2014 Acrylic Painting, Other.   mixed- media  ...
, 2014
Other - Painting
80 x 80 cm (31.5 x 31.5 inches)
(Page 16 of 87) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Elizabeth Barber Leventhal - My work speaks to the emotional attachment I have to the ocean. I grew up in coastal Massachusetts. The ocean was my playground, my summer and is my biggest inspiration. The changing of season's affect the ocean are my strongest memories. Within it I find organic shapes, perfect in their form, that captivate me. Just as each element in nature is designed for a purpose resulting in beauty, I strive to conduct the materials to come together creating a replica of the perfect beauty I find in God's creation all around me. My thought process is the result of endless experimenting trying to keep the beginning idea fresh. I reveal what I enjoy about the process of painting. In the end I allow the gems I find to speak clearly. Layers of materials are built up to create depth and movement. Each layer is a catalyst to the next phase of the process. The painting begins with a wash of color. Color is applied with brush or by pouring and dripping. Water is then added to the canvas either thrown or poured in areas. The water allows the color to move, mix and interact in ways I cannot ...

    Leyla Murr - I am an artist whose desire to express has been incubating for a number of years. I feel I have an endless well of images inside me and each journey consists of spontaneous steps leading to a new adventure. This is how I view my life and my art. Colours and feelings cement the process. It is up to the viewer to find me. ...

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Derek Dey - Many times I am asked where ideas come from. There's never been any difficulty with that, because they arose one by one in almost linear fashion. The full idea for a painting would emerge in my mind as a complete mental picture somewhere towards the end of the painting I was working on before. From this, I would jot down a clear thumbnail image and pretty much work from that alone. Looking back on it, it seems to me the subconscious was prompting this process in an effort to build wholeness out of chaos within me. Almost like the process of art itself. I am in Europe painting writing and working up some 3D stuff. Caio! ...

    Hajni Yosifov - As a traveler in this life, searching, I dived deeper into my soul's journey in order to discover myself. On the edge of abstraction I use elements from nature to express my feelings.My painted diaries together with my poems endeavor to build a bridge between me and the world. My recent work captures shreds of self finding the way to struggle back to wholeness. A new self. With layers of paint, I dare to soar where the highest and most ideal form of composition is that which expresses life. And I deepen where is no path, honouring echoes in a new light. Each painting is a pause in my journey, echoing life. ...all cascade from moments of realization; sparkles of light and hope. I'm a traveler between dreamscapes. I'm a pouring of thoughts on the irreversible passage of time. My painted diaries together with my poems endeavor to build a bridge between me and the world. The Dreamer Years after minutes, Minutes after years My life is changing colours Laughter after tears. Love embracing the Dreamer On a bright summer day, The life is changing colours Autumn early day. In a valley, ruins. An old castle...

    Hooshang Khorasani - The work of Hooshang reflects a bold contemporary style, with hues that alternate between muted and highly energized. He paints on canvas, board and paper using acrylic, oil, pastel, charcoal and pencil. His work ranges from brushwork to washes to work with a palette knife. He says this about this work - I paint in layers, adding texture, but it is as if the paint itself takes part in the creative process. I am the tour guide on the journey, but there is another participant My hands are virtually channeled into a universal source of energy. And that energy, in turn, pulses through my brushes and artist tools. Indeed, the common theme for all my works is energy - energy in nature and the world around me, in moving colors that show power, in the inner life of my subjects. I seek to unveil the mysteries and beauties of the universe. ...

    Artur Pashkov - Artur Pashkov is an artist originally from Russia. He arrived to New York in 2001 to explore the land of the opportunity in his career and passion. Here, Artur Pashkov wants to pursue a goal of a successful artist that can reach an audience by expressing his feelings and emotions through his Art. Artur graduated with BFA from Pace University in 2007. Fine Art is Artur's gateway to share with other people his way of seeing everything around him. In this way some people can perceive through his representations and visions the world in different perspective and color.It's not easy for Artur to describe his creativity, because it's a process that he's not fully aware of. His visions are like dreams, and are not easily understood or explained. Every time he takes a brush in hand, his visions are coming from nowhere, and he does not know where they will take him. Some of Artur's paintings appear to come from another world, crazy and even scary. Artur Pashkov is a painter practically from birth, when other kids wanted a bike or a plane Artur wanted to paint. Over the last few years Artur Pashkov ...

    Reginald Williams - I believe the leaders of all societys past or present use the arts as a means to gauge the society. In other words whatever people want to see or hear it will be materialized. The leaders can also use art as a way to determine what is in the hearts and minds of the society. I strongly believe in art as a powerful means of communication and should be treated as well. Today their are so many who are not enlightened and ignorant of many things and must be made aware, or at least confronted. That is why art must serve a function besides just hanging on the wall collecting dust. In a more literal sense If it doesnt educate,inform,enlighten,sadden,anger,or at least stimulate the mind then it can't be art. Since the dawn of mankind when art was first drawn on cave walls its purpose was to inform and enlighten it was simply the first form of media news and will always continue to be a powerfull form of comunication. Some use art to decorate a wall. I want to use art to do what it was originally intended to do. If I can ...

    Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

    Habib Ayat - i have an immortal passion colour, and composition. I believe the most complex emotions can be evoked from the simpliest of forms. My style explores the relationship between colors shapes and structures living within irrational thoughts and emotions. I begin a piece very spontaneously and become more detailed as the composition starts to show itself. The process involves layering. The first layers are the most erratic and freeform, similar to automatic writing. Paint is applied liberally during this time creating thick textures. I sometimes add other elements like pumice, gels, and collage in these early layers. I notice different characters and forms in the middle of the process, which I then nurture and allow to develop almost at their own will. There comes a point in every painting when I surrender control over to the work, and it decides the rest of the composition. I derive titles in the same spontaneous fashion that the work is created. They are intended to give the painting an identity and character. My color theory, which seems to be the most immediate aspect of my work to the viewer, is very instinctive and unorthodox. In recent years I've been using more neutrals and ...

    Prabha Shah - There's a central theme underlining my work: India, or more specifically Rajasthan, in colours. Cities, streets, people, desert depictions fading rapidly, everything I love and miss. Emotional tension finds an outlet in the process of creation. People and historical events live inside me as shapes and colours. Colour is central to my painting. Life is the epitome of the universe. Through painting I try to stay close to those things I like but can't own. Things which often hurt us but we insist on desiring and loving in a unique way. The mysterious repetition of nothingness that torments us all. --Prabha Shah...

    Martinho Dias - The complexity and the multiple facets of the global world are my main fundamentals. Selecting and manipulating images, essentially from the press and popular magazines, I try to create a new suggested reality, a new narrative, open to the viewer. Resorting to the realism of the figures and the gestural abstraction, the paradox, the contrariety, the criticism or irony, what I do is unfold the reality, individual and collective, which is common to us, reconfiguring it in the plan of the canvas. Along my journey as a painter, I have also developed ways of communication with different cultures, as well as other areas, particularly the music and their players. Projects like "Written Paintings" and "Pangea" (video, currently in progress, involving entities and singers from 26 countries), they gave me the pleasure of collaboration of Kepa Junkera, Pauline Oliveros, Peter Ablinger, Gianluigi Trovesi, Robert Rich, Eurico Carrapatoso, Amelia Muge or Antonio Victorino d'Almeida, among many others. ...

    Richard Harpum - I find painting to be one of my most satisfying pastimes. Although I drew and painted as a youngster, a career in the British Army followed by many years as a senior executive in business, meant that I did not start pursuing my passion again until I was in my 50s. I am so glad that I did. Although I love the Impressionists, the engineer in me means that I have a great deal of difficulty being "loose" in my own work. Having tried and failed, I decided to take the route of being a realist artist, and recently coined "High Definition Art" as my slogan. However, I am not interested in achieving photorealism. I want people to see that my pictures are paintings, and would hate the thought that someone had to take a close look to discover that one of my paintings was not a photograph. My time-consuming technique pretty much prohibits painting en plein air, so I use photographs for reference in my studio. Consequently, I take a camera everywhere, although this drives my wife nuts! However, I deliberately avoid painting a direct copy of any of my photos. Indeed, with each new painting, I seem ...

    Benno Fognini - 1994 grundete er in Baden AG das Atelier Benno. Als fotographischer Autodidakt mit einer Ausbildung im Bereich der chemischen Forschung konnte und wollte er sich nicht auf das konventionelle begnugen. Es folgte monatelanges Experimentieren mit den unterschiedlichsten Techniken und Materialien, welche aus der Anfangszeit der Fotografie stammten. Tagelang verbrachte er in seiner Dunkelkammer auf der Suche nach neuen Rezepturen und Techniken. Durch dieses Experimentieren eignete er sich tiefgreifend Kenntnisse der Ferritypie, des Gummidrucks, der Herstellung von Albumin-Papieren sowie alter Tonungs- und Flussigemulsionstechniken an. Bald darauf folgte eine erste Ausstellung mit ,,Badener Ansichten". Durch die Begeisterung an Oldtimern reiste er von Rennen zu Rennen und sammelte Material von alten Autos und Flugzeugen. Das dumpfe Drohnen der Motoren, der Duft von Benzin und ol und die berauschende Dynamik dieser alten Vehikel liessen ihn nicht mehr los. So entstand 1999 ein grossformatiger Oldtimerkalender mit einzigartigen Unikaten. Nach der Ausbildung zum Diplom-Astrologen 2002 begann er sich mehr und mehr in Richtung Malerei zu bewegen. Anfanglich mit der Spruhpistole, spater dann immer mehr mit Pinsel und Spachtel - immer auf der Suche nach der dritten Dimension. Seine Bilder sind gepragt vom Gebrauch unterschiedlichster Materialien und Techniken. ...